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Authors: Lydia Davis

Almost No Memory (7 page)

BOOK: Almost No Memory
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She stopped crying, washed and dried her face, and tried to remember where she had last seen them. Then she remembered that they weren't loose, but sealed in a white envelope, and once she remembered that, she knew where she had seen that crumpled envelope recently, and found it in a wooden tray on her desk. She put the keys in her pocket, called a taxi, left the apartment, rode through the silent streets of several different neighborhoods, past two darkened hospitals, to her friend's apartment, and once inside fell asleep on his living-room rug, a thicker and more comfortable rug than her own.

*   *   *

She woke up when the clean light of dawn was coming through his tall windows, and left the apartment soon after, to avoid meeting him. By now she could return to her own apartment, as though she had climbed up to some high, difficult place during the night and climbed down again by morning.

She would never tell her friend she had slept in his apartment. It had been a long time since she had used his keys. His reaction, if he knew, would be interesting. In fact, this friend would possibly have been the most interesting person in the story, if she had put him instead of his apartment into it.

She was sick that day from all she had drunk. It would be more interesting to be well after drinking so much than to be sick, but she preferred being sick to being well that day, as though it were a celebration of the change that had happened, that she would not be sitting out in the Mediterranean sunshine with her lover that summer. After this, she would have almost nothing more to do with him. She would not answer his letters, and would barely speak to him if she chanced to meet him, but this anger of hers, lasting so long, was certainly more interesting to her, because in the end she found it harder to explain, than the fact that she had loved him so long.

IN THE EVERGLADES

Today I am riding in a canopied car on rubber wheels through Jungle Larry's African Safari. We pass a strangler fig tree and some caged cougars. A female leopard hides from us behind a rock. High up on the trunk of a palm in the Orchid Cathedral, one flower blooms beside a rusty faucet. Afterward we throw our trash into the mouth of a yawning plaster lion and leave for the Seminole Indian Village.

The Village is closed, and though the Village Shop is open we do not buy anything, perhaps because the Indians that wait on us and watch us pick through the beaded goods are so very sullen.

Later I sit in a short row of people at the front of an air boat, and with an unpleasant racket we skim the saw grass, moving fast suddenly. Animals everywhere in the mangrove swamp are disturbed, and one by one, with difficulty, herons and egrets rise up before us for miles around into the white sky.

All day I have been looking at a landscape charged with the sun, and when as instructed by the captain of the air boat I watched the water for alligators, the broken light of the reflected sun sparkled painfully. Now it is evening and my eyes ache as I sit in the lamplight incapable of thinking.

I look at what is around me: the papered walls, the gold-leafed decorations, the table in lamplight, my hands on the table, and in particular the back of my right hand on which today a woman has stamped the figure of a huddled monkey that is now becoming indistinct and ugly, and though I try again and again I can't remember exactly where or why this happened.

THE FAMILY

In the playground near the river, toward evening, in the lowering sun, on the green grass, only one family. Swings creak and cry out going back and forth. Shadows of swinging children foreshorten, fly over the grass into the weeds. (1) Fat young white woman pulls white baby by one arm onto quilt spread on grass. (2) Little black boy struggles with older black girl over swing, (3) is ordered to sit down on grass, (4) stands sullen while (5) fat white woman heaves to her feet, walks to him, and smacks him. (6) Little black boy whimpers, lies on his back on grass while (7) fat white woman plays with baby and (8) young black man orders black girl off swing. (9) Young black man begins wrestling in play with long-haired white girl who (10) protests while (11) tall, bony, wrinkled, mustachioed white man in baseball cap stands with arms crossed, back hunched, walkie-talkie attached to right hip and (12) black girl lies down with face in baby's face. (13) Baby peers up and around black girl when (14) white girl protests more loudly as (15) young black man slaps her buttocks and (16) older white man watches with arms crossed. (17) White girl breaks free of young black man and runs toward river crying as (18) young black man runs easily after her and (19) older white man in baseball cap runs awkwardly after her, one hand on walkie-talkie at his hip. (20) Young black man picks up white girl and carries her back to fat young white woman who (21) takes her onto her lap as (22) little black boy sits up in grass and watches. (23) White girl squirms in arms of young white woman, breaks free and runs again, crying, toward river. (24) Black girl, taller, follows, overtakes her, lifts and carries her back. (25) Young white woman holds white girl who struggles, hair covering her face, while (26) black girl swings on swing holding white baby and (27) white man stands still, back hunched, hips forward, eyes invisible under visor of baseball cap. (28) Young black man goes off toward concrete hut in setting sun and (29) returns to call out to white woman, who (30) leaves white girl and follows after him with baby to concrete hut while (31) black girl continues to swing alone and (32) black boy sits on grass alone and (33) white man stands still with arms crossed looking out from under visor. (34) White woman returns with black man and bends to gather quilt and bag from grass. (35) White man in baseball cap holds small sleeping bag open while (36) young white woman puts baby in. (37) Young white woman orders black boy up off ground. (38) Black boy shakes head and stays on ground. (39) White woman slaps black boy, who (40) begins crying. (41) White woman carrying baby walks away with young black man and two girls while (42) older white man follows, holding crying black boy by hand. (43) Family leaves playground and enters dusty road. (44) Family stops to wait for white man in baseball cap, who (45) returns slowly to park, picks up pair of child's thongs from grass, and (46) rejoins family. (47) Family walks on, heading toward marsh, short bridge, and red sky.

TRYING TO LEARN

I am trying to learn that this playful man who teases me is the same as that serious man talking money to me so seriously he does not even see me anymore and that patient man offering me advice in times of trouble and that angry man slamming the door as he leaves the house. I have often wanted the playful man to be more serious, and the serious man to be less serious, and the patient man to be more playful. As for the angry man, he is a stranger to me and I do not feel it is wrong to hate him. Now I am learning that if I say bitter words to the angry man as he leaves the house, I am at the same time wounding the others, the ones I do not want to wound, the playful man teasing, the serious man talking money, and the patient man offering advice. Yet I look at the patient man, for instance, whom I would want above all to protect from such bitter words as mine, and though I tell myself he is the same man as the others, I can only believe I said those words, not to him, but to another, my enemy, who deserved all my anger.

TO REITERATE

Michel Butor says that to travel is to write, because to travel is to read. This can be developed further: To write is to travel, to write is to read, to read is to write, and to read is to travel. But George Steiner says that to translate is also to read, and to translate is to write, as to write is to translate and to read is to translate. So that we may say: To translate is to travel and to travel is to translate. To translate a travel writing, for example, is to read a travel writing, to write a travel writing, to read a writing, to write a writing, and to travel. But if because you are translating you read, and because writing translate, because traveling write, because traveling read, and because translating travel; that is, if to read is to translate, and to translate is to write, to write to travel, to read to travel, to write to read, to read to write, and to travel to translate; then to write is also to write, and to read is also to read, and even more, because when you read you read, but also travel, and because traveling read, therefore read and read; and when reading also write, therefore read; and reading also translate, therefore read; therefore read, read, read, and read. The same argument may be made for translating, traveling, and writing.

LORD ROYSTON'S TOUR

Gotheberg: Greatly Daring Dined

He was a good deal tossed and beaten about off the Skaw, before sailing up the river this morning. On board also were the Consul, Mr. Smith, and an iron merchant, Mr. Damm. Neither he nor his two servants have any common language with any inhabitant of the inn. Considerable parts of the town of Gotheberg were burned down, it being built almost entirely of wood, and they are rebuilding it with white brick.

He has completely satisfied his curiosity about the town.

On an excursion to Trolhatte, the harness breaks three or four times between every post. Here the traveler drives, and the peasant runs by the side of the carriage or gets up behind. He views with great interest the falls of Trolhatte. In an album at a small inn at Trolhatte, he inscribes some Greek anapests evoking his impressions of them.

He inspects the canal and the cataracts under the guidance of a fine old soldier. He sees several vessels loaded with iron and timber pass through the sluices. He receives great civilities from the English merchants, particularly from Mr. Smith, the Consul. He eats cheese and corn brandy, raw herrings and caviar, a joint, a roast, fish and soup, and can't help thinking of Pope's line, “greatly daring dined.”

 

To Copenhagen: The Water, Merely Brackish

Leaving Gotheborg, he passes through country uncommonly dreary, destitute of wood, covered with sand or rock, then country that is well wooded and watered, bearing crops chiefly of rye or barley, with a few fields of wheat and occasional hop grounds. Many of the wood bridges are quite rotten and scarcely bear the weight of a carriage. Crossing the Sound after reaching Helsinborg, he sees with great surprise a flock of geese swimming in the sea, tastes the water, and finds it merely brackish.

His knowledge of Copenhagen is so far limited to the streets he has driven through and the walls of the room he is sitting in, but there is no appearance of poverty, none of the wooden houses of Sweden, and the people are well dressed. He has reason to be satisfied with his servants, particularly Poole, who is active and intelligent.

The Danish nobility have mostly retired to their country houses.

 

The Barren Province of Smolang

Leaving Helsinborg, he has traveled through extensive forests of fir and birch: this is the barren Province of Smolang, so thinly inhabited that in two days he met only one solitary traveler.

Poole has contrived to get on by composing a language of English, Dutch, German, Swedish, and Danish in which euphony is not the most predominant feature.

For some time he has got nothing to eat but some rye bread—much too hard, black, and sour, he thinks, for any human being to eat. He might have had plenty of some raw salt goose if he had liked.

Stockholm is not so regular as Copenhagen, but more magnificent.

He has been to the Arsenal and seen the skin of the horse that carried Gustavus Adolphus at the battle of Lutzen, and the clothes in which Charles XII was shot.

He has sent his father two pieces of Swedish money, which is so heavy that when it was used as current coin, a public officer receiving a quarter's allowance had to bring a cart to carry it away.

 

To Westeras

In Upsala he visited the Cathedral and found there a man who could speak Latin very fluently. The Rector Magnificus was not at home. He was detained some time in a forest of fir and birch by the axletree breaking. In general, he is annoyed by having to find separate lodgings for himself and his horses in each town.

His Swedish has made the most terrible havoc with the little German he knows.

 

In Abo

He understands there is a gloom over the Russian court.

 

St. Petersburg: Rubbers of Whist

The immense forests of fir strike the imagination at first but then become tedious from their excessive uniformity. He has eaten partridges and a cock of the woods. As he advances in Russian Finland he finds everything getting more and more Russian: the churches begin to be ornamented with gilt domes and the number of persons wearing beards continues to increase. A postmaster addresses him in Latin but in spite of that is not very civil. The roads are so bad that eight horses will not draw him along and he is helped up the mountain by some peasants. He sees two wolves. He crosses the Neva over a wooden bridge. He is amused at finding his old friends the Irish jaunting-cars.

The most striking objects here are certainly the common people.

He has a poor opinion of the honesty of the country when he finds in the Russian language a single word to express “the perversion of Justice by a Judge,” as in Arabic there is a word to express “a bribe offered to a Judge.”

In the Russian language they have only one word to express the ideas of
red
and
beautiful,
as the Romans used the word “purple” without any reference to color, as for instance “purple snow.”

He is bored by the society of the people of St. Petersburg, where he plays rubbers of whist without any amusing conversation. He considers card games even more dull and unentertaining than spitting over a bridge or tapping a tune with a walking stick on a pair of boots.

The general appearance of the city is magnificent, and he sees this as proof of what may be done with brick and plaster—though the surrounding country is very flat, dull, and marshy. The weather begins to be cold, and a stove within and a pelisse without doors are necessary.

BOOK: Almost No Memory
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