CB14 Blood From A Stone (2005) (3 page)

‘What was his name?’ Brunetti asked.

Alvise’s eyes widened in surprise he could not disguise. After a pause so long that anyone else would have found it embarrassing, the officer finally said, ‘I don’t remember, sir.’ At Brunetti’s silence, he protested, ‘He said he didn’t see anything, Commissario, so I didn’t need to take his name, did I?’

Brunetti turned to two white-coated attendants who were just arriving. ‘You can take him to the Ospedale, Mauro,’ he said. Then he added, ‘Officer Alvise will go with you.’

Alvise opened his mouth to protest, but Brunetti forestalled him by saying, ‘This way
you can see if the hospital has admitted anyone with bullet wounds.’ It was unlikely, given the apparent accuracy of the five shots that had killed the African, but at least it would free him of Alvise’s presence.

‘Of course, Commissario,’ Alvise said, repeating his semi-salute. The officer watched as the two attendants stooped to pick up the body and place it on the stretcher, then led them back to their boat, walking purposefully, as though it was only through his intervention that they were sure of reaching it.

Turning, Brunetti called to a technician, who was now outside the taped circle, taking a close-up photo of the heel prints that led towards Rialto. ‘Is Alvise the only one who came?’

‘I think so, sir,’ the man answered. ‘Riverre was out on a domestic.’

‘Has anyone tried to find out if there were any witnesses?’ Brunetti asked.

The technician gave him a long look. ‘Alvise?’ was all he said before returning to his photos.

A group of teenagers stood against the wall of the garden. Brunetti approached them and asked, ‘Did any of you see what happened here?’

‘No, sir,’ one of them said, ‘we just got here now.’

Brunetti moved back to the cordoned area, where he saw three or four people. ‘Were any of you here when it happened?’ he asked.

Heads turned away, eyes glanced at the ground. ‘Did you see anything at all?’ he added, asking, not pleading.

A man at the back peeled himself away and started across the
campo
. Brunetti made no effort to stop him. As he stood there, the others dissolved until there was just one person left, an old woman who held herself upright only with the help of two canes. He knew her by sight, though she was usually in the company of two mangy old dogs. She balanced her right cane against her hip and beckoned him towards her. As he approached, he saw the wrinkled face, the dark eyes, the white bristles on her chin.

‘Yes, Signora?’ he asked. ‘Did you see something?’ Without thinking, he addressed her in Veneziano rather than Italian.

‘There were some Americans here when it happened.’

‘How did you know they were Americans, Signora?’ he asked.

‘They had white shoes and they were very loud,’ she answered.

‘When it happened?’ he insisted. ‘Were you here? Did you see?’

She took her right cane and lifted it to point in the direction of the pharmacy on the corner, about twenty metres away. ‘No, I was over there. Just coming in. I saw them, the Americans. They were walking this way, from the bridge, and then they all stopped to look at the stuff the
vu cumprà
had.’

‘And you, Signora?’

She moved her cane a few millimetres to the left. ‘I went into the bar.’

‘How long were you in there, Signora?’

‘Long enough.’

‘Long enough for what?’ he asked, smiling at her, not at all annoyed by her oblique answer.

‘Barbara, the owner, after about eight, she takes all the
tramezzini
that haven’t been sold, and she cuts them up into little pieces and puts them on the counter. If you buy a drink, you can eat all you want.’

This surprised Brunetti, unaccustomed as he was to such generosity from the owners of bars; from the owners of anything, for that matter.

‘She’s a good girl, Barbara,’ the old woman said. ‘I knew her mother.’

‘So how long do you think you were in there, Signora?’ he asked.

‘Maybe half an hour,’ she answered, then explained, ‘It’s my dinner, you see. I go there every night.’

‘Good to know, Signora. I’ll remember that if I’m ever over here.’

‘You’re over here now,’ she said, and when he didn’t respond, she went on: ‘The Americans, they went in there. Well, two of them did,’ she added, lifting the cane again and pointing at the bar.

‘They’re in the back, having hot chocolate. You could probably talk to them if you wanted to,’ she said.

‘Thank you, Signora,’ he said and turned towards the bar.

‘The prosciutto and carciofi is the best,’ she called after him.

Brunetti hadn’t been in the bar for years, ever since the brief period when it had been converted into an American ice-cream parlour and had begun to serve an ice-cream so rich it had caused him a serious bout of indigestion the one time he had eaten it. It had been, he recalled, like eating lard, though not the salty lard he remembered from his childhood, tossed in to give taste and substance to a pot of beans or lentil soup, but lard as lard would be if sugar and strawberries were added to it.

His fellow Venetians must have responded in similar fashion, for the place had changed ownership after a few years, but Brunetti had never been back. The tubs of ice-cream were gone now, and it had reverted to looking like an
Italian bar. A number of people stood at the curved counter, talking animatedly and turning often to point out at the now-quiet
campo
; some sat at small tables that led into the back room. Three women stood behind the bar; one of them, seeing Brunetti enter, offered him a friendly smile. He walked towards the back and saw an elderly couple at the last table on the left. They had to be Americans. They might as well have been draped in the flag. White-haired, both of them, they gave the bizarre impression that they were dressed in each other’s clothing. The woman wore a checked flannel shirt and a pair of thick woollen slacks, while the man wore a pink V-necked sweater, a pair of dark trousers, and white tennis shoes. Both apparently had their hair cut by the same hand. One could not say, exactly, that hers was longer: it was merely less short.

‘Excuse me,’ Brunetti said in English as he approached their table. ‘Were you out in the
campo
earlier?’

‘When the man was killed?’ the woman asked.

‘Yes,’ Brunetti said.

The man pulled out a chair for Brunetti and, with old-fashioned courtesy, got to his feet and waited until Brunetti was seated. ‘I’m Guido Brunetti, from the police,’ he began. ‘I’d like to talk to you about what you saw.’

Both of them had the faces of mariners: eyes narrowed in a perpetual squint, wrinkles seared into place by too much sun, and a sharpness of
expression that even heavy seas would not disturb.

The man put out his hand, saying, ‘I’m Fred Crowley, officer, and this is my wife, Martha.’ When Brunetti released his hand, the woman stretched hers out, surprising him with the strength of her grip.

‘We’re from Maine,’ she said. ‘Biddeford Pool,’ she specified, and then, as though that were not enough, added, ‘It’s on the coast.’

‘How do you do,’ Brunetti said, an old-fashioned phrase he had forgotten he knew. ‘Could you tell me what you saw, Mr and Mrs Crowley?’ How strange this was, he the impatient Italian and these the Americans who needed to go through the slow ritual of courtesy before getting down to the matter at hand.

‘Doctors,’ she corrected.

‘Excuse me?’ said Brunetti, at a loss.

‘Doctor Crowley and Doctor Crowley,’ she explained. ‘Fred’s a surgeon, and I’m an internist.’ Before he could express his surprise that people their age were still working as doctors, she added, ‘Well, we were, that is.’

‘I see,’ Brunetti said, then paused and waited to see if they had any intention of answering his original question.

They exchanged a look, then the woman spoke. ‘We were just coming into what you call the
campo
, and I saw all these purses on the ground and the men selling them. I wanted to have a look and see if there was something we could take back to our granddaughter. I was
standing just in front, looking at the purses, when I heard this strange noise, sort of like that fitt, fitt, fitt your coffee machines make when they turn that nozzle thing to make the steam. From my right, three times, and then from the left, the same noise, fitt, fitt, twice that time.’ She stopped, as if hearing it all over again, then went on. ‘I turned to see what the noise was, but all I could see were the people beside me and behind me, some of the people from the tour, and a man in an overcoat. When I looked back, that poor young man was on the ground, and I knelt down to try to help him. I think I called for Fred then, but it might have been later, when I saw the blood. At first I was afraid he’d fainted; not being used to the cold, or something like that. But then I saw the blood, and maybe that was when I called Fred; I really don’t recall. He did a lot of time in the Emergency Room, you see. But by the time Fred got there, I knew he was gone.’ She considered this, then added, ‘I don’t know how I could tell, because all I could see was the back of his neck, but there’s a look about them, when they’re dead. When Fred knelt down and touched him, he knew, too.’

Brunetti glanced at the husband, who picked up her story. ‘Martha’s right. I knew even before I touched him. He was still warm, poor boy, but the life had gone out of him. Couldn’t have been more than thirty.’ He shook his head. ‘No matter how many times you see it, it’s always new. And terrible.’ He shook his head and, as if to emphasize his words, pushed his
empty cup and saucer a few centimetres across the table.

His wife put her hand on top of his and said, as if Brunetti weren’t there, ‘Nothing we could have done, Fred. Those two men knew what they were doing.’

She couldn’t have been more offhand about it: ‘those two men’.

‘What two men?’ Brunetti asked, striving to keep his voice as calm as possible. ‘Could you tell me more about them?’

‘There was the man in the overcoat,’ she said. ‘He was on my right, just a little bit behind me. I didn’t see the other one, but because the noise came from my left, he had to have been on the other side. And I’m not even sure it was a man. I just assume that because the other one was.’

Brunetti turned to the husband, ‘Did you see them, Doctor?’

The man shook his head. ‘Nope. I was looking at the things on the sheet. I didn’t even hear the noise.’ As if to prove this, he turned to the side and showed Brunetti the beige snail of the hearing aid in his left ear. ‘When I heard Martha call me, I didn’t have any idea what was going on. Truth to tell, I thought something might have happened to her, so I pushed right past those people to get to her, and when I saw her down on the ground like that, even though she was kneeling, well, I won’t tell you what I thought, but it wasn’t good.’ He paused as if in pained memory and gave a nervous smile.

Brunetti knew better than to prod him, and
after a few moments, the man spoke again. ‘And, as I said, as soon as I touched him, I knew he was gone.’

Brunetti turned his attention back to the woman. ‘Could you describe this man for me, Doctor?’

Just at that moment the waitress came by and asked if she could bring them anything. Brunetti looked at the two Americans, but both shook their heads. Though he didn’t want it, he ordered a coffee.

A full minute passed in silence. The woman looked at her cup, mirrored her husband’s gesture in pushing it away, looked back at Brunetti, and said, ‘It’s not easy to describe him, sir. He was wearing a hat, one of those hats men wear in movies.’ To clarify the description, she added, ‘The kind of thing they wore in movies in the Thirties and Forties.’

She paused, as if trying to visualize the scene, then added, ‘No, all I remember is a sense that he was very tall and very big. He was wearing an overcoat; it might have been grey or dark brown, I really don’t recall. And that hat.’

The waitress set Brunetti’s coffee in front of him and moved away. He left it untouched, smiled across at her and said, ‘Go on, please, Doctor.’

‘There was the overcoat, and he had a scarf; maybe it was grey and maybe it was black. Because there were so many people standing around, all I saw was the side of him.’

‘Could you give me an idea of his age?’ Brunetti asked.

‘Oh, I couldn’t be sure of that, no more than to say he was an adult, perhaps your age,’ she said. ‘I think his hair was dark, but it was hard to tell in that light, and with his hat on. And I wasn’t paying much attention to him at that point, not really, because I didn’t have any idea of what was going on.’

Brunetti thought of the victim and asked, conscious of how it would sound, ‘Was this man white, Doctor?’

‘Oh yes, he was European,’ she answered, then added, ‘but my sense of him was that he looked more Mediterranean than my husband and I do.’ She smiled to show she meant no offence, and Brunetti took none.

‘What, specifically, makes you say that, Doctor?’ he asked.

‘His skin was darker than ours, I think, and it looked like he had dark eyes. He was taller than you, officer, and much taller than either one of us.’ She considered all of this and then added, ‘And thicker. He wasn’t a thin man, officer.’

Brunetti turned his attention to the husband. ‘Do you have any memory of seeing this man, Doctor? Or of seeing someone who might have been the other one?’

The white-haired man shook his head. ‘No. As I told you, my only concern was my wife. When I heard her shout, everything else went out of my head, so I couldn’t even tell you which people from our group were there.’

Brunetti turned back to the woman and asked, ‘Do
you
remember who was there, Doctor?’

She closed her eyes, as if trying to recall the scene yet again. Finally she said, ‘There were the Petersons; they were standing to my left, and the man was behind me on the right. And I think Lydia Watts was on the other side of the Petersons.’ She kept her eyes closed. When she opened them she said, ‘No, I don’t remember anyone else. That is, I know that we were all there in a bunch, but those are the only ones I can remember seeing.’

‘How many people are in your group, Doctor?’