At the Mouth of the River of Bees: Stories (31 page)

BOOK: At the Mouth of the River of Bees: Stories
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Or is this her?

 

When she does not have enough Ins for its Outs, it makes new ones. She bleeds for a time and then heals. She pretends that this is a rape. Rape at least she could understand. Rape is an interaction. It requires intention. It would imply that it hates or fears or wants. Rape would mean she is more than a wine glass it fills.

This goes both ways. She forces it. Her hands are blades that tear new Ins. Her anger pounds at it until she feels its depths grow soft under her fist, as though bones or muscle or cartilage have disassembled and turned to something else.

And when she forces her hands into the alien? If intent counts, then what she does, at least, is a rape—or would be if the alien felt anything, responded in any fashion. Mostly it’s like punching a wall.

 

She puts her fingers in herself, because she at least knows what her intentions are.

 

Sometimes she watches it fuck her, the strange coiling of its Outs like a shockwave thrusting into her body, and this excites her and horrifies her; but at least it is not Gary. Gary, who left her here with this, who left her here, who left.

 

One time she feels something break loose inside the alien, but it is immediately drawn out of reach. When she reaches farther in to grasp the broken piece, a sphincter snaps shut on her wrist. Her arm is forced out. There is a bruise like a bracelet around her wrist for what might be a week or two.

She cannot stop touching the bruise. The alien has had the ability to stop her fist inside it, at any time. Which means it has made a choice not to stop her, even when she batters things inside it until they grow soft.

This is the only time she has ever gotten a reaction she understands. Stimulus: response. She tries many times to get another. She rams her hands into it, kicks it, tries to tear its cilia free with her teeth, claws its skin with her ragged, filthy fingernails. But there is never again the broken thing inside, and never the bracelet.

 

For a while, she measures time by bruises she gives herself. She slams her shin against the feeding tube, and when the bruise is gone she does it again. She estimates it takes twelve days for a bruise to heal. She stops after a time because she cannot remember how many bruises there have been.

 

She dreams of rescue, but doesn’t know what that looks like. Gary, miraculously alive pulling her free, eyes bright with tears, I love you he says, his lips on her eyelids and his kiss his tongue in her mouth inside her hands inside him. But that’s the alien. Gary is dead. He got Out.

Sometimes she thinks that rescue looks like her opening the lifeboat to the deep vacuum, but she cannot figure out the airlock.

 

Her anger is endless, relentless.

Gary brought her here, and then he went away and left her with this thing that will not speak, or cannot, or does not care enough to, or does not see her as something to talk to.

On their third date, she and Gary went to an empty park: wine, cheese, fresh bread in a basket. Bright sun and cool air, grass and a cloth to lie on. He brought Shakespeare. “You’ll love this,” he said, and read to her.

She stopped him with a kiss. “Let’s talk,” she said, “about anything.”

“But we are talking,” he said.

“No, you’re reading,” she said. “I’m sorry, I don’t really like poetry.”

“That’s because you’ve never had it read to you,” he said.

She stopped him at last by taking the book from his hands and pushing him back, her palms in the grass; and he entered her. Later, he read to her anyway.

If it had just been that.

They were not even his words and now they mean nothing, are not even sounds in her mind. And now there is this thing that cannot hear her or does not choose to listen, until she gives up trying to reach it and only reaches into it, and bludgeons it and herself, seeking a reaction, any reaction.

“I fucking hate you,” she says. “I hate fucking you.”

 

The lifeboat decelerates. Metal clashes on metal. Gaskets seal.

The airlock opens overhead. There is light. Her eyes water helplessly and everything becomes glare and indistinct dark shapes. The air is dry and cold. She recoils.

The alien does not react to the light, the hard air. It remains inside her and around her. They are wrapped. They penetrate one another a thousand ways. She is warm here, or at any rate not cold: half-lost in its flesh, wet from her Ins, its Outs. In here it is not too bright.

A dark something stands outlined in the portal. It is bipedal. It makes sounds that are words. Is it human? Is she? Does she still have bones, a voice? She has not used them for so long.

The alien is hers; she is its. Nothing changes.

But. She pulls herself free of its tendrils and climbs. Out.

 

 

The Man Who Bridged the Mist

 

 

Kit came to Nearside with two trunks and an oiled-cloth folio full of plans for the bridge across the mist. His trunks lay tumbled like stones at his feet where the mailcoach guard had dropped them. The folio he held close, away from the drying mud of yesterday’s storm.

Nearside was small, especially to a man of the capital where buildings towered seven and eight stories tall, a city so large that even a vigorous walker could not cross in a day. Here hard-packed dirt roads threaded through irregular spaces scattered with structures and fences. Even the inn was plain, two stories of golden limestone and blue slate tiles with (he could smell) some sort of animals living behind it. On the sign overhead, a flat, pale blue fish very like a ray curvetted against a black background.

A brightly dressed woman stood by the inn’s door. Her skin and eyes were pale, almost colorless. “Excuse me,” Kit said. “Where can I find the ferry to take me across the mist?” He could feel himself being weighed, but amiably: a stranger, small and very dark, in gray—a man from the east.

The woman smiled. “Well, the ferries are both on this side, at the upper dock. But I expect what you really want is someone to oar the ferry, yes? Rasali Ferry came over from Farside last night. She’s the one you’ll want to talk to. She spends a lot of time at The Deer’s Hart. But you wouldn’t like The Hart, sir,” she added. “It’s not nearly as nice as The Fish here. Are you looking for a room?”

“I hope I’ll be staying in Farside tonight,” Kit said apologetically. He didn’t want to seem arrogant. The invisible web of connections he would need for his work started here with this first impression, with all the first impressions of the next few days.

“That’s what
you
think,” the woman said. “I’m guessing it’ll be a day or two—or more—before Rasali goes back. Valo Ferry might, but he doesn’t cross so often.”

“I could buy out the trip’s fares, if that’s why she’s waiting.”

“It’s not that,” the woman said. “She won’t cross the mist ’til she’s ready. Until she feels it’s right, if you follow me. But you can ask, I suppose.”

Kit didn’t follow but he nodded anyway. “Where’s The Deer’s Hart?”

She pointed. “Left, then right, then down by the little boat yard.”

“Thank you,” Kit said. “May I leave my trunks here until I work things out with her?”

“We always stow for travelers.” The woman grinned. “And cater to them too, when they find out there’s no way across the mist today.”

 

The Deer’s Hart was smaller than The Fish, and livelier. At midday the oak-shaded tables in the beer garden beside the inn were clustered with light-skinned people in brilliant clothes, drinking and tossing comments over the low fence into the boat yard next door where, half lost in steam, a youth and two women bent planks to form the hull of a small flat-bellied boat. When Kit spoke to a man carrying two mugs of something that looked like mud and smelled of yeast, the man gestured at the yard with his chin. “Ferrys are over there. Rasali’s the one in red,” he said as he walked away.

“The one in red” was tall, her skin as pale as that of the rest of the locals, with a black braid so long that she had looped it around her neck to keep it out of the way. Her shoulders flexed in the sunlight as she and the youth forced a curved plank to take the skeletal hull’s shape and clamped it in place. The other woman, slightly shorter, with the ash-blond hair so common here, forced an augur through the plank and into a rib, then hammered a peg into the hole she’d made. After three pegs the boatwrights straightened. The plank held.
Strong,
Kit thought.
I wonder if I can get them for the bridge?

“Rasali!” a voice bellowed, almost in Kit’s ear. “Man here’s looking for you.” Kit turned in time to see the man with the mugs gesturing, again with his chin. He sighed and walked to the waist-high fence. The boatwrights stopped to drink from blueware bowls before the one in red and the youth came over.

“I’m Rasali Ferry of Farside,” the woman said. Her voice was softer and higher than he had expected of a woman as strong as she, with the fluid vowels of the local accent. She nodded to the boy beside her: “Valo Ferry of Farside, my brother’s eldest.” Valo was more a young man than a boy, lighter-haired than Rasali and slightly taller. They had the same heavy eyebrows and direct amber eyes.

“Kit Meinem of Atyar,” Kit said.

Valo asked, “What sort of name is Meinem? It doesn’t mean anything.”

“In the capital, we take our names differently than you.”

“Oh, like Jenner Ellar.” Valo nodded. “I guessed you were from the capital—your clothes and your skin.”

Rasali said, “What can we do for you, Kit Meinem of Atyar?”

“I need to get to Farside today,” Kit said.

Rasali shook her head. “I can’t take you. I just got here and it’s too soon. Perhaps Valo?”

The youth tipped his head to one side, his expression suddenly abstract. He shook his head. “No, not today, I don’t think.”

“I can buy out the fares if that helps. It’s Jenner Ellar I am here to see.”

Valo looked interested but said, “No,” to Rasali, and she added, “What’s so important that it can’t wait a few days?”

Better now than later,
Kit thought. “I am replacing Teniant Planner as the lead engineer and architect for construction of the bridge over the mist. We start work again as soon as I’ve reviewed everything. And had a chance to talk to Jenner.” He watched their faces.

Rasali said, “It’s been a year since Teniant died. I was starting to think Empire had forgotten all about us and that your deliveries would be here ’til the iron rusted away.”

Valo frowned. “Jenner Ellar’s not taking over?”

“The new Department of Roads cartel is in my name,” Kit said, “but I hope Jenner will remain as my second. You can see why I would like to meet him as soon as is possible, of course. He will—”

Valo burst out, “You’re going to take over from Jenner after he’s worked so hard on this? And what about us? What about
our
work?” His cheeks were flushed an angry red.
How do they conceal anything with skin like that?
Kit thought.

“Valo,” Rasali said, a warning tone in her voice. Flushing darker still, the youth turned and strode away. Rasali snorted but said only: “Boys. He likes Jenner and he has problems with the bridge, anyway.”

That was worth addressing.
Later.
“So what will it take to get you to carry me across the mist, Rasali Ferry of Farside? The project will pay anything reasonable.”

“I cannot,” she said. “Not today, not tomorrow. You’ll have to wait.”

“Why?” Kit asked, reasonably enough, he thought; but she eyed him for a long moment as though deciding whether to be annoyed.

“Have you gone across mist before?” she said at last.

“Of course,” he said.

“But not the river,” she said.

“Not the river,” he agreed. “It’s a quarter-mile across here, yes?”

“Yes.” She smiled suddenly, white even teeth and warmth like sunlight in her eyes. “Let’s go down and perhaps I can explain things better there.” She jumped the fence with a single powerful motion, landing beside him to a chorus of cheers and shouts from the garden’s patrons. She slapped hands with one, then gestured to Kit to follow her. She was well liked, clearly. Her opinion would matter.

The boat yard was heavily shaded by low-hanging oaks and chestnuts, and bounded on the east by an open-walled shelter filled with barrels and stacks of lumber. Rasali waved at the third boat maker, who was still putting her tools away. “Tilisk Boatwright of Nearside. My brother’s wife,” she said to Kit. “She makes skiffs with us but she won’t ferry. She’s not born to it as Valo and I are.”

“Where’s your brother?” Kit asked.

“Dead,” Rasali said and lengthened her stride.

They walked a few streets over and then climbed a long even ridge perhaps eighty feet high, too regular to be natural.
A levee,
Kit thought, and distracted himself from the steep path by estimating the volume of earth and the labor that had been required to build it. Decades, perhaps, but how long ago? How many miles did it stretch? Which department had overseen it, or had it been the locals? The levee was treeless. The only feature was a slender wood tower hung with flags on the ridge, probably for signaling across the mist to Farside since it appeared too fragile for anything else. They had storms out here, Kit knew; there’d been one the night before. How often was the tower struck by lightning?

BOOK: At the Mouth of the River of Bees: Stories
13.46Mb size Format: txt, pdf, ePub
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