Dollenganger 01 Flowers In the Attic (14 page)

really
doing up there?"
"Honest, I'm telling the truth. We're working hard to make the attic pretty so the twins won't be afraid up there, and Chris is a wonderful artist."
She sneered and asked with contempt, "How would
you
know?"
"He is gifted artistically, Grandmother--all his teachers said so."
"Has he asked you to pose for him--without clothes?" I was shocked. "No. Of course not!"
"Then why are you trembling?"
"I'm. . . I'm scared of . . . of you," I stammered. "Every day you come in and ask what sinful, unholy thing we're doing, and truly, I don't know what it is you think we're doing. If you don't tell us exactly, how can we avoid doing something bad, not knowing it
is
bad?"
She looked me over, down to my bare feet, and smiled sarcastically. "Ask your older brother--he'll know what I mean. The male of the species is born knowing everything evil."
Boy, did I blink! Chris wasn't evil, or bad. There were times when he was tormenting, but not unholy. I tried to tell her this, but she didn't want to hear.
Later on in the day she came into our room bearing a clay pot of yellow chrysanthemums. Striding directly to me, she put that pot in my hands. "Here are real flowers for your fake garden," she said without warmth. It was such an unwitch-like thing for her to do, it took my breath away. Was she going to change, see us differently? Could she learn to like us? I thanked her effusively for the flowers, perhaps too much, for she spun around and stalked out, as if embarrassed.
Carrie came running to put her small face into the mass of yellow petals. "Pretty," she said. "Cathy, can I have them?" Of course she could have them. With reverence that pot of flowers was placed on the eastern windowsills in the attic to receive the morning sunshine. There was nothing to see but hills and far off mountains and the trees in between, and above everything hovered a blue mist. The real flowers spent the nights with us, so the twins could wake up in the morning and see something beautiful and alive growing near them.
Whenever I think of being young, I see again those blue-misted mountains and hills, and the trees that paraded stiffly up and down the slopes. And I smell again the dry and dusty air that was ours to breathe daily. I see again the shadows in the attic that blended so well with the shadows in my mind, and I hear again the unspoken, unanswered questions of Why? When? How much longer?
Love . . . I put so much faith in it.
Truth . . . I kept believing it falls always from the lips of the one you love and trust the most.
Faith . . . it's all bound up to love and trust. Where does one end and the other start, and how do you tell when love is the blindest of all?
More than two months had passed, and still the grandfather lived on.
We stood, we sat, we lay on the wide ledges of the attic dormer windows. We wistfully watched as the treetops of summer's old dark green turned overnight into the brilliant scarlets, golds, oranges, and browns of autumn. It moved me; I think it moved all of us, even the twins, to see the summer go away, and see the fall begin. And we could only watch, but never participate.
My thoughts took frantic flight, wanting to escape this prison, and seek out the wind so it could fan my hair and sting my skin, and make me feel alive again. I yearned for all those children out there who were running wild and free on the browning grass, and scuffling their feet in the dry, crackling leaves, just as I used to do.
Why was it I never realized when I was able to run wild and free that I was experiencing happiness? Why did I think back then, that happiness was always just ahead in the future, when I would be an adult, able to make my own decisions, go my own way, be my own person? Why had it seemed that being a child was never enough? Why had I thought that happiness reserved itself for those grown to full size?
"You're looking sad," said Chris, who was crowded close beside me, with Cory on the other side of him, and Carrie on the other side of me. Nowadays Carrie was my little shadow to follow where I led, and mimic what I did, and imitate the way she thought I felt--just as Chris had his small mimicking shadow too, in Cory. If there were ever four siblings closer than we were, they would have had to have been Siamese quadruplets.
"Aren't you going to answer me?" asked Chris. "Why are you looking so sad? The trees look beautiful, don't they? When it's summer, I like summer best; yet when fall comes, I like fall best, and when winter comes, then that's my favorite season, and then comes spring, and I think spring is best."
Yes, that was my Christopher Doll. He could make do with the here and now, and always think it best, no matter what the circumstances.
"I was thinking back to old Mrs. Bertram and her boring talk of the Boston Tea Party. She made history seem so dull, and the people so unreal. Yet, I'd like to be bored like that again."
"Yeah," he agreed, "I know what you mean. I thought school a bore, too, and history a dull subject, particularly American history--all but the Indians, and the old West. But at least when we were in school, we were doing what other kids our ages did. Now we're just wasting time, doing nothing Cathy, let's not waste one minute! Let's prepare ourselves for the day we get out. If you don't set your goals firmly in mind, and strive always to reach them, then you never do. I'll convince myself if I can't be a doctor, then I won't want to be anything else, or want anything more that money can buy!"
He said that so intensely. I wanted to be a prima ballerina, though I would settle for something else. Chris scowled as if reading my mind. He turned his summer-blue eyes on me and scolded because I hadn't practiced my ballet exercises once since I'd come upstairs to exist. "Cathy, tomorrow I'm attaching a bane in the portion of the attic we've finished decorating-- and five or six hours each day, you are going to practice, just like in ballet class!"
"I am not! Nobody is going to tell me I have to do anything! Besides, you can't do ballet positions unless you are properly dressed for it!"
"What a stupid thing to say!"
"That's because I
am
stupid!
You,
Christopher, have
all
the brains!" With that I burst into tears and fled from the attic, racing past all the paper flora and fauna. Run, run, run for the stairs. Fly, fly, fly down the steep and narrow wooden steps, daring fate to make you fall. Break a leg, a neck, put you in a coffin dead. Make everybody sorry then; make them cry for the dancer I should have been.
I threw myself down on my bed and sobbed into the pillow. There was nothing here but dreams, hopes--nothing real. I'd grow old, ugly, never see lots of people again. That old man downstairs could live to be a hundred and ten! All those doctors would keep him living forever--and I would miss out on Halloween--no tricking, no treating, no parties, no candy. Oh, I felt sorry for myself, and I vowed somebody was going to pay, pay, pay for all of this, somebody was, somebody was!
Wearing their dirty white sneakers, they came to me, my two brothers, my small sister, and each sought to give me comfort with small gifts of cherished possessions: Carrie's red and purple crayons, Cory's
Peter Rabbit
story book; but Chris, he just sat and looked at me. I never felt so small
One evening quite late, Momma came in with a large box that she put in my hands to open. There amidst sheets of white tissue were ballet costumes, one a bright pink, the other azure-blue, with leotards and toe shoes to match the tulle tutus. "From Christopher," was written on the enclosed small card. And there were records of ballet music. I started to cry as I flung my arms around my mother, then around my brother. This time they weren't tears of frustration, or despair. Now I had something to work toward.
"I wanted most of all to buy you a white costume," said Momma, still hugging me. "They had a beauty in a size too large to fit you, and with it comes a tight cap of white feathers that curl over your ears-- for
Swan Lake--and
I ordered it for you, Cathy. Three costumes should be enough to give you inspi- ration, shouldn't they?"
Oh, yes! When Chris had the bane nailed securely to an attic wall, I practiced for hours on end while the music played. There wasn't a large mirror behind the bane, like there had been in the classes I had attended, but there was a huge mirror in my mind, and I saw myself as Pavlova, performing before ten thousand enraptured people, and encore after encore I took, bowing and accepting dozens of bouquets, every one red roses. In time, Momma brought me every one of Tchaikovsky's ballets to play on the record player, which had been hooked up to a dozen extension cords, which went down the stairs and plugged into a socket in our bedroom.
Dancing to beautiful music took me out of myself, and made me forget momentarily that life was passing us by. What did it matter when I was dancing? Better to pirouette and pre- tend I had a partner to support me when I did the most difficult positions. I'd fall, get up, then dance on again until I was out of breath and ached in every muscle, and my leotards were glued to me with sweat, and my hair was wet. I'd fall down flat on the floor to rest, and pant, then up again at the bane to do plies. Sometimes I would be the Princess Aurora in
The Sleeping Beauty
and sometimes I'd dance the part of the prince, as well, and leap high into the air and beat my feet together.
Once I looked up from my concluding dying swan spasms, and I saw Chris standing in the attic shadows, watching with the oddest expression on his face. Soon he'd be having a birthday, his fifteenth. How had it come about that already he seemed a man and not a boy? Was it only that vague look in his eyes that said he was moving quickly from childhood?
On full pointe I performed a sequence of those very small, even steps which are supposed to give the impression the dancer is gliding across the stage and creating what is poetically called "a string of pearls." In such a way I flitter-glided over to Chris and held out my arms. "Come, Chris, be my
danseur;
let me teach you the way."
He smiled, seeming bemused, but he shook his head and said that was impossible. "Ballet dancing is not for me. But I'd like to learn to waltz--if the music is Strauss."
He made me laugh. At that time the only waltz music we had (except ballet) were old Strauss records. I hurried over to the record player to take off the
Swan Lake
records, and I put on
The Blue Danube.
Chris was clumsy. He held me awkwardly, as if embarrassed. He stepped on my pink pointe shoes. But it was touching how hard he tried to get simple steps right, and I couldn't tell him all his talents must reside in his brain, and in the skill of his artistic hands, for certainly none of it drifted down to his legs and feet. And yet, and yet, there was something sweet and endearing about a Strauss waltz, easy to do, and romantic, and so unlike those athletic ballet waltzes that put you in a sweat, and left you panting for breath.
When Momma finally came through the door with that smashing white outfit for dancing
Swan Lake,
a beautifully feathered brief bodice, tight cap, white slippers, and white leotards so sheer the pink of my skin showed through, I gasped!
Oh, it seemed that love, hope, and happiness
could be
brought upstairs in one single giant-sized slipperysatin white box with a violet ribbon and given to me by someone who really cared when another who really cared, put this idea in her head.
"Dance, Ballerina, dance, and do your pirouette
In rhythm with your aching heart,
Dance, Ballerina, dance, you mustn't once forget A dancer has to dance the part,
Once you said his love must wait its turn,
You wanted fame instead, I guess that's your concern,
We live and learn. . . and love is gone, Ballerina, gone. . ."
Eventually, Chris could do the waltz and the foxtrot. When I tried to teach him the Charleston, he refused: "I don't need to learn every kind of dance, like you do. I'm not going to be on stage; all I want to learn is how to get out on the dance floor with a girl in my arms, and not make a jackass of myself."
I'd always been dancing. There wasn't any kind of dance I couldn't do, and didn't want to do.
"Chris, there's one thing you've got to know: you cannot waltz your whole life through, or do the foxtrot. Every year brings about changes, like in clothes. You've got to keep up with the times, and adapt. Come on, let's jazz it up a bit, so you can limber up your creaky joints that must be going stiff from so much sitting and reading."
I stopped waltzing and ran to put on another record: "You ain't nothin' but a hound dog."
I raised my arms, and began to gyrate my hips.
"Rock 'n' roll, Chris, you've got to learn how. Listen to the beat, let go, and learn to swivel your hips like Elvis. Come on, half-close your eyes, look sleepy, sexy, and pout your lips, for if you don't, no girl is ever going to love you."
"Then no girl is ever gonna love me."
That's the way he said it, dead flat, and dead serious. He would never let anyone force him to do anything that didn't fit his image of himself, and in a way I liked him for being what he was, strong, resolute, determined to be his own person, even if his kind of person had long ago gone out of style. My Sir Christopher, the knight gallant.
.
God-like, we changed the seasons in the attic. We took down the flowers and hung up autumn leaves of brown, russet, scarlet and gold. If we were still here when winter's snowflakes fell, we'd then substitute lacy white designs that we were all four cutting out in preparation, just in case. We made wild ducks and geese from white, gray, and black craft paper, and aimed our mobile birds in wide-arrowed skeins, heading them south. Birds were easy to make: just elongated ovals with spheres for heads, teardrops with wings.
When Chris wasn't sitting with his head stuck in a book, he was painting watercolor scenes of snowcovered hills with lakes where ice skaters skimmed He put small houses of yellow and pink deeply buried in snow, and smoke curled from the chimneys, and in the distance rose a misty church steeple. And when he was done, he painted all around this a dark windowframe. When this was hung on the wall, we had a room with a view!
Once Chris had been a tease I could never please. An older brother. . . . But, we changed up there, he and I, just as much as we altered our attic world. We lay side by side on an old mattress, stained and smelly, for hours on end, and talked and talked, making plans for the kind of lives we'd live once we were free and rich as Midas. We'd travel around the world. He would meet and fall in love with the most beautiful, sexy woman who was brilliant,