Before They Were Giants (12 page)

~ * ~

The following Thursday, I went to the little crap-auction house on King Street. I’d put my finds from the weekend in the sale: lower minimum bid, and they took a smaller commission than Sotheby’s. Fine for moving the small stuff.

Craphound was there, of course. I knew he’d be. It was where we met, when he bid on a case of Lincoln Logs I’d found at a fire-sale.

I’d known him for a kindred spirit when he bought them, and we’d talked afterwards, at his place, a sprawling, two-storey warehouse amid a cluster of auto-wrecking yards where the junkyard dogs barked, barked, barked.

Inside was paradise. His taste ran to shrines -- a collection of fifties bar kitsch that was a shrine to liquor; a circular waterbed on a raised podium that was nearly buried under seventies bachelor pad-inalia; a kitchen that was nearly unusable, so packed it was with old barn-board furniture and rural memorabilia; a leather-appointed library straight out of a Victorian gentlemen’s club; a solarium dressed in wicker and bamboo and tiki-idols. It was a hell of a place.

Craphound had known all about the Goodwills and the Sally Anns, and the auction houses, and the kitsch boutiques on Queen Street, but he still hadn’t figured out where it all came from.

“Yard sales, rummage sales, garage sales,” I said, reclining in a vibrating naughahyde easy-chair, drinking a glass of his pricey single-malt that he’d bought for the beautiful bottle it came in.

“But where are these? Who is allowed to make them?” Craphound hunched opposite me, his exoskeleton locked into a coiled, semi-seated position.

“Who? Well, anyone. You just one day decide that you need to clean out the basement, you put an ad in the
Star
, tape up a few signs, and voila, yard sale. Sometimes, a school or a church will get donations of old junk and sell it all at one time, as a fundraiser.”

“And how do you locate these?” he asked, bobbing up and down slightly with excitement.

“Well, there’re amateurs who just read the ads in the weekend papers, or just pick a neighbourhood and wander around, but that’s no way to go about it. What I do is, I get in a truck, and I sniff the air, catch the scent of crap and
vroom
!, I’m off like a bloodhound on a trail. You learn things over time: like stay away from Yuppie yard sales, they never have anything worth buying, just the same crap you can buy in any mall.”

“Do you think I might accompany you some day?”

“Hell, sure. Next Saturday? We’ll head over to Cabbagetown -- those old coach houses, you’d be amazed what people get rid of. It’s practically criminal.”

“I would like to go with you on next Saturday very much Mr Jerry Abington.” He used to talk like that, without commas or question marks. Later, he got better, but then, it was all one big sentence.

“Call me Jerry. It’s a date, then. Tell you what, though: there’s a Code you got to learn before we go out. The Craphound’s Code.”

“What is a craphound?”

“You’re lookin’ at one. You’re one, too, unless I miss my guess. You’ll get to know some of the local craphounds, you hang around with me long enough. They’re the competition, but they’re also your buddies, and there’re certain rules we have.”

And then I explained to him all about how you never bid against a craphound at a yard-sale, how you get to know the other fellows’ tastes, and when you see something they might like, you haul it out for them, and they’ll do the same for you, and how you never buy something that another craphound might be looking for, if all you’re buying it for is to sell it back to him. Just good form and common sense, really, but you’d be surprised how many amateurs just fail to make the jump to pro because they can’t grasp it.

~ * ~

There was a bunch of other stuff at the auction, other craphounds’ weekend treasures. This was high season, when the sun comes out and people start to clean out the cottage, the basement, the garage. There were some collectors in the crowd, and a whole whack of antique and junk dealers, and a few pickers, and me, and Craphound. I watched the bidding listlessly, waiting for my things to come up and sneaking out for smokes between lots. Craphound never once looked at me or acknowledged my presence, and I became perversely obsessed with catching his eye, so I coughed and shifted and walked past him several times, until the auctioneer glared at me, and one of the attendants asked if I needed a throat lozenge.

My lot came up. The bowling glasses went for five bucks to one of the Queen Street junk dealers; the elephant-foot fetched $350 after a spirited bidding war between an antique dealer and a collector -- the collector won; the dealer took the top-hat for $100. The rest of it came up and sold, or didn’t, and at end of the lot, I’d made over $800, which was rent for the month plus beer for the weekend plus gas for the truck.

Craphound bid on and bought more cowboy things -- a box of super-eight cowboy movies, the boxes mouldy, the stock itself running to slime; a Navajo blanket; a plastic donkey that dispensed cigarettes out of its ass; a big neon armadillo sign.

One of the other nice things about that place over Sotheby’s, there was none of this waiting thirty days to get a cheque. I queued up with the other pickers after the bidding was through, collected a wad of bills, and headed for my truck.

I spotted Craphound loading his haul into a minivan with handicapped plates. It looked like some kind of fungus was growing over the hood and side-panels. On closer inspection, I saw that the body had been covered in closely glued Lego.

Craphound popped the hatchback and threw his gear in, then opened the driver’s side door, and I saw that his van had been fitted out for a legless driver, with brake and accelerator levers. A paraplegic I knew drove one just like it. Craphound’s exoskeleton levered him into the seat, and I watched the eerily precise way it executed the macro that started the car, pulled the shoulder-belt, put it into drive and switched on the stereo. I heard tape-hiss, then, loud as a b-boy cruising Yonge Street, an old-timey cowboy voice: “Howdy pardners! Saddle up, we’re ridin’!” Then the van backed up and sped out of the lot.

I get into the truck and drove home. Truth be told, I missed the little bastard.

~ * ~

Some people said that we should have run Craphound and his kin off the planet, out of the Solar System. They said that it wasn’t fair for the aliens to keep us in the dark about their technologies. They say that we should have captured a ship and reverse-engineered it, built our own and kicked ass.

Some people!

First of all, nobody with human DNA could survive a trip in one of those ships. They’re part of Craphound’s people’s bodies, as I understand it, and we just don’t have the right parts. Second of all, they
were
sharing their tech with us -- they just weren’t giving it away. Fair trades every time.

It’s not as if space was off-limits to us. We can any one of us visit their homeworld, just as soon as we figure out how. Only they wouldn’t hold our hands along the way.

~ * ~

I spent the week haunting the “Secret Boutique,” AKA the Goodwill As-Is Centre on Jarvis. It’s all there is to do between yard sales, and sometimes it makes for good finds. Part of my theory of yard-sale karma holds that if I miss one day at the thrift shops, that’ll be the day they put out the big score. So I hit the stores diligently and came up with crapola. I had offended the fates, I knew, and wouldn’t make another score until I placated them. It was lonely work, still and all, and I missed Craphound’s good eye and obsessive delight.

I was at the cash-register with a few items at the Goodwill when a guy in a suit behind me tapped me on the shoulder.

“Sorry to bother you,” he said. His suit looked expensive, as did his manicure and his haircut and his wire-rimmed glasses. “I was just wondering where you found that.” He gestured at a rhinestone-studded ukelele, with a cowboy hat wood-burned into the body. I had picked it up with a guilty little thrill, thinking that Craphound might buy it at the next auction.

“Second floor, in the toy section.”

“There wasn’t anything else like it, was there?”

“‘Fraid not,” I said, and the cashier picked it up and started wrapping it in newspaper.

“Ah,” he said, and he looked like a little kid who’d just been told that he couldn’t have a puppy. “I don’t suppose you’d want to sell it, would you?”

I held up a hand and waited while the cashier bagged it with the rest of my stuff, a few old clothbound novels I thought I could sell at a used book-store, and a Grease belt-buckle with Olivia Newton John on it. I led him out the door by the elbow of his expensive suit.

“How much?” I had paid a dollar.

“Ten bucks?”

I nearly said, “Sold!” but I caught myself. “Twenty.”

“Twenty dollars?”

“That’s what they’d charge at a boutique on Queen Street.”

He took out a slim leather wallet and produced a twenty. I handed him the uke. His face lit up like a lightbulb.

~ * ~

It’s not that my adulthood is particularly unhappy. Likewise, it’s not that my childhood was particularly happy.

There are memories I have, though, that are like a cool drink of water. My grandfather’s place near Milton, an old Victorian farmhouse, where the cat drank out of a milk-glass bowl; and where we sat around a rough pine table as big as my whole apartment; and where my playroom was the draughty barn with hay-filled lofts bulging with farm junk and Tarzan-ropes.

There was Grampa’s friend Fyodor, and we spent every evening at his wrecking-yard, he and Grampa talking and smoking while I scampered in the twilight, scaling mountains of auto-junk. The glove-boxes yielded treasures: crumpled photos of college boys mugging in front of signs, roadmaps of far-away places. I found a guidebook from the 1964 New York World’s Fair once, and a lipstick like a chrome bullet, and a pair of white leather ladies’ gloves.

Fyodor dealt in scrap, too, and once, he had half of a carny carousel, a few horses and part of the canopy, paint flaking and sharp torn edges protruding; next to it, a Korean-war tank minus its turret and treads, and inside the tank were peeling old pinup girls and a rotation schedule and a crude Kilroy. The control-room in the middle of the carousel had a stack of paperback sci-fi novels, Ace Doubles that had two books bound back-to-back, and when you finished the first, you turned it over and read the other. Fyodor let me keep them, and there was a pawn-ticket in one from Macon, Georgia, for a transistor radio.

My parents started leaving me alone when I was fourteen and I couldn’t keep from sneaking into their room and snooping. Mom’s jewelry box had books of matches from their honeymoon in Acapulco, printed with bad palm-trees. My Dad kept an old photo in his sock drawer, of himself on muscle-beach, shirtless, flexing his biceps.

My grandmother saved every scrap of my mother’s life in her basement, in dusty Army trunks. I entertained myself by pulling it out and taking it in: her Mouse Ears from the big family train-trip to Disneyland in ‘57, and her records, and the glittery pasteboard sign from her sweet sixteen. There were well-chewed stuffed animals, and school exercise books in which she’d practiced variations on her signature for page after page.

It all told a story. The penciled Kilroy in the tank made me see one of those Canadian soldiers in Korea, unshaven and crew-cut like an extra on M*A*S*H, sitting for bored hour after hour, staring at the pinup girls, fiddling with a crossword, finally laying it down and sketching his Kilroy quickly, before anyone saw.

The photo of my Dad posing sent me whirling through time to Toronto’s Muscle Beach in the east end, and hearing the tinny AM radios playing weird psychedelic rock while teenagers lounged on their Mustangs and the girls sunbathed in bikinis that made their tits into torpedoes.

It all made poems. The old pulp novels and the pawn ticket, when I spread them out in front of the TV, and arranged them just so, they made up a poem that took my breath away.

~ * ~

After the cowboy trunk episode, I didn’t run into Craphound again until the annual Rotary Club charity rummage sale at the Upper Canada Brewing Company. He was wearing the cowboy hat, sixguns and the silver star from the cowboy trunk. It should have looked ridiculous, but the net effect was naive and somehow charming, like he was a little boy whose hair you wanted to muss.