Caesar's Messiah: The Roman Conspiracy to Invent Jesus:Flavian Signature Edition (8 page)

BOOK: Caesar's Messiah: The Roman Conspiracy to Invent Jesus:Flavian Signature Edition
8.17Mb size Format: txt, pdf, ePub

In fact, the New Testament passage above, in which Jesus asks his disciples to “follow me,” and the passage from Josephus in which Titus asks his troops to follow so that they can become fishers of men, have a number of other parallels.

Like Jesus, Titus had been sent by his father.

 

So he sent away his son Titus to Casarea, that he might bring the army that lay there to Scythopolis.
45

 

While it is hardly unusual to follow a leader into battle or to have been sent by one’s father, Titus, again like Jesus at Gennesareth, is in a sense beginning his ministry there.  He states that the battle is to be his “onset.”

 

“Do not you therefore desert me, but persuade yourselves that God will be assisting to my onset.”
46

 

The Greek word that Josephus uses here,
horme,
means “onset” in English -- that is, either an assault or a starting point. From Titus’ perspective the moment can be seen as a starting point because it is his first battle in Galilee entirely under his command.

 

 

To summarize, though there were thousands of other possible locations, both Jesus and Titus can be said to have had the onset of their narratives at Gennesareth, and in a manner that involved fishing for men—parallels that are unusual enough to at least permit questioning whether they were the product of coincidence. Further, the parallels are of the same nature as the typological relationship shown above between Jesus and Moses. The connections between Jesus and Titus are made up of parallel concepts, locations, and sequences.

Moreover, these parallels must be viewed in conjunction with the historical parallels between Jesus and Titus. Jesus predicted that a Son of Man would come to Judea before the generation that would crucify him had passed away, encircle Jerusalem with a wall, and then destroy the temple, not leaving one stone atop another. Titus was the only individual in history that could be said to have fulfilled Jesus’ prophecies concerning the Son of Man. He came to Jerusalem before the generation that crucified Christ had passed away, encircled Jerusalem with a wall, and had the temple demolished.

The overlaps between Jesus’ prophecies and Titus’ accomplishments make the “fishers of men” parallel more difficult to accept as random. And this is just the beginning of the uncanny parallels between the two men who called themselves the “son of God” and whose “ministries” began in Galilee and end in Jerusalem.

 

CHAPTER 3
 
The Myth for the World

 

To understand the parallels between Jesus’ ministry and Titus’ campaign it was necessary to make a series of discoveries, with each new insight providing the capacity to make the next. This process began when I came across the following passage in Josephus’
Wars of the Jews
and concluded that the parallels between the “son of Mary” described in it and the “son of Mary” in the Gospels were too precise to have been the product of circumstance.

While readers can judge this claim for themselves, it should be noted that Josephus wrote during an age in which allegory was regarded as a science. Educated readers were expected to be able to understand another meaning within religious and historical literature. The Apostle Paul, for example, stated that passages from the Hebrew Scriptures were allegories that looked forward to Christ’s birth. I believe that in the following passage Josephus is using allegory to reveal something else about Jesus.

The passage begins with Josephus telling his readers that he is about to describe an exceptionally grisly event caused by the famine that occurred during the Roman siege of Jerusalem. Notice that he believes that his tale is “portentous to posterity”.

 

But why do I describe the shameless impudence that the famine brought on men in their eating inanimate things, while I am going to relate a matter of fact, the like to which no history relates? It is horrible to speak of it, and incredible when heard.
I had indeed willingly omitted this calamity of ours, that I might not seem to deliver what is so portentous to posterity, but that I have innumerable witnesses to it in my own age …
47

 

He then describes the event:

 

There was a certain woman that dwelt beyond Jordan, her name was Mary; her father was Eleazar, of the village Bethezob, which signifies the
house of Hyssop
. She was eminent for her family and her wealth, and had fled away to Jerusalem with the rest of the multitude, and was with them besieged therein at this time.
The other effects of this woman had been already seized upon, such I mean as she had brought with her out of Perea, and removed to the city. What she had treasured up besides, as also what food she had contrived to save, had been also carried off by the rapacious guards, who came every day running into her house for that purpose.
This put the poor woman into a very great passion, and by the frequent reproaches and imprecations she cast at these rapacious villains, she had provoked them to anger against her;
but none of them, either out of the indignation she had raised against herself, or out of commiseration of her case, would take away her life; and if she found any food, she perceived her labors were for others, and not for herself; and it was now become impossible for her any way to find any more food, while the famine pierced through her very bowels and marrow, when also her passion was fired to a degree beyond the famine itself; nor did she consult with any thing but with her passion and the necessity she was in. She then attempted a most unnatural thing;
and snatching up her son, who was a child sucking at her breast, she said, “O thou miserable infant! for whom shall I preserve thee in this war, this famine, and this sedition?
“As to the war with the Romans, if they preserve our lives, we must be slaves. This famine also will destroy us, even before that slavery comes upon us. Yet are these seditious rogues more terrible than both the other.
“Come on; be thou my food, and be thou a fury to these seditious varlets, and a myth to the world, which is all that is now wanting to complete the calamities of us Jews.”
As soon as she had said this, she slew her son, and then roasted him, and ate the one half of him, and kept the other half by her concealed.
Upon this the seditious came in presently, and smelling the horrid scent of this food, they threatened her that they would cut her throat immediately if she did not show them what food she had gotten ready. She replied that she had saved a very fine portion of it for them, and withal uncovered what was left of her son.
Hereupon they were seized with a horror and amazement of mind, and stood astonished at the sight, when she said to them, “This is mine own son, and what hath been done was mine own doing! Come, eat of this food; for I have eaten of it myself!
“Do not you pretend to be either more tender than a woman, or more compassionate than a mother; but if you be so scrupulous, and do abominate this my sacrifice, as I have eaten the one half, let the rest be reserved for me also.”
After which those men went out trembling, being never so much afrighted at any thing as they were at this, and with some difficulty they left the rest of that meat to the mother.
48

 

While the passage may have been based on an actual event, Josephus seems to have invented the dialogue. There were no witnesses to the speech Mary gave before she killed her son. It is, of course, unlikely that a mother would have slain and eaten her son in the presence of others.

To see the satire that lies within this passage one must first understand the phrase “Bethezob, which signifies the House of Hyssop
.”

Beth
is the Hebrew word for “house” and
Ezob
is the Hebrew word for “hyssop,” hyssop being the plant that Moses commanded the Israelites to use when marking their houses with the blood of the sacrificed Passover lamb. This mark identified the houses that the Angel of Death would “pass over.”

 

Then Moses called on the elders of Israel and said to them, “Pick out and take lambs for yourselves according to your families, and kill the Passover lamb.
“And you shall take a bunch of hyssop, dip it in the blood that is in the basin, and strike the lintel and the two doorposts with the blood that is in the basin …”
49

 

The phrase House of Hyssop
,
therefore, brings to mind the first Passover sacrifice. Another statement in this passage can also be seen as relating to the Passover sacrifice. After slaying her son, the woman roasts the body. In God’s instructions to Moses as to how to prepare the Passover sacrifice, God ordered the following:

 

“Do not eat it raw, nor boiled at all with water, but roasted in fire—its head with its legs and its entrails.”
50

 

Josephus’ use of the word “
splanchon
” also builds on this theme—“
splanchon
” being the Greek word that was used to describe those parts of a sacrificed animal reserved to be eaten by sacrificers at the beginning of their feast. Yet another detail recorded by Josephus also links this passage to the New Testament. Josephus gives the name of Mary’s father as Eleazar, which in Greek is Lazarus, the name of the individual whom Jesus raised from the dead.

Thus, in the passage from
Wars of the Jews
we are analyzing, Mary’s son can be seen as a symbolic Passover lamb. The “human Passover lamb” is established using the same method used by the author of the Gospel of John, who also denoted the symbolic Passover lamb by combining a reference to hyssop with an instruction to Moses about preparing the Passover lamb—that not one of its bones is to be broken in preparing it.

 

Now a vessel full of sour wine was sitting there; and they filled a sponge with sour wine, put it on hyssop and put it to his mouth.
So when Jesus had received the sour wine, He said, “It is finished!” And bowing his head, He gave up his spirit …
Then the soldiers came and broke the legs of the first and of the other who was crucified with him.
But when they came to Jesus and saw him already dead, they did not break His legs.
John 19:29-30, 32-33

 

Identifying Jesus with the symbolic Passover lamb at his crucifixion continued a theme begun at the Passover supper where Jesus asked the disciples to eat of his flesh.

 

Also during the meal He took a Passover biscuit, blessed it, and broke it. He then gave it to them, saying, “Take this, it is my body.”
Mark 14:22

 

There is then a clear parallel between the New Testament’s son of Mary who asks that his body be eaten, and the “son of Mary” Josephus described who actually has his flesh eaten.

Josephus connects the Mary described in his passage to the Mary in the New Testament with another of the details he records. He describes the famine—as Whiston translates it above—as having “pierced through Mary’s very bowels.” In the New Testament, being pierced through is predicted for only one person, Jesus’ mother Mary:

 

Then Simeon blessed them, and said to Mary His mother, “Behold this child is destined for the fall and rising of many in Israel, and for a sign which will be spoken against
(yes, a sword will pierce through your own soul also; that the reasoning in many hearts may be revealed.)”
Luke 2:34-35

 

The fact that the New Testament’s Mary and the Mary in
Wars of the Jews
both had their heart pierced has, to my knowledge, never been noticed by another scholar. The reason for the oversight is important. Scholars have not noticed the parallel between the two Marys because it is more conceptual than linguistic. In the New Testament, the Greek words making up the phrase are
dierchomai psuche
while in
Wars of the Jews
they are
dia splanchon.
Though the words that indicate the piercing through,
dia
51
and
dierchomai
,
52
are linguistically related (the verb
dierchomai
having the preposition
dia
as part of its stem), the words used to describe the part of Mary that was to be pierced through—
psuche
and
splanchon
—are different.

Other books

The Sweet Revenge of Celia Door by Finneyfrock, Karen
The Ultimate Guide to Kink by Tristan Taormino
Rotter Nation by Scott M Baker
For King and Country by Annie Wilkinson
An Accidental Tragedy by Roderick Graham
False Gods by Graham McNeill
Red Dirt Diary 2 by Katrina Nannestad