Asimov's SF, October-November 2011 (37 page)

"Valo Builder . . . “ he said, trying it out, then: “No.” But after that, whenever he had time free from ferrying or building boats, he was always to be found on the site. Kit knew that the answer would be different the next time he asked. There was for everything a possibility, an invisible pattern that could be made manifest given work and the right materials. Kit wrote to an old friend or two, finding contacts that would help Valo when the time came.

The pillars and anchorages grew. Winter came, and summer, and a second winter. There were falls, a broken arm, two sets of cracked ribs. Someone on Farside had her toes crushed when one of the stones slipped from its rollers and she lost the foot. The bridge was on schedule, even after the delay caused by the slow rock-breaking. There were no problems with payroll or the Department of Roads or Empire, and only minor, manageable issues with the occasionally disruptive representatives from Triple or the local governors.

Kit knew he was lucky.

The first death came during one of Valo's visits.

It was early in the second winter of the bridge, and Kit had been in Farside for three months. He had learned that winter meant gray skies and rain and sometimes snow. Soon they would have to stop the heavy work for the season. Still, it had been a good day, and the workers had lifted and placed almost a hundred stones.

Valo had returned after three weeks at Nearside, building a boat for Jenna Blue-fish. Kit found him staring up at the slim tower through a rain so faint it felt like fog. The black opening of the roadway arch looked out of place, halfway up the pillar.

Valo said, “You're a lot farther along since I was here last. How tall now?"

Kit got this question a lot. “A hundred and five feet, more or less. A third finished."

Valo smiled, shook his head. “Hard to believe it'll stay up."

"There's a tower in Atyar, black basalt and iron, five hundred feet. Five times this tall."

"It just looks so delicate,” Valo said. “I know what you said, that most of the stress on the pillar is compression, but it still looks as though it'll snap in half."

"After a while, you'll have more experience with suspension bridges and it will seem less . . . unsettling. Would you like to see the progress?"

Valo's eyes brightened. “May I? I don't want to get in the way."

"I haven't been up yet today, and they'll be finishing up soon. Scaffold or stairwell?"

Valo looked at the scaffolding against one face of the pillar, the ladders tied into place within it, and shivered. “I can't believe people go up that. Stairs, I think."

Kit followed Valo. The steep internal stair was three feet wide and endlessly turning, five steps up and then a platform; turn to the left, and then five more steps and turn. Eventually, the stairs would at need be lit by lanterns set into alcoves at every third turning, but today Kit and Valo felt their way up, fingers trailing along the cold, damp stone, a small lantern in Valo's hand.

The stairwell smelled of water and earth and the thin smell of the burning lamp oil. Some of the workers hated the stairs and preferred the ladders outside, but Kit liked it. For these few moments, he was part of his bridge, a strong bone buried deep in flesh he had created.

They came out at the top and paused a moment to look around the unfinished courses, and the black silhouette of the winch against the dulling sky. The last few workers were breaking down the shear-legs, which had been used to move blocks around the pillar. A lantern hung from a pole jammed into one of the holes the laborers would fill with rods and molten iron, later in construction. Kit nodded to them as Valo went to an edge to look down.

"It is wonderful,” Valo said, smiling. “Being high like this—you can look right down into people's kitchen yards. Look, Teli Carpenter has a pig smoking."

"You don't need to see it to know that,” Kit said dryly. “I've been smelling it for two days."

Valo snorted. “Can you see as far as White Peak yet?"

"On a clear day, yes,” Kit said. “I was up here two—"

A heavy sliding sound and a scream; Kit whirled to see one of the workers on her back, one of the shearleg's timbers across her chest. Loreh Tanner, a local. Kit ran the few steps to Loreh and dropped beside her. One man, the man who had been working with her, said, “It slipped—oh Loreh, please hang on,” but Kit could see it was futile. She was pinned to the pillar, chest flattened, one shoulder visibly dislocated, unconscious, her breathing labored. Black foam bloomed from her lips in the lantern's bad light.

Kit took her cold hand. “It's all right, Loreh. It's all right.” It was a lie and in any case she could not hear him, but the others would. “Get Hall,” one of the workers said, and Kit nodded: Hall was a surgeon. And then, “And get Obal, someone. Where's her husband?” Footsteps ran down the stairs and were lost into the hiss of rain just beginning and someone's crying and Loreh's wet breathing.

Kit glanced up. His chest heaving, Valo stood staring at the body. Kit said to him, “Help find Hall,” and when the boy did not move, he repeated it, his voice sharper. Valo said nothing, did not stop looking at Loreh until he spun and ran down the stairs. Kit heard shouting, far below, as the first messenger ran toward the town.

Loreh took a last shuddering breath and died.

Kit looked at the others around Loreh's body. The man holding Loreh's other hand pressed his face against it, crying helplessly. The two other workers left here knelt at her feet, a man and a woman, huddled close though they were not a couple. “Tell me,” he said.

"I tried to stop it from hitting her,” the woman said. She cradled one arm: obviously broken, though she didn't seem to have noticed. “But it just kept falling."

"She was tired; she must have gotten careless,” the man said, and the broken-armed woman said, “I don't want to think about that sound.” Words fell from them like blood from a cut.

Kit listened. This was what they needed right now, to speak and to be heard. So he listened, and when the others came, Loreh's husband white-lipped and angry-eyed, and the surgeon Obal and six other workers, Kit listened to them as well, and gradually moved them down through the pillar and back toward the warm lights and comfort of Farside.

Kit had lost people before, and it was always like this. There would be tears tonight, and anger at him and at his bridge, anger at fate for permitting this. There would be sadness, and nightmares. There would be lovemaking, and the holding close of children and friends and dogs—affirmations of life in the cold wet night.

His tutor at University had said, during one of her frequent digressions from the nature of materials and the principles of architecture, “Things will go wrong."

It was winter, but in spite of the falling snow they walked slowly to the coffee-house, as Skossa looked for purchase for her cane. She continued, “On long projects, you'll forget that you're not one of them. But if there's an accident? You're slapped in the face with it. Whatever you're feeling? Doesn't matter. Guilty, grieving, alone, worried about the schedule. None of it. What matters is
their
feelings. So listen to them. Respect what they're going through."

She paused then, tapped her cane against the ground thoughtfully. “No, I lie. It does matter, but you will have to find your own strength, your own resources elsewhere."

"Friends?” Kit said doubtfully. He knew already that he wanted a career like his father's. He would not be in the same place for more than a few years at a time.

"Yes, friends.” Snow collected on Skossa's hair, but she didn't seem to notice. “Kit, I worry about you. You're good with people, I've seen it. You like them. But there's a limit for you.” He opened his mouth to protest, but she held up her hand to silence him. “I know. You do care. But inside the framework of a project. Right now it's your studies. Later it'll be roads and bridges. But people around you—their lives go on outside the framework. They're not just tools to your hand, even likable tools. Your life should go on, too. You should have more than roads to live for. Because if something does go wrong, you'll need what
you
'
re
feeling to matter, to someone somewhere, anyway."

Kit walked through Farside toward the Red Lurcher. Most people were home or at one of the taverns by now, a village turned inward; but he heard footsteps running behind him. He turned quickly—it was not unknown for people reeling from a loss to strike at whatever they blamed, and sometimes that was a person.

It was Valo. Though his fists were balled, Kit could tell immediately that he was angry but not looking for a fight. For a moment, Kit wished he didn't need to listen, that he could just go back to his rooms and sleep for a thousand hours; but there was a stricken look in Valo's eyes: Valo, who looked so much like Rasali. He hoped that Rasali and Loreh hadn't been close.

Kit said gently, “Why aren't you inside? It's cold.” As he said it, he realized suddenly that it
was
cold; the rain had settled into a steady cold flow.

"I will, I was, I mean, but I came out for a second, because I thought maybe I could find you, because—"

The boy was shivering, too. “Where are your friends? Let's get you inside. It'll be better there."

"No,” he said. “I have to know first. It's like this always? If I do this, build things, it'll happen for me? Someone will die?"

"It might. It probably will, eventually."

Valo said an unexpected thing. “I see. It's just that she had just gotten married."

The blood on Loreh's lips, the wet sound of her crushed chest as she took her last breaths—"Yes,” Kit said. “She was."

"I just . . . I had to know if I need to be ready for this.” It seemed callous, but Ferrys were used to dying, to death. “I guess I'll find out."

"I hope you don't have to.” The rain was getting heavier. “You should be inside, Valo."

Valo nodded. “Rasali—I wish she were here. She could help maybe. You should go in, too. You're shivering."

Kit watched him go. Valo had not invited him to accompany him back into the light and the warmth; he knew better than to expect that, but for a moment he had permitted himself to hope otherwise.

Kit slipped through the stables and through the back door at The Bitch. Wisdon Innkeep, hands full of mugs for the taproom, saw him and nodded, face unsmiling but not hostile. That was good, Kit thought: as good as it would get, tonight.

He entered his room and shut the door, leaned his back to it as if holding the world out. Someone had already been in his room: a lamp had been lit against the darkness, a fire laid, and bread and cheese and a tankard of ale set by the window to stay cool.

He began to cry.

The news went across the river by signal flags. No one worked on the bridge the next day, or the day after that. Kit did all the right things, letting his grief and guilt overwhelm him only when he was alone, huddled in front of the fire in his room.

The third day, Rasali arrived from Nearside with a boat filled with crates of northland herbs on their way east. Kit was sitting in The Bitch's taproom, listening. People were coping, starting to look forward again. They should be able to get back to it soon, the next clear day. He would offer them something that would be an immediate, visible accomplishment, something different, perhaps guidelining the ramp.

He didn't see Rasali come into the taproom; only felt her hand on his shoulder and heard her voice in his ear. “Come with me,” she murmured.

He looked up puzzled, as though she was a stranger. “Rasali Ferry, why are you here?"

She said only, “Come for a walk, Kit."

It was raining, but he accompanied her anyway, pulling a scarf over his head when the first cold drops hit his face.

She said nothing as they splashed through Farside. She was leading him somewhere, but he didn't care where, grateful not to have to be the decisive one, the strong one. After a time, she opened a door and led him through it into a small room filled with light and warmth.

"My house,” she said. “And Valo's. He's still at the boatyard. Sit."

She pointed and Kit dropped onto the settle beside the fire. Rasali swiveled a pot hanging from a bracket out of the fire and ladled something out. She handed a mug to him and sat. “So. Drink."

It was spiced porter, and the warmth eased into the tightness in his chest. “Thank you."

"Talk."

"This is such a loss for you all, I know,” he said. “Did you know Loreh well?"

She shook her head. “This is not for me, this is for you. Tell me."

"I'm fine,” he said, and when she didn't say anything, he repeated, with a flicker of anger: “I'm
fine
, Rasali. I can handle this."

"Probably you can,” Rasali said. “But you're not fine. She died, and it was your bridge she died for. You don't feel responsible? I don't believe it."

"Of course I feel responsible,” he snapped.

The fire cast gold light across her broad cheekbones when she turned her face to him, but to his surprise she said nothing, only looked at him and waited.

"She's not the first,” Kit said, surprising himself. “The first project I had sole charge of, a toll gate. Such a little project, such a dumb little project to lose someone on. The wood frame for the passageway collapsed before we got the keystone in. The whole arch came down. Someone got killed.” It had been a very young man, slim and tall, with a limp. He was raising his little sister; she hadn't been more than ten. Running loose in the fields around the site, she had missed the collapse, the boy's death. Dafuen? Naus? He couldn't remember his name. And the girl—what had her name been?
I should remember. I owe that much to them.

"Every time I lose someone,” he said at last, “I remember the others. There've been twelve, in twenty-three years. Not so many, considering. Building's dangerous. My record's better than most."

"But it doesn't matter, does it?” she said. “You still feel you killed each one of them, as surely as if you'd thrown them off a bridge yourself."

"It's my responsibility. The first one, Duar—”
that
had been his name; there it was. The name loosened something in Kit. His face warmed: tears, hot tears running down his face.