Collected Fiction Volume 2 (1926-1930): A Variorum Edition (6 page)

“That is not dead which can eternal lie,

And with strange aeons
^[124]
even death may die.”
^[125]

Legrasse, deeply impressed and not a little bewildered, had inquired in vain concerning the historic affiliations of the cult. Castro, apparently, had told the truth when he said that it was wholly secret. The authorities at Tulane University could shed no light upon either cult or image, and now the detective had come to the highest authorities in the country and met with no more than the Greenland tale of Professor Webb.

The feverish interest aroused at the meeting by Legrasse’s tale, corroborated as it was by the statuette, is echoed in the subsequent correspondence of those who attended; although scant mention occurs in the formal publications
^[126]
of the society. Caution is the first care of those accustomed to face occasional charlatanry and imposture. Legrasse for some time lent the image to Professor Webb, but at the latter’s death it was returned to him and remains in his possession, where I viewed it not long ago. It is truly a terrible thing, and unmistakably akin to the dream-sculpture of young Wilcox.

That my uncle was excited by the tale of the sculptor I did not wonder, for what thoughts must arise upon hearing, after a knowledge of what Legrasse had learned of the cult, of a sensitive young man who had
dreamed
not only the figure and exact hieroglyphics of the swamp-found image and the Greenland devil tablet, but had come
in his dreams
upon at least three of the precise words of the formula uttered alike by Esquimau
^[127]
diabolists and mongrel Louisianans? Professor Angell’s instant start on an investigation of the utmost thoroughness was eminently natural; though privately I suspected young Wilcox of having heard of the cult in some indirect way, and of having invented a series of dreams to heighten and continue the mystery at my uncle’s expense. The dream-narratives and cuttings collected by the professor were, of course, strong corroboration; but the rationalism of my mind and the extravagance of the whole subject led me to adopt what I thought the most sensible conclusions. So, after thoroughly studying the manuscript again and correlating the theosophical and anthropological notes with the cult narrative of Legrasse, I made a trip to Providence to see the sculptor and give him the rebuke I thought proper for so boldly imposing upon a learned and aged man.

Wilcox still lived alone in the Fleur-de-Lys Building in Thomas Street, a hideous Victorian imitation of seventeenth-century
^[128]
Breton architecture which flaunts its stuccoed front amidst the lovely colonial
^[129]
houses on the ancient hill, and under the very shadow of the finest Georgian steeple in America. I found him at work in his rooms, and at once conceded from the specimens scattered about that his genius is indeed profound and authentic. He will, I believe, some time be heard from
^[130]
as one of the great decadents; for he has crystallised
^[131]
in clay and will one day mirror in marble those nightmares and phantasies
^[132]
which Arthur Machen evokes in prose, and Clark Ashton Smith makes visible in verse and in painting.

Dark, frail, and somewhat unkempt in aspect, he turned languidly at my knock and asked me my business without rising. When I told him who I was, he displayed some interest; for my uncle had excited his curiosity in probing his strange dreams, yet had never explained the reason for the study. I did not enlarge his knowledge in this regard, but sought with some subtlety to draw him out.
^[133]
In a short time I became convinced of his absolute sincerity,
^[134]
for he spoke of the dreams in a manner none could mistake. They and their subconscious residuum had influenced his art profoundly, and he shewed
^[135]
me a morbid statue whose contours almost made me shake with the potency of its black suggestion. He could not recall having seen the original of this thing except in his own dream bas-relief, but the outlines had formed themselves insensibly under his hands. It was, no doubt, the giant shape he had raved of in delirium. That he really knew nothing of the hidden cult, save from what my uncle’s relentless catechism had let fall, he soon made clear; and again I strove to think of some way in which he could possibly have received the weird impressions.

He talked of his dreams in a strangely poetic fashion; making me see with terrible vividness the damp Cyclopean city of slimy green stone—whose
geometry,
he oddly said, was
all wrong
—and hear with frightened expectancy the ceaseless, half-mental calling from underground:
“Cthulhu fhtagn”, “Cthulhu fhtagn”.
^[136]
These words had formed part of that dread ritual which told of dead Cthulhu’s dream-vigil in his stone vault at R’lyeh, and I felt deeply moved despite my rational beliefs. Wilcox, I was sure, had heard of the cult in some casual way, and had soon forgotten it amidst the mass of his equally weird reading and imagining. Later, by virtue of its sheer impressiveness, it had found subconscious expression in dreams, in the bas-relief, and in the terrible statue I now beheld; so that his imposture upon my uncle had been a very innocent one. The youth was of a type, at once slightly affected and slightly ill-mannered, which I could never like; but I was willing enough now to admit both his genius and his honesty. I took leave of him amicably, and wish him all the success his talent promises.

The matter of the cult still remained to fascinate me, and at times I had visions of personal fame from researches into its origin and connexions.
^[137]
I visited New Orleans, talked with Legrasse and others of that old-time raiding-party, saw the frightful image, and even questioned such of the mongrel prisoners as still survived. Old Castro, unfortunately, had been dead for some years. What I now heard so graphically at first-hand,
^[138]
though it was really no more than a detailed confirmation of what my uncle had written, excited me afresh; for I felt sure that I was on the track of a very real, very secret, and very ancient religion whose discovery would make me an anthropologist of note. My attitude was still one of absolute materialism,
^[139]
as I wish it still were,
and I discounted with almost
^[140]
inexplicable perversity the coincidence of the dream notes and odd cuttings collected by Professor Angell.

One thing
^[141]
I began to suspect, and which I now fear I
know,
is that my uncle’s death was far from natural. He fell on a narrow hill street leading up from an ancient waterfront swarming with foreign mongrels, after a careless push from a negro sailor. I did not forget the mixed blood and marine pursuits of the cult-members in Louisiana, and would not be surprised to learn of secret methods and poison needles as ruthless and as anciently known as the cryptic rites and beliefs. Legrasse and his men, it is true, have been let alone; but in Norway a certain seaman who saw things is dead. Might not the deeper inquiries of my uncle after encountering the sculptor’s data have come to sinister ears? I think
^[142]
Professor Angell died because he knew too much, or because he was likely to learn too much. Whether I shall go as he did remains to be seen, for I have learned much now.

III.

The Madness from the Sea.

If heaven
^[143]
ever wishes to grant me a boon, it will be a total effacing of the results of a mere chance which fixed my eye on a certain stray piece of shelf-paper. It was nothing on which I would naturally have stumbled in the course of my daily round, for it was an old number of an Australian journal, the
^[144]
Sydney Bulletin
for April 18, 1925. It had escaped even the cutting bureau which had at the time of its issuance been avidly collecting material for my uncle’s research.

I had largely given over my inquiries into what Professor Angell called the “Cthulhu Cult”,
^[145]
and was visiting a learned friend in
^[146]
Paterson, New Jersey; the curator of a local museum and a mineralogist of note. Examining one day the reserve specimens roughly set on the storage shelves in a rear room of the museum, my eye was caught by an odd picture in one of the old papers spread beneath the stones. It was the
Sydney Bulletin
I have mentioned, for my friend has wide affiliations in all conceivable foreign parts; and the picture was a half-tone cut of a hideous stone image almost identical with that which Legrasse had found in the swamp.

Eagerly clearing the sheet of its precious contents, I scanned the item in detail; and was disappointed to find it of only moderate length. What it suggested, however, was of portentous significance to my flagging quest; and I carefully tore it out for immediate action. It read as follows:

MYSTERY DERELICT FOUND AT SEA

Vigilant
^[147]
Arrives With
^[148]
Helpless Armed New Zealand Yacht in Tow.

One Survivor and Dead Man Found Aboard. Tale of

Desperate Battle and Deaths at Sea.

Rescued Seaman Refuses

Particulars of Strange Experience.

Odd Idol Found in His Possession. Inquiry

to Follow.
^[149]

The Morrison Co.’s freighter
Vigilant,
bound from Valparaiso, arrived this morning at its wharf in Darling Harbour, having in tow the battled and disabled but heavily armed steam yacht
Alert
of Dunedin, N. Z., which was sighted April 12th in S. Latitude 34° 21', W. Longitude 152° 17'
^[150]
with one living and one dead man aboard.

The
Vigilant
left Valparaiso March 25th, and on April 2nd
^[151]
was driven considerably south of her course by exceptionally heavy storms and monster waves. On April 12th the derelict was sighted; and though apparently deserted, was found upon boarding to contain one survivor in a half-delirious condition and one man who had evidently been dead for more than a week.
^[152]
The living man was clutching a horrible stone idol of unknown origin, about a foot in height, regarding whose nature authorities at Sydney University, the Royal Society, and the Museum in College Street all profess complete bafflement, and which the survivor says he found in the cabin of the yacht, in a small carved shrine of common pattern.

This man, after recovering his senses, told an exceedingly strange story of piracy and slaughter. He is Gustaf Johansen, a Norwegian of some intelligence, and had been second mate of the two-masted schooner
Emma
of Auckland, which sailed for Callao February 20th
^[153]
with a complement of eleven men.
^[154]
The
Emma,
he says, was delayed and thrown widely south of her course by the great storm of March 1st, and on March 22nd,
^[155]
in S. Latitude 49° 51', W. Longitude 128° 34', encountered the
Alert,
manned by a queer and evil-looking crew of Kanakas and half-castes. Being ordered peremptorily to turn back, Capt. Collins refused; whereupon the strange crew began to fire savagely and without warning upon the schooner with a peculiarly heavy battery of brass cannon forming part of the yacht’s equipment.
^[156]
The
Emma
’s men shewed
^[157]
fight, says the survivor, and though the schooner began to sink from shots beneath the waterline they managed to heave alongside their enemy and board her, grappling with the savage crew on the yacht’s deck, and being forced to kill them all, the number being slightly superior, because of their particularly abhorrent and desperate though rather clumsy mode of fighting.

Three of the
Emma
’s men, including Capt. Collins and First Mate Green, were killed; and the remaining eight under Second Mate Johansen proceeded to navigate the captured yacht, going ahead in their original direction to see if any reason for their ordering back had existed.
^[158]
The next day, it appears, they raised and landed on a small island, although none is known to exist in that part of the ocean; and six of the men somehow died ashore, though Johansen is queerly reticent about this part of his story,
^[159]
and speaks only of their falling into a rock chasm.
^[160]
Later, it seems, he and one companion boarded the yacht and tried to manage her, but were beaten about by the storm of April 2nd.
^[161]
From that time till his rescue on the 12th
^[162]
the man remembers little, and he does not even recall when William Briden, his companion, died. Briden’s death reveals no apparent cause, and was probably due to excitement or exposure.
^[163]
Cable advices from Dunedin report that the
Alert
was well known there as an island trader, and bore an evil reputation along the waterfront. It was owned by a curious group of half-castes whose frequent meetings and night trips to the woods attracted no little curiosity; and it had set sail in great haste just after the storm and earth tremors of March 1st.
^[164]
Our Auckland correspondent gives the
Emma
and her crew an excellent reputation, and Johansen is described as a sober and worthy man.
^[165]
The admiralty will institute an inquiry on the whole matter beginning tomorrow, at which every effort will be made to induce Johansen to speak more freely than he has done hitherto.

This was all, together with the picture of the hellish image; but what a train of ideas it started in my mind! Here were new treasuries of data on the Cthulhu Cult, and evidence that it had strange interests at sea as well as on land. What motive prompted the hybrid crew to order back the
Emma
as they sailed about with their hideous idol? What was the unknown island on which six of the
Emma
’s crew had died, and about which the mate Johansen was so secretive? What had the vice-admiralty’s investigation brought out, and what was known of the noxious cult in Dunedin? And most marvellous
^[166]
of all, what deep and more than natural linkage of dates was this which gave a malign and now undeniable significance to the various turns of events
^[167]
so carefully noted by my uncle?