Captivated
Authors: Nora Roberts
Nora Roberts
Hot Ice
Sacred Sins
Brazen Virtue
Sweet Revenge
Public Secrets
Genuine Lies
Carnal Innocence
Divine Evil
Honest Illusions
Private Scandals
Hidden Riches
True Betrayals
Montana Sky
Sanctuary
Homeport
The Reef
River’s End
Carolina Moon
The Villa
Midnight Bayou
Three Fates
Birthright
Northern Lights
Blue Smoke
Angels Fall
High Noon
Tribute
Black Hills
The Search
Chasing Fire
Series
Irish Born Trilogy
Born in Fire
Born in Ice
Born in Shame
Dream Trilogy
Daring to Dream
Holding the Dream
Finding the Dream
Chesapeake Bay Saga
Sea Swept
Rising Tides
Inner Harbor
Chesapeake Blue
Gallaghers of Ardmore Trilogy
Jewels of the Sun
Tears of the Moon
Heart of the Sea
Three Sisters Island Trilogy
Dance Upon the Air
Heaven and Earth
Face the Fire
Key Trilogy
Key of Light
Key of Knowledge
Key of Valor
In the Garden Trilogy
Blue Dahlia
Black Rose
Red Lily
Circle Trilogy
Morrigan’s Cross
Dance of the Gods
Valley of Silence
Sign of Seven Trilogy
Blood Brothers
The Hollow
The Pagan Stone
Bride Quartet
Vision in White
Bed of Roses
Savor the Moment
Happy Ever After
The Inn BoonsBoro Trilogy
The Next Always
eBooks
The O’Hurleys
Skin Deep
Without a Trace
Dance to the Piper
The Donovan Legacy
Captivated
Entranced
Charmed
Enchanted
Cordina’s Royal Family
Affaire Royale
Command Performance
The Playboy Prince
Cordina’s Crown Jewel
Nora Roberts & J. D. Robb
Remember When
J. D. Robb
Naked in Death
Glory in Death
Immortal in Death
Rapture in Death
Ceremony in Death
Vengeance in Death
Holiday in Death
Conspiracy in Death
Loyalty in Death
Witness in Death
Judgment in Death
Betrayal in Death
Seduction in Death
Reunion in Death
Purity in Death
Portrait in Death
Imitation in Death
Divided in Death
Visions in Death
Survivor in Death
Origin in Death
Memory in Death
Born in Death
Innocent in Death
Creation in Death
Strangers in Death
Salvation in Death
Promises in Death
Kindred in Death
Fantasy in Death
Indulgence in Death
Treachery in Death
New York to Dallas
Anthologies
From the Heart
A Little Magic
A Little Fate
Moon Shadows
(with Jill Gregory, Ruth Ryan Langan, and Marianne Willman)
The Once Upon Series
(with Jill Gregory, Ruth Ryan Langan, and Marianne Willman)
Once Upon a Castle Once Upon a Rose
Once Upon a Star Once Upon a Kiss
Once Upon a Dream Once Upon a Midnight
Silent Night
(with Susan Plunkett, Dee Holmes, and Claire Cross)
Out of This World
(with Laurell K. Hamilton, Susan Krinard, and Maggie Shayne)
Bump in the Night
(with Mary Blayney, Ruth Ryan Langan, and Mary Kay McComas)
Dead of Night
(with Mary Blayney, Ruth Ryan Langan, and Mary Kay McComas)
Three in Death
Suite 606
(with Mary Blayney, Ruth Ryan Langan, and Mary Kay McComas)
In Death
The Lost
(with Patricia Gaffney, Mary Blayney, and Ruth Ryan Langan)
The Other Side
(with Mary Blayney, Patricia Gaffney, Ruth Ryan Langan, and Mary Kay McComas)
The Unquiet
(with Mary Blayney, Patricia Gaffney, Ruth Ryan Langan, and Mary Kay McComas)
Also available. . .
The Official Nora Roberts Companion
(edited by Denise Little and Laura Hayden)
THE BERKLEY PUBLISHING GROUP
Published by the Penguin Group
Penguin Group (USA) Inc.
375 Hudson Street, New York, New York 10014, USA
Penguin Group (Canada), 90 Eglinton Avenue East, Suite 700, Toronto, Ontario M4P 2Y3, Canada
(a division of Pearson Penguin Canada Inc.)
Penguin Books Ltd., 80 Strand, London WC2R 0RL, England
Penguin Group Ireland, 25 St. Stephen’s Green, Dublin 2, Ireland (a division of Penguin Books Ltd.)
Penguin Group (Australia), 250 Camberwell Road, Camberwell, Victoria 3124, Australia
(a division of Pearson Australia Group Pty. Ltd.)
Penguin Books India Pvt. Ltd., 11 Community Centre, Panchsheel Park, New Delhi—110 017, India
Penguin Group (NZ), 67 Apollo Drive, Rosedale, Auckland 0632, New Zealand
(a division of Pearson New Zealand Ltd.)
Penguin Books (South Africa) (Pty.) Ltd., 24 Sturdee Avenue, Rosebank, Johannesburg 2196, South Africa
Penguin Books Ltd., Registered Offices: 80 Strand, London WC2R 0RL, England
This is a work of fiction. Names, characters, places, and incidents either are the product of the author’s imagination or are used fictitiously, and any resemblance to actual persons, living or dead, business establishments, events, or locales is entirely coincidental. The publisher does not have control over and does not have any responsibility for author or third-party websites or their content.
CAPTIVATED
An InterMix Book / published by arrangement with the author
PUBLISHING HISTORY
Harlequin Books edition / August 1992
InterMix eBook edition / January 2012
Copyright © 1992 by Nora Roberts.
Excerpt from
The Witness
copyright © by Nora Roberts.
All rights reserved.
No part of this book may be reproduced, scanned, or distributed in any printed or electronic form without permission. Please do not participate in or encourage piracy of copyrighted materials in violation of the author’s rights. Purchase only authorized editions.
For information, address: The Berkley Publishing Group,
a division of Penguin Group (USA) Inc.,
375 Hudson Street, New York, New York 10014.
ISBN: 978-1-101-56823-1
INTERMIX
InterMix Books are published by The Berkley Publishing Group,
a division of Penguin Group (USA) Inc.,
375 Hudson Street, New York, New York 10014.
INTERMIX and the INTERMIX design are trademarks of Penguin Group (USA) Inc.
To Marianne Willman,
For the past, the present, and the future
Table of Contents
She was born the night the Witch Tree fell. With the first breath she drew, she tasted the power—the richness of it, and the bitterness. Her birth was one more link in a chain that had spanned centuries, a chain that was often gilded with the sheen of folklore and legend. But when the chain was rubbed clean, it held fast, tempered by the strength of truth.
There were other worlds, other places, where those first cries of birth were celebrated. Far beyond the sweeping vistas of the Monterey coast, where the child’s lusty cry echoed through the old stone house, the new life was celebrated. In the secret places where magic still thrived—deep in the green hills of Ireland, on the windswept moors of Cornwall, deep in the caves of Wales, along the rocky coast of Brittany—that sweet song of life was welcomed.
And the old tree, hunched and gnarled by its age and its marriage to the wind, was a quiet sacrifice.
With its death, and a mother’s willing pain, a new witch was born.
Though the choice would be hers—a gift, after all, can be refused, treasured, or ignored—it would remain as much a part of the child, and the woman she became, as the color of her eyes. For now she was only an infant, her sight still dim, her thoughts still half-formed, shaking angry fists in the air even as her father laughed and pressed his first kiss on her downy head.
Her mother wept when the babe drank from her breast. Wept in joy and in sorrow. She knew already that she would have only this one girl child to celebrate the love and union she and her husband shared.
She had looked, and she had seen.
As she rocked the nursing child and sang an old song, she understood that there would be lessons to be taught, mistakes to be made. And she understood that one day—not so long from now, in the vast scope of
lifetimes—her child would also look for love.
She hoped that of all the gifts she would pass along, all the truths she would tell, the child would
understand one, the vital one.
That the purest magic is in the heart.
There was a marker in the ground where the Witch Tree had stood. The people of Monterey and Carmel valued nature. Tourists often came to study the words on the marker, or simply to stand and look at the sculptured old trees, the rocky shoreline, the sunning harbor seals.
Locals who had seen the tree for themselves, who remembered the day it had fallen, often mentioned the fact that Morgana Donovan had been born that night.
Some said it was a sign, others shrugged and called it coincidence. Still more simply wondered. No one denied that it was excellent local color to have a self-proclaimed witch born hardly a stone’s throw away from a tree with a reputation.
Nash Kirkland considered it an amusing fact and an interesting hook. He spent a great deal of his time studying the supernatural. Vampires and werewolves and things that went bump in the night were a hell of a way to make a living. And he wouldn’t have had it any other way.
Not that he believed in goblins or ghoulies—or witches, if it came to that. Men didn’t turn into bats or wolves at moonrise, the dead did not walk, and women didn’t soar through the night on broomsticks. Except in the pages of a book, or in the flickering light and shadow of a movie screen.
There, he was pleased to say, anything was possible.
He was a sensible man who knew the value of illusions, and the importance of simple entertainment. He was also enough of a dreamer to conjure images out of the shades of folklore and superstition for the masses to enjoy.
He’d fascinated the horror-film buff for seven years, starting with his first—and surprisingly successful—screenplay,
Shape Shifter
.
The fact was, Nash loved seeing his imagination come to life on-screen. He wasn’t above popping into the neighborhood movie theater and happily devouring popcorn while the audience caught their breath, stifled screams, or covered their eyes.
He delighted in knowing that the people who plunked down the price of a ticket to see one of his movies were going to get their money’s worth of chills.
He always researched carefully. While writing the gruesome and amusing
Midnight Blood
, he’d spent a week in Romania interviewing a man who swore he was a direct descendant of Vlad, the Impaler—Count Dracula. Unfortunately, the count’s descendant hadn’t grown fangs or turned into a bat, but he had proven to possess a wealth of vampire lore and legend.