Complete Works of Lewis Carroll (253 page)

Some extracts from the numerous sympathetic letters received by Mr.
Dodgson's brothers and sisters will show how greatly his loss was felt.
Thus Canon Jelf writes:—

It was quite a shock to me to see in the paper to-day the death of your dear, good brother, to whom we owe so much of the brightening of our lives with pure, innocent fun.
Personally I feel his loss very much indeed.
We were together in old Ch.
Ch.
days from 1852 onwards; and he was always such a loyal, faithful friend to me.
I rejoice to think of the
serious
talks we had together—of the grand, brave way in which he used the opportunities he had as a man of humour, to reach the consciences of a host of readers—of his love for children—his simplicity of heart—of his care for servants—his spiritual care for them.
Who can doubt that he was fully prepared for a change however sudden—for the one clear call which took him away from us?
Yet the world seems darker for his going; we can only get back our brightness by realising Who gave him all his talent, all his mirth of heart—the One who never leaves us.
In deep sympathy,

Yours very sincerely,

George E.
Jelf.

P.S.—When you have time tell me a little about him; he was so dear to me.

Mr.
Frederic Harrison writes as follows:—

The occasional visits that I received from your late brother showed me a side of his nature which to my mind was more interesting and more worthy of remembrance even than his wonderful and delightful humour—I mean his intense sympathy with all who suffer and are in need.

He came to see me several times on sundry errands of mercy, and it has been a lesson to me through life to remember his zeal to help others in difficulty, his boundless generosity, and his inexhaustible patience with folly and error.

My young daughter, like all young people in civilised countries, was brought up on his beautiful fancies and humours.
But for my part I remember him mainly as a sort of missionary to all in need.
We all alike grieve, and offer you our heartfelt sympathy.

I am, faithfully yours,

Frederic Harrison.

His old friend and tutor.
Dr.
Price, writes:—

...
I feel his removal from among us as the loss of an old and dear friend and pupil, to whom I have been most warmly attached ever since he was with me at Whitby, reading mathematics, in, I think, 1853—44 years ago!
And 44 years of uninterrupted friendship ....
I was pleased to read yesterday in
The Times
newspaper the kindly obituary notice: perfectly just and true; appreciative, as it should be, as to the unusual combination of deep mathematical ability and taste with the genius that led to the writing of "Alice's Adventures."

Only the other day [writes a lady friend] he wrote to me about his admiration for my dear husband, and he ended his letter thus: "I trust that when
my
time comes, I may be found, like him, working to the last, and ready for the Master's call"—and truly so he was.

A friend at Oxford writes:—

Mr.
Dodgson was ever the kindest and gentlest of friends, bringing sunshine into the house with him.
We shall mourn his loss deeply, and my two girls are quite overcome with grief.
All day memories of countless acts of kindness shown to me, and to people I have known, have crowded my mind, and I feel it almost impossible to realise that he has passed beyond the reach of our gratitude and affection.

The following are extracts from letters written by some of his "child-friends," now grown up:—

How beautiful to think of the track of light and love he has left behind him, and the amount of happiness he brought into the lives of all those he came in contact with!
I shall never forget all his kindness to us, from the time he first met us as little mites in the railway train, and one feels glad to have had the privilege of knowing him.

One of Mr.
Dodgson's oldest "child-friends" writes:—

He was to me a dear and true friend, and it has been my great privilege to see a good deal of him ever since I was a tiny child, and especially during the last two years.
I cannot tell you how much we shall miss him here.
Ch.
Ch.
without Mr.
Dodgson will be a strange place, and it is difficult to realise it even while we listen to the special solemn anthems and hymns to his memory in our cathedral.

One who had visited him at Guildford, writes:—

It must be quite sixteen years now since he first made friends with my sister and myself as children on the beach at Eastbourne, and since then his friendship has been and must always be one of my most valued possessions.
It culminated, I think, in the summer of 1892—the year when he brought me to spend a very happy Sunday at Guildford.
I had not seen him before, that year, for some time; and it was then, I think, that the childish delight in his kindness, and pride in his friendship, changed into higher love and reverence, when in our long walks over the downs I saw more and more into the great tenderness and gentleness of his nature.

Shortly after Mr.
Dodgson's death, his "Three Sunsets" was published by Messrs.
Macmillan.
The twelve "Fairy Fancies," which illustrate it, were drawn by Miss E.
G.
Thomson.
Though they are entirely unconnected with the text, they are so thoroughly in accordance with the author's delicate refinement, and so beautiful in themselves, that they do not strike one as inappropriate.

Some of the verses are strangely in keeping with the time at which they are published.

I could not see, for blinding tears,

The glories of the west:

A heavenly music filled my ears,

A heavenly peace my breast.

"Come unto me, come unto me—

All ye that labour, unto me—

Ye heavy-laden, come to me—

And I will give you rest."

One cannot read this little volume without feeling that the shadow of some disappointment lay over Lewis Carroll's life.
Such I believe to have been the case, and it was this that gave him his wonderful sympathy with all who suffered.
But those who loved him would not wish to lift the veil from these dead sanctities, nor would any purpose be served by so doing.
The proper use of sympathy is not to weep over sorrows that are over, and whose very memory is perhaps obliterated for him in the first joy of possessing new and higher faculties.

Before leaving the subject of this book, I should like to draw attention to a few lines on "woman's mission," lines full of the noblest chivalry, reminding one of Tennyson's "Idylls of the King":—

In the darkest path of man's despair,

Where War and Terror shake the troubled earth,

Lies woman's mission; with unblenching brow

To pass through scenes of horror and affright

Where men grow sick and tremble: unto her

All things are sanctified, for all are good.

Nothing so mean, but shall deserve her care:

Nothing so great, but she may bear her part.

No life is vain: each hath his place assigned:

Do thou thy task, and leave the rest to God.

Of the unpublished works which Mr.
Dodgson left behind him, I may mention "Original Games and Puzzles"; "Symbolic Logic, Part ii.," and a portion of a mathematical book, the proofs of which are now in the hands of the Controller of the Oxford University Press.

I will conclude this chapter with a poem which appeared in
Punch
for January 29th, a fortnight after Lewis Carroll's death.
It expresses, with all the grace and insight of the true poet, what I have tried, so feebly and ineffectually, to say:—

LEWIS CARROLL.

Born
1832.
Died January
14, 1898.

Lover of children!
Fellow-heir with those

Of whom the imperishable kingdom is!

Beyond all dreaming now your spirit knows

The unimagined mysteries.

Darkly as in a glass our faces look

To read ourselves, if so we may, aright;

You, like the maiden in your faërie book—

You step behind and see the light!

The heart you wore beneath your pedant's cloak

Only to children's hearts you gave away;

Yet unaware in half the world you woke

The slumbering charm of childhood's day.

We older children, too, our loss lament,

We of the "Table Round," remembering well

How he, our comrade, with his pencil lent

Your fancy's speech a firmer spell.

Master of rare woodcraft, by sympathy's

Sure touch he caught your visionary gleams,

And made your fame, the dreamer's, one with his.

The wise interpreter of dreams.

Farewell!  But near our hearts we have you yet,

Holding our heritage with loving hand,

Who may not follow where your feet are set

Upon the ways of Wonderland.
[025]

LORINA AND ALICE LIDDELL.

From a photograph

by Lewis Carroll.

CHAPTER X

CHILD FRIENDS

Mr.
Dodgson's fondness for children—Miss Isabel Standen—Puzzles—"Me and Myself"—A double acrostic—"Father William"—Of drinking healths—Kisses by post—Tired in the face—The unripe plum—Eccentricities—"Sylvie and Bruno"—"Mr.
Dodgson is going on
well
."

This chapter, and the next will deal with Mr.
Dodgson's friendships with children.
It would have been impossible to arrange them in chronological sequence in the earlier part of this book, and the fact that they exhibit a very important and distinct side of his nature seems to justify me in assigning them a special and individual position.

For the contents of these two chapters, both my readers and myself owe a debt of gratitude to those child-friends of his, without whose ever-ready help this book could never have been written.

From very early college days began to emerge that beautiful side of Lewis Carroll's character which afterwards was to be, next to his fame as an author, the one for which he was best known—his attitude towards children, and the strong attraction they had for him.
I shall attempt to point out the various influences which led him in this direction; but if I were asked for one comprehensive word wide enough to explain this tendency of his nature, I would answer unhesitatingly—Love.
My readers will remember a beautiful verse in "Sylvie and Bruno"; trite though it is, I cannot forbear to quote it—

Say, whose is the skill that paints valley and hill,

Like a picture so fair to the sight?

That flecks the green meadow with sunshine and shadow,

Till the little lambs leap with delight?

'Tis a secret untold to hearts cruel and cold,

Though 'tis sung by the angels above,

In notes that ring clear for the ears that can hear,

And the name of the secret is Love!

That "secret"—an open secret for him—explains this side of his character.
As
he
read everything in its light, so it is only in its light that
we
can properly understand
him
.
I think that the following quotation from a letter to the Rev.
F.
H.
Atkinson, accompanying a copy of "Alice" for his little daughter Gertrude, sufficiently proves the truth of what I have just stated:—

Many thanks to Mrs.
Atkinson and to you for the sight of the tinted photograph of your Gertrude.
As you say, the picture speaks for itself, and I can see exactly what sort of a child she is, in proof of which I send her my love and a kiss herewith.
It is possible I may be the first (unseen) gentleman from whom she has had so ridiculous a message; but I can't say she is the first unseen child to whom I have sent one!
I think the most precious message of the kind I ever got from a child I never saw (and never shall see in this world) was to the effect that she liked me when she read about Alice, "but please tell him, whenever I read that Easter letter he sent me I
do
love him!"
She was in a hospital, and a lady friend who visited there had asked me to send the letter to her and some other sick children.

And now as to the secondary causes which attracted him to children.
First, I think children appealed to him because he was pre-eminently a teacher, and he saw in their unspoiled minds the best material for him to work upon.
In later years one of his favourite recreations was to lecture at schools on logic; he used to give personal attention to each of his pupils, and one can well imagine with what eager anticipation the children would have looked forward to the visits of a schoolmaster who knew how to make even the dullest subjects interesting and amusing.

Again, children appealed to his æsthetic faculties, for he was a keen admirer of the beautiful in every form.
Poetry, music, the drama, all delighted him, but pictures more than all put together.
I remember his once showing me "The Lady with the Lilacs," which Arthur Hughes had painted for him, and how he dwelt with intense pleasure on the exquisite contrasts of colour which it contained—the gold hair of a girl standing out against the purple of lilac-blossom.
But with those who find in such things as these a complete satisfaction of their desire for the beautiful he had no sympathy; for no imperfect representations of life could, for him, take the place of life itself, life as God has made it—the babbling of the brook, the singing of the birds, the laughter and sweet faces of the children.
And yet, recognising, as he did, what Mr.
Pater aptly terms "the curious perfection of the human form," in man, as in nature, it was the soul that attracted him more than the body.
His intense admiration, one might almost call it adoration, for the white innocence and uncontaminated spirituality of childhood emerges most clearly in "Sylvie and Bruno."
He says very little of the personal beauty of his heroine; he might have asked, with Mr.
Francis Thompson—

How can I tell what beauty is her dole,

Who cannot see her countenance for her soul?

So entirely occupied is he with her gentleness, her pity, her sincerity, and her love.

Again, the reality of children appealed strongly to the simplicity and genuineness of his own nature.
I believe that he understood children even better than he understood men and women; civilisation has made adult humanity very incomprehensible, for convention is as a veil which hides the divine spark that is in each of us, and so this strange thing has come to be, that the imperfect mirrors perfection more completely than the perfected, that we see more of God in the child than in the man.

And in those moments of depression of which he had his full share, when old age seemed to mock him with all its futility and feebleness, it was the thought that the children still loved him which nerved him again to continue his life-work, which renewed his youth, so that to his friends he never seemed an old man.
Even the hand of death itself only made his face look more boyish—the word is not too strong.
"How wonderfully young your brother looks!"
were the first words the doctor said, as he returned from the room where Lewis Carroll's body lay, to speak to the mourners below.
And so he loved children because their friendship was the true source of his perennial youth and unflagging vigour.
This idea is expressed in the following poem—an acrostic, which he wrote for a friend some twenty years ago:—

Around my lonely hearth, to-night,

Ghostlike the shadows wander:

Now here, now there, a childish sprite,

Earthborn and yet as angel bright,

Seems near me as I ponder.

Gaily she shouts: the laughing air

Echoes her note of gladness—

Or bends herself with earnest care

Round fairy-fortress to prepare

Grim battlement or turret-stair—

In childhood's merry madness!

New raptures still hath youth in store:

Age may but fondly cherish

Half-faded memories of yore—

Up, craven heart!
repine no more!

Love stretches hands from shore to shore:

Love is, and shall not perish!

His first child-friend, so far as I know, was Miss Alice Liddell, the little companion whose innocent talk was one of the chief pleasures of his early life at Oxford, and to whom he told the tale that was to make him famous.
In December, 1885, Miss M.E.
Manners presented him with a little volume, of which she was the authoress, "Aunt Agatha Ann and Other Verses," and which contained a poem (which I quoted in Chapter VI.), about "Alice."
Writing to acknowledge this gift, Lewis Carroll said:—

Permit me to offer you my sincere thanks for the very sweet verses you have written about my dream-child (named after a real Alice, but none the less a dream-child) and her Wonderland.
That children love the book is a very precious thought to me, and, next to their love, I value the sympathy of those who come with a child's heart to what I have tried to write about a child's thoughts.
Next to what conversing with an angel
might
be—for it is hard to imagine it—comes, I think, the privilege of having a real child's thoughts uttered to one.
I have known some few
real
children (you have too, I am sure), and their friendship is a blessing and a help in life.

ALICE LIDDELL.

From a photograph

by Lewis Carroll.

It is interesting to note how in "Sylvie and Bruno" his idea of the thoughts of a child has become deeper and more spiritual.
Yet in the earlier tale, told "all in a golden afternoon," to the plash of oars and the swish of a boat through the waters of Cherwell or Thames, the ideal child is strangely beautiful; she has all Sylvie's genuineness and honesty, all her keen appreciation of the interest of life; only there lacks that mysterious charm of deep insight into the hidden forces of nature, the gentle power that makes the sky "such a darling blue," which almost links Sylvie with the angels.

Another of Lewis Carroll's early favourites was Miss Alexandra (Xie) Kitchin, daughter of the Dean of Durham.
Her father was for fifteen years the Censor of the unattached members of the University of Oxford, so that Mr.
Dodgson had plenty of opportunities of photographing his little friend, and it is only fair to him to say that he did not neglect them.

It would be futile to attempt even a bare list of the children whom he loved, and who loved him; during forty years of his life he was constantly adding to their number.
Some remained friends for life, but in a large proportion of cases the friendship ended with the end of childhood.
To one of those few, whose affection for him had not waned with increasing years, he wrote:—

I always feel specially grateful to friends who, like you, have given me a child-friendship and a woman—friendship.
About nine out of ten, I think, of my child-friendships get ship-wrecked at the critical point, "where the stream and river meet," and the child-friends, once so affectionate, become uninteresting acquaintances, whom I have no wish to set eyes on again.

XIE KITCHIN.

From a photograph

by Lewis Carroll.

These friendships usually began all very much in the same way.
A chance meeting on the sea-shore, in the street, at some friend's house, led to conversation; then followed a call on the parents, and after that all sorts of kindnesses on Lewis Carroll's part, presents of books, invitations to stay with him at Oxford, or at Eastbourne, visits with him to the theatre.
For the amusement of his little guests he kept a large assortment of musical-boxes, and an organette which had to be fed with paper tunes.
On one occasion he ordered about twelve dozen of these tunes "on approval," and asked one of the other dons, who was considered a judge of music, to come in and hear them played over.
In addition to these attractions there were clock-work bears, mice, and frogs, and games and puzzles in infinite variety.