Asimov's SF, October-November 2011 (39 page)

—

Tandreve chuckled, and Kit with her.

One of the drivers wandered over as Kit pulled his horse to a stop. Unattended, her team moved forward anyway. “Folks,” she said, and nodded. A taciturn woman.

Kit swung down from the saddle. “These are the chains?"

"You're from the bridge?"

"Kit Meinem of Atyar."

The woman nodded again. “Berallit Red-Ox of Ilver. Your smiths are sitting on the tail of the last wagon."

One of the smiths, a rangy man with singed eyebrows, loped forward to meet them, and introduced himself as Jared Toss of Little Hoic. They walked beside the carts as they talked, and he threw aside a tarp to show Kit what they carried: iron eyebars, each a rod ten feet long with eyes at each end. Tandreve walked sideways as she inspected the eyebars; she and Jared soon lost themselves in a technical discussion, while Kit kept them company, leading Tandreve's forgotten horse and his own, content for the moment to let the masters talk it out. He moved a little forward until he was abreast of the oxen.
Remember last night
'
s dream,
he thought, and then:
I wonder what Rasali dreamt.

After that night on the mist, Rasali seemed to have no bad days. She took people the day after they arrived, no matter the weather or the mist's character. The tavern keepers grumbled at this a bit, but the decrease in time each visitor stayed in town was made up for by the increase in numbers of serious-eyed men and women sent by firms in Atyar to establish offices in the towns on the river's far side. It made things easier for the bridge, as well, since Kit and others could move back and forth as needed. Kit remained reluctant, more so since the near-miss.

There was enough business for two boats, and Valo volunteered to ferry more often, but Rasali refused the help, allowing him to ferry only when she couldn't prevent it. “The Big Ones don't seem to care about me this winter,” she said to him, “but I can't say they would feel the same about tender meat like you.” With Kit she was more honest. “If he is to leave ferrying, to go study in the capital maybe, it's best sooner than later. Mist will be dangerous until the last ferry crosses it. And even then, even after your bridge is done."

It was Rasali only who seemed to have this protection; the fishing people had as many problems as in any year. Denis Redboat lost his coracle when it was rammed ("By a Medium-Large One,” he laughed in the tavern later: sometimes the oldest jokes were the best), though he was fished out by a nearby boat before he had sunk too deep. The rash was superficial, but his hair grew back only in patches.

Kit sat in the crowded beer garden of The Deer's Heart, watching Rasali and Valo build a little pinewood skiff in the boat yard next door. Valo had called out a greeting when Kit first sat down, and Rasali turned her head to smile at him, but after that they ignored him. Some of the locals stopped by to greet him, and the barman stayed for some time, telling him about the ominous yet unchanging ache in his back; but for most of the afternoon, Kit was alone in the sun, drinking cellar-cool porter and watching the boat take shape.

In the midsummer of the fourth year, it was rare for Kit to have the afternoon of a beautiful day to himself. The anchorages had been finished for some months. So had the rubble-fill ramps that led to the arched passages through each pillar, but the pillars themselves had taken longer, and the granite saddles that would support the chains over the towers had only just been put in place.

They were only slightly behind on Kit's deadlines for most of the materials. More than a thousand of the eyebars and bolts for the chains were laid out in rows, the iron smelling of the linseed oil used to protect them during transit. More were expected in before winter. Close to the ramps were the many fish-skin ropes and cables that would be needed to bring the first chain across the gap. They were irreplaceable, probably the most valuable thing on the work sites, and were treated accordingly, kept in closed tents that reeked.

Kit's high-work specialists were here, too: the men and women who would do the first perilous tasks, mostly experts who had worked on other big spans or the towers of Atyar.

But everything waited on Rasali, and in the meantime, Kit was content to sit and watch her work.

Valo and Rasali were not alone in the boat yard. Rasali had sent to the ferry folk of Ubmie, a hundred miles to the south, and they had arrived a few days before: a woman and her cousin, Chell and Lan Crosser. The strangers had the same massive shoulders and good looks the Ferrys had, but they shared a faraway expression of their own; the river was broader at Ubmie, deeper, so perhaps death was closer to them. Kit wondered what they thought of his task—the bridge would cut into ferry trade for many hundreds of miles on either side, and Ubmie had been reviewed as a possible site for the bridge—but they must not have resented it or they would not be here.

Everything waited on the ferry folk: the next major task was to bring the lines across the river to connect the piers—fabricating the chains required temporary cables and catwalks to be there first—but this could not be rushed: Rasali, Valo, and the Crossers all needed to feel at the same time that it was safe to cross. Kit tried not to be impatient, and in any case he had plenty to do—items to add to lists, formal reports and polite updates to send to the many interested parties in Atyar and in Triple, instructions to pass on to the rope makers, the masons, the road-builders, the exchequer. And Jenner: Kit had written to the capital and the Department of Roads was offering Jenner the lead on the second bridge across the river, to be built a few hundred miles to the north. Kit was to deliver the cartel the next time they were on the same side, but he was grateful the officials had agreed to leave Jenner with him until the first chain on this bridge was in place.

He pushed all this from his mind.
Later
, he said to the things, half-apologetically;
I
'
ll deal with you later. For now, just let me sit in the sun and watch other people work.

The sun slanted peach-gold through the oak's leaves before Rasali and Valo finished for the day. The skiff was finished, an elegant tiny curve of pale wood and dying sunlight. Kit leaned against the fence as they threw a cup of water over its bow and then drew it into the shadows of the boathouse. Valo took off at a run—
so much energy, even after a long day
; ah, youth—as Rasali walked to the fence and leaned on it from her side.

"It's beautiful,” he said.

She rolled her neck. “I know. We make good boats. Are you hungry? Your busy afternoon must have raised an appetite."

He had to laugh. “We finished the pillar—laid the capstone this morning. I
am
hungry."

"Come on, then. Thalla will feed us all."

Dinner was simple. The Deer's Heart was better known for its beers than its foods, but the stew Thalla served was savory with chervil, and thick enough to stand a spoon in. Valo had friends to be with, so they ate with Chell and Lan, who were as light-hearted as Rasali. At dusk, the Crossers left to explore the Nearside taverns, leaving Kit and Rasali to watch heat lightning in the west. The air was thick and warm, soft as wool on their skin.

"You never come up to the work sites on either side,” Kit said suddenly, after a comfortable, slightly drunken silence. He inspected his earthenware mug, empty except for the smell of yeast.

Rasali had given up on the benches and sat instead on one of the garden tables. She leaned back until she lay supine, face toward the sky. “I've been busy. Perhaps you noticed?"

"It's more than that. Everyone finds time, here and there. And you used to."

She laughed. “I did, didn't I? I just haven't seen the point, lately. The bridge changes everything, but I don't see yet how it changes me. So I wait until it's time. Perhaps it's like the mist."

"What about now?"

She rolled her head until her cheek lay against the rough wood of the tabletop: looking at him, he could tell, though her eyes were hidden in shadows. What did she see, he wondered: what was she hoping to see? It pleased him, but made him nervous.

"Come to the tower, now, tonight,” he said. “Soon everything changes. We pull the ropes across, and make the chains, and hang the supports, and lay the road—everything changes then. It stops being a project and becomes a bridge, a road. But tonight, it's still just two towers and a bunch of plans. Rasali, climb it with me. I can't describe what it's like up there—the wind, the sky all around you, the river.” He flushed at the urgency in his voice. When she remained silent, he added, “You change whether you wait for it or not."

"There's lightning,” she said.

"It runs from cloud to cloud,” he said. “Not to earth."

"Heat lightning.” She sat up suddenly, nodded. “So show me this place."

The work site was abandoned. The sky overhead had filled with clouds lit from within by the lightning, which was worse than no light at all, since it ruined their night vision. They staggered across the site, trying to plan their paths in the moments of light, doggedly moving through the darkness. “Shit,” Rasali said suddenly in the darkness, then: “Tripped over something or other.” Kit found himself laughing for no apparent reason.

They took the internal stairs instead of the scaffold that still leaned against the pillar's north wall. Kit knew them thoroughly, knew every irregular turn and riser; he counted them aloud to Rasali as he led her by the hand. They reached one hundred and ninety four before they saw light from a flash of lightning overhead, two hundred and eighteen when they finally stepped onto the roof, gasping for air.

They were not alone. A woman squealed; she and the man with her grabbed clothes and blankets and bolted with their lamp, naked and laughing down the stairs. Rasali said with satisfaction, “Sera Oakfield. That was Erno Bridgeman with her."

"He took his name from the bridge?” Kit asked, but Rasali said only, “Oh,” in a child's voice. Silent lightning painted the sky over her head in sudden strokes of purple-white: layers of cloud glowing or dark.

"It's so much closer.” She looked about her, walked to the edge and looked down at Nearside. Dull gold light poured from doors open to the heavy air. Kit stayed where he was, content to watch her. The light (when there was light) was shadowless, and her face looked young and full of wonder. After a time, she walked to his side.

They said nothing, only kissed and then made love in a nest of their discarded clothes. Kit felt the stone of his bridge against his knees, his back, still warm as skin from the day's heat. Rasali was softer than the rocks and tasted sweet.

A feeling he could not have described cracked open his chest, his throat, his belly. It had been a long time since he had been with a woman, not met his own needs; he had nearly forgotten the delight of it, the sharp sweet shock of his release, the rocking ocean of hers. Even their awkwardness made him glad, because it held in it the possibility of doing this again, and better.

When they were done, they talked. “You know my goal, to build this bridge,” Kit looked down at her face, there and gone, in the flickering of the lightning. “But I do not know yours."

Rasali laughed softly. “Yet you have seen me succeed a thousand times, and fail a few. I wish to live well, each day."

"That's not a goal,” Kit said.

"Why? Because it's not yours? Which is better, Kit Meinem of Atyar? A single great victory, or a thousand small ones?” And then: “Tomorrow,” Rasali said. “We will take the rope across tomorrow."

"You're sure?” Kit asked.

"That's a strange statement coming from you. The bridge is all about crossing being a certainty, yes? Like the sun coming up each morning? We agreed this afternoon. It's time."

Dawn came early, with the innkeeper's preemptory rap on the door. Kit woke disoriented, tangled in the sheets of his little cupboard bed. Afterward he and Rasali had come down from the pillar, Rasali to sleep and Kit to do everything that needed to happen before the rope was brought across, all in the few hours left of the night. His skin smelled of Rasali, but, stunned with lack of sleep, he had trouble believing their lovemaking had been real. But there was stone dust ground into his skin; he smiled and, though it was high summer, sang a spring song from Atyar as he quickly washed and dressed. He drank a bowl filled with broth in the taproom. It was tangy, lukewarm. A single small water-fish stared up at him from a salted eye. Kit left the fish, and left the inn.

The clouds and the lightning were gone; early as it was the sky was already pale and hot. The news was everywhere, and the entire town, or so it seemed, drifted with Kit to the work site, and then flowed over the levee and down to the bank.

The river was a blinding creamy ribbon high between the two banks, looking just as it had the first time he had seen it, and for a minute he felt dislocated in time. High mist was seen as a good omen, and though he did not believe in omens, he was nevertheless glad. There was a crowd collected on the Farside levee as well, though he couldn't see details, only the movement like gnats in the sky at dusk. The signal towers’ flags hung limp against the hot blue-white sky.

Kit walked down to Rasali's boat, nearly hidden in its own tight circle of watchers. As Kit approached, Valo called, “Hey, Kit!” Rasali looked up. Her smile was like welcome shade on a bright day. The circle opened to accept him.

"Greetings, Valo Ferry of Farside, Rasali Ferry of Farside,” he said. When he was close enough, he clasped Rasali's hands in his own, loving their warmth despite the day's heat.

"Kit.” She kissed his mouth, to a handful of muffled hoots and cheers from the bystanders and a surprised noise from Valo. She tasted like chicory.

Daell Cabler nodded absently to Kit. She was the lead rope maker. Now she, her husband Stivvan, and the journeymen and masters they had drawn to them, were inspecting the hundreds of fathoms of plaited fish-skin cord, loading them without twists onto spools three feet across, and loading those onto a wooden frame bolted to the
Tranquil Crossing
.