Read Bloody River Blues: A Location Scout Mystery Online
Authors: Jeffery Deaver
Bloody River Blues: A Location Scout Mystery
He’s the suspense star behind the new 007 novel . . . A “Best Novel of the Year” award–winner from the International Thriller Writers organization . . . Jeffery Deaver
is hotter than ever!
Read these acclaimed bestsellers from the “master of ticking bomb suspense” (
People
) —who also writes as William Jefferies (
Bloody River Blues
and the Edgar Award–nominated
Shallow Graves
)
A thrilling stand-alone novel
EDGE
“[A] nail-biter. . . . Breakneck action [for] fans of Deaver’s fiendishly clever suspensers.”
—
Kirkus Reviews
(starred review)
The ninth novel in his “simply outstanding” (
San Jose Mercury News
) Lincoln Rhyme series
THE BURNING WIRE
“Sterling. . . . Not even the brilliant Rhyme can foresee the shocking twists the case will take in this electrically charged thriller.”
—
Publishers Weekly
(starred review)
“Deaver, master of the plot twist, does his usual magic—no matter how hard you try, you can’t figure out what he’s about to spring on you. . . . Another winner from the dependable Deaver.”
—
Booklist
Two pulse-pounding novels featuring investigative agent Kathryn Dance
ROADSIDE CROSSES
Chosen as a Hot Summer Thriller on TheDailyBeast.com!
“Deaver’s got the world of social networking and blogs down cold. . . . That dose of realism adds a fresh, contemporary edge.”
—David Montgomery, TheDailyBeast.com
“The techno-savvy Deaver . . . has one of those puzzle-loving minds you just can’t trust.”
—Marilyn Stasio,
The New York Times
“Clever and twisted. . . . Don’t miss this one.”
—
Library Journal
THE SLEEPING DOLL
“[An] intricately plotted thriller. . . . A dazzling mental contest.”
—Marilyn Stasio,
The New York Times
“The chase is on, and so are the surprises.”
—
Sacramento Bee
His award-winning bestseller
THE BODIES LEFT BEHIND
Named “Best Novel of the Year” (2009) by the International Thriller Writers organization
“A
tour de force
. . . . The suspense never flags. . . . Deaver has no rivals in the realm of sneaky plot twists.”
—
Kirkus Reviews
“Hurtles along at 100 m.p.h. . . . An edge-of-the-seat read.”
—
Sunday Express
(U.K.), 4 stars
“Deaver is such a good puppet master that he makes us believe whatever he wants us to believe . . . without telling us a single lie. . . . It’s not until we’re well more than halfway through the book that we even begin to suspect that we might have made some dangerous mistakes . . . but by then, it’s way too late, and we are completely at Deaver’s mercy.”
—
Booklist
(starred review)
“He makes the characters live and breathe. . . . Read this and no country walk will ever be the same again.”
—
Daily Express
(U.K.)
“Not just an adrenaline-charged manhunt but a game of deception and multiple double-cross that keeps the reader guessing right up to the final page.”
—
The Times
(London)
More praise for Jeffery Deaver, who “stokes our paranoia”
(
Entertainment Weekly
)
with his masterworks of suspense
“Deaver is able to fool even the most experienced readers with his right-angle turns.”
—
Booklist
“His labyrinthine plots are astonishing.”
—
The New York Times Book Review
“A thrill ride between covers.”
—
Los Angeles Times
“Rock-solid suspense.”
—
People
“The grand master of the ticking-clock thriller.”
—Kathy Reichs, #1
New York Times
bestselling author of
Spider Bones
Thank you for purchasing this Pocket Books eBook.
Join our mailing list and get updates on new releases, deals, bonus content and other great books from Pocket Books and Simon & Schuster.
or visit us online to sign up at
eBookNews.SimonandSchuster.com
For Monica Derham
“All you need for a movie is a gun and a girl.”
—J
EAN
-L
UC
G
ODARD
ALL HE WANTED
was a case of beer.
And it looked like he was going to have to get it himself.
The way Stile explained it, “I can’t hardly get a case of Labatts on the back of a Yamaha.”
“That’s okay,” Pellam said into the cellular phone.
“You want a six-pack, I can handle that. But the rack’s a little loose. Which I guess I owe you. The rack, I mean. Sorry.”
The motorcycle was the film company’s but had been issued to Pellam, who had in turn loaned it to Stile. Stile was a stuntman. Pellam chose not to speculate on what he had been doing when the rack got broken.
“That’s okay,” Pellam said again. “I’ll pick up a case.”
He hung up the phone. He got his brown bomber jacket from the front closet of the Winnebago, trying to remember where he’d seen the discount beverage store. The Riverfront Deli was not far away but the date of his next expense check was and Pellam did not feel inclined to pay $26.50 for a case even if it had been imported all the way from Canada.
He stepped into the kitchenette of the camper, stirred the chili and put the cornbread in the small oven to heat. He had thought about cooking something else for a change. Nobody seemed to notice that whenever Pellam hosted the poker game he made chili. Maybe he would serve it on hot dogs, maybe on rice, but it was always chili. And oyster crackers. He didn’t know how to cook much else.
He thought about doing without the beer, calling back Stile and saying, yeah, just bring a six-pack. But he did the calculation and decided they needed a whole case. There would be five of them playing for six hours and that meant even a case would be stretched pretty thin. He would have to break out the mezcal and Wild Turkey as it was.
Pellam stepped outside, locked the camper door and walked along the road paralleling the gray plane of the Missouri River. It was just after dark, an autumn weekday, and by rights ought to be rush hour. But the road dipped and rose away from him and it was deserted of traffic. He zipped his jacket tight. Pellam was tall and thin. Tonight he wore jeans and a work shirt that had been black and was now mottled gray. His cowboy boots sounded in loud, scraping taps on the wet asphalt. He wished he had worn his Lakers cap or his Stetson; a cold wind, salty-fishy smelling, streamed off the river. His eyes stung, his ears ached.
He walked quickly. He was worried that Danny—the scriptwriter of the movie they were now shooting—would show up early. Pellam had recently left a ten-pound catfish in Danny’s hotel room bathtub and the writer had threatened to weld the Winnebago door shut in retaliation.
The fourth of the poker players was a grip from San Diego who looked just like the merchant marine he had once been, complete with tattoo. The fifth was a lawyer in St. Louis, a hawkish man with jowls. The film company’s L.A. office had hired him to negotiate property and talent contracts with the locals. He talked nonstop about Washington politics as if he had run for office and been defeated because he was the only honest candidate in the race. His chatter was a pain but he was a hell of a good man to play poker with. He bet big and lost amiably.
Hands in pockets, Pellam turned down Adams Street, away from the river, studying the spooky, abandoned redbrick Maddox Ironworks building.
Thinking, it’s damp, it may rain.
Thinking, would the filming in this damn town go much over schedule?
Would the chili burn, had he turned it down?
Thinking about a case of beer.
“ALL RIGHT, GAUDIA
is walking down Third, okay? He works most of the time till six or six-thirty but tonight he’s going for drinks with some girl I don’t know who she is.”
Philip Lombro asked Ralph Bales, “Why is he in Maddox?”
“That’s what I’m saying. He’s going to the Jolly Rogue for drinks. You know it? Then he’s going to Callaghan’s for the steak.”
As he listened, Philip Lombro dipped his head and touched his cheek with two fingers formed into a V. He had a long face, tanned. The color, though, didn’t turn Lombro bronze; he was more silvery, like platinum,
which matched his mane of white hair, carefully sprayed into place. He said, “What about Gaudia’s bodyguard?”
“He won’t be coming. Gaudia thinks Maddox is safe. Okay, then he’s got a reservation at seven-thirty. It’s a five-minute walk—I timed it—and they’ll leave at quarter after.”
Ralph Bales was sitting forward on the front seat of the navy-blue Lincoln as he spoke to Lombro. Ralph Bales was thirty-nine, muscular, hairy everywhere but on the head. His face was disproportionately thick, as if he were wearing a latex special-effects mask. He was not an ugly man but seen straight on, his face, because of the fat, seemed moonlike. Tonight he wore a black-and-red striped rugby shirt, blue jeans and a leather jacket. “He’s on Third, okay? There’s an alleyway there, going west. It’s real dark. Stevie’ll be there, doing kind of a homeless number.”
“Homeless? They don’t have homeless in Maddox.”
“Well, a bum. They’ve got bums in Maddox,” Ralph Bales said.
“Okay.”
“He’s got a little Beretta, a .22. Doesn’t even need a suppressor. I’ve got the Ruger. Stevie calls him, he stops and turns. Stevie does him, up close. I’m behind, just in case. Bang, we’re in Stevie’s car, over the river, then we’re lost.”
“I’ll be in front of the alley then,” Lombro said. “On Third.”
Ralph Bales didn’t say anything for a moment but kept his eyes on Lombro. What he saw was this: a hook nose, kind eyes, trim suit, paisley tie . . . It was
odd but you couldn’t see more than that. You thought you could peg him easily as if the silver hair, the tasseled oxblood loafers polished to a spit-shine, and the battered Rolex were going to explain everything about Philip Lombro. But no, those were all you could come up with. The parts and the parts alone. Like a
People
magazine photo.