Cast in Order of Disappearance (21 page)

The two men faced each other. Their eyes were interlocked and the gun pointed directly at Charles' heart. The pause seemed endless.

Suddenly the doorbell rang. Nigel tensed as if to fire, and Charles closed his eyes. Then he heard the clatter of the gun falling on to the desk. He looked at Nigel Steen and saw the glint of tears in his eyes as the young man rushed out of the door.

Charles collapsed like a glove puppet with the hand withdrawn, and stood for a long moment, sagging. The doorbell was still ringing. But before he went downstairs, he crept into Marius Steen's bedroom.

Jacqui was still unconscious, breathing heavily under the anaesthetic. Gingerly Charles raised the sheet that lay over her thighs. There was no blood, no sign that she had been touched. As he looked down at the body he used to love, he thanked God for letting him arrive in time.

When he opened the door downstairs, he heard the roar of a motorboat leaving from the boathouse at the back. On the doorstep in front of him stood Joanne Menzies, alone. She was breathless. ‘I couldn't get the police. Didn't see a phone. I've just walked from the car.'

So it had been a bluff. Charles started laughing, clear ripples of relief shaking his body. He clasped Joanne in his arms, not for love or lust, just sheer joy at being alive.

The speedboat was found splintered against Goring Bridge. It had missed the lock and been driven full-tilt down the hard steps of the weir. Nigel Steen's body was found in some weeds nearly a mile downstream. Whether the death was suicide, or a result of his natural aptitude for failure, was never established.

XIX

Finale and Curtain-Call

BARTLEMAS AND O'ROURKE'S tall Victorian house in Ideal Road, Islington, was like a chaotic museum. Every available wall surface was covered with memories of Kean and Macready; even in the lavatory the twin deities looked down beneficently on lesser mortals.

A battered life-size carving of Kean as Shylock greeted Charles as he entered the front door. The beak of a nose seemed strangely reminiscent of Marius Steen. O'Rourke took his coat. ‘You know, people keep saying we ought to hang coats on Shylock's arm . . .'

‘But we're sure Edmund wouldn't like it,' said Bartlemas, appearing from nowhere in a shiny apron with an advertisement for ‘Camp Coffee' on it.

‘No, he wouldn't. The party was really Bartlemas' idea . . .'

‘Oh, I wouldn't say that, O'Rourke. Let's say we arrived at the idea mutually . . .'

‘Yes, let's. Nearly everyone's here. Do go through. Bartlemas, do you want a little succour with your vinaigrette?'

‘Wouldn't say no, O'Rourke. Excuse us. Titivating the goodies. Do go through . . .'

‘Just toddle through . . .' They vanished in a shimmer of saxe-blue silk shirts.

The sitting-room had two walls devoted to prints of Edmund in all his greatest roles, and the other two to William. Between them, sitting with drinks, were Joanne Menzies and Gerald Venables. Gerald rose to greet Charles in typical style. ‘Hello, old boy. What's the budget going to do to your savings then?'

‘I haven't got any.'

‘Wise feller.' Charles greeted Joanne and helped himself to a large Scotch. Gerald continued. ‘Do you realise, Charles, that if these Labour Johnnies go and slap on this gift tax they're talking about, crimes like young Nigel Steen's won't be worth committing.'

‘His wasn't worth committing anyway, as it turned out.'

‘No. Fascinating, though, from the legal point of view. Do let me in on any more of your detective work, won't you, Charles?'

‘There won't be any more, Sherlock Holmes.'

‘Oh, I'm sure there will. How's the arm?'

‘Healed up long ago. A nice scar though.'

‘And a good story to go with it.'

The conversation drifted. Joanne talked about her new job in a concert agency. Bartlemas and O'Rourke came in and talked about the first night of Gielgud's Prospero (‘Doing it again, dear') at the National. Charles felt detached and rather sad. A little parcel had arrived through the post that morning from the old people's home at Tower Hamlets. Harry Chiltern had died, and asked that all his possessions be sent to Charles. It was depressing to think that he was the closest friend that the old man had, and it stirred all the usual guilt feelings—should have gone to see him more often, and so on. The package contained a watch, a silver cigarette case, a Ronson lighter and
Stanley Matthews' Book of Football
.

It suited Charles' melancholy mood well. Nothing much seemed to be happening. He had finished shooting the rescheduled scenes of
The Zombie Walks
without meeting Felicity again. (However, the episode was not without profit, since the film company had paid very substantial compensation for his ‘accident'.) He was now involved in a dreary radio serial, which was driving him slowly mad with boredom. Life went on, at its usual alcoholic level.

A ring at the doorbell announced the late arrival of Jacqui, blonde again and resplendently pregnant in a long red and white flowered dress. It was so far from her usual style that Charles thought she must have undergone some violent change of personality. She greeted him slightly gushingly, and that again struck a false note.

The reason for the change soon became apparent. Given Jacqui's simple character, it could only be a man. Her escort followed her into the sitting-room. It was Bernard Walton.

‘Hello, Charles. Dear boy. Joanne, darling. Hello, all you lovely people. Haven't met you, have I, sir, but I'm sure we'll get on. Tell you what, Jacqui and I were thinking of tootling on to the midnight matinee at the Parthenon after this lot. It's a charity thing—something to do with April Fools' Day. Perhaps that means it's raising money for a looney bin. Whole thing will probably be a ghastly no-no, but everyone will be there. What do you all say to the idea?'

Bartlemas and O'Rourke were terribly enthusiastic, and the others mumbled politely. Charles didn't even mumble. He knew what wasn't his scene.

The dinner was very good, though the conversation tended to be dominated by Bernard's stories of his new television series and the director who was disastrous, but disastrous. At one point, however, they did get around to Marius Steen and the circumstances of his death.

‘What I never could understand,' said Gerald, ‘was why Steen, who was so good with money, made such a cock-up of that final will. I mean, just leaving it to the baby, or making it dependent on the baby's survival. It's insane.'

‘But you see, dear,' said Bartlemas, ‘he only got that one together in a hurry . . .'

‘Yes,' said O'Rourke, ‘he was going to sort it all out properly when he got back to England. I mean, the so-called solicitor he found out at Saint-Maxime was a boy, hardly even qualified. Just got his articles—I always think that sounds rude.' A snigger. ‘So the will was only a stop-gap. But when Marius felt better, he forgot about it . . .'

‘Yes. He was intending to get married you see.'

Gerald nodded. ‘Of course. Remarriage would revoke all previous wills.'

But Charles was intrigued by something O'Rourke had said. ‘When Marius felt better? What did you mean by that?'

‘Oh no! Didn't we tell you?' O'Rourke's eyes opened wide.

‘I don't think we did, O'Rourke . . .'

‘Oh well, you see, Marius had this heart attack while we were out there. Not a bad one, but it frightened him. That's why he was in such a rush about the will . . .'

‘That's right. And that's why he made us witnesses and executors . . .'

‘Doesn't that sound grand . . .'

‘Yes, because we were the only people there . . .'

‘And then he gave us the will and the other papers and he said to us, just before we toddled off to Morocco—'

‘Just a minute, O'Rourke,' Charles interposed. ‘What other papers?'

O'Rourke looked at Bartlemas and both of them opened their eyes wide and put their hands over their mouths in mock horror. ‘Oh no, Bartlemas, we haven't . . .'

‘We have, O'Rourke . . .'

‘Forgotten all about them . . .'

‘Oh no!'

‘Where did we have them last?'

‘Well, we certainly had them when you were cleaning that playbill of William as Lear at the Theatre Royal, Covent Garden . . .'

‘And then we . . .'

‘Ooh. Do you know, I think I left them in my dinki-doodi-den . . .'

‘Oh no, Bartlemas!'

‘I'll scurry up and get them straight away.'

There was a brief pause. Nobody quite liked to ask what Bartlemas' dinki-doodi-den was. Fortunately he scurried back before the silence became awkward.

‘Here it is, acres of bills and things.'

Gerald assumed control and looked through the papers while the others watched. Then he chuckled. ‘The old sod.'

‘Who?' asked Jacqui.

‘Marius Steen. He'd really got it in for Nigel. He must have regretted that gift business.'

‘Why? What did he do?' asked Charles.

‘Marius wrote a letter to his son last November—this is a copy of it—complaining in humble terms about how he'd left himself short by the gift and not taken inflation into account, and would Nigel let him have a small income from various shares and properties? And here's the agreement duly signed by Nigel.'

‘And what does it mean?'

‘It means that Marius was retaining a beneficial interest in the gift.'

‘What?' asked Jacqui blankly, which saved the embarrassment of someone else's asking.

‘It means that the whole gift thing was invalid. Nigel would have had to pay duty on the whole estate without reduction.'

‘Good God,' said Charles. ‘You can't help admiring the old bugger. Making his own son sign away his fortune.'

‘Yes. He was an amazing character. He understood money,' said Gerald with respect, ‘and, having made one mistake, determined that most of it would die with him.'

‘Will it affect my inheritance?' Jacqui asked anxiously. ‘Ah, who knows?' Gerald smiled. ‘That all has to be sorted out by solicitors and accountants.'

Charles gave a mock yawn. ‘I know. Endless meetings, confabulations, discussions and mumblings about the law. Where does all that get you?'

‘Rich,' said Gerald smugly.

At half past eleven, they all left the house to go to the April Fools' Midnight Matinee at the Parthenon. Bartlemas and O'Rourke had dressed in their Victorian first-night gear specially. They looked like a pair of Dickensian undertakers.

The bright young theatrical crowd (including Gerald, who had decided he would go after all) piled into Bernard Walton's Bentley, leaving Charles and Joanne on the pavement outside the house. ‘See you,' yelled Jacqui out of the window as the great car roared off.

‘How've you been?' Charles asked Joanne.

‘All right.'

‘You still miss Marius?'

‘Yes, but the new job's very busy, so it's not too bad.'

‘Good. Do you fancy a drink somewhere?'

‘Thanks very much, but no, I don't think so. I've got to be up early in the morning.'

Charles found a cruising taxi to take Joanne Menzies home. Then he hailed another for himself and gave the driver the address of the Montrose.