Dragon Day (22 page)

Everyone was pretty drunk by the end of that dinner, though.

Maybe no one killed her. Maybe she just OD'd.

“Penny for your thoughts?”

“Your Uncle Yang's pretty pissed off at me,” I say.

“Oh? Why?”

“You don't know?”

She pauses, as if to consider. “I think actually he was mad at your friend.” She rests two fingers on her cheek, tilts her head to one side. Stares at me, that little smile on her face, but without the usual amusement behind it. “Do you know why that is?”

Man, that game we're playing? Whatever it is, I think she's better at it than I am.

“I guess Yang Junmin didn't like some of the things John had to say.”

Meimei nods. “Yes.” She puts on a thoughtful expression, like this is something she's just now considering. Which I don't believe, not for one second.

“It was almost as though your friend accused Yang Junmin of something,” she says.

So what do I do? Tell her I know about the dead girl at Tiantian's party?

She must suspect that already, right?

I wave my hand, all dismissive, trying to match her performance. “It's just his way of making conversation. John's got kind of a thing for justice. Maybe he's a little suspicious of powerful men.”

“And you say he is a businessman?” She chuckles. “Funny. Not so many businessmen are concerned with justice. Just with making money. And keeping that money safe.”

“He's an unusual guy.”

“Apparently so.” She glances around the bar. “And he is not here?”

“He had some . . . some meetings.”

“I see.” She puts her elbows on the table and her chin on her fists. “So what can I do for you?”

“I need a ride,” I say.

“You want to go to Movie Universe?”

“Marsh invited me to come down and visit the set. Of their film.”

“I didn't know you are interested in films,” Meimei says, chin still resting on her fists.

“I thought it might be fun. Plus, you know, Gugu and I, we still need to talk.”

“About the museum project.”

“Yeah. Right.”

“Okay.” She sits up straight. “So we can go together.” A smile. “I can even invite Tiantian. So we can all have this discussion.”

“I
. . .
maybe we should just keep it simple for now.”

“But it's a long drive. We should just fly. I can get a car in Shanghai.”

“You mean, on your dad's jet?”

She laughs. “No. That's in Xingfu Cun. By the time he can get it here
. . .
Even my father has some trouble just flying to Beijing without a flight plan. Other places, sure, you can just go, fly a
hei fei
, but not Beijing.”

A black flight. I know about those, from back in the Sandbox.

Off the books.

“For a jet it's faster to get a flight plan than for small planes, but still
. . .
”

Who knows how Sidney got me out of Shanghai so fast a couple of months ago, but I'm guessing it involved substantial amounts of money.

She sighs. “So silly. In a year or so, I think these rules will change. Many people in China want their own planes now, and to fly them when they want.”

“Yeah. Sure. Understandable.”

“So we can just fly on a regular airline.”

She checks her watch. It's a fancy-looking retro thing, all stainless steel with actual hands, two tiny dials set in the larger face. “I think there is still a flight at ten
p.m.
If we hurry, maybe we can make it.”

“Yeah, well
. . .
I'd rather not do that.”

“Why?” She chuckles. “Do you have a fear of flying?”

“I, uh
. . .
”

Think your uncle-in-law might be watching the airport, waiting to see if my passport pops up when I buy a ticket.

“Yeah. Flying. Not crazy about it.”

“Maybe we can make the last train tonight to Shanghai, then. If I drive very fast.”

I will say this for Meimei: she's a way better driver than Sidney. Or maybe it's just that there's enough traffic on the highway to the Beijing South Railway Station that she can't drive quite as fast as he did the time I rode with him. Still, she weaves her Beemer two-seater in and out and around other cars with some grace, without slamming on the brakes, like she knows what she's doing.

It's possible that the Percocet I swallowed with the remains of my Yanjing Beer might be affecting how I'm feeling about things, too.

“In a few months, we have the
gaotie
, the high-speed train, between Beijing and Shanghai. We can get back and forth in just four, five hours. That will be lovely!”

“Yeah,” I say. “Looking forward to it.”

We make it onto the last train to Shanghai with seven minutes to spare, leaving Meimei's car in a VIP lot and grabbing two upper berths in a first-class car.

“Like a slumber party!” Meimei says, bouncing on the bed a bit.

“Yeah.” I am really hoping for the “slumber” part of that equation.

“I can see you are tired,” she says. “We can talk more on the way to Movie Universe. About the museum project.” A pause. “Or whatever it is you really want to talk about.”

I don't sleep much.
There's the usual middle-aged snoring guy on the bunk below me. My leg is aching, and I can't get comfortable. Mainly I can't stop the wheels turning in my head.

What is it that Sidney expects from me? How am I supposed to find out which of his kids had something to do with a murder?

I can hang out with them. Call Sidney every day. That's what he asked me to do. But I don't see how that's going to help me get out of this mess.

The train rolls into Shanghai just after 9:00
a.m.
There's a stretch limo waiting for us. A fucking yellow Hummer.

“I thought that would be better,” Meimei says. “So we can relax for the trip. It is about five hours or so.”

I hate Hummers. “Yeah. Thanks.”

The driver's already out and opening the doors for us.

I climb inside, and it's insane. White leather bench seats with rolls for your back and neck. A bar across one side, made out of polished walnut, the kind with the coating so glossy you can see yourself in it. Giant TV screens. A huge moon roof. I mean, where's the disco ball?

“We have some breakfast,” she says. “Just croissant and coffee and things. And champagne.”

She sounds almost apologetic. I think I'm keeping a poker face, but maybe I'm not.

“Thanks,” I say. “That all sounds great.”

I sink back into one of the leather seats. They smell wonderful. Like money.

The coffee smells even better.

The limo's got these tables that pull out from under the seats, kind of like the tray tables on an airplane, with cup holders, too. I sip on my coffee and nibble on a croissant as the limo pulls away from the curb, and it's hard to even care that we're stuck in a line to get out of the underground parking garage at the Shanghai train station and that we sit in traffic on Shanghai streets and crawl along Shanghai freeways, because the limo's air-conditioning filters out all the exhaust, and the music, some techno-ambient shit, plays at just the right volume, and the seats are so comfortable, much better than on the train.

And yeah, I take a glass of champagne, chilled just right.

“I thought when you saw the car, that you did not like this kind of thing,” Meimei says.

I hesitate. It's not like I want to share. But I've had a glass of champagne—okay, two—and not very much sleep. “It's just
. . .
Hummers.”

“You don't like them?” She laughs. “Actually, I think they are not very good cars. I would never drive one myself. But the rental agency said this was the most comfortable car for a long trip.”

“I've ridden around in one,” I say. “Except it was a Humvee. Up-armored. They're military vehicles. That's what they were built for. For war.” I wave my arm a little, at the interior of the car, all that leather and walnut and tinted glass. “This is just
. . .
” Now I laugh. “It's crazy. Making a war machine into . . . into this. It's some kind of sick joke.”

I lean my head back against all that soft leather and I think it's all connected somehow, Humvees built for war getting turned into limos, or maybe it's that the Hummer limos need the war machines to exist. That's what they're built on, right?

“More champagne?”

“Sure. Why not?”

I kind of pass out for a while. I mean, I sleep. I stopped drinking after that third glass, so it's not like I blacked out. But even though I know I'm supposed to be trying to get some intel from Meimei, even though I know I should stay frosty, I just can't stay awake anymore. Whatever adrenaline I had that got me through yesterday is gone, leaving behind an acid wash of exhaustion. My muscles ache. My head
. . .

All I can think before I drift off is, I can't keep doing this. I can't do this anymore.

But I have to.

Suck it up and drive on.

Too bad I'm not the one driving.

Chapter Nineteen

★

I doze stretched
out on the white leather seat for the next few hours, slipping in and out of dreams that most of the time I can tell my head is making, the low hum of the engine mixing with the ambient music on the sound system. At one point we stop and I bolt up, heart pounding. I was having a dream, or a memory. Of riding in an up-armored Humvee.

I look out the window. We're at a gas station just off the highway, a flat road under hazy, yellow-grey skies.

I lean back against the seat. I wish we'd get going. I liked it better when we were moving.

“Do you want some lunch?” Meimei asks.

I shake my head, thinking she means the restaurant next to the station, a low, white-painted concrete building that you find at gas stations like this, serving dishes swimming in oil in battered white plastic bowls to long-distance bus passengers on their twenty-minute break. “Only if you do.”

She mimes a shrug. “We have some things packed, if you want them.”

“Oh. That sounds good. But
. . .
I think I'll use the
xishoujian
, long as we're here.”

I hoist myself up with an assist from the handgrip that runs above the window, lean against the side of the Hummer for a minute, waiting for my leg to stop cramping enough that I can walk.

I hobble off to the head.

What I do first when I get there is pee, in the stall with the lone Western toilet, because the leg's hurting enough that I'm not sure if I can manage a squat. Also, the stall has a door.

After I pee, I get out my old phone, swap the SIM card, turn on the VPN, and go to the email account I use to talk to John, aka Cinderfox.

I see the forwarded email I sent, the one from Celine, detailing corruption and offshore accounts.

And I see one from Cinderfox:

“WHERE ARE YOU? CALL ME AT THIS NUMBER.”

I call. He picks up.

“Wei?”

“It's me.”

“Yili, why . . . ?”

“Because someone bugged my bag.”

“Bugged?” He sounds confused.

Shit. He doesn't know what that means, and I can't remember the Chinese equivalent.

“Put something. In my bag. To spy. A microphone. Was it you?”

“
Yige qietingqi
? No.” A pause.
“Wo cao.”
Fuck me.

“Yeah.”

“Where are you now?”

“South of Shanghai. Going to a place called Movie Universe. Uh, Dianying Yuzhou.”

“But
. . .
Why?
” He sounds so frustrated. I can just picture him standing there clutching his forehead like he's getting a really bad headache.

“To keep an eye on the Cao kids.”

A moment of silence. Then, “You should not
. . .
You
. . .
Why?
”

“Because my mom is a guest of Sidney's, okay?” I snap.

I hear a sharp intake of breath.

“Your mother . . . If he has done something . . .” He sounds furious. I kind of like him right now.

“She's fine. But I need to see this through. You want to find out who did it, right?”

Funny. He asked me almost the same question.

You want to get justice for this girl?

“Yes, of course. But this is not safe for you.”

“What
is
?”

That's when I hear a swarm of footsteps and chatter—a bunch of women entering the bathroom. A bus must just have pulled in.

“Look, I have to go. I'll call you later. There's other things
. .
. We need to talk.”

“Yili—”

“Later.”

I hit the red button. Swap SIM cards.

Yeah, we need to talk. About what he's been doing, if he's found out anything about Celine's death, if he's gone to Inspector Zou and pulled DSD rank on him. The thought makes me shudder. Uncle Yang's on John's ass, too. Right now he doesn't know how to find him. But if John's outed himself to Beijing PSB, if he's asking questions about people connected to the Caos
. . .

Who knows what could happen?

I hobble back toward the Hummer, squinting in the hazy sunlight.

Meimei leans against the car, striking a pose. Waiting for me.

“Are you feeling all right? You took a while.”

“Oh, yeah, you know.
Yidianr la duzi
. But I'm fine now.”

She stares at me through her designer shades. Why do I get the feeling I'm not the only one playing detective here?

“Happy to hear.” She gestures toward the Hummer. “Ready to go?”

“Sure,” I say. “Hey, we have any of that coffee left?”

Because whatever the game is, I'm pretty sure it's on.

We drive another couple of hours, through plains with checkerboard fields and clusters of skinny five-story buildings topped with weird silver—I don't know what they are. Weather vanes? Antennae? Decorations? A bunch of globes of different sizes topped by crescent moons, skewered on a pole like some aluminum
chuanr
. I've seen them before, and I've always wondered, but I've never gotten around to asking anyone about them.

“You know, that was a crazy party at Tiantian's place,” I finally say.

I might be imagining it, but I think her coffee cup pauses for a second, just before it hits her lips.

“Was it?”

I do my best sincere chuckle. Which is probably not very good.

“Yeah. I mean
. . .
I saw some kind of weird things.”

She sips. “Such as?”

“Oh, just
. . .
people having a little too much fun. You know? And it was still pretty early when I left. I'm guessing things just got crazier.”

“Oh,” she says, and she seems to settle back into her seat. “Yes, I think I left right after you.” Then she laughs. She doesn't sound too sincere either.

“Yes, people like to have fun,” she says. “And
. . .
it can get crazy sometimes, when you can do whatever you want.”

We pass through a city I've never heard of that feels like it goes on forever: an anonymous collection of apartment blocks, skyscrapers, commercial buildings, a stretch of luxury-car dealers, Lexus and Mercedes. This part of China, there's a lot of small manufacturing. Maybe they specialize in something here, like shoestrings, or bra hooks.

Then the countryside again. Green fields. Those five-story, skinny houses with the silver ornaments on top. Low mountains in the distance.

Finally we roll into a town. No skyscrapers here. Just low-slung businesses in beat-up concrete and white tile, dusty, uneven streets. Knots of people going about their business, buying shoes at a run-down shop with
sale!
signs, lining up for snacks at an open window: Bowls of noodles. Steamed buns.

Sure doesn't look much like Hollywood.

We head out of the main drag. The street widens, the buildings thin. Now we're in an area with what look like warehouses or small factories, lined up like Lego bricks. There are billboards with photos and drawings of traditional Chinese furniture. Maybe they make it here.

In the middle of all this cinder block and corrugated metal is an expanse of gleaming red-and-grey marble.

“Not a very good hotel, but the best one in this town,” Meimei says.

“Cool,” I say. I hope she's paying.

“Do you have anything you want to drop off?” she asks.

“No, not really.”

I mean, all I have is my little daypack with my laptop, a few pairs of underwear, and a clean T-shirt. Not a lot to carry. And I don't leave my laptop in a hotel unattended. Ever.

“Then, after we check in, do you want to go to the filming base?”

“Sure,” I say. “Yeah, that sounds good.”

It looks like we're going to a theme park, or to some huge temple complex: high red walls, a row of ticket windows topped by a peaked tile roof, signboards with maps of the area and prices of various attractions, a huge expanse of parking lot. People, almost all Chinese, wait in lines to buy tickets. They make money here off tourism, like Universal Studios, I guess, except there's no Jurassic Park ride.

“We can't take the Hummer inside,” Meimei informs me. “But we can have an electric cart, I think.”

I nod. I'm kind of distracted. I had to show my passport to register at the hotel, and it's never been clear to me if there's some kind of central database where all that information goes.

If it's just local, I should be fine. But if it's national?

What are the odds that Uncle Yang would be plugged into that system?

It's probably just local, I tell myself. For all the
hukou
and ID checking they do here, you're always reading about how people wanted for a crime in one province hide out in another, because the different PSBs don't talk to each other.

Nobody's that organized. Not China. Not the US.

Yet.

The driver lets us off by this big red gate that looks like the entrance to the Forbidden City off Tiananmen Square, except no giant painting of Chairman Mao. My written Chinese sucks, especially when it's traditional characters, but I recognize this set of gold characters on blue:
ming/qing imperial park
.

Inside the white arched entry are steel rails guiding visitors into several different lines:
team passage
,
individual passage
, and
vip channel
.

That last one would be us.

Inside, a wide expanse of browning grass gives way to a bricked path leading up to a red gate that is a dead ringer for the Gate of Heavenly Peace at Tiananmen. On the way there are stalls where you can shoot fake machine guns or arrows at targets, a sort of bumper-car ride where the lone guest reclines in his little car and texts on his cell phone, giant cardboard cutouts of famous movie stars that you can pose next to. Tourists cruise around in pedal-powered carts with yellow canopies.

We get an electric golf cart. I let Meimei drive.

“So where are they filming?” I ask.

“Further away. In the old Qing/Ming village section.”

“What's the movie about, do you know?”

“Not really. I think maybe they are using a story taking place in the past to comment on the present.” Meimei raises an eyebrow and rolls her eyes. “So common.”

We cruise up the path past the fake Forbidden City. It looks pretty good from a distance, but when you get up close, you can see the peeling paint on the red walls, the concrete in place of marble walkways, crumbling plaster on the “brass” statues.

Meimei has to stop several times to study a map—“I've never been here before,” she tells me, and this place is big. The fake Forbidden City has courtyards and palaces and galleries like the real one; there are temples and guard towers, an imperial garden with giant rocks and artificial streams. A couple of times we pass groups of tourists dressed up in court costumes, posing for photos. I hear a blare of recorded music, a show going on to entertain the visitors, “Qing soldiers” on horseback performing in a dirt arena—but parts of the complex feel deserted. You'd think there'd be a squadron of teenage security guards in polyester uniforms, but no.

Finally we hum past a big crane thing, and I see giant lights with petal-like flaps on tall stands, translucent white sheets stretched on rectangular metal frames to diffuse the light, two cameras on dollies. Meimei pulls the cart up against a wall, and we get out.

A village set, grey brick buildings. Crews carrying messenger bags and wearing belts weighed down with equipment and walkie-talkies move lights. A makeup girl adds some dirt to the face of an actress wearing bloody rags and helps her to her feet. The actress takes her place by a fancy-looking gate—the front of a mansion, it looks like.

“Zhunbei!”
a woman with a megaphone yells.
“Ji zhu!”

Get ready. Start cameras.

“Kaishi!”
Begin. Which I guess means “Action” here.

Another woman slaps one of those film clapboards, the kind you see in every movie or TV show ever made about Hollywood.

The actress stumbles through the scenery, breathing hard, like she's being chased and doesn't have the energy to run anymore.

Then, from the opposite direction, a white guy in an old-fashioned suit strides into frame. Sees the girl. Grabs her arm. Slaps her across the face.