Delphi Complete Works of Ann Radcliffe (Illustrated) (95 page)

CHAPTER XII

Some pow’r impart the spear and shield,

At which the wizard passions fly,

By which the giant follies die.

Madame Cheron’s house stood at a little distance from the city of Tholouse, and was surrounded by extensive gardens, in which Emily, who had risen early, amused herself with wandering before breakfast. From a terrace, that extended along the highest part of them, was a wide view over Languedoc. On the distant horizon to the south, she discovered the wild summits of the Pyrenees, and her fancy immediately painted the green pastures of Gascony at their feet. Her heart pointed to her peaceful home — to the neighbourhood where Valancourt was — where St. Aubert had been; and her imagination, piercing the veil of distance, brought that home to her eyes in all its interesting and romantic beauty. She experienced an inexpressible pleasure in believing, that she beheld the country around it, though no feature could be distinguished, except the retiring chain of the Pyrenees; and, inattentive to the scene immediately before her, and to the flight of time, she continued to lean on the window of a pavilion, that terminated the terrace, with her eyes fixed on Gascony, and her mind occupied with the interesting ideas which the view of it awakened, till a servant came to tell her breakfast was ready. Her thoughts thus recalled to the surrounding objects, the straight walks, square parterres, and artificial fountains of the garden, could not fail, as she passed through it, to appear the worse, opposed to the negligent graces, and natural beauties of the grounds of La Vallee, upon which her recollection had been so intensely employed.

‘Whither have you been rambling so early?’ said Madame Cheron, as her niece entered the breakfast-room. ‘I don’t approve of these solitary walks;’ and Emily was surprised, when, having informed her aunt, that she had been no further than the gardens, she understood these to be included in the reproof. ‘I desire you will not walk there again at so early an hour unattended,’ said Madame Cheron; ‘my gardens are very extensive; and a young woman, who can make assignations by moonlight, at La Vallee, is not to be trusted to her own inclinations elsewhere.’

Emily, extremely surprised and shocked, had scarcely power to beg an explanation of these words, and, when she did, her aunt absolutely refused to give it, though, by her severe looks, and half sentences, she appeared anxious to impress Emily with a belief, that she was well informed of some degrading circumstances of her conduct. Conscious innocence could not prevent a blush from stealing over Emily’s cheek; she trembled, and looked confusedly under the bold eye of Madame Cheron, who blushed also; but hers was the blush of triumph, such as sometimes stains the countenance of a person, congratulating himself on the penetration which had taught him to suspect another, and who loses both pity for the supposed criminal, and indignation of his guilt, in the gratification of his own vanity.

Emily, not doubting that her aunt’s mistake arose from the having observed her ramble in the garden on the night preceding her departure from La Vallee, now mentioned the motive of it, at which Madame Cheron smiled contemptuously, refusing either to accept this explanation, or to give her reasons for refusing it; and, soon after, she concluded the subject by saying, ‘I never trust people’s assertions, I always judge of them by their actions; but I am willing to try what will be your behaviour in future.’

Emily, less surprised by her aunt’s moderation and mysterious silence, than by the accusation she had received, deeply considered the latter, and scarcely doubted, that it was Valancourt whom she had seen at night in the gardens of La Vallee, and that he had been observed there by Madame Cheron; who now passing from one painful topic only to revive another almost equally so, spoke of the situation of her niece’s property, in the hands of M. Motteville. While she thus talked with ostentatious pity of Emily’s misfortunes, she failed not to inculcate the duties of humility and gratitude, or to render Emily fully sensible of every cruel mortification, who soon perceived, that she was to be considered as a dependant, not only by her aunt, but by her aunt’s servants.

She was now informed, that a large party were expected to dinner, on which account Madame Cheron repeated the lesson of the preceding night, concerning her conduct in company, and Emily wished, that she might have courage enough to practise it. Her aunt then proceeded to examine the simplicity of her dress, adding, that she expected to see her attired with gaiety and taste; after which she condescended to shew Emily the splendour of her chateau, and to point out the particular beauty, or elegance, which she thought distinguished each of her numerous suites of apartments. She then withdrew to her toilet, the throne of her homage, and Emily to her chamber, to unpack her books, and to try to charm her mind by reading, till the hour of dressing.

When the company arrived, Emily entered the saloon with an air of timidity, which all her efforts could not overcome, and which was increased by the consciousness of Madame Cheron’s severe observation. Her mourning dress, the mild dejection of her beautiful countenance, and the retiring diffidence of her manner, rendered her a very interesting object to many of the company; among whom she distinguished Signor Montoni, and his friend Cavigni, the late visitors at M. Quesnel’s, who now seemed to converse with Madame Cheron with the familiarity of old acquaintance, and she to attend to them with particular pleasure.

This Signor Montoni had an air of conscious superiority, animated by spirit, and strengthened by talents, to which every person seemed involuntarily to yield. The quickness of his perceptions was strikingly expressed on his countenance, yet that countenance could submit implicitly to occasion; and, more than once in this day, the triumph of art over nature might have been discerned in it. His visage was long, and rather narrow, yet he was called handsome; and it was, perhaps, the spirit and vigour of his soul, sparkling through his features, that triumphed for him. Emily felt admiration, but not the admiration that leads to esteem; for it was mixed with a degree of fear she knew not exactly wherefore.

Cavigni was gay and insinuating as formerly; and, though he paid almost incessant attention to Madame Cheron, he found some opportunities of conversing with Emily, to whom he directed, at first, the sallies of his wit, but now and then assumed an air of tenderness, which she observed, and shrunk from. Though she replied but little, the gentleness and sweetness of her manners encouraged him to talk, and she felt relieved when a young lady of the party, who spoke incessantly, obtruded herself on his notice. This lady, who possessed all the sprightliness of a Frenchwoman, with all her coquetry, affected to understand every subject, or rather there was no affectation in the case; for, never looking beyond the limits of her own ignorance, she believed she had nothing to learn. She attracted notice from all; amused some, disgusted others for a moment, and was then forgotten.

This day passed without any material occurrence; and Emily, though amused by the characters she had seen, was glad when she could retire to the recollections, which had acquired with her the character of duties.

A fortnight passed in a round of dissipation and company, and Emily, who attended Madame Cheron in all her visits, was sometimes entertained, but oftener wearied. She was struck by the apparent talents and knowledge displayed in the various conversations she listened to, and it was long before she discovered, that the talents were for the most part those of imposture, and the knowledge nothing more than was necessary to assist them. But what deceived her most, was the air of constant gaiety and good spirits, displayed by every visitor, and which she supposed to arise from content as constant, and from benevolence as ready. At length, from the over-acting of some, less accomplished than the others, she could perceive, that, though contentment and benevolence are the only sure sources of cheerfulness, the immoderate and feverish animation, usually exhibited in large parties, results partly from an insensibility to the cares, which benevolence must sometimes derive from the sufferings of others, and partly from a desire to display the appearance of that prosperity, which they know will command submission and attention to themselves.

Emily’s pleasantest hours were passed in the pavilion of the terrace, to which she retired, when she could steal from observation, with a book to overcome, or a lute to indulge, her melancholy. There, as she sat with her eyes fixed on the far-distant Pyrenees, and her thoughts on Valancourt and the beloved scenes of Gascony, she would play the sweet and melancholy songs of her native province — the popular songs she had listened to from her childhood.

One evening, having excused herself from accompanying her aunt abroad, she thus withdrew to the pavilion, with books and her lute. It was the mild and beautiful evening of a sultry day, and the windows, which fronted the west, opened upon all the glory of a setting sun. Its rays illuminated, with strong splendour, the cliffs of the Pyrenees, and touched their snowy tops with a roseate hue, that remained, long after the sun had sunk below the horizon, and the shades of twilight had stolen over the landscape. Emily touched her lute with that fine melancholy expression, which came from her heart. The pensive hour and the scene, the evening light on the Garonne, that flowed at no great distance, and whose waves, as they passed towards La Vallee, she often viewed with a sigh, — these united circumstances disposed her mind to tenderness, and her thoughts were with Valancourt, of whom she had heard nothing since her arrival at Tholouse, and now that she was removed from him, and in uncertainty, she perceived all the interest he held in her heart. Before she saw Valancourt she had never met a mind and taste so accordant with her own, and, though Madame Cheron told her much of the arts of dissimulation, and that the elegance and propriety of thought, which she so much admired in her lover, were assumed for the purpose of pleasing her, she could scarcely doubt their truth. This possibility, however, faint as it was, was sufficient to harass her mind with anxiety, and she found, that few conditions are more painful than that of uncertainty, as to the merit of a beloved object; an uncertainty, which she would not have suffered, had her confidence in her own opinions been greater.

She was awakened from her musing by the sound of horses’ feet along a road, that wound under the windows of the pavilion, and a gentleman passed on horseback, whose resemblance to Valancourt, in air and figure, for the twilight did not permit a view of his features, immediately struck her. She retired hastily from the lattice, fearing to be seen, yet wishing to observe further, while the stranger passed on without looking up, and, when she returned to the lattice, she saw him faintly through the twilight, winding under the high trees, that led to Tholouse. This little incident so much disturbed her spirits, that the temple and its scenery were no longer interesting to her, and, after walking awhile on the terrace, she returned to the chateau.

Madame Cheron, whether she had seen a rival admired, had lost at play, or had witnessed an entertainment more splendid than her own, was returned from her visit with a temper more than usually discomposed; and Emily was glad, when the hour arrived, in which she could retire to the solitude of her own apartment.

On the following morning, she was summoned to Madame Cheron, whose countenance was inflamed with resentment, and, as Emily advanced, she held out a letter to her.

‘Do you know this hand?’ said she, in a severe tone, and with a look that was intended to search her heart, while Emily examined the letter attentively, and assured her, that she did not.

‘Do not provoke me,’ said her aunt; ‘you do know it, confess the truth immediately. I insist upon your confessing the truth instantly.’

Emily was silent, and turned to leave the room, but Madame called her back. ‘O you are guilty, then,’ said she, ‘you do know the hand.’ ‘If you was before in doubt of this, madam,’ replied Emily calmly, ‘why did you accuse me of having told a falsehood.’ Madame Cheron did not blush; but her niece did, a moment after, when she heard the name of Valancourt. It was not, however, with the consciousness of deserving reproof, for, if she ever had seen his handwriting, the present characters did not bring it to her recollection.

‘It is useless to deny it,’ said Madame Cheron, ‘I see in your countenance, that you are no stranger to this letter; and, I dare say, you have received many such from this impertinent young man, without my knowledge, in my own house.’

Emily, shocked at the indelicacy of this accusation, still more than by the vulgarity of the former, instantly forgot the pride, that had imposed silence, and endeavoured to vindicate herself from the aspersion, but Madame Cheron was not to be convinced.

‘I cannot suppose,’ she resumed, ‘that this young man would have taken the liberty of writing to me, if you had not encouraged him to do so, and I must now’— ‘You will allow me to remind you, madam,’ said Emily timidly, ‘of some particulars of a conversation we had at La Vallee. I then told you truly, that I had only not forbade Monsieur Valancourt from addressing my family.’

‘I will not be interrupted,’ said Madame Cheron, interrupting her niece, ‘I was going to say — I — I-have forgot what I was going to say. But how happened it that you did not forbid him?’ Emily was silent. ‘How happened it that you encouraged him to trouble me with this letter? — A young man that nobody knows; — an utter stranger in the place, — a young adventurer, no doubt, who is looking out for a good fortune. However, on that point he has mistaken his aim.’

‘His family was known to my father,’ said Emily modestly, and without appearing to be sensible of the last sentence.

‘O! that is no recommendation at all,’ replied her aunt, with her usual readiness upon this topic; ‘he took such strange fancies to people! He was always judging persons by their countenances, and was continually deceived.’ ‘Yet it was but now, madam, that you judged me guilty by my countenance,’ said Emily, with a design of reproving Madame Cheron, to which she was induced by this disrespectful mention of her father.