Collected Fictions (71 page)

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Authors: Jorge Luis Borges,Andrew Hurley

Tags: #Short Stories, #Fiction, #ST, #CS

BOOK: Collected Fictions
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As the day grew near he began to be impatient again. One night he couldn't bear it anymore, and he went out for a walk. Everything seemed different, bigger. As he turned a corner, he saw a light and went into the general store, where there was a bar. In order to justify being there, he called for a shot of cane brandy. Sitting and talking, their elbows on the wooden bar, were some soldiers. One of them said:

"All of you know that it's strictly outlawed to give out any news about battles—formal orders against it.

Well, yesterday afternoon something happened to us that you boys are going to like. Some barracks-mates of mine and I were walking along in front of the newspaper over there,
La Razón.
And we heard a voice inside that was breaking that order. We didn't waste a second going in there, either.

The city room was as dark as pitch, but we gunned down that looselipped traitor that was talking.

When he finally shut up, we hunted around for him to drag him out by the heels, but we saw it was a machine!—a
phonograph
they call it, and it talks all by itself!"

Everyone laughed.

Arredondo had been listening intently.

"What do you think—pretty disappointing, eh, buddy?"

Arredondo said nothing. The uniformed man put his face very near Arredondo's.

"I want to hear how loud you can yell
Viva the President of our Country, Juan Idiarte Borda!"*

Arredondo did not disobey. Amid jeers and clapping he gained the door; in the street, he was hit by one last insult:

"Nobody ever said cowards were stupid—or had much temper, either!"

He had behaved like a coward, but he knew he wasn't one. He returned slowly and deliberately to his house.

On August 25, Avelino Arredondo woke up at a little past nine. He thought first of Clara, and only later of what day it was.
goodbye to all this work of waiting

I've made it,
he said to himself in relief.

He shaved slowly, taking his time, and in the mirror he met the same face as always. He picked out a red tie and his best clothes. He had a late lunch. The gray sky threatened drizzle; he'd always pictured this day as radiant. He felt a touch of bitterness at leaving his damp room forever. In the vestibule he met the black woman, and he gave her the last pesos that were left. On the sign at the hardware store he saw some colored diamond shapes, and he realized it had been more than two months since he'd thought of them. He headed toward Calle Sarandi. It was a holiday, and very few people were about.

It was not yet three o'clock when he reached the Plaza Matriz. The
Te Deum
had been sung; a group of well-dressed men, military officers, and prelates was coming down the slow steps of the church. At first glance, the top hats (some still in their hands), the uniforms, the gold braid, the weapons, and the tunics might create the illusion that there were many of them; the truth was, there were no more than about thirty. Though Arredondo felt no fear, he did feel a kind of respect. He asked which of the men was the president.

"The one there walking beside the archbishop with the miter and staff," he was told.

He took out his pistol and fired.

Idiarte Borda took a few steps, fell forward to the ground, and said very clearly, "I've been killed."

Arredondo gave himself up to the authorities.

"I am a Red and I'm proud to say so. I have killed the president, who betrayed and sullied our party. I left my friends and my sweetheart so they would not be dragged into this; I didn't read the newspapers so that no one could say the newspapers incited me to do this. I alone am responsible for this act of justice. Now try me."

This is how the events* might have taken place, though perhaps in a more complex way; this is how I can dream they happened.

The Disk

I am a woodcutter. My name doesn't matter. The hut I was born in, and where I'm soon to die, sits at the edge of the woods. They say these woods go on and on, right to the ocean that surrounds the entire world; they say that wooden houses like mine travel on that ocean. I wouldn't know; I've never seen it.

I've not seen the
other
side of the woods, either. My older brother, when we were boys he made me swear that between the two of us we'd hack away at this woods till there wasn't a tree left standing. My brother is dead now, and now it's something else I'm after, and always will be. Over in the direction where the sun goes down there's a creek I fish in with my hands. There are wolves in the woods, but the wolves don't scare me, and my ax has never failed me. I've not kept track of how old I am, but I know I'm old—my eyes don't see anymore. Down in the village, which I don't venture into anymore because I'd lose my way, everyone says I'm a miser, but how much could a woodcutter have saved up?

I keep the door of my house shut with a rock so the snow won't get in. One evening I heard heavy, dragging footsteps and then a knock. I opened the door and a stranger came in. He was a tall, elderly man all wrapped up in a worn-out old blanket. A scar sliced across his face. The years looked to have given him more authority than frailty, but even so I saw it was hard for him to walk without leaning on his stick. We exchanged a few words I don't recall now. Then finally the man said:

"I am without a home, and I sleep wherever I can. I have wandered all across Saxony."

His words befitted his age. My father always talked about "Saxony"; now people call it England.

There was bread and some fish in the house. While we ate, we didn't talk. It started raining. I took some skins and made him a pallet on the dirt floor where my brother had died. When night came we slept.

It was toward dawn when we left the house. The rain had stopped and the ground was covered with new snow. The man dropped his stick and he ordered me to pick it up.

"Why should I do what you tell me to?" I said to him.

"Because I am a king," he answered.

I thought he was mad. I picked up the stick and gave it to him.

With his next words, his voice was changed.

"I am the king of the Secgens. Many times did I lead them to victory in hard combat, but at the hour that fate decreed, I lost my kingdom. My name is Isern and I am of the line of Odin."

"I do not worship Odin," I answered. "I worship Christ."

He went on as though he'd not heard me.

"I wander the paths of exile, but still I am king, for I have the disk. Do you want to see it?"

He opened his hand and showed me his bony palm. There was nothing in it. His hand was empty. It was only then that I realized he'd always kept it shut tight.

He looked me in the eye.

"You may touch it."

I had my doubts, but I reached out and with my fingertips I touched his palm. I felt something cold, and I saw a quick gleam. His hand snapped shut. I said nothing.

"It is the disk of Odin," the old man said in a patient voice, as though he were speaking to a child. "It has but one side. There is not another thing on earth that has but one side. So long as I hold it in my hand I shall be king."

"Is it gold?"I said.

"I know not. It is the disk of Odin and it has but one side."

It was then I felt a gnawing to own the disk myself. If it were mine, I could sell it for a bar of gold and then /would be a king.

"In my hut I've got a chest full of money hidden away. Gold coins, and they shine like my ax," I told the wanderer, whom I hate to this day. "If you give the disk of Odin to me, I will give you the chest."

"I will not," he said gruffly.

"Then you can continue on your way," I said.

He turned away. One ax blow to the back of his head was all it took; he wavered and fell, but as he fell he opened his hand, and I saw the gleam of the disk in the air. I marked the place with my ax and I dragged the body down to the creek bed, where I knew the creek was swollen. There I dumped his body.

When I got back to my house I looked for the disk. But I couldn't find it. I have been looking for it for years.

The Book of Sand

...thy rope of sands...

George Herbert
(1593-1623)

The line consists of an infinite number of points; the plane, of an infinite number of lines; the volume, of an infinite number of planes; the hypervolume, of an infinite number of volumes... No—this,
more geometrico,
is decidedly not the best way to begin my tale. To say that the story is true is by now a convention of every fantastic tale; mine, nevertheless,
is
true.

I live alone, in a fifth-floor apartment on Calle Belgrano. One evening a few months ago, I heard a knock at my door. I opened it, and a stranger stepped in. He was a tall man, with blurred, vague features, or perhaps my nearsightedness made me see him that way. Everything about him spoke of honest poverty: he was dressed in gray, and carried a gray valise. I immediately sensed that he was a foreigner. At first I thought he was old; then I noticed that I had been misled by his sparse hair, which was blond, almost white, like the Scandinavians'. In the course of our conversation, which I doubt lasted more than an hour, I learned that he hailed from the Orkneys.

I pointed the man to a chair. He took some time to begin talking. He gave off an air of melancholy, as I myself do now.

"I sell Bibles," he said at last.

"In this house," I replied, not without a somewhat stiff, pedantic note, "there are several English Bibles, including the first one, Wyclif's. I also have Cipriano de Valera's, Luther's (which is, in literary terms, the worst of the lot), and a Latin copy of the Vulgate. As you see, it isn't exactly Bibles I might be needing."

After a brief silence he replied.

"It's not only Bibles I sell. I can show you a sacred book that might interest a man such as yourself. I came by it in northern India, in Bikaner."

He opened his valise and brought out the book. He laid it on the table.

It was a clothbound octavo volume that had clearly passed through many hands. I examined it; the unusual heft of it surprised me. On the spine was printed
Holy Writ,
and then
Bombay.

"Nineteenth century, I'd say," I observed.

"I don't know," was the reply. "Never did know."

I opened it at random. The characters were unfamiliar to me. The pages, which seemed worn and badly set, were printed in double columns, like a Bible. The text was cramped, and composed into versicles.

At the upper corner of each page were Arabic numerals. I was struck by an odd fact: the even-numbered page would carry the number 40,514, let us say, while the odd-numbered page that followed it would be 999.1 turned the page; the next page bore an eight-digit number. It also bore a small illustration, like those one sees in dictionaries: an anchor drawn in pen and ink, as though by the unskilled hand of a child.

It was at that point that the stranger spoke again.

"Look at it well. You will never see it again."

There was a threat in the words, but not in the voice.

I took note of the page, and then closed the book. Immediately I opened it again. In vain I searched for the figure of the anchor, page after page. To hide my discomfiture, I tried another tack.

"This is a version of Scripture in some Hindu language, isn't that right?"

"No," he replied.

Then he lowered his voice, as though entrusting me with a secret.

"I came across this book in a village on the plain, and I traded a few rupees and a Bible for it. The man who owned it didn't know how to read. I suspect he saw the Book of Books as an amulet. He was of the lowest caste; people could not so much as step on his shadow without being defiled. He told me his book was called the Book of Sand because neither sand nor this book has a beginning or an end."

He suggested I try to find the first page.

I took the cover in my left hand and opened the book, my thumb and forefinger almost touching. It was impossible: several pages always lay between the cover and my hand. It was as though they grew from the very book.

"Now try to find the end."

I failed there as well.

"This can't be," I stammered, my voice hardly recognizable as my own.

"It can't be, yet it
is,"
the Bible peddler said, his voice little more than a whisper. "The number of pages in this book is literally infinite. No page is the first page; no page is the last. I don't know why they're numbered in this arbitrary way, but perhaps it's to give one to understand that the terms of an infinite series can be numbered any way whatever."

Then, as though thinking out loud, he went on.

"If space is infinite, we are anywhere, at any point in space. If time is infinite, we are at any point in time."

His musings irritated me.

"You," I said, "are a religious man, are you not?"

"Yes, I'm Presbyterian. My conscience is clear. I am certain I didn't cheat that native when I gave him the Lord's Word in exchange for his diabolic book."

I assured him he had nothing to reproach himself for, and asked whether he was just passing through the country. He replied that he planned to return to his own country within a few days. It was then that I learned he was a Scot, and that his home was in the Orkneys. I told him I had great personal fondness for Scotland because of my love for Stevenson and Hume.

"And Robbie Burns," he corrected.

As we talked I continued to explore the infinite book.

"Had you intended to offer this curious specimen to the British Museum, then?" I asked with feigned indifference.

"No," he replied, "I am offering it to you," and he mentioned a great sum of money.

I told him, with perfect honesty, that such an amount of money was not within my ability to pay. But my mind was working; in a few moments I had devised my plan.

"I propose a trade," I said. "You purchased the volume with a few rupees and the Holy Scripture; I will offer you the full sum of my pension, which I have just received, and Wyclif's black-letter Bible. It was left to me by my parents."

"A black-letter Wyclif!" he murmured.

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