Border Legion (1990) (10 page)

BOOK: Border Legion (1990)
9.08Mb size Format: txt, pdf, ePub

During these few days Joan had verified her suspicion that Kells had two sides to his character; or it seemed, rather, that her presence developed a latent or a long-dead side. When she was with him, thereby distracting his attention, he was entirely different from what he was when his men surrounded him. Apparently he had no knowledge of this. He showed surprise and gratitude at Joan's kindness though never pity or compassion for her. That he had become infatuated with her Joan could no longer doubt. His strange eyes followed her; there was a dreamy light in them; he was mostly silent with her.

Before those few days had come to an end he had developed two things--a reluctance to let Joan leave his sight and an intolerance of the presence of the other men, particularly Gulden. Always Joan felt the eyes of these men upon her, mostly in unobtrusive glances, except Gulden's. The giant studied her with slow, cavernous stare, without curiosity or speculation or admiration. Evidently a woman was a new and strange creature to him and he was experiencing unfamiliar sensations. Whenever Joan accidentally met his gaze--for she avoided it as much as possible--she shuddered with sick memory of a story she had heard--how a huge and ferocious gorilla had stolen into an African village and run off with a white woman. She could not shake the memory. And it was this that made her kinder to Kells than otherwise would have been possible.

All Joan's faculties sharpened in this period. She felt her own development--the beginning of a bitter and hard education--an instinctive assimilation of all that nature taught its wild people and creatures, the first thing in elemental life--self-preservation.

Parallel in her heart and mind ran a hopeless despair and a driving, unquenchable spirit. The former was fear, the latter love. She believed beyond a doubt that she had doomed herself along with Jim Cleve; she felt that she had the courage, the power, the love to save him, if not herself. And the reason that she did not falter and fail in this terrible situation was because her despair, great as it was, did not equal her love.

That morning, before being lifted upon his horse, Kells buckled on his gun-belt. The sheath and full round of shells and the gun made this belt a burden for a weak man. And so Red Pearce insisted. But Kells laughed in his face. The men, always excepting Gulden, were unfailing in kindness and care. Apparently they would have fought for Kells to the death. They were simple and direct in their rough feelings. But in Kells, Joan thought, was a character who was a product of this border wildness, yet one who could stand aloof from himself and see the possibilities, the unexpected, the meaning of that life. Kells knew that a man and yet another might show kindness and faithfulness one moment, but the very next, out of a manhood retrograded to the savage, out of the circumstance or chance, might respond to a primitive force far sundered from thought or reason, and rise to unbridled action. Joan divined that Kells buckled on his gun to be ready to protect her. But his men never dreamed his motive. Kells was a strong, bad man set among men like him, yet he was infinitely different because he had brains.

On the start of the journey Joan was instructed to ride before Kells and Pearce, who supported the leader in his saddle. The pack-drivers and Bate Wood and Frenchy rode ahead; Gulden held to the rear. And this order was preserved till noon, when the cavalcade halted for a rest in a shady, grassy, and well-watered nook. Kells was haggard, and his brow wet with clammy dew, and lined with pain. Yet he was cheerful and patient. Still he hurried the men through their tasks.

In an hour the afternoon travel was begun. The canon and its surroundings grew more rugged and of larger dimensions. Yet the trail appeared to get broader and better all the time. Joan noticed intersecting trails, running down from side canons and gulches. The descent was gradual, and scarcely evident in any way except in the running water and warmer air.

Kells, tired before the middle of the afternoon, and he would have fallen from his saddle but for the support of his fellows. One by one they held him up. And it was not easy work to ride alongside, holding him up. Joan observed that Gulden did not offer his services. He seemed a part of this gang, yet not of it. Joan never lost a feeling of his presence behind her, and from time to time, when he rode closer, the feeling grew stronger. Toward the close of that afternoon she became aware of Gulden's strange attention. And when a halt was made for camp she dreaded something nameless.

This halt occurred early, before sunset, and had been necessitated by the fact that Kells was fainting. They laid him out on blankets, with his head in his saddle. Joan tended him, and he recovered somewhat, though he lacked the usual keenness.

It was a busy hour with saddles, packs, horses, with wood to cut and fire to build and meal to cook. Kells drank thirstily, but refused food.

"Joan," he whispered, at an opportune moment, "I'm only tired--dead for sleep. You stay beside me. Wake me quick--if you want to!"

He closed his eyes wearily, without explaining, and soon slumbered.

Joan did not choose to allow these men to see that she feared them or distrusted them or disliked them. She ate with them beside the fire. And this was their first opportunity to be close to her. The fact had an immediate and singular influence. Joan had no vanity, though she knew she was handsome. She forced herself to be pleasant, agreeable, even sweet. Their response was instant and growing. At first they were bold, then familiar and coarse. For years she had been used to rough men of the camps. These however, were different, and their jokes and suggestions had no effect because they were beyond her. And when this became manifest to them that aspect of their relation to her changed. She grasped the fact intuitively, and then she verified it by proof. Her heart beat strong and high. If she could hide her hate, her fear, her abhorrence, she could influence these wild men. But it all depended upon her charm, her strangeness, her femininity. Insensibly they had been influenced, and it proved that in the worst of men there yet survived some good.

Gulden alone presented a contrast and a problem. He appeared aware of her presence while he sat there eating like a wolf, but it was as if she were only an object. The man watched as might have an animal.

Her experience at the camp-fire meal inclined her to the belief that, if there were such a possibility as her being safe at all, it would be owing to an unconscious and friendly attitude toward the companions she had been forced to accept. Those men were pleased, stirred at being in her vicinity. Joan came to a melancholy and fearful cognizance of her attraction. While at home she seldom had borne upon her a reality--that she was a woman. Her place, her person were merely natural. Here it was all different. To these wild men, developed by loneliness, fierce-blooded, with pulses like whips, a woman was something that thrilled, charmed, soothed, that incited a strange, insatiable, inexplicable hunger for the very sight of her. They did not realize it, but Joan did.

Presently Joan finished her supper and said: "I'll go hobble my horse. He strays sometimes."

"Shore I'll go, miss," said Bate Wood. He had never called her Mrs.

Kells, but Joan believed he had not thought of the significance.

Hardened old ruffian that he was. Joan regarded him as the best of a bad lot. He had lived long, and some of his life had not been bad.

"Let me go," added Pearce.

"No, thanks. I'll go myself," she replied.

She took the rope hobble off her saddle and boldly swung down the trail. Suddenly she heard two or more of the men speak at once, and then, low and clear: "Gulden, where'n hell are you goin'?" This was Red Pearce's voice.

Joan glanced back. Gulden had started down the trail after her. Her heart quaked, her knees shook, and she was ready to run back. Gulden halted, then turned away, growling. He acted as if caught in something surprising to himself.

"We're on to you, Gulden," continued Pearce, deliberately. "Be careful or we'll put Kells on."

A booming, angry curse was the response. The men grouped closer and a loud altercation followed. Joan almost ran down the trail and heard no more. If any one of them had started her way now she would have plunged into the thickets like a frightened deer. Evidently, however, they meant to let her alone. Joan found her horse, and before hobbling him she was assailed by a temptation to mount him and ride away. This she did not want to do and would not do under any circumstances; still, she could not prevent the natural instinctive impulse of a woman.

She crossed to the other side of the brook and returned toward camp under the spruce and balsam trees, She did not hurry. It was good to be alone, out of sight of those violent men, away from that constant wearing physical proof of catastrophe. Nevertheless, she did not feel free or safe for a moment; she peered fearfully into the shadows of the rocks and trees; and presently it was a relief to get back to the side of the sleeping Kells. He lay in a deep slumber of exhaustion. She arranged her own saddle and blankets near him, and prepared to meet the night as best she could. Instinctively she took a position where in one swift snatch she could get possession of Kells's gun.

It was about time of sunset, warm and still in the canon, with rosy lights fading upon the peaks. The men were all busy with one thing and another. Strange it was to see that Gulden, who Joan thought might be a shirker, did twice the work of any man, especially the heavy work. He seemed to enjoy carrying a log that would have overweighted two ordinary men. He was so huge, so active, so powerful that it was fascinating to watch him. They built the camp- fire for the night uncomfortably near Joan's position; however, remembering how cold the air would become later, she made no objection. Twilight set in and the men, through for the day, gathered near the fire.

Then Joan was not long in discovering that the situation had begun to impinge upon the feelings of each of these men. They looked at her differently. Some of them invented pretexts to approach her, to ask something, to offer service--anything to get near her. A personal and individual note had been injected into the attitude of each. Intuitively Joan guessed that Gulden's arising to follow her had turned their eyes inward. Gulden remained silent and inactive at the edge of the camp-fire circle of light, which flickered fitfully around him, making him seem a huge, gloomy ape of a man. So far as Joan could tell, Gulden never cast his eyes in her direction. That was a difference which left cause for reflection. Had that hulk of brawn and bone begun to think? Bate Wood's overtures to Joan were rough, but inexplicable to her because she dared not wholly trust him.

"An' shore, miss," he had concluded, in a hoarse whisper, "we-all know you ain't Kells's wife. Thet bandit wouldn't marry no woman.

He's a woman-hater. He was famous fer thet over in California. He's run off with you--kidnapped you, thet's shore. ... An' Gulden swears he shot his own men an' was in turn shot by you. Thet bullet-hole in his back was full of powder. There's liable to be a muss-up any time. ... Shore, miss, you'd better sneak off with me tonight when they're all asleep. I'll git grub an' hosses, an' take you off to some prospector's camp. Then you can git home."

Joan only shook her head. Even if she could have felt trust in Wood-

-and she was of half a mind to believe him--it was too late.

Whatever befell her mattered little if in suffering it she could save Jim Cleve from the ruin she had wrought.

Since this wild experience of Joan's had begun she had been sick so many times with raw and naked emotions hitherto unknown to her, that she believed she could not feel another new fear or torture. But these strange sensations grew by what they had been fed upon.

The man called Frenchy, was audacious, persistent, smiling, amorous- eyed, and rudely gallant. He cared no more for his companions than if they had not been there. He vied with Pearce in his attention, and the two of them discomfited the others. The situation might have been amusing had it not been so terrible. Always the portent was a shadow behind their interest and amiability and jealousy. Except for that one abrupt and sinister move of Gulden's--that of a natural man beyond deceit--there was no word, no look, no act at which Joan could have been offended. They were joking, sarcastic, ironical, and sullen in their relation to each other; but to Joan each one presented what was naturally or what he considered his kindest and most friendly front. A young and attractive woman had dropped into the camp of lonely wild men; and in their wild hearts was a rebirth of egotism, vanity, hunger for notice. They seemed as foolish as a lot of cock grouse preening themselves and parading before a single female. Surely in some heart was born real brotherhood for a helpless girl in peril. Inevitably in some of them would burst a flame of passion as it had in Kells.

Between this amiable contest for Joan's glances and replies, with its possibility of latent good to her, and the dark, lurking, unspoken meaning, such as lay in Gulden's brooding, Joan found another new and sickening torture.

"Say, Frenchy, you're no lady's man," declared Red Pearce, "an' you, Bate, you're too old. Move--pass by--sashay!" Pearce, good- naturedly, but deliberately, pushed the two men back.

"Shore she's Kells's lady, ain't she?" drawled Wood. "Ain't you all forgettin' thet?"

"Kells is asleep or dead," replied Pearce, and he succeeded in getting the field to himself.

"Where'd you meet Kells anyway?" he asked Joan, with his red face bending near hers.

Joan had her part to play. It was difficult, because she divined Pearce's curiosity held a trap to catch her in a falsehood. He knew-

Other books

Remote Control by Cheryl Kaye Tardif
Ghost Lights by Lydia Millet
Hardcastle's Soldiers by Graham Ison
Immortal Secrets by Moore, Jerry
She, Myself & I by Whitney Gaskell
Zona zombie by David Moody
Red Thunder by John Varley