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Authors: Edward Abbey

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BOOK: Desert Solitaire
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Now I am in the open again, out of the underworld. From up here Rainbow Bridge, a thousand feet below, is only a curving ridge of sandstone of no undue importance, a tiny object lost in the vastness and intricacy of the canyon systems which radiate from the base of Navajo Mountain. Of more interest is the view to the north, east and west, revealing the general lay of the land through which we have voyaged in our little boats.

The sun, close to the horizon, shines through the clear air beneath the cloud layers, illuminating in soft variations of rose, vermillion, umber, slate-blue, the complex features and details, defined sharply by shadow, of the Glen Canyon landscape. I can see the square-edged mesas beyond the junction of the San Juan and Colorado, the plateau-mountains of south-central Utah, and farthest away, a hundred miles or more by line of sight, the five peaks of the Henry Mountains, including Mount Ellsworth near Hite where our journey began.

Off in the east an isolated storm is boiling over the desert, a mass of lavender clouds bombarding the earth with lightning and trailing curtains of rain. The distance is so great that I cannot hear the thunder. Between here and there and me and the mountains is the canyon wilderness, the hoodoo land of spire and pillar and pinnacle where no man lives, and where the river flows, unseen, through the blue-black trenches in the rock.

Light. Space. Light and space without time, I think, for this is a country with only the slightest traces of human history. In the doctrine of the geologists with their scheme of ages, eons and epochs all is flux, as Heraclitus taught, but from the mortally
human point of view the landscape of the Colorado is like a section of eternity—timeless. In all my years in the canyon country I have yet to see a rock fall, of its own volition, so to speak, aside from floods. To convince myself of the reality of change and therefore time I will sometimes push a stone over the edge of a cliff and watch it descend and wait—lighting my pipe—for the report of its impact and disintegration to return. Doing my bit to help, of course, aiding natural processes and verifying the hypotheses of geological morphology. But am not
entirely
convinced.

Men come and go, cities rise and fall, whole civilizations appear and disappear—the earth remains, slightly modified. The earth remains, and the heartbreaking beauty where there are no hearts to break. Turning Plato and Hegel on their heads I sometimes choose to think, no doubt perversely, that man is a dream, thought an illusion, and only rock is real. Rock and sun.

Under the desert sun, in that dogmatic clarity, the fables of theology and the myths of classical philosophy dissolve like mist. The air is clean, the rock cuts cruelly into flesh; shatter the rock and the odor of flint rises to your nostrils, bitter and sharp. Whirlwinds dance across the salt flats, a pillar of dust by day; the thornbush breaks into flame at night. What does it mean? It means nothing. It is as it is and has no need for meaning. The desert lies beneath and soars beyond any possible human qualification. Therefore, sublime.

The sun is touching the fretted tablelands on the west. It seems to bulge a little, to expand for a moment, and then it drops—abruptly—over the edge. I listen for a long time.

Through twilight and moonlight I climb down to the rope, down to the ledge, down to the canyon floor below Rainbow Bridge. Bats flicker through the air. Fireflies sparkle by the waterseeps and miniature toads with enormous voices clank and grunt and chant at me as I tramp past their ponds down the long trail back to the river, back to campfire and companionship and a midnight supper.

We are close to the end of our journey. In the morning Ralph and I pack our gear, load the boats, and take a last lingering look at the scene which we know we will never again see as we see it now: the great Colorado River, wild and free, surging past the
base of the towering cliffs, roaring through the boulders below the mouth of Forbidden Canyon; Navajo Point and the precipice of the Kaiparowits Plateau thousands of feet above, beyond the inner walls of the canyon; and in the east ranks of storm-driven cumulus clouds piled high on one another, gold-trimmed and blazing in the dawn.

Ralph takes a photograph, puts the camera back into the waterproof pouch which he hangs across his chest, and climbs into his boat. We shove off.

This is the seventh day—or is it the ninth?—of our dreamlike voyage. Late in the afternoon, waking from a deep reverie, I observe, as we glide silently by, a pair of ravens roosting on a dead tree near the shore, watching us pass. I wonder where we are. I ask Ralph; he has no idea and cares less, cares only that the journey not yet end.

I light up the last of my tobacco, and watch the blue smoke curl and twist and vanish over the swirling brown water. We are rounding a bend in the river and I see, far ahead on the left-hand shore, something white, rigid, rectangular, out of place. Our boats drift gradually closer and we see the first billboard ever erected in Glen Canyon. Planted in rocks close to the water, the sign bears a message and it is meant for us.

HAVASU

One summer I started off to visit for the first time the city of Los Angeles. I was riding with some friends from the University of New Mexico. On the way we stopped off briefly to roll an old tire into the Grand Canyon. While watching the tire bounce over tall pine trees, tear hell out of a mule train and disappear with a final grand leap into the inner gorge, I overheard the park ranger standing nearby say a few words about a place called Havasu, or Havasupai. A branch, it seemed, of the Grand Canyon.

What I heard made me think that I should see Havasu immediately,
before something went wrong somewhere. My friends said they would wait. So I went down into Havasu—fourteen miles by trail—and looked things over. When I returned five weeks later I discovered that the others had gone on to Los Angeles without me.

That was fifteen years ago. And still I have not seen the fabulous city on the Pacific shore. Perhaps I never will. There’s something in the prospect southwest from Barstow which makes one hesitate. Although recently, driving my own truck, I did succeed in penetrating as close as San Bernardino. But was hurled back by what appeared to be clouds of mustard gas rolling in from the west on a very broad front. Thus failed again. It may be however that Los Angeles will come to me. Will come to all of us, as it must (they say) to all men.

But Havasu. Once down in there it’s hard to get out. The trail led across a stream wide, blue and deep, like the pure upper reaches of the River Jordan. Without a bridge. Dripping wet and making muddy tracks I entered the village of the Havasupai Indians where unshod ponies ambled down the only street and the children laughed, not maliciously, at the sight of the wet white man. I stayed the first night in the lodge the people keep for tourists, a rambling old bungalow with high ceilings, a screened verandah and large comfortable rooms. When the sun went down the village went dark except for kerosene lamps here and there, a few open fires, and a number of lightning bugs or fireflies which drifted aimlessly up and down Main Street, looking for trouble.

The next morning I bought a slab of bacon and six cans of beans at the village post office, rented a large comfortable horse and proceeded farther down the canyon past miniature cornfields, green pastures, swimming pools and waterfalls to the ruins of an old mining camp five miles below the village. There I lived, mostly alone except for the ghosts, for the next thirty-five days.

There was nothing wrong with the Indians. The Supai are a charming cheerful completely relaxed and easygoing bunch, all one hundred or so of them. But I had no desire to live
among
them unless clearly invited to do so, and I wasn’t. Even if invited I might not have accepted. I’m not sure that I care for the idea of strangers examining my daily habits and folkways, studying my language, inspecting my costume, questioning me about my religion,
classifying my artifacts, investigating my sexual rites and evaluating my chances for cultural survival.

So I lived alone.

The first thing I did was take off my pants. Naturally. Next I unloaded the horse, smacked her on the rump and sent her back to the village. I carried my food and gear into the best-preserved of the old cabins and spread my bedroll on a rusty steel cot. After that came a swim in the pool beneath a great waterfall nearby, 120 feet high, which rolled in mist and thunder over caverns and canopies of solidified travertine.

In the evening of that first day below the falls I lay down to sleep in the cabin. A dark night. The door of the cabin, unlatched, creaked slowly open, although there was no perceptible movement of the air. One firefly flickered in and circled my bacon, suspended from the roofbeam on a length of baling wire. Slowly, without visible physical aid, the door groaned shut. And opened again. A bat came through one window and went out another, followed by a second firefly (the first scooped up by the bat) and a host of mosquitoes, which did not leave. I had no netting, of course, and the air was much too humid and hot for sleeping inside a bag.

I got up and wandered around outside for a while, slapping at mosquitoes, and thinking. From the distance came the softened roar of the waterfall, that “white noise” as soothing as hypnosis. I rolled up my sleeping bag and in the filtered light of the stars followed the trail that wound through thickets of cactus and up around ledges to the terrace above the mining camp. The mosquitoes stayed close but in lessening numbers, it seemed, as I climbed over humps of travertine toward the head of the waterfall. Near the brink of it, six feet from the drop-off and the plunge, I found a sandy cove just big enough for my bed. The racing creek as it soared free over the edge created a continuous turbulence in the air sufficient to keep away all flying insects. I slept well that night and the next day carried the cot to the place and made it my permanent bedroom for the rest of July and all of August.

What did I do during those five weeks in Eden? Nothing. I did nothing. Or nearly nothing. I caught a few rainbow trout, which grew big if not numerous in Havasu Creek. About once a week I put on my pants and walked up to the Indian village to buy bacon, canned beans and Argentine beef in the little store. That was all
the Indians had in stock. To vary my diet I ordered more exotic foods by telephone from the supermarket in Grand Canyon Village and these were shipped to me by U.S. Mail, delivered twice a week on muleback down the fourteen-mile trail from Topocoba Hilltop. A little later in the season I was able to buy sweet corn, figs and peaches from the Supai. At one time for a period of three days my bowels seemed in danger of falling out, but I recovered. The Indians never came down to my part of the canyon except when guiding occasional tourists to the falls or hunting a stray horse. In late August came the Great Havasupai Sacred Peach Festival and Four-Day Marathon Friendship Dance, to which I was invited and in which I did participate. There I met Reed Watahomagie, a good man, and Chief Sinyala and a fellow named Spoonhead who took me for five dollars in a horse race. Somebody fed my pick a half-bushel of green figs just before the race. I heard later.

The Friendship Dance, which continued day and night to the rhythm of drums made of old inner tube stretched over #10 tomato cans while ancient medicine men chanted in the background, was perhaps marred but definitely not interrupted when a drunken free-for-all exploded between Spoonhead and friends and a group of visiting Hualapai Indians down from the rim. But this, I was told, happened every year. It was a traditional part of the ceremony, sanctified by custom. As Spoonhead told me afterwards, grinning around broken teeth, it’s not every day you get a chance to wallop a Hualapai. Or skin a paleface, I reminded him. (Yes, the Supai are an excellent tribe, healthy, joyous and clever. Not only clever but shrewd. Not only shrewd but wise: e.g., the Bureau of Indian Affairs and the Bureau of Public Roads, like most government agencies always meddling, always fretting and itching and sweating for something to do, last year made a joint offer to blast a million-dollar road down into Havasu Canyon at no cost whatsoever to the tribe, thus opening their homeland to the riches of motorized tourism. The people of Supai or at least a majority of them voted to reject the proposal.) And the peach wine flowed freely, like the water of the river of life. When the ball was over I went home to my bunk on the verge of the waterfall and rested for two days.

On my feet again, I explored the abandoned silver mines in the
canyon walls, found a few sticks of dynamite but no caps or fuses. Disappointing; but there was nothing in that area anyway that required blowing up. I climbed through the caves that led down to the foot of Mooney Falls, 200 feet high. What did I do? There was nothing that had to be done. I listened to the voices, the many voices, vague, distant but astonishingly human, of Havasu Creek. I heard the doors creak open, the doors creak shut, of the old forgotten cabins where no one with tangible substance or the property of reflecting light ever entered, ever returned. I went native and dreamed away days on the shore of the pool under the waterfall, wandered naked as Adam under the cottonwoods, inspecting my cactus gardens. The days became wild, strange, ambiguous—a sinister element pervaded the flow of time. I lived narcotic hours in which like the Taoist Chuang-tse I worried about butterflies and who was dreaming what. There was a serpent, a red racer, living in the rocks of the spring where I filled my canteens; he was always there, slipping among the stones or pausing to mesmerize me with his suggestive tongue and cloudy haunted primeval eyes. Damn his eyes. We got to know each other rather too well I think. I agonized over the girls I had known and over those I hoped were yet to come. I slipped by degrees into lunacy, me and the moon, and lost to a certain extent the power to distinguish between what was and what was not myself: looking at my hand I would see a leaf trembling on a branch. A
green
leaf. I thought of Debussy, of Keats and Blake and Andrew Marvell. I remembered Tom o’Bedlam. And all those lost and never remembered. Who would return? To be lost again? I went for walks. I went for walks. I went for walks and on one of these, the last I took in Havasu, regained everything that seemed to be ebbing away.

BOOK: Desert Solitaire
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