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Authors: Wilkie Collins

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The fifth act is set in the sanatorium. Lydia, who still hates Allan, proposes poisoning him. He is lured to the establishment by a false report of Neelie's being there. The ‘vaporizer' poisoning technique is suggested by Lydia, collaborating with Downward (Bashwood, like Oldershaw, is absent from this version of the plot). There is the familiar change of rooms, and Lydia finds that she has poisoned (but not quite killed) Ozias. She discovers round his neck a locket containing some of her magnificent red hair. She kills herself in an agony of remorse.

Miss Gwilt in this last stage version is much less guilty than her namesake in the novel, or in the first dramatization. But it is not quite accurate to say, as Catherine Peters does, that ‘she is not implicated in the plots to sink Allan's yacht and to murder him with poison gas'. Lydia is, albeit not always wholeheartedly, a clear accessory before the murder.

As Collins records,
Miss Gwilt
was ‘put on for the first time at the Alexandra Theatre, Liverpool, 9 Dec 1875' and thereafter ‘performed some hundreds of nights in England and in America'. It had its London opening in April 1876 at the Globe Theatre. It was not a critical success. The
Athenaeum
‘s review (22 April 1876) was scathing:

So favourable a reception had, according to report, been awarded
Miss Gwilt
on its first production in Liverpool, a success in London had been discounted beforehand. The best laid plans o' mice and managers ‘gang oft agley'… To the faults which ordinarily attend dramatized versions of novels,
Miss Gwilt
adds some shortcomings which are specially characteristic of the author. It is long-winded, involved, oppressive in atmosphere, and artificial in treatment.

The reviewer liked Ada Cavendish, the actress who played Miss Gwilt, but thought the climactic murder wholly absurd.

Notes

1.
For Collins's theatrical activities with Dickens in the 1850s see Robert L. Brannan,
Under the Management of Mr Charles Dickens
(Ithaca: New York, 1966).

2.
Robinson, p.
195
.

3.
Huntington Library, call mark HM 33787.

4.
Walter Dexter, ed.,
The Letters of Charles Dickens
(London, 1938), III, p.
477
.

5.
Huntington Library, call mark HM 33789.

6.
Robinson, p.
198
.

7.
B. A. Brashear has studied the various dramatic versions of
Armadale
in his doctoral thesis, ‘Wilkie Collins: from novel to play' (Case-Western Reserve University, 1972).

A CHRONOLOGY OF WILKIE COLLINS'S LIFE

1824

8 January: Born at 11 New Cavendish Street, St Marylebone,

 

London to William John Thomas Collins, RA (1788–1847), painter, and Harriet Collins,
née
Geddes (1790–1868)

1826

Family moves to Pond Street, Hampstead

1828

25 January: Brother, Charles Allston Collins, born (d.1873)

1829

Family moves to Hampstead Square

1830

Family moves to Porchester Terrace, Bayswater

1835

13 January: Attends Maida Hill Academy

1836

19 September–15 August 1838:Family visits France and Italy

1838

August: Family moves to 20 Avenue Road, Regents Park; attends

 

Mr Cole's private boarding school, Highbury Place

1840

Summer: Family moves to 85 Oxford Terrace, Bayswater;

 

December: leaves Mr Cole's school

1841

January: Apprenticed to Edmund Antrobus, tea merchant of the Strand

1842

June–July: Visits Scotland with his father

1843

August: First published fiction, ‘The Last Stage Coachman',
Illuminated Magazine

1844

Writes
Iólani; Or Tahiti as it was, a Romance,
which remains unpublished until 1999

1845

January: Submits
Iólani
to Chapman and Hall; is rejected in March

1846

17 May: Enters Lincoln's Inn to study law

1847

17 February: Death of father

1848

Summer: Family moves to 38 Blandford Square; November:

 

first book,
Memoirs of the Life of William Collins, Esq., RA,
published

 

by Chapman and Hall

1849

Exhibits a painting,
The Smuggler's Retreat,
at the Royal Academy

 

Summer Exhibition

1850

26 February: First play,
A Court Duel,
an adaptation of J. P. Simon

 

and Edmond Badon's
Monsieur Lockroy,
staged at the Soho Theatre,

 

Dean Street; 27 February: first novel,
Antonina; or the Fall of Rome,

 

published by Richard Bentley; Summer: moves with mother to

 

17 Hanover Terrace; July–August: walking tour of Cornwall with

 

Henry Brandling, artist

1851

30 January:
Rambles Beyond Railways,
a travel book on Cornwall,

 

published by Bentley; March: meets Charles Dickens; first

 

contribution to
Bentley's Miscellany,
‘The Twin Sisters'; 16 May:

 

acts with Dickens in Edward Bulwer-Lytton's
Not So Bad as We

 

Seem; 27
September: first article for Edward Pigott's socialist

 

newspaper,
Leader; 21
November: called to the Bar; 17 December:

 

Mr Wray's Cash-Box
published by Bentley

1852

24 April: First contribution to
Household Words,
‘A Terribly

 

Strange Bed'; 16 November:
Basil: A Story of Modern Life

 

published by Bentley

1853

July–September: Stays with Dickens in Boulogne; October–

 

December: tours Switzerland and Italy with Dickens and

 

Augustus Egg

1854

Joins the Garrick Club; 6 June:
Hide and Seek
published by

 

Bentley; July–August: stays with Dickens in Boulogne

1855

16 June: First play,
The Lighthouse
, performed at Tavistock House

 

by Dickens's theatrical company; September: sails to Scilly Isles

 

with Pigott

1856

February: First collection of short stories,
After Dark
, published

 

by Smith, Elder; 1–29 March:
A Rogue's Life
serialized in
Household

 

Words;
September: Moves to 2 Harley Place; October: becomes

 

staff writer on
Household Words

1857

3 January:
The Dead Secret
begins serialization in
Household Words

 

and (from 24 January) in
Harper's Weekly;
6 January:
The Frozen

 

Deep
performed at Tavistock House; June:
The Dead Secret

 

published in volume form by Bradbury and Evans; 10 August:

 

The Lighthouse
opens at the Olympic Theatre; September:

 

tours Cumberland, Lancashire and Yorkshire with Dickens;

 

3–31 October: they describe the trip in
The Lazy Tour of Two

 

Idle Apprentices,
published in
Household Words
; December: collab

 

orates with Dickens on ‘The Perils of Certain English

 

Prisoners'

1958

First French translation,
The Dead Secret;
July–August: first visit

 

to Broadstairs, Kent; September: resigns from the Garrick club,

 

in protest at the expulsion of his friend Edmund Yates; 11

 

October:
The Red Vial
is produced at the Olympic Theatre, and

 

flops

1859

January–February: Lives with Mrs Caroline Graves at 124

 

Albany Street; apart from one short interlude, they remain

 

together until his death; May–December: lives at 2a Cavendish

 

Square; October:
The Queen of Hearts
published by Hurst and

 

Blackett; 26 November–25 August 1860:
The Woman in White

 

serialized in
All the Year Round
; December: moves to 12 Harley Street

1860

17 July: Charles Allston Collins marries Kate Dickens; August:

 

The Woman in White
published in volume form by Sampson

 

Low; 22 August: opens bank account at Coutts

1861

January: Resigns from
All the Year Round
; 16 April: joins the

 

Athenaeum club; August: visits Whitby, Yorkshire, with Caroline Graves

1862

15 March–17 January 1863:
No Name
serialized in
All the Year

 

Round
; 31 December: published in volume form by Sampson Low

1863

August: Visits the Isle of Man with Caroline and her daughter,

 

Harriet; November: a collection of journalism,
My Miscellanies
,

 

published by Sampson Low

1864

November–June 1866:
Armadale
serialized in the
Cornhill

 

Magazine
, December: moves to 9 Melcombe Place, Dorset Square

1865

Chair of the Royal General Theatrical Fund

1866

May:
Armadale
published in volume form by Smith, Elder;

 

October: visits Italy with Pigott; 27 October:
The Frozen Deep

 

opens at the Olympic Theatre

1867

September: Moves to 90 Gloucester Place; December: collaborates

 

with Dickens on short story ‘No Thoroughfare'; 24

 

December: theatrical adaptation produced, Adelphi Theatre

1868

Finds lodgings for Martha Rudd, his second mistress, at 33

 

Bolsover Street, Portland Place; she uses the name ‘Mrs

 

Dawson'; 4 January–8 August: The Moonstone serialized in
All

 

the Year Round
; 19 March: his mother dies; July:
The Moonstone

 

published in volume form by Tinsley Brothers; 29 October:

 

witnesses the marriage of Caroline Graves to Joseph Charles Clow

1869

29 March:
Black and White
, written in collaboration with the

 

actor Charles Fechter, opens at the Adelphi Theatre; 4 July:

 

daughter, Marian Dawson, born to Collins and Martha Rudd;

 

20 November–30 July 1870:
Man and Wife
serialized in
Cassell's Magazine

1870

June:
Man and Wife
published in volume form by F. S. Ellis; 9

 

June: Death of Dickens

1871

April: Caroline Graves returns to live with Collins in Gloucester

 

Place; 14 May: second daughter, Harriet Constance Dawson,

 

born to Collins and Martha Rudd at 33 Bolsover Street; 9 October:

 

The Woman in White
opens at the Olympic; 2 September–24

 

February 1872:
Poor Miss Finch
serialized in
Cassell's Magazine

1872

26 January:
Poor Miss Finch
published in volume form by

 

Bentley; October–July 1873:
The New Magdalen
serialized in

 

Temple Bar

1873

17 January:
Miss or Mrs? And Other Stories
published by Bentley;

 

22 February:
Man and Wife
opens at the Prince of Wales Theatre;

 

9 April: Charles Allston Collins dies; 17 May:
The New Magdalen

 

published in volume form by Bentley; 19 May: stage version of

 

The New Magalen
opens at the Olympic; 25 September: arrives

 

in New York for reading tour of America; 10 November:
The

 

New Magdalen
opens in New York

1874

Martha Rudd moves to 10 Taunton Place, Regents Park; 7 March:

 

Collins leaves Boston for England; 26 September–13 March 1875:

 

The Law and the Lady
serialized in the
Graphic;
2 November:
The

 

Frozen Deep and Other Stories
published by Bentley; 25 December:

 

son, William Charles Collins Dawson, born to Collins and Martha

 

Rudd at Taunton Place

1875

Copyright for Collins's work acquired by Chatto and Windus,

 

who remain his publishers until his death; February:
The Law

 

and the Lady
published in volume form by Chatto and Windus

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