Authors: Stephanie Bond
Carlotta shuddered, then looked at Wesley. “Do you see
your boss’s vehicle?”
“No, but he’s probably parked near the house.”
“I’l pul over and wait a few minutes. If you don’t come
back or call my cel , I’l know you found him and I’l go.”
He sighed. “You worry too much.”
“I know. Go.”
He scrambled out of the vehicle and disappeared down
the driveway. Carlotta pul ed over to the curb and put the
car into Park, giving the cop a little wave. Headlights shone
in her rearview mirror, and then a car parked behind her.
A suited man climbed out and walked by her car, his
destination obviously the house. With a shock she realized
it was Detective Jack Terry, just as he turned and
recognized her. He stopped and tapped on her window.
Reluctantly, she zoomed it down.
“Ms. Wren, what are you doing here?”
“Just dropping off my brother, Detective. He got a job with
a local funeral home operator who contracts with the
morgue to…uh…move bodies.”
He pursed his mouth. “Did he now? Wel , that explains
why a hearse was parked in front of your place a couple of
days ago.”
She glared. “Stop spying on us.”
His gaze raked over the Monte Carlo and one side of his
mouth lifted. “I like the car—not exactly what I thought
you’d be driving, though.”
She put her hand on the gearshift to keep from swinging at
him. “Good night, Detective.”
Suddenly another set of headlights shone in her rearview
mirror, these from a smaller car approaching very fast.
Detective Terry flattened himself against the Monte Carlo
as the little car careened past and screeched to a halt at a
haphazard angle, leaving the smel of burnt rubber in the
air. It was a dark Porsche, but she couldn’t discern the
model.
“Looks like the husband is home,” the detective said, his
voice rueful. “This is always the hard part.”
Carlotta felt an unexpected stab of compassion for the
detective as he walked toward the man who flung himself
out of the car. How horrible it must be to work with angry,
distraught, and sometimes violent people, day in and day
out.
And based on the body language of the man who was
trying to push past the detective, those were just the
survivors.
Riveted, she watched as Detective Terry visibly tried to
calm the man. They were about the same height, but the
detective’s bulk gave him the advantage of leverage. He
led the man to where they could look down upon the
house. From the way the man bent over and gripped his
knees, she presumed they could see the pool from where
they stood—and the body. Then the husband turned, as
though to gather himself, and lifted his head in Carlotta’s
direction.
The breath froze in her chest as recognition slammed into
her.
Peter Ashford, looking disheveled and inebriated.
She glanced at the monstrous house, eerily il uminated by
uplights and headlights. This was Peter’s house?
Which meant, she realized with dawning horror, that the
woman who was dead was…Angela Ashford.
14
The lost look on Peter’s face made Carlotta’s heart swell in
agony. Before she had time to think, she was out of the car
and moving toward him in the semidarkness. “Peter?”
He turned at the sound of her voice and when he saw her,
his face creased in confusion. “Carlotta? What are you
doing here?”
“I dropped off Wesley. He’s here…in an official capacity,”
she said vaguely. “We had no idea this was your
house…that Angela—” She broke off, at a loss for words.
He embraced her and she could feel desperation palpating
through his heated skin. She could also smel the gin on his
breath and on his shirt. He was drunk, and she wondered
how much his clinging to her was to keep himself upright.
Then he buried his face in her hair and pul ed her body
against his. She ached to give him the comfort he sought,
but when she realized that Detective Terry was gaping at
them, she reluctantly pul ed away and cleared her throat.
Detective Terry’s eyebrows sat high on his forehead. “I
take it you two know each other?”
“Old friends,” Carlotta supplied quickly, then her gaze
caught on the pool about twenty yards below them,
shrouded in the mist that rose from the surface of the
heated water. Angela’s body, clad in black, lay on the pale
background of the concrete pool surround, her limbs at
awkward angles. Carlotta swallowed hard against the cold
truth that Angela was dead.
Peter looked at the scene and dragged his hand down his
face. “I have to go to her,” he said, and the detective
relented with a nod, falling into step behind him.
Carlotta didn’t know whether to stay or to go, or to walk
down with the men. She didn’t relish seeing the body up
close, but she also didn’t want to just leave. She hugged
herself, running her hands up and down her arms to ward
off the damp chil that blanketed everything that didn’t
move—which would include Angela’s body, she noted
rueful y.
Peter turned back. “Carlotta…I could use a friend right
now.”
She hesitated, darting a glance at the detective, who
looked extremely irritated at the idea of her going with
them.
“Try to stay out of the way,” Detective Terry said, then
continued tromping down the incline.
She fol owed them, careful to stay behind while stil in
Peter’s peripheral vision. She couldn’t take her eyes off
him. He seemed so…so…disconnected. She wondered if he
was in shock. No tears, no prostrate hysterics. Maybe the
alcohol had numbed his senses, but back when they had
dated, alcohol had always made him more emotional.
He moved like an automaton, staring straight ahead, his
hands hanging limply by his sides as he walked by the
vehicles parked in the paved turnaround in front of the
house, including a car with the medical examiner’s shield
on the side and a plain white van that Carlotta assumed
belonged to Cooper Craft. As they approached the tall
wrought-iron fence that enclosed the pool, Carlotta
glanced around nervously.
She took in the palatial lines of the brick house, the
sweeping steps that led from the turnaround, the huge
fountain, the two-story entryway and the soaring Palladian
windows, eerily dark. The house looked cold,
empty…dead. By contrast, the gated pool area adjacent to
the house was blazing with lights, the deep water an
unnatural blue. With steam rising from the surface, the
water resembled a witch’s cauldron. Taking deep breaths
against the turmoil in her stomach, she fol owed the men
down a short lighted stone path to a gate that had been
propped open. The scent of chlorine burned the air, which
seemed swol en with humidity and sadness.
Wesley and Cooper stood off to the side of the pool next
to a small waterfall, apparently waiting for the police to
complete their investigation. A youngish man with Medical
Examiner on his jacket stood over Angela’s body, taking
photos. Carlotta made eye contact with Wesley, who
looked confused at her appearance. Then his gaze went to
Peter and back to her, wide-eyed. She nodded, trying to
answer the questions that must be whirling through his
mind, and walked over to where they stood.
“Isn’t that Peter Ashford?” Wesley whispered.
“Yes,” she murmured.
“And that’s his wife?”
“Yes.”
“Jesus,” Wesley said. “Nice place.”
“Wesley!”
He looked contrite and pressed his lips together.
“Do you know the family?” Cooper asked them asked
under his breath.
“That’s sis’s old boyfriend,” Wesley offered. “The one she
was crying—”
“Do you know what happened?” she cut in, shooting
Wesley a lethal look.
“Accidental drowning is what I was told,” Cooper offered
quietly. “She must have fallen in.”
Her gaze cut to Angela’s stil body and the gray wetness
around her on the concrete from her saturated clothing.
When she’d been shopping for swimsuits, Angela had
mentioned that she didn’t know how to swim. She was stil
wearing the chunky-heeled black knee boots that Carlotta
had sold to her—they must have felt like lead when she’d
gone under the surface of the water. The pool was about
twenty-five feet wide—she would have been a mere
body’s length from safety. The vision sent a shudder
through Carlotta. The entire scene was surreal, an
unimaginable nightmare.
“The maid found her,” Wesley added, nodding to an open
sliding glass door leading into the house. A small, older
woman stood in the doorway, her shoulders hunched, a
handkerchief covering her face.
The uniformed officers apparently had been waiting for
Detective Terry to arrive because when they saw him, they
straightened from the body. Peter’s knees buckled and
Detective Terry steadied him, guiding him toward the
open door into the expansive house. She heard the
detective say something about coffee. The maid scurried
aside and turned on a light. The wall facing the pool was
made almost completely of glass. From where Carlotta
stood, she saw Peter sink into a chair around a table in a
room that appeared to be a sunroom or a casual dining
room. He covered his face with his hands.
Carlotta’s body strained toward him, but she forced her
attention away from the man with whom she had been so
recently and so bizarrely reunited and back to the scene
unfolding around the pool.
The officers talking to Detective Terry gestured toward the
water, perhaps indicating where they had found the body.
At the end of the pool sat an outdoor kitchen with a stone
fireplace, appliances and a bar. From her vantage point
she could see at least two bottles of gin, along with a silver
flask that looked like the one Angela had drunk from in the
dressing room. Behind the bar area was a small cottage—
the guesthouse, Carlotta presumed, recalling what Peter
had said about the pool addition being more than he had
envisioned.
But she silently applauded Angela’s ambition. It was a
garden paradise, with huge sago palms in clay pots, beds
of lush flowers and a flagstone path to a hot tub lined with
mosaic tiles. It was a picture out of Better Home and
Gardens…except for the body lying poolside. Angela
Ashford hadn’t lived to enjoy the luxurious addition to her
posh home.
Next to the pool, Detective Terry had been in discussion
with the medical examiner, and now knelt over the body,
pulling a set of plastic gloves from his jacket pocket. He
snapped them on and lifted the mass of golden hair that
had fal en across Angela’s neck. Then he lifted her lifeless
hands, one at a time. Carlotta tried to reconcile the stil
form lying on the concrete with the animated, angry
woman who had been so alive just hours ago. Her stomach
rol ed, sending acid to the back of her throat; she thought
she might be sick.
“Maybe you should go,” Cooper suggested quietly, his
mouth near her ear. “This isn’t something that everyone
should see, especially if you have a connection to the
deceased.”
She nodded, breathing deeply, and turned to leave. She
walked to the open door where Peter sat, staring off into
the distance, his jaw clenched. He looked up and a
desperate look came into his eyes. He lifted his hand to
her. With her heart clicking, she stepped into the house,
immediately assailed by a sense of grandeur—the scale of
the woodlined ceilings alone was awe-inspiring.
“Wil you close the door?” he asked, turning his head
away.
She did, glad to shut out the sounds of hushed voices and
staticky police radios. The vacuum of the door closing
sealed her into a room where the air was surprisingly stale,
as if the house was rarely used. Through the wide doorway
in the back of the room Carlotta caught a glimpse of the
maid bustling around in a large kitchen. Hallways and
stairways that extended out of her line of vision spoke of
the house’s spaciousness. The scent of strong coffee
wafted on the air.
The room she stood in was another designer feat, a den
with a soaring brick fireplace, built-in cherry-wood
cabinets jammed with expensive-looking bric-a-brac, over-
stuffed leather couches and chairs, plus a long carved
mahogany table and twelve matching chairs. Peter sat in
the chair near the end of the table, his back to the pool,
fingering the tip of a flower in what had to be the most
hideously huge silk flower arrangement that Carlotta had
ever seen.
“We argued about this stupid flower arrangement,” he
said, stil staring straight ahead.
She stood motionless, letting him talk.
“It didn’t matter that it was ugly,” he said with a laugh.
“What mattered was that some upscale florist came to our
house and designed it especially for Angela. He even gave