BLACKWATER:The Mysterious Saga of the Caskey Family (99 page)

It was Queenie who seemed most affected by Sister's death. This wasn't surprising, for Queenie's whole life had been wrapped up in Sister for the past ten years. When not actually nursing her, she had kept her company, operating as Sister's eyes and ears, bearing the brunt of Sister's displeasures, developing her patience and humility to an extraordinary degree.

All deaths are sudden, no matter how gradual the

dying may be. For over eleven years Sister had lain in that bed—on those five mattresses and those ten pillows—and the pattern of her days and years had been inexorable and unchanging. Gradually, the oscillations of that pendulum had grown weaker and weaker, but Queenie had hardly noticed the diminution of Sister's strength. And to have the pendulum stop was a great wrench indeed. Queenie had walked away from the funeral wondering what on earth she was to do with herself.

And Malcolm had now left her also. He had been with her for quite a while, and had served to fill out her meager household. Now he was at Miriam's, and had precious little to do with her anymore. Every time Queenie stepped out of her house, her feet seemed to turn to Miriam's; on the rare occasions that she was in Miriam's house she turned toward those stairs she had climbed so many times; the one time that she found herself upstairs in that house, she couldn't resist going down to the end of the hall and trying the door to Sister's room. It was locked, and Miriam professed to have lost the key.

So Queenie was left alone in James's house. Because she had always taken her meals either at Elinor's or at Sister's, she didn't even have a cook. She had a girl come in three days a week to clean, and another girl came in twice a week to do laundry, but these weren't Sapps, and Queenie had never grown close to them. Elinor invited her to come and live with them, but Queenie declined: four people in one house was enough, she said. Lucille and Grace offered the permanent hospitality of Gavin Pond Farm, but Queenie turned this down as well: she had never lived in the country, and she was too old to change her ways now. She would have moved next door to Sister's in a minute, but Miriam and Malcolm did not invite her. Queenie even went so far as to suggest such an invitation to her son, but Malcolm replied, "Mama, I have already asked Miriam to ask you, 'cause I miss you, but Miriam says no."

"Why does Miriam say no?"

"She says that you being around the house reminds her too much of Sister. That's why she never even invites you to visit us. Miriam doesn't say much, Mama, but I think she misses Sister pretty bad." With this, Queenie did not argue.

When she was home, which was much of the time, Queenie sat either in her room or on the front porch, waiting for some member of the family to walk by so that she might harness him into inviting her to go elsewhere, or at least into a few minutes' conversation.

Her movements around the house were very circumscribed; she used only her bedroom, the bathroom attached to it, and the front porch. She had established narrow, unvarying routes through the other rooms—it was necessary to go through them to get out the front door, or out the back door—and they were like familiar paths through a forest. One could walk those paths three or four times a day, calm and confident of safety, and never venture off into the dark and dangerous groves that loomed on either side of the needle-strewn track. The kitchen was empty; Queenie had cleared it of all food because she detested roaches. James's rooms, filled with the furniture of James's mother, and all James's things, remained as they were on the night that James died. Queenie had never moved a thing. The extra bedrooms were filling up with boxes of the Caskeys' cast-off clothing, now that the closets at Elinor's and at Miriam's had been filled up. Queenie never had guests; when she occasionally did entertain, she did so at Elinor's, receiving her friends there. Queenie never realized that her patterns were becoming as entrenched as Sister's had been. Because Queenie could get around—though she never went far—those patterns were not so apparent to the casual observer—or to her.

At night, Queenie was frightened. She had never slept in a house alone before, and James's house seemed particularly lonely. The rooms were shadowy, filled with curious shapes and noises. Some small animal had got into the attic and there it scrabbled about all night long. Boards creaked beneath the weight of stacked boxes, and every now and then James's delicate china would rattle in the cupboards as if being moved by an unseen hand. When Queenie had undressed she would look out of her window; she saw nothing but the levee quivering in a shroud of black kudzu, and a corner of the DeBordenave house next door, still boarded over. The wind sometimes picked up sand from the yard and flung it against the house, so that she was awakened with what sounded like infinitesimal raindrops.

Sister had once told her, "Old women don't sleep well." Not having experienced this, Queenie had not then believed it, but now she found that Sister's insomnia had come to her. She would lay long hours awake, seeming never to fall asleep at all. That she did so was proved only by the fact that she awoke in the morning. But how long she had slept, Queenie could never say.

She would lie rigid in her bed, catching every noise in the house and noting it down on a little mental pad, the dimensions of which grew with each succeeding night. Some nights she was troubled with the blowing sand, other nights by the creaking boards, other nights by the rattling crockery. Queenie lay awake and trembling.

Occasionally, new noises came. Something in the house would seem to shake that she had never heard disturbed before. The crystal drops on the candelabra on the dining room table would now and then chime together, as if someone were in that closed-off room, moving restlessly but quietly around and around the table, gently agitating the table and the candelabra with his tread. Or one of the windows opening onto the front porch would shake in its sash as if someone were surreptitiously pacing the porch. Sometimes Queenie thought she could hear the doorknob rattle.

One night she heard the window in its sash, and thought, it's the wind. A few minutes later, she heard the rattle of the doorknob, and thought, It must be a change in the temperature.

Then she was certain she heard footsteps, light and secretive at first, up and down the length of the porch, then heavier, as if in mockery, as if to say, And what is the explanation for this, Queenie Strickland?

She quickly picked up the telephone, but just as she lifted the receiver, the sound of the footsteps stopped.

But the footsteps returned the following night, and again when Queenie lifted the telephone, they stopped. This time, however, as soon as Queenie put down the receiver, the knob of the front door rattled frantically. Then the front door was kicked in its frame, kicked, kicked, and kicked hard, and then the steps, up and down the length of the porch, resumed, loud and angry, strides in boots. Queenie followed the sound from one end of the porch to the other. They shook the house. The glass in the windows shook; the candelabra tinkled together; the crockery shook in all the cabinets; the boxes in the bedrooms surrounding Queenie's slid about; and the small animal raced frenziedly about in the attic.

All at once the noise left off. With a rattle, and the echo of a rattle, the house was still. Queenie huddled in her bed, waiting for the sound of the boots to begin again. All remained quiet.

Then Queenie, still staring in the dark, slowly reached for the telephone. Just as she did so, the closed door into the hallway was suddenly framed with a white soft light, as if a lamp in the front parlor had been turned on. Then the light grew stronger, as if perhaps the chandelier in the dining room had been lighted. Another intensification, this one much greater, led Queenie to believe that the hallway light itself had been flicked on.

Other lights came on in the house, until the doorway was framed in a blinding illumination.

Yet all was quiet.

Queenie, not even thinking, rose from the bed, went to the door into the hallway and opened it. She quickly closed her eyes against the glare. Every light in the house had been turned on. She moved to the switch plate in the hallway, and tried to press the off button—but it was already depressed. She pressed the on button, and the overhead light continued to shine. She pressed the off; still it remained. She went into the living room. Every lamp burned, as did the small cast-iron chandelier overhead. Queenie turned the switch on the nearest lamp, but that made no difference. She hurried to each lamp in the room, frantically turning switches. She jerked a cord from the wall, but all the bulbs shone on.

Queenie ran down the hall and into the kitchen. There too the lights burned, even the bulbs in the closets and the flashlights in the drawers. The bathroom lights, the lights in the bedrooms, the ones in the bedroom closets, in the linen cupboards, on the back porch, in the breakfast room, above the portrait of Grace and Genevieve, behind the closed oven door. The tube of the television set glowed brightly white, but there was no image.

Now the light seemed to grow more intense. Every one of the thousands of objects in that house, illuminated from a dozen directions at once, cast a phantasmagoria of shadows on the walls. The light beat about Queenie and was as suffocating as if she were being rolled in cotton. The light grew so bright and white and harsh that the color seemed to drain from everything around her.

Yet all remained silent.

Queenie stood in the doorway of the dining room, just in the spot where James Caskey had fallen dead, and stared around her in a daze. Her eyes were pained with the brightness.

And the lights grew brighter still.

In the living room, there was a small explosion of glass. Queenie instinctively turned toward the sound.

Then there was a smaller burst from behind her, and then another. She turned and saw the flame-shaped bulbs of the chandelier, each burning with an intensity she had never known before, exploding one by one in tiny showers of glass. The light over the portrait of Grace and Genevieve popped with a kind of wet sizzle, and liquid fragments of melting glass poured down over the painted faces of Queen-ie's sister and niece.

More explosions began at either end of the hallway, in the parlors at one end and in the kitchen at the other. For a moment the television shone with the brightness of the sun, then suddenly burned as intensely black, and collapsed in on itself with a crash.

Queenie ran back toward her room. The overhead light in the hallway burned more brightly as she drew nearer to it. It began to hum, and Queenie barely managed to get inside her room before the fixture exploded. Shining fragments of glass and metal flew into the room along the plane of the closing door.

In Queenie's room, all remained dark. She leaned against the door, allowing her eyes to adjust to the darkness. She listened to the explosions, less violent now, more widely spaced, but still continuing. The intensity of light appearing beneath the door was less each time Queenie looked down between her feet.

After a while, the explosions halted altogether. No light came beneath the door into the hallway.

Queenie, not knowing what else to do, returned to her bed.

An electrical storm, she said to herself.

She moved to the window and looked out, hoping desperately to see storm clouds overhead. She saw only stars.

The window was open and the night was still, so Queenie was able to hear the footsteps—heavy booted footsteps crossing the sandy Caskey yards.

She unhooked the window screen and pushed her head out.

There, by the light of the setting moon, she made out the figure of a man striding toward the levee.

He didn't need to turn for Queenie to identify him. She knew him by his stride, and by those boots— boots she herself had purchased.

It was Carl Strickland, her husband, who had been dead these thirty years, drowned in the black waters of the Perdido.

CHAPTER 76
The Caskey Children

"Mama," said Malcolm in amazement, "what the hell were you doing over here last night? Did you get mad at somebody or something?"

With the exception of the ones in Queenie's own room, every light in the house looked as though it had been smashed with a hammer. The fixtures had been shattered, melted, or twisted beyond all further use.

Queenie, following Malcolm around so closely that he bumped into her every time he turned around, said vaguely, "There was some sort of electrical storm last night. Didn't you and Miriam hear it?"

"Didn't hear anything, Mama. You got any idea how long it's gone take me to clean this mess up? Looks like we got to get this whole damn place rewired. Probably never was done right."

"That was it," said Queenie, hastily pinning the blame on faulty wiring and abandoning the electrical storm fantasy. "Bad wiring. Lucky I didn't burn up."

"Mama, you better go out and stay with Grace and Lucille for a few days and let me take care of all this."

To this Queenie readily assented, and that very morning, while Malcolm, still puzzled, waded through the wreckage, she drove out to Gavin Pond Farm.

"Here I am," she cried to Lucille as she squeezed out from behind the steering wheel.

"Mama," said Lucille, "you should have called so Luvadia could have fixed you something special."

"I didn't want to call," said Queenie, rushing forward to hug her daughter. "Because I was afraid you'd tell me to stay away."

"Stay away? Why on earth would we say something like that?"

" 'Cause I've come to stay."

"Well, it's about time, Mama. Grace and I have been asking and asking!"

"Not forever, but for a few days. All the wiring blew in the house last night, and Malcolm told me to come out while he was fixing it."

"Oh, Mama, we're gone have the best time!" cried Lucille, putting her arm around Queenie's waist— or as far around it as her arm would go—and walking slowly toward the house.

Queenie, however, didn't have a very good time. She missed her daily routines in Perdido, as dull as they had been. She missed catching glimpses of Malcolm and Miriam, she missed lunches over at Elinor's. Perdido hadn't seemed much when she lived there, but compared to Gavin Pond Farm, it was the center of the universe. Queenie was particularly lonely at the farm, for Grace and Lucille were busy all day long with everything they had to tend—the camellia garden, the orchards, the cattle, the hogs, and the horses. And for some reason it seemed hotter out in the country than it did in town, and so Queenie sat all morning long in the air conditioned kitchen with Luvadia, watching game shows on television. When Tommy Lee got home in the middle of the afternoon, he kept his grandmother company. One afternoon Tommy Lee got out the shotgun that Elinor had given him the Christmas previous and began to clean it, explaining to Queenie how it was put together and how it worked.