Casting Off: Cazalet Chronicles Book 4 (5 page)

When he had bought his ticket and discovered that the next train to London would be in twenty minutes, he wandered up and down the platform, past the news-stall – closed – to the station buffet. He went in: they might have some cigarettes and he was running out. They hadn’t. The place was disconsolately dirty and smelt of beer and coal dust; the walls, once decorated in pale green high-gloss paint, were cracked and blistering, and the long counter had heavy glass domes that contained sandwiches writhing with antiquity. Just as he was wondering how on earth anybody could face them, a sailor came in and bought one with a bottle of Bass. Rupert left the buffet and walked to the very end of the platform. It was a beautiful evening full of tender yellow light and moth-coloured shadows; moth was a cop-out – they were all kinds of colours, really. He stopped looking: he was not a painter, he was a timber merchant. Like the rest of his life now, that seemed a completely unreal statement – he’d better think of something else. He thought about his brother, his older, once glamorous brother, whom he had felt was a kind of hero, or at least an heroic figure, although that, originating from when he was still a schoolboy during the First World War, had simply congealed into a habit. Poor old Edward! he now thought. He
has
got himself into a mess. Whatever he does now will make someone miserable . . . He suddenly found that he couldn’t think about that, either. ‘I suppose in the end she will get used to it,’ came into his head – he might even have spoken it aloud; the cat’s mother must be Villy. He knew, somehow, that Edward would do what he thought was the easier thing. He might well be wrong about what that might be, but when he did it that was what he would think. If whatever one did made one unhappy, might it not be best for Edward to do the harder thing? The harder thing was implicitly right, he knew, but that did not, he also knew, often provide much comfort. After all, Edward had been having it both ways for years; it was high time he had to face the music, make a decision one way or the other. His life must, for years, have been a tissue of lies, evasions, a withholding of essential truths.

He was no good at anger. Any resentment or disapproval he manufactured against Edward evaporated as fast as he put words to it; it wasn’t just a question of deciding, it was living afterwards, according to the decision, dealing with the lifelong consequences . . .

His train had arrived; he did not know how long it had been there, and hurried to catch it. He found an empty compartment and settled himself in a corner of it to sleep. But the moment that he closed his eyes his head was full of familiar, silent images that seemed waiting to become animate in his dreams – to speak, to repeat themselves, to re-enact the key moments of the last three months: Michèle’s head, sinking back upon her pillow after he had kissed her, then (he imagined) lying motionless as she listened to his departing footsteps – he had looked back once at the house to see if she had come to the window but she had not; the interim in the boat, which had seemed so painful and now seemed an almost blessed interlude when that image of her recurred and he could indulge in pure grief. He had wanted to stay one night in London on his own before embarking upon the last leg of his journey home, but he had no money except for the rail fares borrowed from the captain of the boat. He had not thought to ask for more – as it was, he walked from Waterloo Station to Charing Cross. The shabby, battered appearance of London appalled him. So he had bought his ticket and watched the familiar countryside and smoked his last cigarette from the packet they had given him on the boat and tried to imagine meeting Zoë.

He had not been able to imagine that. Nothing that came to his mind on the journey to Battle had any life, any credence at all. She might be disaffected, overjoyed, not even
there
: he knew nothing and, least of all, how he would feel at first sight. In fact, when he finally reached Home Place, in the middle of the afternoon, she was out. He walked through the old white gate that led to the front of the house, and there was his mother on her knees by her rock garden. Just as it occurred to him that his sudden appearance would be too much of a shock for her, she turned her head and saw him. He went quickly to her then, knelt down and put his arms round her; the expression on her face brought tears to his eyes. She clung to him, speechless, then put her hands on his shoulders to hold him away from her. ‘Let me look at you,’ she said, she was laughing – a little high-pitched gasping sound; tears were streaming down her face.

‘Oh, my darling boy!’

‘Now!’ she said later. ‘We must be sensible. Zoë’s taken Juliet to Washington to the shop. You will want a little peace and quiet together.’ She had taken the small white handkerchief from its place under her wristwatch to wipe her eyes, and he noticed with a pang of affection the strawberry mark on the back of that hand.

‘Is she all right?’

She met his eye, and as he was rediscovering the familiar simple frankness of her gaze, it seemed to falter.

‘Yes,’ she said. ‘It’s been a very hard time for her. I have become very fond of her. Your daughter is a pearl. Why don’t you walk to meet them?’

So he had done that – had walked back down the drive and up the steep road and at the top of the hill he met them by a gate into their fields. Juliet was sitting on the gate, and Zoë stood beside her and before he could hear what they were saying he recognised an argument.

‘. . .
always
go back this way. Even
Ellen
knows it’s my best way . . .’

He quickened his pace.

‘I just don’t feel like playing charabancs today.’

‘You
never
feel like it!’ She was wearing a scarlet beret but her head was turned away – he could not see her face.

‘Well, I—’ Zoë began, and then she saw him, stood motionless as he came up to her.

They stared at one another; she had gone white. When she spoke, she sounded frightened, husky and incredulous: ‘Rupert! Rupert?
Rupert
!’ The third time she put out a hand and touched his shoulder.

‘Yes.’ I should put my arms round her, he thought, but before he could do that, she had moved to Juliet.

‘This is your father,’ she said.

He turned to find her gazing at him.

‘She has a picture of you in her nursery.’

He went to lift her off the gate, but as he drew near, she clutched it with both hands.

‘Will you give me a kiss?’

She looked at him consideringly. ‘If you had a beard I wouldn’t. Because of birds. It’s in a poem.’ She was incredibly pretty – a miniature of Zoë with Cazalet eyes.

‘As you can see, I haven’t got a beard.’

She leaned towards him and gave him a smacking kiss. Her mouth was pale red and translucent, like the skin of a redcurrant. He kissed her back and she turned her head away and shut her eyes.

‘Do you want to get down?’

She shook her head and renewed her grip on the top bar of the gate. He turned to Zoë: she was wearing an old riding mac with a green foulard scarf round her neck. She was still very pale.

‘I didn’t mean to give you such a shock.’

‘I know,’ she said quickly. ‘I know you didn’t.’

‘Are we going to play? I really want to play charabancs. I
really
want to.’

So they did what Juliet wanted and went to play on the fallen tree in the wood near the house. He thought afterwards that they had both been grateful for her presence: it postponed intimacy or, rather, excused the lack of it – he sensed that Zoë, too, felt awkward and intensely shy. The first time he touched her was when he helped her down from a branch of the tree after she had called a halt to the game. She blushed when he took her hand.

‘I can hardly believe – it seems so extraordinary—’ she began, in a low, hurried voice, but she was interrupted by Juliet who was standing precariously on the higher bit of the fallen tree, shouting, ‘Someone catch me when I jump!’

He caught her and she wriggled from his arms to the ground and said, ‘Now we’ll all hold hands for going home.’ So they walked back through the wood separated by their daughter who marched between them. It was during that walk that he learned that Sybil had died, that his father was blind, that Neville was at Stowe and that Clary was living in London and working for a literary agent and living in Louise’s house – oh, yes, she had married Michael Hadleigh, the portrait painter . . . Telling and hearing the family news seemed to make things a little easier between them. Archie had been wonderful, she said – finding the right school for Neville after he had tried to run away, looking after Clary and Polly, coming down for weekends and cheering them all up. For a moment, he wondered whether she had fallen in love with Archie, then dismissed it as an ignoble thought; but when it returned later that same evening, he discovered that what frightened him about it was his lack of concern . . . It was true that when he walked into the house for the first time and was assailed by all the deeply familiar scents – of woodsmoke, damp mackintosh, the wallflowers that every year the Duchy put in a large bowl in the hall, the warm vanilla of a freshly baked cake on the large table now laid for tea – he felt a rush of simple, recognising pleasure, could for a moment feel himself home, and glad of it. He realised that he was ravenous, almost faint with hunger – he’d eaten nothing since the boat, which already seemed an immense, an almost unreal distance away – but he had only to say that he was looking forward to tea for a succession of dishes to be brought to him. Two boiled eggs, a Welsh rarebit, a chicken sandwich, two slices of cake. All this he ate, watched with joyful indulgence by the Duchy, Villy, Miss Milliment and Ellen, and with growing envy and insurrection by the children: Lydia, Wills – no longer a baby, a boy of
eight
– Roland and his own daughter. It was the children who underlined the length of his absence. ‘We only get boiled eggs for tea on our birthdays,’ one of them said. ‘We don’t get eggs. We get one miserable little egg. Once a year,’ and so on.

It was the children who fired a series of direct questions at him. What was being a prisoner
like
? How had he escaped? Why hadn’t he escaped sooner when the war stopped? Lydia wanted to know, but Villy told her that her uncle was tired and didn’t want to be cross-examined the moment he got home. Villy’s hair had gone completely white, he noticed, but her strong eyebrows had remained dark.

To deflect curiosity about himself he had asked about Clary and Neville, but before any adult could answer him Lydia said: ‘Neville’s voice has changed, but I can’t honestly say his character has improved at all. He’s simply awful in slightly different ways. He gambles with money and he hardly ever plays any decent games with us. Clary’s much nicer. You ought to ring her up, Uncle Rupert, she’ll be so frightfully pleased. She always thought you’d come back – even when everybody else thought you were dead.’

‘Lydia! Don’t talk such nonsense!’

‘I wasn’t. I’m not.’ She looked at her mother defiantly, but she didn’t say any more.

He had glanced involuntarily at Zoë, seated beside him, but she was staring at her empty plate. It had been then that he had been assailed by senses of guilt and unreality – both so violent and so evenly balanced that he was paralysed. His decision to stay on in France all those months after he could legitimately have left, a decision that had seemed romantically moral at the time, now seemed mere self-indulgent folly, selfish in the extreme. And he was not even returning with a pure, undivided heart . . .

The train was slowing down for a station – Basingstoke. He hoped that nobody would get into this compartment; he spent much of his life hoping to be left alone these days, not because he enjoyed the solitude but simply because he found it less demanding. He felt tired all the time, kept thinking he wanted to sleep, but usually the attempt simply provided a replay of small, disparate, disturbing pieces of his life. The only person he felt comfortable with was Archie, to whose flat he was now bound. He had rung Archie that first evening at Home Place, and somehow Archie’s pleasure (‘I say! What a thing!’) had felt completely all right – he hadn’t felt guilty or inadequate or dishonest at all. It was Archie who had said that he should not ring Clary, he should
see
her; he had also, after he’d heard about the fishing boat, asked immediately whether the Navy knew he was back, and when he’d said no, they didn’t, had said, ‘Well, you’d better come up at once and I’ll fix an appointment for you at the Admiralty. I warn you, they won’t be pleased.’

They hadn’t been. He’d gone up the next morning, met Archie at the Whitehall entrance and been taken by him to see a Commander Brooke-Caldwell by name, who was distinctly hostile. He’d had to go over the whole thing. Why hadn’t he got in touch with any of the British services still in France? Why had he waited so long? What the hell had he been up to and who did he think he was? Who had been concealing him all these years? Was she a member of the
Maquis
? Did MI6 know anything about her? Why hadn’t she tried to move him on? She hadn’t been a member of anything, he’d said. Well, that could be checked out – and would be. It was a good thing, he’d finished grimly, that Lieutenant Commander Lestrange was able to vouch for his identity. He’d read the relevant action report from Rupert’s captain, so the first part of the story was accredited. But he still hadn’t accounted for his delay in returning, had he? A stony glare from the overgrowth of black bushy eyebrows. Personal reasons, sir, he had eventually admitted. Commander Brooke-Caldwell had snorted.

‘Personal reasons come second in this service, a fact which I am quite sure you are well aware of.’

Yes, he was.

‘Report back here in two days. Ask my secretary on your way out what is a convenient time for me.’

He had left feeling distinctly small. It was Archie who had fixed him up with a temporary ration card, who’d got him some money, who’d arranged for Clary to come to his flat for their reunion. ‘She often comes to supper with me, so she won’t think it odd. I’ll see that there’s some food, or you can take her out, whichever you like.’