Delphi Complete Works of Ann Radcliffe (Illustrated) (203 page)

BOOK: Delphi Complete Works of Ann Radcliffe (Illustrated)
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Ellena turned once more with an intention of hastening towards the distant hamlet, before Spalatro should observe her, whose strange absence she had scarcely time to wonder at; but she had not proceeded far, when suddenly she perceived the Monk again at her shoulder. She started, and almost shrieked; while he regarded her with more attention than before. He paused a moment, and seemed to hesitate; after which he again passed on in silence. The distress of Ellena encreased; he was gone the way she had designed to run, and she feared almost equally to follow him, and to return to her prison. Presently he turned, and passed her again, and Ellena hastened forward. But, when fearful of being pursued, she again looked back, she observed him conversing with Spalatro. They appeared to be in consultation, while they slowly advanced, till, probably observing her rapid progress, Spalatro called on her to stop, in a voice that echoed among all the rocks. It was a voice, which would not be disobeyed. She looked hopelessly at the still distant cottages, and slackened her stops. Presently the Monk again passed before her, and Spalatro had again disappeared. The frown, with which the former now regarded Ellena, was so terrific, that she shrunk trembling back, though she knew him not for her persecutor, since she had never consciously seen Schedoni. He was agitated, and his look became darker.

“Whither go you?” said he in a voice that was stifled by emotion.

“Who is it, father, that asks the question?” said Ellena, endeavouring to appear composed.

“Whither go you, and who are you?” repeated the Monk more sternly.

“I am an unhappy orphan,” replied Ellena, sighing deeply, “If you are, as your habit denotes, a friend to the charities, you will regard me with compassion.”

Schedoni was silent, and then said— “Who, and what is it that you fear?”

“I fear — even for my life,” replied Ellena, with hesitation. She observed a darker shade pass over his countenance. “For your life!” said he, with apparent surprise, “who is there that would think it worth the taking.”

Ellena was struck with these words.

“Poor insect!” added Schedoni, “who would crush thee?”

Ellena made no reply; she remained with her eyes fixed in amazement upon his face. There was something in his manner of pronouncing this, yet more extraordinary than in the words themselves. Alarmed by his manner, and awed by the encreasing gloom, and swelling surge, that broke in thunder on the beach, she at length turned away, and again walked towards the hamlet which was yet very remote.

He soon overtook her; when rudely seizing her arm, and gazing earnestly on her face, “Who is it, that you fear?” said he, “say who!”

“That is more than I dare say,” replied Ellena, scarcely able to sustain herself.

“Hah! is it even so!” said the Monk; with encreasing emotion. His visage now became so terrible, that Ellena struggled to liberate her arm, and supplicated that he would not detain her. He was silent, and still gazed upon her, but his eyes, when she had ceased to struggle, assumed the fixt and vacant glare of a man, whose thoughts have retired within themselves, and who is no longer conscious to surrounding objects.

“I beseech you to release me!” repeated Ellena, “it is late, and I am far from home.”

“That is true,” muttered Schedoni, still grasping her arm, and seeming to reply to his own thoughts rather than to her words,— “that is very true.”

“The evening is closing fast,” continued Ellena, “and I shall be overtaken by the storm.”

Schedoni still mused, and then muttered— “The storm, say you? Why ay, let it come.”

As he spoke, he suffered her arm to drop, but still held it, and walked slowly towards the house. Ellena, thus compelled to accompany him, and yet more alarmed both by his looks, his incoherent answers, and his approach to her prison, renewed her supplications and her efforts for liberty, in a voice of piercing distress, adding, “I am far from home, father; night is coming on. See how the rocks darken! I am far from home, and shall be waited for.”

“That is false!” said Schedoni, with emphasis; “and you know it to be so.”

“Alas! I do,” replied Ellena, with mingled shame and grief, “I have no friends to wait for me!”

“What do those deserve, who deliberately utter falsehoods,” continued the Monk, “who deceive, and slatter young men to their destruction?”

“Father!” exclaimed the astonished Ellena.

“Who disturb the peace of families — who trepan, with wanton arts, the heirs of noble houses — who — hah! what do such deserve?”

Overcome with astonishment and terror, Ellena remained silent. She now understood that Schedoni, so far from being likely to prove a protector, was an agent of her worst, and as she had believed her only enemy; and an apprehension of the immediate and terrible vengeance, which such an agent seemed willing to accomplish, subdued her senses; she tottered, and sunk upon the beach. The weight, which strained the arm Schedoni held, called his attention to her situation.

As he gazed upon her helpless and faded form, he became agitated. He quitted it, and traversed the beach in short turns, and with hasty steps; came back again, and bent over it — his heart seemed sensible to some touch of pity. At one moment, he stepped towards the sea, and taking water in the hollows of his hands, threw it upon her face; at another, seeming to regret that he had done so, he would stamp with sudden fury upon the shore, and walk abruptly to a distance. The conflict between his design and his conscience was strong, or, perhaps, it was only between his passions. He, who had hitherto been insensible to every tender feeling, who, governed by ambition and resentment had contributed, by his artful instigations, to fix the baleful resolution of the Marchesa di Vivaldi, and who was come to execute her purpose, — even he could not now look upon the innocent, the wretched Ellena, without yielding to the momentary weakness, as he termed it, of compassion.

While he was yet unable to baffle the new emotion by evil passions, he despised that which conquered him. “And shall the weakness of a girl,” said he, “subdue the resolution of a man! Shall the view of her transient sufferings unnerve my firm heart, and compel me to renounce the lofty plans I have so ardently, so laboriously imagined, at the very instant when they are changing into realities! Am I awake! Is one spark of the fire, which has so long smouldered within my bosom, and consumed my peace, alive! Or am I tame and abject as my fortunes? hah! as my fortunes! Shall the spirit of my family yield for ever to circumstances? The question rouses it, and I feel it’s energy revive within me.”

He stalked with hasty steps towards Ellena, as if he feared to trust his resolution with a second pause. He had a dagger concealed beneath his Monk’s habit; as he had also an assassin’s heart shrouded by his garments. He had a dagger — but he hesitated to use it, the blood which it might spill, would be observed by the peasants of the neighbouring hamlet, and might lead to a discovery. It would be safer, he considered, and easier, to lay Ellena, senseless as she was, in the waves; their coldness would recal her to life, only at the moment before they would suffocate her.

As he stooped to lift her, his resolution faultered again, on beholding her innocent face, and in that moment she moved. He started back, as if she could have known his purpose, and, knowing it, could have avenged herself. The water, which he had thrown upon her face, had gradually revived her; she unclosed her eyes, and, on perceiving him, shrieked, and attempted to rise. His resolution was subdued, so tremblingly fearful is guilt in the moment when it would execute it’s atrocities. Overcome with apprehensions, yet agitated with shame and indignation against himself for being so, he gazed at her for an instant in silence, and then abruptly turned away his eyes and left her. Ellena listened to his departing steps, and, raising herself, observed him retiring among the rocks that led towards the house. Astonished at his conduct, and surprised to find that she was alone, Ellena renewed all her efforts to sustain herself, till she should reach the hamlet so long the object of her hopes; but she had proceeded only a few paces, when Spalatro again appeared swiftly approaching. Her utmost exertion availed her nothing; her feeble steps were soon overtaken, and Ellena perceived herself again his prisoner. The look with which she resigned herself, awakened no pity in Spalatro, who uttered some taunting jest upon the swiftness of her flight, as he led her back to her prison, and proceeded in sullen watchfulness. Once again, then, she entered the gloomy walls of that fatal mansion, never more, she now believed, to quit them with life, a belief, which was strengthened when she remembered that the Monk, on leaving her, had taken the way hither; for, though she knew not how to account for his late forbearance, she could not suppose that he would long be merciful. He appeared no more, however, as she passed to her chamber, where Spalatro left her again to solitude and terror, and she heard that fateful door again barred upon her. When his retreating steps had ceased to sound, a stilness, as of the grave, prevailed in the house; like the dead calm, which sometimes precedes the horrors of a tempest.

Chapter 1
9

“I am settled, and bend up
Each corporal agent to this terrible seat.”
Shakspeare.

Schedoni had returned from the beach to the house, in a state of perturbation, that defied the controul of even his own stern will. On the way thither he met Spalatro, whom, as he dispatched him to Ellena, he strictly commanded not to approach his chamber till he should be summoned.

Having reached his apartment, he secured the door, though not any person, except himself, was in the house, nor any one expected, but those who he knew would not dare to intrude upon him. Had it been possible to have shut out all consciousness of himself, also, how willingly would he have done so! He threw himself into a chair, and remained for a considerable time motionless and lost in thought, yet the emotions of his mind were violent and contradictory. At the very instant when his heart reproached him with the crime he had meditated, he regretted the ambitious views he must relinquish if he failed to perpetrate it, and regarded himself with some degree of contempt for having hitherto hesitated on the subject. He considered the character of his own mind with astonishment, for circumstances had drawn forth traits, of which, till now, he had no suspicion. He knew not by what doctrine to explain the inconsistencies, the contradictions, he experienced, and, perhaps, it was not one of the least that in these moments of direful and conflicting passions, his reason could still look down upon their operations, and lead him to a cool, though brief examination of his own nature. But the subtlety of self-love still eluded his enquiries, and he did not detect that pride was even at this instant of self-examination, and of critical import, the master-spring of his mind. In the earliest dawn of his character this passion had displayed its predominancy, whenever occasion permitted, and it’s influence had led to some of the chief events of his life.

The Count di Marinella, for such had formerly been the title of the Confessor, was the younger son of an ancient family, who resided in the duchy of Milan, and near the feet of the Tyrolean Alps, on such estates of their ancestors, as the Italian wars of a former century had left them. The portion, which he had received at the death of his father, was not large, and Schedoni was not of a disposition to improve his patrimony by slow diligence, or to submit to the restraint and humiliation, which his narrow finances would have imposed. He disdained to acknowledge an inferiority of fortune to those, with whom he considered himself equal in rank; and, as he was destitute of generous feeling, and of sound judgment, he had not that loftiness of soul, which is ambitious of true grandeur. On the contrary, he was satisfied with an ostentatious display of pleasures and of power, and, thoughtless of the consequence of dissipation, was contented with the pleasures of the moment, till his exhausted resources compelled him to pause, and to reflect. He perceived, too late for his advantage, that it was necessary for him to dispose of part of his estate, and to confine himself to the income of the remainder. Incapable of submitting with grace to the reduction, which his folly had rendered expedient, he endeavoured to obtain by cunning, the luxuries that his prudence had failed to keep, and which neither his genius or his integrity could command. He withdrew, however, from the eyes of his neighbours, unwilling to submit his altered circumstances to their observation.

Concerning several years of his life, from this period, nothing was generally known; and, when he was next discovered, it was in the Spirito Santo convent at Naples, in the habit of a Monk, and under the assumed name of Schedoni. His air and countenance were as much altered as his way of life; his looks had become gloomy and severe, and the pride, which had mingled with the gaiety of their former expression, occasionally discovered itself under the disguise of humility, but more frequently in the austerity of silence, and in the barbarity of penance.

The person who discovered Schedoni, would not have recollected him, had not his remarkable eyes first fixed his attention, and then revived remembrance. As he examined his features, he traced the faint resemblance of what Marinella had been, to whom he made himself known.

The Confessor affected to have forgotten his former acquaintance, and assured him, that he was mistaken respecting himself, till the stranger so closely urged some circumstances, that the former was no longer permitted to dissemble. He retired, in some emotion, with the stranger, and, whatever might be the subject of their conference, he drew from him, before he quited the convent, a tremendous vow, to keep secret from the brotherhood his knowledge of Schedoni’s family, and never to reveal without those walls, that he had seen him. These requests he had urged in a manner, that at once surprised and awed the stranger, and which at the same time that it manifested the weight of Schedoni’s fears, bade the former tremble for the consequence of disobedience; and he shuddered even while he promised to obey. Of the first part of the promise he was probably strictly observant; whether he was equally so of the second, does not appear; it is certain, that after this period, he was never more seen or heard of at Naples.

Schedoni, ever ambitious of distinction, adapted his manners to the views and prejudices of the society with whom he resided, and became one of the most exact observers of their outward forms, and almost a prodigy for self-denial and severe discipline. He was pointed out by the fathers of the convent to the juniors as a great example, who was, however, rather to be looked up to with reverential admiration, than with an hope of emulating his sublime virtues. But with such panegyrics their friendship for Schedoni concluded. They found it convenient to applaud the austerities, which they declined to practise; it procured them a character for sanctity, and saved them the necessity of earning it by mortifications of their own; but they both feared and hated Schedoni for his pride and his gloomy austerities, too much, to gratify his ambition by any thing further than empty praise. He had been several years in the society, without obtaining any considerable advancement, and with the mortification of seeing persons, who had never emulated his severity, raised to high offices in the church. Somewhat too late he discovered, that he was not to expect any substantial favour from the brotherhood, and then it was that his restless and disappointed spirit first sought preferment by other avenues. He had been some years Confessor to the Marchesa di Vivaldi, when the conduct of her son awakened his hopes, by showing him, that he might render himself not only useful but necessary to her, by his councils. It was his custom to study the characters of those around him, with a view of adapting them to his purposes, and, having ascertained that of the Marchesa, these hopes were encouraged. He perceived that her passions were strong, her judgment weak; and he understood, that, if circumstances should ever enable him to be serviceable in promoting the end at which any one of those passions might aim, his fortune would be established.

At length, he so completely insinuated himself into her confidence, and became so necessary to her views, that he could demand his own terms, and this he had not failed to do, though with all the affected delicacy and finesse that his situation seemed to require. An office of high dignity in the church, which had long vainly excited his ambition, was promised him by the Marchesa, who had sufficient influence to obtain it; her condition was that of his preserving the honour of her family, as she delicately termed it, which she was careful to make him understand could be secured only by the death of Ellena. He acknowledged, with the Marchesa, that the death of this fascinating young woman was the only means of preserving that honour, since, if she lived, they had every evil to expect from the attachment and character of Vivaldi, who would discover and extricate her from any place of confinement, however obscure or difficult of access, to which she might be conveyed. How long and how arduously the Confessor had aimed to oblige the Marchesa, has already appeared. The last scene was now arrived, and he was on the eve of committing that atrocious act, which was to secure the pride of her house, and to satisfy at once his ambition and his desire of vengeance; when an emotion new and surprising to him, had arrested his arm, and compelled his resolution to falter. But this emotion was transient, it disappeared almost with the object that had awakened it; and now, in the silence and retirement of his chamber, he had leisure to recollect his thoughts, to review his schemes, to reanimate his resolution, and to wonder again at the pity, which had almost won him from his purpose. The ruling passion of his nature once more resumed it’s authority, and he determined to earn the honour, which the Marchesa had in store for him.

After some cool, and more of tumultuous, consideration, he resolved that Ellena should be assassinated that night, while she slept, and afterwards conveyed through a passage of the house communicating with the sea, into which the body might be thrown and buried, with her sad story, beneath the waves. For his own sake, he would have avoided the danger of shedding blood, had this appeared easy; but he had too much reason to know she had suspicions of poison, to trust to a second attempt by such means; and again his indignation rose against himself, since by yielding to a momentary compassion, he had lost the opportunity afforded him of throwing her unresistingly into the surge.

Spalatro, as has already been hinted, was a former confident of the Confessor, who knew too truly, from experience, that he could be trusted, and had, therefore, engaged him to assist on this occasion. To the hands of this man he cosigned the fate of the unhappy Ellena, himself recoiling from the horrible act he had willed; and intending by such a step to involve Spalatro more deeply in the guilt, and thus more effectually to secure his secret.

The night was far advanced before Schedoni’s final resolution was taken, when he summoned Spalatro to his chamber to instruct him in his office. He bolted the door, by which the man had entered, forgetting that themselves were the only persons in the house, except the poor Ellena, who, unsuspicious of what was conspiring, and her spirits worn out by the late scene, was sleeping peacefully on her mattress above. Schedoni moved softly from the door he had secured, and, beckoning Spalatro to approach, spoke in a low voice, as if he feared to be overheard. “Have you perceived any sound from her chamber lately?” said he, “Does she sleep, think you?”

“No one has moved there for this hour past, at least,” replied Spalatro, “I have been watching in the corridor, till you called, and should have heard if she had stirred, the old floor shakes so with every step.”

“Then hear me, Spalatro,” said the Confessor. “I have tried, and found thee faithful, or I should not trust thee in a business of confidence like this. Recollect all I said to thee in the morning, and be resolute and dexterous, as I have ever found thee.”

Spalatro listened in gloomy attention, and the Monk proceeded, “It is late; go, therefore, to her chamber; be certain that she sleeps. Take this,” he added, “and this,” giving him a dagger and a large cloak— “You know how you are to use them.”

He paused, and fixed his penetrating eyes on Spalatro, who held up the dagger in silence, examined the blade, and continued to gaze upon it, with a vacant stare, as if he was unconscious of what he did.

“You know your business,” repeated Schedoni, authoritatively, “dispatch! time wears; and I must set off early.”

The man made no reply.

“The morning dawns already,” said the Confessor, still more urgently, “Do you faulter? do you tremble? Do I not know you?”

Spalatro put up the poinard in his bosom without speaking, threw the cloak over his arm, and moved with a loitering step towards the door.

“Dispatch!” repeated the Confessor, “why do you linger?”

“I cannot say I like this business, Signor,” said Spalatro surlily. “I know not why I should always do the most, and be paid the least.”

“Sordid villain!” exclaimed Schedoni, “you are not satisfied then!”

“No more a villain than yourself, Signor,” retorted the man, throwing down the cloak, “I only do your business; and ‘tis you that are sordid, for you would take all the reward, and I would only have a poor man have his dues. Do the work yourself, or give me the greater profit.”

“Peace!” said Schedoni, “dare no more to insult me with the mention of reward. Do you imagine I have sold myself! ‘Tis my will that she dies; this is sufficient; and for you — the price you have asked has been granted.”

“It is too little,” replied Spalatro, and besides, I do not like the work. — What harm has she done me?”

“Since when is it, that you have taken upon you to moralize?” said the Confessor, “and how long are these cowardly scruples to last? This is not the first time you have been employed; what harm

had others done you! You forget that I know you, you forget the past.”

“No, Signor, I remember it too well, I wish I could forget; I remember it too well. — I have never been at peace since. The bloody hand is always before me! and often of a night, when the sea roars, and storms shake the house, they have come, all gashed as I left them, and stood before my bed! I have got up and ran out upon the shore for safety!”

“Peace!” repeated the Confessor, “where is this frenzy of fear to end? To what are these visions, painted in blood, to lead? I thought I was talking with a man, but find I am speaking only to a baby, possessed with his nurse’s dreams! Yet I understand you, — you shall be satisfied.”

Schedoni, however, had for once misunderstood this man, when he could not believe it possible that he was really averse to execute what he had undertaken. Whether the innocence and beauty of Ellena had softened his heart, or that his conscience did torture him for his past deeds, he persisted in refusing to murder her. His conscience, or his pity, was of a very peculiar kind however; for, though he refused to execute the deed himself, he consented to wait at the foot of a back staircase, that communicated with Ellena’s chamber, while Schedoni accomplished it, and afterward to assist in carrying the body to the shore. “This is a compromise between conscience and guilt, worthy of a demon,” muttered Schedoni, who appeared to be insensible that he had made the same compromise with himself not an hour before; and whose extreme reluctance at this moment, to perpetrate with his own hand, what he had willingly designed for another, ought to have reminded him of that compromise.

BOOK: Delphi Complete Works of Ann Radcliffe (Illustrated)
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