Dark Symphony (27 page)

 "Oh, yes, it's valuable. It is genuine, the original work of the composer George Frideric Handel. As a young man, he visited Italy, and of course, he was a frequent guest here at the palazzo. Even then the Scarletti family had power and wealth and was interested in music, and he was an exceptional talent. No artist would turn down such an invitation. He stayed on and off during the three or four years he was in Italy. He left behind many notations and a journal. He also left sheets of music, of cantatas and operas, even oratorios. But our most treasured is a full opera composed by Handel for the Scarletti family. He was not happy with it. He said it lacked the fire of Italy, and he did not want it kept. Our family agreed it would never be for public use then or in the future. The Scarletti word is sacred. We have kept that vow to him for generations."

 Byron whistled softly between his teeth. "George Handel. I had forgotten he stayed in Italy. It was only a short while. He left in 1710 for Hanover, as I recall, but left nearly immediately for London. His opera Rinaldo was produced the following year."

 "You studied Handel?" She was shocked.

 Byron looked down at his hands, surprised he had made such a slip. "I liked his work," he said carefully.

 "So do I. He returned years later, when he was looking for artists and performers. Did you know in his later days he was blind?" She arched her back, tried to relieve some of the pressure building inside of her.

 "I had heard, yes."

 His voice wrapped her up in silk and satin. Antonietta shook her head. "I need to put the score somewhere safe. I'll talk to Nonno tomorrow. He's long gone to bed. I seem to be sleeping later and later every day and miss the activities." She took the package from him, avoided his touch as she did so. "I'll be right back. I'm going to put this in the vault in the passageway. I doubt Marita will find it there."

 "Paul might." Byron rose, a lazy, fluid movement. He sounded like a great jungle cat rousing itself from a warm fire. And it irritated the hell out of her. "I am coming with you."

 She was already at the door to the passageway. The last thing she wanted was to be with Byron in such close quarters. "Just relax for a few minutes." She did her best to sound calm. "It won't take long."

 "I do not mind. I wanted to get another look at the wall with all the carvings." His body pressed close to hers. She could feel his body heat.

 Antonietta hurried forward, entering the labyrinth of tunnels without hesitation. Byron moved in his usual silent way, but she was all too aware of him. She could almost feel his muscles beneath her itching fingers. Erotic images danced in her head. She wanted him with every breath in her body. And he seemed so… unaware… uninterested.

 She wanted to shred the package in her hand, rip at something with her nails. Her shoes made noise on the ancient marble tiles. Her breath seemed overly loud. Her heart was pounding, and her mouth was dry. Antonietta counted silently to herself, making each twist and turn sharply.

 "Our history is very colorful." She made every attempt to carry on a conversation if that was what he desired. A history conversation.

 Byron continued to prowl silently behind her. Breathing on the nape of her neck. Smelling good. Making his presence known by resting his hand in the small of her back. Burning right through her clothing. Branding her. Claiming her.

 "I know you studied the carvings in the wall. Did you decipher the very first entry? I would think the earlier entries would be fascinating." Byron sensed her growing agitation. When he touched her mind, it was chaotic. There was no one thought. She was confused and angry. Brooding. Moody. Edgy. The gathering of a great storm. She was his life mate, and whatever she needed he would provide. He was well aware she found the history of her family intriguing. He hoped to distract her for a time.

 Antonietta clutched the package tighter to her. "I spent some time studying the first bride's entry. She wasn't alone. Her husband did his share of carving also. I think it was his idea. I think he wanted his family to know the gifts he secured for them. He was very intrigued with the idea of shape-shifting. The earlier carvings are nearly all of shape-shifters. Women and even a few men changing to the jaguar. The earlier etchings are crude, of course, but they are detailed. I think they reveal more of the secrets than the later carvings." She made herself breathe in the oppressive heat of the passageway. If only his breath didn't tease the hair on the back of her neck, she might be able to think straight.

 "In the later, more modern days, was there any evidence of shape-shifting?"

 She rubbed at her itching skin and stopped directly in front of what appeared to be a solid wall. Byron reached past her to run his palm over the smooth surface. Her fingers brushed his, caught, and instinctively guided his to the three shallow depressions guarding secrets. It was an admission of trust, and he knew it even before she did.

 The wall slid noiselessly away to reveal the air-sealed vault. Obviously she knew the sequence of numbers on the keypad. She punched several buttons carefully. The door to the vault opened. There was no light. The passageway was pitch black, but Antonietta didn't need light. She was at home in a world of darkness. Byron was impressed with her uncanny ability to know exactly where she was in her environment.

 "I didn't see any. I think the blood is too diluted."

 "Could one of your cousins be capable of shifting?" Byron posed the question without inflection.

 Antonietta went still, her hands hovering just inside the vault. "One of my cousins?" she echoed, the idea unsettling. "I can't think that, Byron. That one of them would be this creature tearing the throats out of innocent people. It sickens me to even imagine such a possibility."

 "The smell of the cat was inside the palazzo. It permeated your grandfather's rooms. You say the sheets of music were kept in Don Giovanni's private safe. If a shifter was looking for them…"

 She thrust the precious music into the vault and slammed it closed. "I don't want to think a member of my family is capable of such cold-blooded murder."

 "In the body of a wild predator, it can be very difficult to control the urges. It is said that some shifters do not even recognize their human side. And some animals are much more difficult to control than others."

 Antonietta bent forward to lean her forehead against the vault in guilt. "I wanted to play the music." The confession came out in a little rush. "If I hear music, no matter how difficult or intricate, I can play it, but I can't see it. I had to ask Justine to read it to me. You can imagine how difficult it was for us to decipher the entire score between us, how long it took us. Don Giovanni knew, of course; he gave it to me, but I was to guard it so carefully. Each night I returned it to his room, but anyone could have seen Justine and me working together on it."

 The action of bending forward brought her buttocks in direct contact with Byron's body. He pressed against her, hard and thick and very male. Antonietta could have cried in frustration. Her skin crawled with need. Her body felt tight and alien to her. She straightened immediately to break the contact, pushing away from him to begin the walk down to the history room. She was aware of her own body. The swaying of her hips, the ache in her breasts. It was insanity that she lacked control.

 "Antonietta, when I touch your mind, you are confused and distraught. I would help you, if you allow me access." Byron was going to push past that barrier if she didn't enlighten him soon. He couldn't take her being so upset. They had already exchanged blood twice. The Carpathian blood was definitely enhancing her senses, changing her, but he had no idea with her differences, what other changes the blood might cause.

 "I prefer to work out my own problems," she said. "I'm sorry if I sound abrupt; everything feels like it's crashing down on me."

 "In a partnership, cara, one shares troubles."

 "I'm not used to a partnership yet." Antonietta softened her voice, not wanting to hurt him. "I'm trying, Byron. I really am. I've never had these feelings, and I've never felt so intense about everything. It's unsettling." And I have never been so aware of a man before.

 Byron caught that very feminine thought. She still didn't accept the power and force of the bond between them. It was unlike anything she'd ever experienced. She was both intimidated and a bit frightened: two emotions Antonietta Scarletti was unfamiliar with. He followed her in silence to the history room.

 The door slid aside, and the light automatically leapt to life, displaying the rows and rows, floor to ceiling, of pictures and words and symbols carved into the wall, much like the Egyptian hieroglyphics.

 Antonietta pressed her palm over one of the etchings. "Can you imagine the time it took to do this? And it will be here for all time unless the palazzo is destroyed. Someday, perhaps a hundred years from now, another Scarletti will stand in this room and see what went before them."

 Byron began reading, totally absorbed in the unfolding drama before him. Bride after bride was selected from the small village of Jaguar people. There were a few gaps, and as the generations lost touch with what the original Scarlettis intended, the brides from the village became fewer, until the bloodline was once again diluted. Many of the brides were unhappy with their husbands and the jealousies and intrigues that prevailed in the palazzo through the centuries. Some loved their husbands very much. Many had gifts of healing and telepathy. The latter stories seemed to indicate telepathy was common among the Scarlettis. "This is fascinating, Antonietta."

 "I used to come here often when I was younger. I could read the wall and most of the diaries myself, even though I couldn't see, and it made me feel independent. Of course I can read Braille, but most business documents are not put into Braille for me, so I rely on Justine to read them to me."

 And Justine had betrayed her. How could she ever trust her with such important and private information again? Byron rested his hand over Antonietta's. Linking them. Merging his mind with hers to feel the heart-wrenching sorrow. She no longer trusted her judgment. No longer trusted the sixth sense she used in her relationships with people. Justine had done more damage than he had first believed.

 "And now you cannot rely on her."

 On anyone. The words shimmered unbidden in her mind. She wiped them away quickly. "I'm not feeling sorry for myself, Byron. I learned a long time ago to pick up the pieces and move on. I just feel like I'm in quicksand, and every step I take, everywhere I turn, I'm being pulled down. I want solid ground."

 He pulled her palm to his heart. "Right here, Antonietta. I am right here."

 She tugged to get her hand free. "How much do I know of you? You want complete trust. You want me to change my entire life for you."

 Byron kept possession of her hand. The jaguar in her was close. Wary. Wanting to run. The woman in her was feeling exactly the same way. Hunted. Under siege. She had no idea how much he intended to change her life, but she sensed he was dangerous to her. That was the jaguar's instincts, and they were strong in her.

 "I want to be in your life, yes. I am not going to deny it. Allow yourself to completely merge with me. Your answers are there, in my mind."

 She pulled her hand away, her heart beating fast. His words were always a temptation. His voice was sinful and filled her with a lust she couldn't seem to control. One she didn't want. "The passageway is suffocating me." Her voice was breathless, husky. She wasn't going to merge with him and let him see the images dancing in her head. It would be humiliating.

 She turned abruptly and started back to her room. Byron stepped out of the history room, allowing the door to slide closed. He kept pace easily with Antonietta, his body close to hers, wanting to ease her distress but uncertain just how to do so.

 The wide-open rooms were cold after the suffocating heat in the tunnels. Antonietta gave a sigh of relief, shivered, and crossed her arms to hide the way her nipples hardened into pebbles, rubbing against the lace of her bra every lime she moved. She said nothing when the fire leapt to life, certain Byron had misinterpreted her gesture, mistaking her for being cold.

 "Did you have the Handel score copied, Antonietta?" Byron inquired as he seated himself in his favorite armchair. Celt was curled up in her bedroom. He could see the dog through the open door. The borzoi hadn't stirred, not with Byron guarding his charge.

 Antonietta stretched her arms over her head. Her body felt heavy and sensitive. She could smell Byron's masculine scent and for some reason it called to her. She was too aware of him only feet from her. The interlude in the solarium had been brief and ferocious. And not enough. She paced across the floor, a restless, edgy mood driving her. Her breasts felt full and ached for attention. Her skin itched for relief. "I did, just to make certain it was never lost. The copy would be worth something for the score alone; it is entirely his original work, nothing borrowed from other composers, but it still would never be worth what notations in his own hand would be."

 "Could Marita have the combination to Don Giovanni's safe?"

 "No, he would never give it to either her or Franco. I know Nonno. He is not a trusting man, especially since Franco sold information to the Demonesini family." The fire crackled. Byron shifted, his clothes rustling. Antonietta wanted to scream. "Do you think the attack on Nonno and me the other night had something to do with Handel's composition?"

 "I would think it likely. It would be too much coincidence for it to be otherwise. Those men were searching for something, and they spent a great deal of time in Don Giovanni's rooms."

 Byron's voice was killing her. Stroking her skin like velvet. Like a thousand tongues. She didn't think she could stand it much longer. She tried to force her body under control. She was going to have to send him home and get distance between them. Miles would help. Oceans maybe. "The opera is not common knowledge, even among family members. Franco could have told Marita, but I've never heard of him even asking about it. Someone must have seen it when I was so insistent on playing it." With restless abandon, she pulled the pins from her hair so that it tumbled down her back, a wild display mirroring her bizarre emotions. "It's hot in here, we shouldn't have a fire."