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Authors: James Sallis

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3
.
Writin' Is Fightin'
, p. 123.

4
.
My Life of Absurdity
, p. 391.

5
.
The Quality of Hurt
, pp. 65–66.

6
. Muller, p. ix.

7
.
Conversations with Chester Himes
, p. 68.

8
. Lundquist, p. 117.

9
.
The Harlem Cycle
, Vol. 3, p. 379;Vintage, p. 191.

10
.
My Life of Absurdity
, p. 106.

11
.
Cakes and Ale
(New York and London: Penguin Books, 1988), pp. 201–202.

12
.
The Quality of Hurt
, p. 4.

13
. Ibid., p. 5.

14
.
The Third Generation
(Signet), p. 26.

15
.
The Quality of Hurt
, p. 22.

16
.
The Third Generation
, p. 26.

17
. Ibid., p. 38.

18
. Ibid., p. 37.

19
. Ibid., p. 32.

20
.
The Quality of Hurt
, p. 4.

21
. Chester Himes to Carl Van Vechten, Feb. 18, 1947, Yale.

22
.
The Quality of Hurt
, p. 5.

23
. “The Dilemma of the Negro Writer in America,”
The Harlem Cycle
, Vol. 2, p. xii.

24
.
The Souls of Black Folk
, p. 215.

25
. From diploma, quoted in Fabre/Margolies, p. 5.

26
. “The Atlanta Compromise”, 1895.

27
. “East St. Louis Riots”,
Report of the Special Committee Document No. 1231
, 65th Congress, 2nd Session.

28
. Ibid.

29
. Claude McKay, “If We Must Die,”
Selected Poems of Claude McKay
(New York: Bookman Associates, 1953), p. 36.

30
.
The Quality of Hurt
, p. 8.

31
.
The Third Generation
, p. 117.

32
.
The Quality of Hurt
, p. 13.

33
.
The Third Generation
, p. 142.

34
.
The Quality of Hurt
, p. 14.

35
. Ibid., p. 13.

36
.
The Third Generation
, p. 143.

37
. Ibid., p. 153.

38
. Ibid., p. 155.

39
. Ibid., pp. 155–56.

40
.
The Quality of Hurt
, p. 16.

41
.
The Third Generation
, p. 184.

42
.
The Quality of Hurt
, p. 16.

43
.
Which Way Did He Go?
, p. 55.

44
.
The Quality of Hurt
, p. 47.

45
.
The Third Generation
, p. 200.

46
. Ibid., p. 201.

47
.
The Quality of Hurt
, p. 18.

48
. Ibid., p. 20.

49
.
The Third Generation
, p. 221.

50
.
The Quality of Hurt
, p. 24.

51
. Ibid., p. 25.

52
. Ibid., p. 27.

53
.
The Third Generation
, p. 235.

54
.
The Quality of Hurt
, p. 28.

55
. Ibid., p. 29.

56
.
The Third Generation
, p. 245.

57
.
The Quality of Hurt
, p. 31.

58
. Ibid., p. 36.

59
. Ibid., pp. 37–38.

60
. Ibid., p. 38.

61
. Ibid., p. 39.

62
. Ibid., p. 42.

63
. Ibid., p. 47.

64
. Ibid.

65
. Ibid.

66
. Ibid.

67
. Ibid., p. 51.

68
.
Collected Stories
, p. 173 (“Prison Mass”).

69
.
The Quality of Hurt
, p. 52.

70
. Ibid., p. 56.

71
. Milliken, p. 22.

72
.
Cast the First Stone
, p. 19.

2.59623

1
.
Crisis
, May 1919, “Returning Soldiers” (editorial).

2
.
The Quality of Hurt
, p. 60.

3
. Ibid., p. 60.

4
.
Prison Literature in America
, p. 210.

5
.
The Quality of Hurt
, p. 61.

6
. Ibid., pp. 65–66.

7
. Ibid., p. 3.

8
.
Cast the First Stone
, p. 20.

9
.
The Quality of Hurt
, p. 61.

10
. Ibid., p. 117.

11
.
My Life of Absurdity
, p. 125.

12
.
Cast the First Stone
, p. 19.

13
. Milliken, p. 136.

14
.
The Quality of Hurt
, p. 62.

15
. Ibid., p. 62.

16
. Ibid., p. 65.

17
.
Collected Stories
, p. 191.

18
.
The Quality of Hurt
, p. 64.

19
.
Cast the First Stone
, p. 124.

20
. Introduction to
The Harlem Cycle
, Vol. 1, p. x.

21
. Joe Himes to Bob Skinner, quoted in
Two Guns from Harlem
, p. 10.

22
.
The Quality of Hurt
, p. 64.

23
. Ibid., p. 64.

24
. Milliken, p. 40.

25
. Skinner p. 11.

26
. Milliken, p. 32.

27
.
Stories
, p. 148.

28
.
Esquire
, Aug. 1934, p. 28.

29
. Ibid., Oct. 1934, p. 10. A different version appears in
Stories
, pp. 283–84.

30
.
Cast the First Stone
, p. 137.

31
.
Blind Man with a Pistol
, Vintage p. 73;
The Harlem Cycle
, Vol. 3, p. 261.

32
.
Pinktoes
, p. 109.

33
.
Conversations
, p. 77.

34
.
Black on Black
, p. 132.

35
.
Conversations
, p. 59.

36
.
Abbott's Weekly and Illustrated News
, December 1933, quoted in Milliken.

37
.
Cast the First Stone
, p. 112.

38
. Ibid., p. 126.

39
. Ibid., p. 302.

40
. Ms. version of novel, Yale, p. 382.

41
. Ibid.

42
. Chester Himes to Carl Van Vechten, Feb. 18, 1947, Yale/Amistad.

43
. Milliken, p. 1.

44
.
Cast the First Stone
, p. 303.

45
.
Conversations
, p. 23.

3. “One Way to Be a Nigger”

1
. “A Nigger,”
Black on Black
, p. 132.

2
.
Stories
, p. 213 (“The Meanest Cop in the World”).

3
. Ibid., p. 55 (“With Malice Toward None”).

4
. Ibid., p. 24 (“All God's Chillun Got Pride”).

5
. Ibid.

6
.
If He Hollers
, p. 2.

7
.
Stories
, p. 364 (“Daydream”).

8
. Ibid, pp. 370–71 (“Da-Da-Dee”).

9
.
The Quality of Hurt
, p. 66.

10
. Ibid., p. 67.

11
. Ibid., p. 66.

12
. Ibid.

13
. Fabre and Margolies, p. 40.

14
. Chester Himes to Carl Van Vechten, Sept. 13, 1946, Yale.

15
. “The Negro Artist and the Racial Mountain,”
Nation
122, summer 1926, pp. 692–94.

16
. “It's About Time,” Langston Hughes papers at Beinecke Library, James Weldon Johnson Collection, Yale University; quoted in Rampersand,
The Life of Langston Hughes
, Vol. 2, p. 119.

17
.
The Life of Langston Hughes
, p. 134.

18
.
The Quality of Hurt
, p. 71; Chester Himes to John A. Williams, Oct. 31, 1962, quoted in Skinner, p. 12.

19
. Ibid., p. 71.

20
. Quoted in Milliken, p. 31, from telephone conversation with Moody.

21
. Seid to Fabre, 1988, quoted in Fabre and Margolies, p. 43.

22
. Levin to Margolies, 1998, quoted in Fabre and Margolies, p. 44.

23
.
Stories
, p. 55.

24
.
The Quality of Hurt
, p. 72.

25
. Ibid., p. 133.

4. The Things a Writing Man Will Do

1
. E. B. White, “Book Review,”
The Second Tree from the Corner
(New York: Harper & Row, 1948).

2
.
Conversations
, p. 53.

3
.
The Quality of Hurt
, p. 74.

4
. Ibid., p. 73.

5
.
Conversations
, pp. 55–56.

6
. Ibid., p. 56.

7
. Ibid., p. 14.

8
.
Black on Black
, p. 224 (“Zoot Riots Are Race Riots”)

9
. Milliken, p. 61.

10
.
Conversations
, pp. 53–54.

11
. Chester Himes to John A. Williams, Oct. 31, 1962, Rochester, quoted in Fabre and Margolies, p. 48.

12
.
Conversations
, pp. 53–54.

13
. Milliken, p. 60.

14
. Ibid., p. 65.

15
.
A Fan's Notes
(New York: Vintage, 1998), p. 359.

16
.
Stories
, p. xi.

17
.
Shrovetide in Old New Orleans
, p. 95.

18
.
Conversations
, pp. 33–34.

19
. Ibid., pp. 33–34.

20
.
The Quality of Hurt
, p. 75.

21
. Ibid., pp. 75–76.

5. Round Us Bark the Mad and Hungry Dogs

1
.
The Quality of Hurt
, p. 76.

2
.
Invisible Man
, p. 3.

3
.
The Quality of Hurt
, p. 76.

4
. Constance Webb Pearlstein to James Sallis, Dec. 10, 1998.

5
. Milliken, p. 74.

6
.
Conversations
, p. 14.

7
. Skinner, p. 15.

8
.
The Quality of Hurt
, p. 77.

9
. Milliken, p. 71.

10
.
The Quality of Hurt
, pp. 76–77.

11
. Ibid., p. 93.

12
. Ibid.

13
. Ibid., p. 13.

14
.
Conversations
, p. 37.

15
. Chester Himes to Carl Van Vechten, June 10, 1946, Amistad.

16
.
The Most Native of Sons
, p. 81.

17
. Ibid., p. 93.

18
. Ibid., pp. 94–95.

19
. Richard Wright,
The Long Dream
(New York: Harper & Row, 1958/1987), p. 290.

20
. Margaret Walker,
Richard Wright: Daemonic Genius
(New York: Warner Books, 1988), p. 307.

21
.
The Quality of Hurt
, p. 77.

6. “I'm Still Here”

1
.
If He Hollers
, p.1.

2
. Ibid., p. 153.

3
. Ibid., p. 2.

4
. Introduction to
If He Hollers
, p. ix.

5
.
Prison Literature in America
, pp. 206–207.

6
. Ibid., p. 227.

7
.
Conversations
, p. 15.

8
.
The Negro Novel in America
, p. 174.

9
. Lundquist, p. 46.

10
.
If He Hollers
, p. 124.

11
. Ibid., p. 4.

12
. Lundquist, pp. 29–30.

13
.
If He Hollers
, pp. 120–21.

14
. Ibid., pp. 3–4.

15
.
The Negro Novel in America
, p. 174.

16
. Muller, p. 28.

17
.
If He Hollers
, pp. 35–36.

18
. Ibid., p. 38.

19
. Ibid., p. 74.

20
. Ibid., pp. 84–89.

21
. Ibid., p. 101.

22
. Ibid., pp. 127–28.

23
. Ibid., pp. 150–51.

24
. Ibid., p. 152.

25
.
Conversations
, p. 86.

26
. New York
Herald Tribune Book Review
, Nov. 4, 1945.

27
.
Common Ground
, Summer 1946.

28
.
Crisis
, Dec. 1945.

29
.
American Mercury
, Feb. 1946.

30
. Earl Conrad,
Chicago Defender
, Dec. 22, 1945, “The Blues School of Literature.”

31
.
The Negro Novel in America
, p. 173.

32
. Gerald Houghton to James Sallis, March 17, 1999.

33
. Chester Himes to Richard Wright, Oct. 19, 1952, Yale.

34
.
Conversations
, p. 144.

35
.
Richard Wright Reader
, p. 425.

36
.
If He Hollers
, p. 88.

37
. “The Dilemma of the Negro Novelist in America,”
The Harlem Cycle
, Vol. 2, p. xiv.

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