Authors: Joseph Heller
The end of a marriage he had thought satisfactory was a blow from which it seemed at first he did not think he would recover.
Now, while Michael prepared to wait, Yossarian wondered what new thing McBride wanted to show him.
"You tell me," McBride answered mysteriously.
The time before, he had unveiled his plans for a maternity cell, for converting one of the two auxiliary prison cages in the rear, for which there never had been need, into a room for mothers of unwanted babies who most generally disposed of the newborn infants in alleys and hallways or threw them away into wastebas-kets, garbage cans, and Dumpsters. He had already moved in at his own expense some pieces of furniture from his apartment for which he no longer had need. Yossarian nodded as he listened, sucking his cheeks inward a bit, and then he nodded some more. Nobody wanted those babies, he could have told him, and nobody cared for those mothers, who were rendering a service to the community by throwing them away.
For the other jail cell, McBride resumed, he had in mind a sort of pediatric day care center for the several little kids always living in the bus terminal, to afford their mothers a clean, safe place in which to place their offspring while they journeyed outside to panhandle and hustle for drugs and booze and food, and also for the runaway kids who kept showing up in this heart of the city until they made their good connections with a satisfactory drug dealer or pimp.
Yossarian broke in regretfully.
"McBride?"
"You think I'm nuts?" McBride rushed on defensively. "I know Tommy thinks I'm nuts. But we could have mobiles and stuffed toys and coloring books for the little ones. And for the older ones television sets and video games, maybe computers, sure, even word processors, couldn't they learn that?"
"McBride?" repeated Yossarian.
"Yossarian?" McBride had adopted unconsciously a number of Yossarian's speaking traits.
"Mobiles and word processors for kids who want drugs and sex?"
"Just while they're hanging around making their contacts. They'd be safer here than anywhere else, wouldn't they? What's wrong? Yossarian, what's wrong?"
Yossarian sighed wearily, feeling undone. "You're talking about a facility in a police station for aspiring child prostitutes? Larry, the public would scream bloody murder. So would I."
"What would you do that's better? They come here anyway, don't they?"
From the fact that McBride had been silent since on the subject of these humanitarian undertakings, Yossarian surmised they'd been stalled or forbidden.
Today he had some new surprise in store, and Yossarian went outside with him into the capacious structure of the bus terminal, where activities of all varieties had picked up bullishly. People were moving more quickly, and there were many more of them, traveling automatically like spirits who would have chosen a different course than the ones they were following had they found themselves free to decide. So many were eating as they walked, dripping crumbs and wrappers-candy bars, apples, hot dogs, pizzas, sandwiches, potato chips. The hustlers were at work at their assorted specialties, the best of them animated, with sharp eyes fishing around shrewdly for targets of opportunity, others blundering about crudely in search of just about anything, and still others, male and female, white and black, floating in blank-eyed, wistful stupors and looking less like predators than crippled prey.
"Pickpockets," McBride said, with a signal of his chin toward a group of three men and two girls, all of good appearance, and of Latin American countenance. "They're better trained than we are. They even know more law. Look."
A jolly group of transvestites moved up by escalator to the floor above, the faces glistening with a cosmetic sheen, all androgynous and vain in face and attire, the entire bunch as frisky and flirtatious as pubescent girl scouts high on hormones.
With McBride steering him, they passed the empty space below the pillars supporting the mezzanine floor of the observation bubble overhead with its staff of several employees doing drugs while monitoring the five dozen video screens in the Communications Control Center of the terminal. The hundreds of azure-eyed, dumb video cameras poked their flat snouts into every cranny on every level of the rambling, seven-story complex bestriding two city blocks, poking without blushing even into the men's toilets and the notorious emergency stairwells into which most of those living in the terminal crept at night for sleep and friendship and apathetic intercourse. Milo and Wintergreen were already thinking of the Communications Control Center converted into a lucrative enterprise by increasing the number of screens and selling units of time to eager spectators and players, who would replace the Port Authority employees and their salaries and their costly medical plans and vacation and retirement plans. People would flock to watch, to play cop and Peeping Tom. They could call it "The Real Thing." When crime slackened, they would present fakes and that way guarantee enough sex and violence to satisfy even the most bloodthirsty paying crowds.
They could book in Japanese tour groups. Sooner or later they could spin the whole thing off to a Japanese motion picture company.
McBride moved past a newsstand run by Indians, with newspapers and colorful periodicals like
Time, The Weekly Newsmagazine
headlining the collapse of Russian socialism, the grandeur of American capitalism, and the latest business bankruptcy, unemployment figures, and sale of another national mercantile landmark to foreigners, and they came to the entrance of one of the emergency stairwells. Yossarian did not want to take that tour again.
"Just one floor," promised McBride.
"Something awful?"
"I wouldn't do that."
Loafing voices echoed mellifluously from above. The stairway was practically empty, the floor almost tidy. But the odors in this civilization were strong, the air reeking of smoke and unwashed bodies and their waste, a stench of rot and degradation that was violently disgusting and vilely intolerable to all but the mass producing it daily. By midnight there was scarcely a charmed body with enough living space to be free of another body more dissipated and fetid tumbled against it. People squabbled. There were shouts, quarrels, stabbings, burns, sex, drugs, drinking, and breaking glass; by morning there were casualties and an accumulation of filth of all sorts save industrial waste. There was no water or toilet. Garbage was not collected until morning, when the locals roused and took themselves to the sinks and the toilets in the rest rooms in sanitary preparation for the day's work ahead and, despite posted bans, to bathe and do laundry in the washbasins.
By this hour, the maintenance men had been through with their hoses and face masks to clean away the messes of excrement, trash, and garbage left the night before, the charred matchsticks and empty vials from dope, the soda cans, needles, wine bottles, and used condoms and old Band-Aids. The astringent smell of caustic disinfectant hung ineradicably in the air like the carbolic harbinger of a remorseless decay.
McBride took the staircase down past two raffish men of insolent and bored demeanor who were smoking marijuana and drinking wine and fell silent in tacit approbation after sizing him up and acknowledging with a kind of objective acceptance the latent authority and prowess he exuded. Near the bottom of the steps a solitary man slept with his back to the banister.
They passed to the concrete landing without disturbing him and tiptoed carefully around the one-legged woman being raped by a man with scrawny blanched buttocks and a livid scrotum not many yards from a large, brown-skinned woman who had taken off her bloomers and her skirt and was swabbing her backside and her armpits with a few damp towels she had laid out on newspapers with some folded dry ones near two brown shopping bags. She had splotchy freckles about her puffy eyes and bore scarred, tar-colored moles on her neck and back that made him think of melanoma. She stared at each in turn with a separate nod of matter-of-fact amity. Her pendulous breasts in a pink chemise were huge and her armpits were dark and bushy. Yossanan did not want to look down at her exposed vaginal area. He did not know who she was, but he knew he had not one thing he wanted to talk to her about.
On the last flight down to the sub-level outside, there sat only a skinny blonde woman with a bruised eye and a tattered red sweater, dreamily engaged in sewing a rip in a dirty white blouse. At the bottom, where the staircase came to an end facing an exit door to the street, someone had already shit in a corner. They looked away and walked looking down, as though in dire misgiving of a step into something sinful. Instead of heading outside, McBride turned beneath the staircase and proceeded into heavy shadows almost to the end of this lowest landing, until he came to a colorless door that Yossarian would have supposed invisible.
He switched on a light that was weak and yellow. The small room into which they stepped held only a metal closet with rusting doors on broken hinges that stood against a wall. McBride forced these doors apart and stepped inside the wasted relic. It had no back. He located a latch and pushed open an entranceway built into the wall itself.
"An addict found it," he mumbled rapidly. "I let him believe he was imagining it. Go on in."
Yossarian gasped with surprise in a cramped vestibule blocked by a wide fire door a few feet in front of his face. The slick surface was military green and painted at eye level with a warning in bold letters that could not be overlooked by anyone able to read.
EMERGENCY ENTRANCE
KEEP OUT
VIOLATORS WILL BE SHOT
The sturdy door seemed new, the letters fresh on the unmarred surface.
"Go on in. It's what I want to show you."
"I'm not allowed."
"Neither am I."
"Where's the key?"
"Where's the lock?" McBride grmned victoriously, his head cocked. "Go on."
The handle turned and the massive door slid open as though leveraged by counterweights and pivoting on noiseless bearings.
"They make it easy for people to get in, don't they?" said Yossarian softly.
McBride hung back, forcing Yossarian through first. Yossarian recoiled as he discovered himself on a tiny landing of wrought iron near the roof of a tunnel that seemed greatly higher than it was because of the dizzying angle downward of the staircase on which he was standing. Instinctively, he grasped the handrail. Here the flights of steps were small and reversed direction abruptly around an elliptical tiny platform of metal grillwork, where the next flight turned sharply back beneath him and dropped away out of sight at that same precipitous angle of descent. He could not see where the staircase came to an end in that abyss of a basement, whose dark floor seemed newly paved with some kind of rubberized compound. Looking down through the wrought-iron pattern of winding vine leaves that seemed to mock its own heavy composition, he was all at once reminded ridiculously of one of those vertical slides at an old-fashioned amusement park in which one embarked supine into darkness inside a cylindrical pillar with arms folded and went spiraling down with increasing momentum, to be expelled at last into a flat round arena of polished wood with disks rotating in contrary directions that bore him this way and that way for the pleasure of idle watchers until ultimately spilling him aside onto the stationary embankment that ringed the circular area of that particular attraction. The one he remembered best was named the Human Pool Table in the old George C. Tilyou Steeplechase Park in Coney Island. There, an iron handrail circling the viewing enclosure had been rigged electrically to administer stinging shocks of harmless voltage to unwary patrons whenever one of the red-suited attendants in green jockey caps thought the timing appropriate. That sudden onrush of tiny prickling needles bursting into the hands and arms was intolerable and memorable, and all who observed that half second of fright and panicked embarrassment of others laughed; the victims laughed too, afterward. There was laughter bursting from loudspeakers as well. Not many blocks away were freak shows featuring people with small heads.
Yossarian was standing now near the top of something nearly two stories high, a strange subterranean thoroughfare of impressive breadth and no discernible use, with a vaulted ceiling insulated with scored and pitted peach-colored acoustical tiles and outlined with slender borders of apple green. The high, flat walls of stone were of dark-reddish hue. These were tiled in white at the base like those of the underground stations of the subway system. The strange passageway was as wide as a city avenue, without curbs or sidewalks. It could have served as a train station too, except that he saw no rails or platforms. Then he spied near the bottom on the other side a long reflecting arrow in reel that reminded him one moment of a fiery penis and the next of a flaming missile that shot vividly to the left and then dipped downward perpendicularly toward words in black that proclaimed:
Sub-Basements A-Z
Above the arrow, where the white tiling ended, and perhaps thirty feet to the right, he recognized a large stenciled letter
S
of luminescent amber on a square of glossy black. Obviously, they were inside an old bomb shelter, he knew, until he spotted near the ground a door of metal of the same olive-drab shade as on the one behind him, with writing on it in white he could not believe, even after he had donned his trifocals to see into the distance more clearly.
DANGER NO EXPLOSIVES
"That could mean at least two different things, couldn't it?" he said.
McBride nodded grimly. "That's what I thought too." Unexpectedly, he let out a laugh, as though proud of himself. "Now look at that plaque."
"What plaque?"
"In dark letters. It's set into the wall near the doorway and says that a man named Kilroy was here."
Yossarian gave McBride a searching look. "Kilroy? It says that? Kilroy was here?"
"You know Kilroy?"
"I was in the army with Kilroy," said Yossarian.
"Maybe it's not the same Kilroy."
"He's the one."