Eleanor of Aquitaine

Eleanor of Aquitaine

Alison Weir

This book is dedicated with heartfelt thanks to my agent, JULIAN ALEXANDER 

and to JILL BLACK who has edited so many of my books.

ACKNOWLEDGMENTS

I should like to extend very special thanks to my editor, Anthony Whittome, for his creative input and his unflagging enthusiasm for this project, and to my commissioning editor, Will Sulkin, for his tremendous support. Gratitude is also due to Lily Richards for her indefatigable picture research.

As always, I must express my thanks to my agent Julian Alexander, without whom this book would not exist: he kept faith with this project for many years before its acceptance. I am grateful also to his former assistant, Kirstan Romano, for all her kindness. Finally, as ever, thank you, Rankin, my husband, and John and Kate, my children, for putting up with me while this book was in preparation. I could never have done it without you.

Contents

Preface xix

Prologue: 18 May 1152 1

1 "Opulent Aquitaine" 3

2 "A Model of Virtue" 21

3 "Counsel of the Devil" 37

4 "To Jerusalem!" 55

5 "A Righteous Annulment" 73

6 "A Happy Issue" 89

7 "All the Business of the Kingdom" 104

8 "Eleanor, by the Grace of God, Queen of England" 120

9 "The King Has Wrought a Miracle" 141

10 "Conjectures Which Grow Day by Day" 158

11 "The Holy Martyr" 177

12 "The Cubs Shall Awake" 189

13 "Beware of Your Wife and Sons" 198

14 "Poor Prisoner" 211

15 "Shame, Shame on a Conquered King!" 231

16 "The Eagle Shall Rejoice in Her Third Nesting" 248

17 "The Admiration of Her Age" 260

18 "The Devil Is Loosed!" 279

19 "The Staff of My Old Age" 300

20 "The Most Reverend Eleanor" 314

21 "The Brood of the Wicked Shall Not Thrive" 326

22 "A Candle Goeth Out" 336

Notes on the Chief Sources 347

Bibliography 355

Notes and References 375

Genealogical Tables 407

Index 423

A Note on Names and Spellings

Different variations of the names of people and places occur in twelfth-century sources. For example, the names Matilda, Maud, and Mahalde are interchangeable, as are Alice, Aaliz, and Alais.

For the sake of clarity, I have used different spellings of the same name to identify different people. Eleanor's daughter is called Alix, Richard Is betrothed of the same name Alys, and the Lord John's betrothed Alice. All are accurate renderings. A similar differentiation has been used with the name Amaury/Aymer/Aimery. Louis VII's daughter, often called Margaret in other works, is here referred to by the French version of her name, Marguerite.

Eleanor, who would have called herself Alienore, is referred to by the more familiar anglicised version of her name.

As in many other history books, William the Marshal is throughout referred to as such, even though he did not acquire his office of Marshal until 1199.

Although Eleanor was Countess of Poitou and Duchess of Aquitaine, I have occasionally used the name Aquitaine as a blanket term covering both her domains, although I have tried to differentiate between them wherever possible.

Many place names have changed since the twelfth century, and where appropriate I have given the modern name in parentheses. Some places no longer exist; wherever possible, I have attempted to discover their exact or approximate location.

Illustrations (not included)

Palais de Justice, Poitiers ©
Roger- Viollet

William IX, Duke of Aquitaine. Manuscript illumination, fr. 12473 fol. 128 ©
Bibliotheque Nationale, Paris

Louis VII, King of France. Manuscript illumination from "Grands Chroniques de France," fr. 2813 fol. 223 ©
Bibliotheque Nationale, Paris

Rock crystal vase, 12th c, from the Abbey of Saint-Denis, now in the Louvre ©
Reunion des Musees Nationaux-- Daniel Amaudet

Retable of St. Bernard of Clairvaux (detail), anon., 12th c, Museo de Mallorca, on loan from the Sociedad Arqueologica Luliana

Count Geoffrey of Anjou. Enamel tombstone, c. 1152, Musee de Tesse, Le Mans ©
Giraudon

Eleanor's seal, from a charter in the Archives de France ©
Atelier de photographic du Centre historique des Archives nationales, Paris

Engaged capital, thought to portray Henry II and Eleanor of Aquitaine.
© The Metropolitan Museum of Art, The Cloisters Collection, 1934 (34.115.4ab)

Tomb of Matilda, daughter of Henry II, and Henry the Lion, Duke of Saxony, Brunswick Cathedral, late 12th c. ©
AKG London

Effigy of Henry the Young King (detail), late 12th c, Rouen Cathedral
© Roger-Viollet

Effigy of Henry II (detail), late 12th c, Fontevrault Abbey ©
AKG
London

Effigy of Richard I (detail), 1199-1200, Fontevrault Abbey ©
AKG London

Effigy of Berengaria of Navarre (detail), after 1230, Le Mans Cathedral
© Geoffrey Wheeler

Effigy of King John (detail), c. 1225-1230, Worcester Cathedral ©
Geoffrey Wheeler

Mural from Sainte-Radegonde, Chinon, c. 1196 ©
By courtesy of Les Amis du Vieux Chinon

Effigy of Isabella of Angouleme (detail), mid 13th c, Fontevrault Abbey
© Geoffrey Wheeler

Effigy of Eleanor of Aquitaine (detail), c. 1204, Fontevrault Abbey ©
AKG London

The tombs of the Plantagenets in the Abbey of Fontevrault ©
Bildarchiv Foto Marburg

Maps

The Angevin Empire in 1154 xv

Europe and the Holy Land in the Twelfth Century xvi

England in the Twelfth Century xviii

[map of the Angevin Empire in 1154 removed]

[map of Europe and the Holy Land in the Twelfth Century removed]

[map of Richard I's route during the Third Crusade, 1190-1194 removed]

[map of Eleanor's journey, 1190-1191 removed]

[map of England in the Twelfth Century removed]

Preface

When, after completing several books on the late mediaeval and Tudor periods, I suggested writing a biography of Eleanor of Aquitaine, it was put to me that it would be impossible for a biographer to do justice to a woman who lived eight centuries ago: that so few of her utterances or letters have come down to us that I would never be able to bring her to life as a real person to whom my readers could relate.

It was a valid point, because for the earlier mediaeval period, the sources that so vividly illuminate the characters of the Tudors-- diplomatic reports, letters, memoirs, diaries, biographies-- rarely survive. And there is a perception, common among those who are more familiar with the later period, that such monkish chronicles as we do have are mostly credulous, biased, and ill informed. In some cases, this is indeed so, particularly in respect of the period covering the early years of Henry II's reign, for which there is a paucity of contemporary sources; but there are a considerable number of English chronicles of outstanding quality for the latter part of the twelfth century.

The twelfth century in general is readily accessible to us today because it was an age of burgeoning scholarship that is now regarded as the first Renaissance, an age that gave birth to a succession of outstanding and perceptive chroniclers, whose relatively objective accounts of the personalities and events of their times document a wealth of facts, detail, and contemporary opinion.

Many of these writers were eyewitnesses to the events they described; most were well-educated, intelligent men, who were familiar with the court and the great figures of their age. From the pages of their chronicles, as well as from other surviving records, it is possible to garner a considerable amount of material on Eleanor. It is true that there is a lot we still do not know about her-- for example, no description of her appearance survives-- and that monkish chroniclers in general did not consider women, even queens, sufficiently important to merit much space in their works; but her deeds speak for themselves, as do her surviving charters and letters. I make no apology for quoting two of those letters at length, as they give such insights into Eleanor's character, as well as her state of mind at the time they were written.

There is much that is controversial about Eleanor, yet a great deal of the evidence is independently corroborated by other sources, and while she sometimes remains tantalisingly elusive, due to gaps in that evidence, we know enough of the events surrounding her, and of what her contemporaries thought about her, to draw some conclusions.

We must nevertheless understand that most mediaeval chronicles were not written primarily as historical narratives or analyses, but as moral tales to illustrate the mysterious workings of God in the events of the time. Almost without exception, chroniclers expected their works to have an improving effect upon their own generation and later ones, which would benefit spiritually from the lessons to be learned from history.

Many chronicles, such as the
Chronicles of the Counts of Anjou
(dedicated to Henry II and containing a flattering and stirring account of his father, Count Geoffrey), also contain stimulating and popular accounts of mythical or legendary persons and their exploits, making little or no attempt to distinguish between fact and fiction. On occasion, such stories were even fabricated for the enjoyment and edification of a credulous public. Furthermore, there are discrepancies between accounts of real events in the works of different chroniclers, and these oblige the historian to seek corroboration from as many sources as possible, where others exist. Often, they do not, and a writer must then use his or her own judgement as to which, on balance, is the most reliable account-- never an easy decision, and one that must always take account of what may be inferred from circumstantial evidence. Where this has happened, I have explained in the text or in the notes how I arrived at my conclusions.

Eleanor has been a popular figure with historical biographers for many decades now, and people often react with enthusiasm when her name is mentioned. I realise that I am going to upset some with the theories put forward in this book, but I would point out that these theories have been arrived at only after extensive scrutiny of the evidence and much thought. I have deliberately avoided falling into the romantic mode of some earlier biographies, and have looked afresh at every controversial issue in Eleanor's life, in some cases taking a new approach.

Above all, I have derived great enjoyment from researching and writing this book, although I have to admit that it has felt more like a piece of detective work than a conventional historical biography. I hope that what emerges in the following pages is a credible and balanced account, stripped of the myths, suppositions, and misunderstandings that have obscured the real Eleanor of Aquitaine, in both the distant and the recent past.

Alison Weir

Carshalton, July 1999

Prologue: 18 May 1152

In the Romanesque cathedral of Poitiers a man and a woman stood before the high altar, exchanging wedding vows. It was a simple ceremony. The young man, aged nineteen, was stocky, with red hair, and restless with pent-up energy, knowing he was doing a daring thing. The woman, eleven years his senior and with long auburn locks, was exceptionally beautiful, very sophisticated, and a willing accomplice in this furtive ceremony.

Few would have guessed, from the lack of pomp and splendour, that the marriage of this couple was to change the face of Europe. Yet the bridegroom was Henry, later called Plantagenet, Count of Anjou and Duke of Normandy, who had already established a reputation as one of the most formidable princes in Europe. Not only did he hold strategically important domains in what is now France, but he was also the heir to his mother Matilda's claim to the kingdom of England-- a claim that few doubted he would prosecute successfully.

Now Henry of Anjou was about to extend his territories even farther, by marriage to one of the greatest heiresses of the Middle Ages. The woman who stood beside him was Eleanor, Duchess of Aquitaine and Countess of Poitou in her own right, and former Queen of France. Not only did she own most of the land between the Loire and the Pyrenees, but she was also renowned for her loveliness. In every way, she was a great prize for an aspiring ruler.

However, it was as well that Henry of Anjou was a young man of strong character, since his bride was also headstrong and wilful. Nor had she reached the age of thirty without acquiring a reputation for scandalous behaviour. Rumours of her affairs and unconventional conduct, both in France and abroad during the Second Crusade, were notorious throughout Christendom. Her marriage to Louis VII of France had recently been annulled, ostensibly on the grounds of consanguinity, but in reality because Eleanor had failed to produce a male heir. In those days, this would have been regarded as entirely the woman's fault, although Eleanor would have had good grounds for disagreeing with that. The evidence suggests, moreover, that it was she, and not Louis, who had been the prime mover in the dissolution of their marriage.

Henry of Anjou was prepared to overlook the shady details of his bride's past so long as he could secure her desirable person and, more important, her great inheritance. In marrying her, hastily and without any display of appropriate ceremonial, the young Duke was aware that both he and his bride were defying their common overlord, King Louis of France himself, for neither had sought his permission for their union, as was customary. Nor would it have been forthcoming had they done so, since even the saintly Louis would have foreseen the consequences of such a marriage. Through it, and Henry's subsequent accession to the English throne in 1154, was founded the vast Angevin empire, which comprised England and much of what is now France and stretched from the Scottish border to the Pyrenees. Such an empire would pose a deadly threat to the much smaller kingdom of France.

But when Louis VII found out about the marriage, it was too late: the pattern of western European diplomacy and warfare had been set for the next four centuries.

This is Eleanor's story.