AFTER THAT EVENING, everything went, as far as my work was concerned, in the best possible way. I went next morning to see Battista, signed the contract for the script, and received my first advance of money. It was, I remember, a film of little importance, of the comic-sentimental type for which, serious-minded as I was, I did not imagine myself to be cut out, but which in fact showed me, as I worked on it, that I had an unsuspected vocation. That same day I had a first meeting with the director and also with my fellow script-writer.
While it is possible for me to indicate exactly the starting-point of my career as a script-writer, which was that evening at Battista’s, it is very difficult for me to say with the same precision when my relations with my wife began to deteriorate. I could of course point to that same evening as the beginning of this deterioration; but that would be what is called being wise after the event; and all the more so because Emilia gave no sign, for some time afterwards, of any change in her demeanor towards me. The change certainly took place during the month which followed that evening, but I really could not say at what moment, in Emilia’s mind, the decisive turn of the scale occurred, nor what caused this to happen. At that time we were seeing Battista almost every day, and I could relate, with an abundance of detail, many other episodes similar to that of the first evening in his house; episodes, that is, which were then in no way to be distinguished—to my eyes, anyhow—from the general color of my life, but which later acquired some special prominence or meaning. There is just one fact I wish to note: every time Battista invited us, which now happened very often, Emilia always showed, at first, a certain reluctance to go with me, not a strong nor a very decided reluctance, it is true, but curiously persistent in its expression and in its justifications. She always adduced some pretext or other that had nothing to do with Battista in order not to come with us; always, in the same way, I proved to her without any difficulty that the pretext did not hold good, and insisted on trying to find out whether she disliked Battista, or what her reason was; always, in the end, her answer to my question, given with a slight touch of perplexity, was that she did not in the least dislike Battista, that she had no fault to find with him, and that she did not want to go out with us simply because these evenings tired her and, really and truly, bored her. I was not content with these vague explanations and returned to my point, hinting that something must have happened between her and Battista, even though Battista himself was not conscious of it, or had not intended it. But, the more I tried to prove to her that she did not like Battista, the more she seemed to persevere in her denial: her perplexity, in the end, disappeared altogether, and its place was taken by a willful obstinacy and determination. Then, completely reassured with regard to her feelings towards Battista and Battista’s demeanor towards her, I went on to point out to her the reasons that told so strongly in favor of her giving us her company on these occasions: how hitherto I had never gone out without her, and Battista knew it; how her presence gave pleasure to Battista, as was shown by his urging, every time he invited us: “Of course, bring your wife”; how her absence, unexpected and difficult to justify as it was, might appear ill-natured, or, even worse, insulting to Battista, upon whom our living now depended; how, when all was said and done, since she was unable to show any valid reason for her absence whereas I was in a position to give many excellent reasons for her presence, it was preferable that she should put up with the fatigue and boredom required of her. Emilia usually listened to these arguments of mine with a dreamy and contemplative attention: it might have been thought that it was not so much the reasons themselves as my face and my gestures while expounding them that interested her; then, in the end, she would invariably give in and start silently dressing to go out. At the last moment, when she was ready to go, I would ask her, once more and for the last time, if she really disliked coming with me—not so much because by now I was doubtful of her answer, as in order to leave her no doubts about her freedom of decision. She would answer, in a categorical manner, that she did not dislike going, and then, out we would go.
All this, however, I reconstructed later, as I have already mentioned, patiently retracing in memory a number of occurrences which—at least at the time—had seemed insignificant, and which had passed almost unobserved by me at the moment when they took place. At that time I had been aware merely of a change for the worse in Emilia’s demeanor towards me, but without explaining or defining it to myself in any way; in the same way one becomes conscious, through a change and a heaviness in the air, of the approach of a thunderstorm though the sky is still serene. I began to think she loved me less than in the past, because I noticed that she was no longer so anxious to be near me as in the first times after our marriage. In those days I would say: “Look, I’ve got to go out; I’ll be out for a couple of hours but I’ll come back as soon as I can”; and she would not protest, but she showed, by her expression of mingled sadness and resignation, that she did not like my being away. So much so, indeed, that often I either gave up going out, excusing myself somehow from my engagement; or, if possible, took her with me. Her attachment to me then was so strong that one day, when she had gone with me to the station from which I was to leave for a very brief trip to North Italy, I saw her, as we were saying good-bye, turn her face to hide the tears that filled her eyes. That time I pretended not to notice her grief; but during the whole journey I was haunted by remorse for that shamefaced but uncontrollable weeping; and from then onwards I ceased completely to travel without her. But now, instead of assuming the usual, beloved expression with its slight suggestion of mortification and sadness, all she would do, if I announced that I was going out, was to answer calmly, often without even looking up from the book she was reading: “All right, I understand; then we’ll see each other at dinner. Don’t be late.” Sometimes she seemed actually to want my absence to last longer than I myself intended. I would say to her, for instance: “I’ve got to go out. I’ll be back at five”; and she would answer: “Stay out as long as you like...I’ve got things to do.” One day I remarked in a light tone of voice that she seemed almost to prefer that I shouldn’t be there; but she made no direct answer, merely saying that, since I was busy, one way and another, almost all day, it was just as well that we shouldn’t meet except at mealtimes, and so she would be able to get through her own jobs in peace. This was only partly true: my work as a script-writer obliged me to be out of the house only in the afternoons; and hitherto I had always arranged matters so that I could spend the rest of the day with her. From that day onwards, however, I took to going out in the morning as well.
In the days when Emilia gave me to understand that my absences were displeasing to her, I used to leave the house with a light heart, well content, in reality, at her displeasure, as being yet another proof of the great love she felt for me. But as soon as I became aware that not merely did she show no disappointment, but even seemed to prefer to be left alone, I began to experience an obscure feeling of distress, as if I had felt the ground give way beneath my feet. I went out now not only in the afternoons to go and work at the film-script, but in the mornings too, as I said, and often without any other purpose than to test Emilia’s indifference, so utterly new and, to me, so bitter; and yet she did not show the slightest displeasure, in fact she accepted my absences with placidity if not actually—so it seemed to me—with ill-disguised relief. At first I tried to console myself for this coldness by arguing that, after two years of marriage, habit, even though it may be an affectionate habit, creeps into love with fatal effect, and the assurance of being loved takes away all character of passion from a married couple’s relationship. Yet I felt that this was not true: I felt it rather than thought it, for thought is always more fallible, even in its apparent preciseness, than obscure, confused feeling. I felt, in fact, that Emilia had ceased to be displeased at my absences, not because she considered them inevitable and without consequence to our relationship, but because she loved me less, or indeed not at all. I also felt that something, without doubt, must have happened to change her feeling, which had once been so tender and so possessive.
AT THE TIME when I first met Battista, I found myself in an extremely difficult situation, and I did not know how to escape from it. My difficulty consisted in my having at that time acquired the lease of a flat, although I had not the money to complete my payment for it and did not know how I should be able to get the money. We had lived, Emilia and I, during our first two years, in a large furnished room in a lodging-house. Any other woman but Emilia would perhaps not have put up with this provisional arrangement; but, in the case of Emilia, I think that, by accepting it, she gave me the greatest proof of love that a devoted wife can give to a husband. Emilia was, indeed, what is called a born housewife; but in her love of home there was more than the natural inclination common to all women; I mean that there was something that resembled a deep, jealous passion, almost a hunger, which went beyond her own self and seemed to derive its origin from some ancestral situation. She came of a poor family; she herself, when I first came to know her, was working as a typist; and I think that her love of home was an unconscious means of expression for the frustrated aspirations of generations of disinherited people who were chronically incapable of setting up an abode of their own, however modest. I do not know whether she was under the illusion that, with our marriage, her dreams of domesticity would come true; but I remember that one of the few times I ever saw her weep was when I was forced to confess, shortly after we became engaged, that I was not yet in a position to provide her with a home of her own, even a rented one, and that we must be content, at first, with a furnished room. It seemed to me that those tears, quickly suppressed as they were, were an outward expression not only of bitter disappointment at seeing her cherished dream thrust away into the future, but also of the actual power of that dream, which for her was, as it were, more a reason for living than just a dream.
And so we lived, those first two years, in a furnished room; but how meticulously tidy and bright and clean Emilia always kept it! It was obvious that, as far as possible—and in a furnished room it is possible only to a limited degree—she wanted to deceive herself into believing that she had a home of her own; and that, lacking her own household furniture, she wanted at least to infuse her own concentrated domestic spirit into the lodging-house keeper’s shabby utensils. There were always flowers in a vase on my desk; my papers were always arranged with loving, inviting orderliness, as though to encourage me to work and guarantee me the greatest possible privacy and quietness; the tea service always stood ready on a small table, with napkins and a box of crackers; never was an undergarment or other intimate object to be found where it should not be, on the floor or the chairs, as so often happens in similar cramped, temporary abodes. After the first hurried cleaning by the servant-girl, Emilia would subject the whole room to a second, more scrupulous, personal cleaning, so that everything which could shine and reflect
did
shine and reflect, even the smallest brass knob on the window-frame or the least visible strip of wood on the floor; at night, she insisted on preparing the bed herself, without the help of the maid, laying out her own muslin nightgown on one side and my pajamas on the other and carefully turning down the sheets and arranging the twin pillows; in the morning she would get up before me, and, going to the lodging-house keeper’s kitchen, would prepare the breakfast and bring it to me herself, on a tray. She did all these things in silence, discreetly, without drawing attention to herself, but with an intensity, a concentration, an eager, absorbed solicitude that betrayed a passion too deep to be openly proclaimed. Nevertheless, in spite of these pathetic efforts on her part, the furnished room remained just a furnished room; and the illusion that she sought to create for herself and for me was never complete. And then, from time to time, in moments of excessive weariness or discouragement, she would complain—gently, it is true, and almost placidly, in accordance with her character, but not without evident bitterness—asking me how long this provisional, this inferior, way of living would have to continue. I was aware that it was a real sorrow that lay behind this very moderate expression of displeasure; and I worried myself with the thought that, sooner or later, I would somehow have to satisfy her.
In the end I decided, as I said, to buy the lease of a flat; not because I had the means to do so, for such means were still lacking, but because I understood how she was suffering and how her suffering would perhaps some day overcome her powers of endurance. I had put aside a small sum of money during those two years; to this sum I added some more money which I had obtained on loan; and so I was able to pay the first installment. In doing this I did not, however, experience the joyful feelings of a man preparing a home for his bride; on the contrary, I was anxious and seriously distressed, because I did not know in the least how I would manage when, a few months later, the time came to pay the second installment. At that time, in fact, I was so desperate that I had almost a feeling of rancor against Emilia, who, by the tenacity of her passion, had in a way forced me to take this imprudent and dangerous step.
However, the profound joy of Emilia when I announced that the matter was settled, and later the unaccustomed feelings—strange, to me, both in their quality and their intensity—which she displayed on the day we went for the first time into the still unfurnished flat, made me for some time forget my troubles. I have said that, with Emilia, love of home had all the characteristics of a passion; and I must add that, on this occasion, that same passion appeared to me to be bound up with, and mingled with, sensuality, as though the fact of having at last acquired a flat for her had made me, in her eyes, not merely more lovable but also, in a wholly physical sense, closer and more intimate. We had gone to inspect the place, and Emilia, to begin with, walked round all the cold, empty rooms with me while I explained the purpose of each of them and the way in which I thought to arrange the furniture. But, at the end of our visit, as I was walking over to a window with the intention of opening it and showing her the view to be enjoyed from it, she came close up to me and, pressing her whole body against me, whispered to me to give her a kiss. This was quite a new thing for her, usually so discreet, so almost shy, in any expression of love. Excited by this novelty and by the tone of her voice, I kissed her as she wanted; and all the time the kiss lasted—certainly one of the most violent and most abandoned we ever exchanged—I felt her clinging more and more closely with her body against mine, as though inviting me to greater intimacy; and then, wildly, she tore off her skirt, unbuttoned her chemise, and thrust her belly against mine. The kiss over, in a very low voice that was like an inarticulate breath and yet was melodious, melting, she murmured in my ear—or at least so it seemed to me—that I should take her; and meanwhile, with all the weight of her body, she was pulling me down towards the floor. We made love on the floor, on the dusty tiles, under the sill of the window I had meant to open. Yet in the ardor of that embrace, so unrestrained and so unusual, I was conscious not only of the love she felt for me at that time, but more particularly of the outpouring of her repressed passion for a home, which in her expressed itself quite naturally through the channel of unforeseen sensuality. In that embrace, in fact, consummated on that dirty floor, in the chilly gloom of the empty flat, she was giving herself, so I felt, to the giver of the home, not the husband. And those bare, echoing rooms, still smelling of paint and fresh plaster, had stirred something in the innermost recesses of her heart that no caress of mine, hitherto, had ever had the power to awaken.