Conservation of Shadows (11 page)

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Authors: Yoon Ha Lee

Tags: #Anthology, #Fantasy, #Short Story, #collection, #Science Fiction, #Short Stories

BOOK: Conservation of Shadows
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They had imprisoned him behind Yen Shenar’s face, handicapped him with Yen Shenar’s dreams of stars and shapes moving in the vast darkness. They had made the mistake of thinking that he shared Yen Shenar’s thrall-like regard for the government. He was going to escape the Garden if it required him to break each bone to test its verity, uproot the bamboo, break Cho’s government at its foundations.

The war began earlier, but what we remember as its inception is Sang Han’s death at Heaven’s Gate. Even the Yamachin captain who led the advance honored Sang’s passing.

Heaven’s Gate is the outermost system bordering Yamat, known for the number of people who perished settling its most temperate world, and the starsails lost exploring its minor but treacherous nexus. The system was held by Commandant Sang Han, while the province as a whole remains under the protection of Admiral Wan Kun’s fleet. Wan Kun’s, not Yen Shenar’s; perhaps Heaven’s Gate was doomed from the start.

Although Admiral Wan Kun was inclined to dismiss the reports of Yamachin warsails as alarmism, the commandant knew better. Against protocol, he alerted Admiral Yen Shenar in the neighboring system, which almost saved us. It is bitter to realize that we could have held Cho against the invaders if we had been prepared for them when they first appeared.

The outpost station’s surviving logs report that Sang had one last dinner with his soldiers, passing the communal cup down the long tables. He joked with them about the hundred non-culinary uses for rice. Then he warned the leading Yamachin warsail,
Hanei,
that passage through Cho to invade our ally Feng-Huang would not be forthcoming, whatever the delusion of Yamat’s chancellor-general.

Hanei
and its escort responded by opening fire.

We are creatures of fire and water. We wither under a surfeit of light as readily as we wither beneath drowned hopes. When photons march soldier-fashion at an admiral’s bidding, people die.

When the Yamachin boarded the battlestation serving Heaven’s Gate, Sang awaited them. By then, the station was all but shattered, a fruit for the pressing. Sang’s eyes were shadowed by sleepless nights, his hair rumpled, his hands unsteady.

The
Hanei
’s captain, Sezhi Tomo, was the first to board the station. Cho’s border stations knew his name. In the coming years, we would learn every nuance of anger or determination in that soft, suave voice. Sezhi spoke our language, and in times past he had been greeted as one of us. His chancellor-general had demanded his experience in dealing with Cho, however, and so he arrived as an invader, not a guest.

“Commandant,” he said to Sang, “I ask you and your soldiers to stand down. There’s time yet for war to be averted. Surrender the white gun.” Sezhi must have been aware of the irony of his words. He knew, as most Yamachin apparently did not, that a Chosar officer’s white gun represented not only his rank but his loyalty to the nation. Its single shot is intended for suicide in dire straits.

“Sezhi-kan,” the commandant replied, addressing the other man by his Yamachin title, “it was too late when your chancellor-general set his eye upon Feng-Huang.” And when our government, faction-torn, failed to heed the diplomats’ warning of Tsehan’s ambitions; but he would not say that to a Yamachin. “It was too late when you opened fire on the station. I will not stand down.”

“Commandant,” said Sezhi even as his guards trained their rifles on Sang, “please. Heaven’s Gate is lost.” His voice dropped to a murmur. “Sang, it’s over. At least save yourself and the people who are still alive.”

Small courtesies have power. In the records that made it out of Heaven’s Gate, we see the temptation that sweeps over the commandant’s face as he holds Sezhi’s gaze. We see the moment when he decides that he won’t break eye contact to look around at his haggard soldiers, and the moment when temptation breaks its grasp.

Oh, yes: the cameras were transmitting to all the relays, with no thought as to who might be eavesdropping.

“I will surrender the white gun,” Sang said, “when you take it from me. Dying is easier than letting you pass.”

Sezhi’s face held no more expression than night inside a nexus. “Then take it I shall. Gentlemen.”

The commandant drew the white gun from its holster, keeping it at all times aimed at the floor. He was right-handed.

The first shot took off Sang’s right arm.

His face was white as the blood spurted. He knelt—or collapsed—to pick up the white gun with his left hand, but had no strength left to stand.

The second shot, from one of the soldiers behind Sezhi, took off his left arm.

It’s hard to tell whether shock finally caused Sang to slump as the soldiers’ next twelve bullets slammed into him. A few patriots believe that Sang was going to pick up the white gun with his teeth before he died, but never had the opportunity. But the blood is indisputable.

Sezhi Tomo, pale but dry-eyed, bowed over the commandant’s fallen body, lifting his hand from heart to lips: a Chosar salute, never a Yamachin one. Sezhi paid for that among his own troops.

And Yen—Admiral, through no fault of your own, you received the news too late to save the commandant. Heaven’s Gate, to our shame, fell in days.

There is no need to recount our losses to Yamat’s soldiers. Once their warsails had entered Cho’s local space, they showed what a generation of civil war does for one’s martial abilities. Our world-bound populations fell before them like summer leaves before winter winds. One general wrote, in a memorandum to the government, that “death walks the only road left to us.” The only hope was to stop them before they made planetfall, and we failed at that.

We asked Feng-Huang for aid, but Feng-Huang was suspicious of our failure to inform them earlier of Yamat’s imperial designs. So their warsail fleets and soldiers arrived too late to prevent the worst of the damage.

It must pain you to look at the starsail battles lost, which you could have won so readily. It is easy to scorn Admiral Wan Kun for not being the tactician you are, less adept at using the nexuses’ spacetime terrain to advantage. But what truly diminishes the man is the fact that he allowed rivalry to cloud his judgment. Instead of using his connections at court to disparage your victories and accuse you of treason, he could have helped unify the fractious factions in coming up with a strategy to defeat Yamat. Alas, he held a grudge against you for invading his jurisdiction at Heaven’s Gate without securing prior permission.

He never forgave you for eclipsing him. Even as he died in defeat, commanding the Chosar fleet that you had led so effectively, he must have been bitter. But they say this last battle at Yellow Splendor will decide everything. Forget his pettiness, Yen. He is gone, and it is no longer important.

“I have your file,” the man said to Yen Shenar. His dark blue uniform did not show any rank insignia, but there was a white gun in his holster. “I would appeal to your loyalty, but the programmer assigned to you noted that this was unlikely to succeed.”

“Then why are you here?” Yen said. They were in a room with high windows and paintings of carp. The guards had given him plain clothing, also in dark blue, a small improvement on the gray that all prisoners wore.

The man smiled. “Necessity,” he said. “Your military acumen is needed.”

“Perhaps the government should have considered that before they put me here,” Yen said.

“You speak as though the government were a unified entity.”

As if he could forget. The court’s inability to face in the same direction at the same time was legendary.

“You were not without allies, even then,” the man said.

Yen tipped his head up: he was not a short man, but the other was taller. “The government has a flawed understanding of ‘military acumen,’ you know.”

The man raised an eyebrow.

“It’s not just winning at baduk or other strategy games, or the ability to put starsails in pretty arrangements,” Yen said. “It is leadership; it is inspiring people, and knowing who is worth inspiring; it is honoring your ancestors with your service. And,” he added dryly, “it is knowing enough about court politics to avoid being put in the Garden, where your abilities do you no good.”

“People are the sum of their loyalties,” the man said. “You told me that once.”

“I’m expected to recognize you?”

“No,” the man said frankly. “I told them so. We all know how reprogramming works. There’s no hope of restoring what you were.” There was no particular emotion in his voice. “But they insisted that I try.”

“Tell me who you are.”

“You have no way of verifying the information,” the man said.

Yen laughed shortly. “I’m curious anyway.”

“I’m your nephew,” the man said. “My name wouldn’t mean anything to you.” At Yen’s scrutiny, he said, “You used to remark on how I take after my mother.”

“I’m surprised the government didn’t send me back to the Ministry of Virtuous Thought to ensure my cooperation anyway,” Yen said.

“They were afraid it would damage you beyond repair,” he said.

“Did the programmer tell them so?”

“I’ve only spoken to her once,” the man said.

This was the important part, and this supposed nephew of his didn’t even realize it. “Did she have anything else to say?”

The man studied him for a long moment, then nodded. “She said you are not the sum of your loyalties, you are the sum of your choices.”

“I did not choose to be here,” Yen said, because it would be expected of him, although it was not true. Presumably, given that he had known what the king’s decree was to be, he could have committed suicide or defected. He was a strategist now and had been a strategist then. This course of action had to have been chosen for a reason.

He realized now that the Yen Shenar of yesteryear might not have been a man willing to intrigue against his enemies, even where it would have saved him his command. But he had been ready to become one who would, even for the sake of a government that had been willing to discard his service.

The man was frowning. “Will you accept your reinstatement into the military?”

“Yes,” Yen said. “Yes.” He was the weapon that he had made of himself, in a life he remembered only through shadows and fissures. It was time to test his forging, to ensure that the government would never be in a position to trap him in the Garden again.

This is the story the way they are telling it now. I do not know how much of it to believe. Surely it is impossible that you outmatched the Yamachin fleet when it was five times the size of your own; surely it is impossible that over half the Yamachin starsails were destroyed or captured. But the royal historians say it is so.

There has been rejoicing in the temporary capital: red banners in every street, fragrant blossoms scattered at every doorway. Children play with starsails of folded paper, pretending to vanquish the Yamachin foe, and even the thralls have memorized the famous poem commemorating your victory at Yellow Splendor.

They say you will come home soon. I hope that is true.

But all I can think of is how, the one time I met you, you did not wear the white gun. I wonder if you wear it now.

Swanwatch

Officially, the five exiles on the station were the Initiates of the Fermata. Unofficially, the Concert of Worlds called them the swanwatch.

The older exiles called themselves Dragon and Phoenix, Tiger and Tortoise, according to tradition based in an ancient civilization’s legends. The newest and youngest exile went by Swan. She was not a swan in the way of fairy tales. If so, she would have had a history sung across the galaxy’s billions of stars, of rapturous beauty or resolute virtue. She would have woven the hearts of dead stars into armor for the Concert’s soldiers and hushed novae to sleep so ships could safely pass. However, she was, as befitted the name they gave her, a musician.

Swan had been exiled to the station because she had offended the captain of a guestship from the scintillant core. In a moment of confusion, she had addressed him in the wrong language for the occasion. Through the convolutions of Concert politics, she wound up in the swanwatch.

The captain sent her a single expensive message across the vast space now separating them. It was because of the message that Swan first went to Dragon. Dragon was not the oldest and wisest of the swanwatch; that honor belonged to Tortoise. But Dragon loved oddments of knowledge, and he could read the calligraphy in which the captain had written his message.

“You have good taste in enemies,” Dragon commented, as though Swan had singled out the captain. Dragon was a lanky man with skin lighter than Swan’s, and he was always pacing, or whittling appallingly rare scraps of wood, or tapping earworm-rhythms upon his knee.

Swan bowed her head.
I’d rather not be here, and be back with my family.
She didn’t say so out loud, though. That would have implied a disregard for Dragon’s company, and she was already fond of Dragon. “Can you read it?” she asked.

“Of course I can read it, although it would help if you held the message right-side-up.”

Swan wasn’t illiterate, but there were many languages in the Concert of Worlds. “This way?” Swan asked, rotating the sheet.

Dragon nodded.

“What does it say?”

Dragon’s foot tapped. “It says: ‘I look forward to hearing your masterpiece honoring the swanships.’ Should I read all his titles, too?” Dragon’s ironic tone made his opinion of the captain’s pretensions quite clear. “They take up the rest of the page.”

Swan had paled. “No, thank you,” she said. The swanwatch’s official purpose was as a retreat for artists. Its inhabitants could only leave upon presenting an acceptable masterwork to the judges who visited every decade. In practice, those exiled here lacked the requisite skill. The captain’s message clearly mocked her.

Like many privileged children, Swan had had lessons in the high arts: music and calligraphy, fencing and poetry. She could set a fragment of text to a melody, if given the proper mode, and play the essential three instruments: the zither, the flute, the keyboard. But she had never pursued composing any further than that, expecting a life as a patron of the arts rather than an artist herself.

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