Delphi Complete Works of Ann Radcliffe (Illustrated) (206 page)

BOOK: Delphi Complete Works of Ann Radcliffe (Illustrated)
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Ellena was considerably affected on seeing him again, and he examined with a jealous eye the emotions he witnessed. The smile with which she met him was tender, but he perceived it pass away from her features, like the aërial colouring that illumines a mountain’s brow; and the gloom of doubt and apprehension again overspread them. As he advanced, he held forth his hand for her’s, when, suddenly perceiving the dagger he had left in the chamber, he involuntarily withdrew his proffered courtesy, and his countenance changed. Ellena, whose eyes followed his to the object that attracted them, pointed to the instrument, took it up, and approaching him said, “This dagger I found last night in my chamber! O my father!” —

“That dagger!” said Schedoni, with affected surprize.

“Examine it,” continued Ellena, while she held it up, “Do you know to whom it belongs? and who brought it hither?”

“What is it you mean?” asked Schedoni, betrayed by his feelings.

“Do you know, too, for what purpose it was brought?” said Ellena mournfully.

The Confessor made no reply, but irresolutely attempted to seize the instrument.

“O yes, I perceive you know too well,” continued Ellena, “here, my father, while I slept” —

“Give me the dagger,” interrupted Schedoni, in a frightful voice.

“Yes, my father, I will give it as an offering of my gratitude,” replied Ellena, but as she raised her eyes, filled with tears, his look and fixed attitude terrified her, and she added with a still more persuasive tenderness, “Will you not accept the offering of your child, for having preserved her from the poniard of an assassin?”

Schedoni’s looks became yet darker; he took the dagger in silence, and threw it with violence to the furthest end of the chamber, while his eyes remained fixed on her’s. The force of the action alarmed her; “Yes, it is in vain that you would conceal the truth,” she added, weeping unrestrainedly, “your goodness cannot avail; I know the whole.” —

The last words aroused Schedoni again from his trance, his features became convulsed, and his look furious. “What do you know?” he demanded in a subdued voice, that seemed ready to burst in thunder.

“All that I owe you,” replied Ellena, “that last night, while I slept upon this mattress, unsuspicious of what was designed against me, an assassin entered the chamber with that instrument in his hand, and— “

A stifled groan from Schedoni checked Ellena; she observed his rolling eyes, and trembled; till, believing that his agitation was occasioned by indignation against the assassin, she resumed, “Why should you think it necessary to conceal the danger which has threatened me, since it is to you that I owe my deliverance from it? O! my father, do not deny me the pleasure of shedding these tears of gratitude, do not refuse the thanks, which are due to you! While I slept upon that couch, while a ruffian stole upon my slumber — it was you, yes! can I ever forget that it was my father, who saved me from his poniard!”

Schedoni’s passions were changed, but they were not less violent; he could scarcely controul them, while he said in a tremulous tone— “It is enough, say no more;” and he raised Ellena, but turned away without embracing her.

His strong emotion, as he paced in silence the furthest end of the apartment, excited her surprize, but she then attributed it to a remembrance of the perilous moment, from which he had rescued her.

Schedoni, meanwhile, to whom her thanks were daggers, was trying to subdue he feelings of remorse that tore his heart; and was so enveloped in a world of his own, as to be for some time unconscious of all around him. He continued to stalk in gloomy silence along the chamber, till the voice of Ellena, entreating him rather to rejoice that he had been permitted to save her, than so deeply to consider dangers which were past, again touched the chord that vibrated to his conscience, and recalled him to a sense of his situation. He then bade her prepare for immediate departure, and abruptly quitted the room.

Vainly hoping that in flying from the scene of his meditated crime, he should leave with it the acuteness of remembrance, and the agonizing stings of remorse, he was now more anxious than ever to leave this place. Yet he should still be accompanied by Ellena, and her innocent looks, her affectionate thanks, inflicted an anguish, which was scarcely endurable. Sometimes, thinking that her hatred, or what to him would be still severer, her contempt, must be more tolerable than this gratitude, he almost resolved to undeceive her respecting his conduct, but as constantly and impatiently repelled the thought with horror, and finally determined to suffer her to account for his late extraordinary visit in the way she had chosen.

Spalatro, at length, returned from the hamlet with horses, but without having procured a guide to conduct the travellers through a tract of the long-devolving forests of the Garganus, which it was necessary for them to pass. No person had been willing to undertake so arduous a task; and Spalatro, who was well acquainted with all the labyrinths of the way, now offered his services.

Schedoni, though he could scarcely endure the presence of this man, had no alternative but to accept him, since he had dismissed the guide who had conducted him hither. Of personal violence Schedoni had no apprehension, though he too well understood the villainy of his proposed companion; for he considered that he himself should be well armed, and he determined to ascertain that Spalatro was without weapons; he knew also, that in case of a contest, his own superior stature would easily enable him to overcome such an antagonist.

Every thing being now ready for departure, Ellena was summoned, and the Confessor led her to his own apartment, where a slight breakfast was prepared.

Her spirits being revived by the speed of this departure, she would again have expressed her thanks, but he peremptorily interrupted her, and sorbade any further mention of gratitude.

On entering the court where the horses were in waiting, and perceiving Spalatro, Ellena shrunk and put her arm within Schedoni’s for protection. “What recollections does the presence of that man revive!” said she, “I can scarcely venture to believe myself safe, even with you, when he is here.”

Schedoni made no reply, till the remark was repeated, “You have nothing to fear from him,” muttered the Confessor, while he hastened her forward, “and we have no time to lose in vague apprehension.”

“How!” exclaimed Ellena, “is not he the assassin from whom you saved me! I cannot doubt, that you know him to be such, though you would spare me the pain of believing so.”

“Well, well, be it so,” replied the Confessor; “Spalatro, lead the horses this way.”

The party were soon mounted, when, quitting this eventful mansion, and the shore of the Adriatic, as Ellena hoped for ever, they entered upon the gloomy wilderness of the Garganus. She often turned her eyes back upon the house with emotions of inexpressible awe, astonishment, and thankfulness, and gazed while a glimpse of it’s turretted walls could be caught beyond the dark branches, which, closing over it, at length shut it from her view. The joy of this departure, however, was considerably abated by the presence of Spalatro, and her fearful countenance enquired of Schedoni the meaning of his being suffered to accompany them. The Confessor was reluctant to speak concerning a man, of whose very existence he would willingly have ceased to think. Ellena guided her horse still closer to Schedoni’s, but, forbearing to urge the enquiry otherwise than by looks, she received no reply, and endeavoured to quiet her apprehensions, by considering that he would not have permitted this man to be their guide, unless he had believed he might be trusted. This consideration, though it relieved her fears, encreased her perplexity respecting the late designs of Spalatro, and her surprise that Schedoni, if he had really understood them to be evil, should endure his presence. Every time she stole a glance at the dark countenance of this man, rendered still darker by the shade of the trees, she thought “assassin” was written in each line of it, and could scarcely doubt that he, and not the people who had conducted her to the mansion, had dropped the dagger in her chamber. Whenever she looked round through the deep glades, and on the forest-mountains that on every side closed the scene, and seemed to exclude all cheerful haunt of man, and then regarded her companions, her heart sunk; notwithstanding the reasons she had for believing herself in the protection of a father. Nay, the very looks of Schedoni himself, more than once reminding her of his appearance on the seashore, renewed the impressions of alarm and even of dismay, which she had there experienced. At such moments it was scarcely possible for her to consider him as her parent, and, in spite of every late appearance, strange and unaccountable doubts began to gather on her mind.

Schedoni, meanwhile, lost in thought, broke not, by a single word, the deep silence of the solitudes through which they passed. Spalatro was equally mute, and equally engaged by his reflections on the sudden change in Schedoni’s purpose, and by wonder as to the motive, which could have induced him to lead Ellena in safety, from the very spot whither she was brought by his express command to be destroyed. He, however, was not so wholly occupied, as to be unmindful of his situation, or unwatchful of an opportunity of serving his own interests, and retaliating upon Schedoni for the treatment he had received on the preceding night.

Among the various subjects that distracted the Confessor, the difficulty of disposing of Ellena, without betraying at Naples that she was his relative, was not the least distressing. Whatever might be the reason which could justify such feelings, his fears of a premature discovery of the circumstance to the society with whom he lived, were so strong, as often to produce the most violent effect upon his countenance, and it was, perhaps, when he was occupied by this subject, that it’s terrific expression revived with Ellena the late scene upon the shore. His embarrassment was not less, as to the excuse to be offered the Marchesa, for having failed to fulfil his engagement, and respecting the means by which he might interest her in favour of Ellena, and even dispose her to approve the marriage, before she should be informed of the family of this unfortunate young woman. Perceiving all the necessity for ascertaining the probabilities of such consent, before he ventured to make an avowal of her origin, he determined not to reveal himself till he should be perfectly sure that the discovery would be acceptable to the Marchesa. In the mean time, as it would be necessary to say something of Ellena’s birth, he meant to declare, that he had discovered it to be noble, and her family worthy, in every respect, of a connection with that of the Vivaldi.

An interview with the Marchesa, was almost equally wished for and dreaded by the Confessor. He shuddered at the expectation of meeting a woman, who had instigated him to the murder of his own child, which, though he had been happily prevented from committing it, was an act that would still be wished for by the Marchesa. How could he endure her reproaches, when she should discover that he had failed to accomplish her will! How conceal the indignation of a father, and dissimulate all a father’s various feelings, when, in reply to such reproaches, he must form excuses, and act humility, from which his whole soul would revolt! Never could his arts of dissimilation have been so severely tried, not even in the late scenes with Ellena, never have returned upon himself in punishment so severe, as in that which awaited him with the Marchesa. And from it’s approach, the cool and politic Schedoni often shrunk in such horror, that he almost determined to avoid it at any hazard, and secretly to unite Vivaldi and Ellena, without even soliciting the consent of the Marchesa.

A desire, however, of the immediate preferment, so necessary to his pride, constantly checked this scheme, and finally made him willing to subject every honest feeling, and submit to any meanness, however vicious, rather than forego the favourite object of his erroneous ambition. Never, perhaps, was the paradoxical union of pride and abjectness, more strongly exhibited than on this occasion.

While thus the travellers silently proceeded, Ellena’s thoughts often turned to Vivaldi, and she considered, with trembling anxiety, the effect which the late discovery was likely to have upon their future lives. It appeared to her, that Schedoni must approve of a connection thus flattering to the pride of a father, though he would probably refuse his consent to a private marriage. And, when she further considered the revolution, which a knowledge of her family might occasion towards herself in the minds of the Vivaldi, her prospects seemed to brighten, and her cares began to dissipate. Judging that Schedoni must be acquainted with the present situation of Vivaldi, she was continually on the point of mentioning him, but was as constantly restrained by timidity, though, had she suspected him to be an inhabitant of the Inquisition, her scruples would have vanished before an irresistible interest. As it was, believing that he, like herself, had been imposed upon by the Marchesa’s agents, in the disguise of officials, she concluded, as has before appeared, that he now suffered a temporary imprisonment by order of his mother, at one of the family villas. When, however, Schedoni, awaking from his reverie, abruptly mentioned Vivaldi, her spirits fluttered with impatience to learn his exact situation, and she enquired respecting it.

“I am no stranger to your attachment,” said Schedoni, evading the question, “but I wish to be informed of some circumstances relative to it’s commencement.”

Ellena, confused, and not knowing what to reply, was for a moment silent, and then repeated her enquiry.

“Where did you first meet?” said the Confessor, still disregarding her question. Ellena related, that she had first seen Vivaldi, when attending her aunt from the church of San Lorenzo. For the present she was spared the embarrassment of further explanation by Spalatro, who, riding up to Schedoni, informed him they were approaching the twon of Zanti. On looking forward, Ellena perceived houses peeping from among the forest-trees, at a short distance, and presently heard the cheerful bark of a dog, that sure herald and faithful servant of man!

BOOK: Delphi Complete Works of Ann Radcliffe (Illustrated)
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