Epic Historial Collection (160 page)

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“And my father died for that.”

“Even that turned sour. Most of those barons died in the fighting, and some of their sons did too. And the little lies we had told in this part of the country, to get your father killed, eventually came back to haunt us. Your mother cursed us, after the hanging, and she cursed us well. Prior James was destroyed by the knowledge of what he had done, as Remigius said at the nepotism trial. Percy Hamleigh died before the truth came out, but his son was hanged. And look at me: my act of perjury was thrown back at me almost fifty years later, and it ended my career.” Waleran was looking gray-faced and exhausted, as if his rigid self-control was a terrible strain. “We were all afraid of your mother, because we weren't sure what she knew. In the end it wasn't much at all, but it was enough.”

Jack felt as drained as Waleran appeared. At last he had learned the truth about his father, something he had wanted all his life. Now he could not feel angry or vengeful. He had never known his real father, but he had had Tom, who had given him the love of buildings which had been the second greatest passion of his life.

Jack stood up. The events were all too far in the past to make him weep. So much had happened since then, and most of it had been good.

He looked down at the old, sorry man sitting on the bench. Ironically, it was Waleran who was now suffering the bitterness of regret. Jack pitied him. How terrible, Jack thought, to be old and know that your life has been wasted. Waleran looked up, and their eyes met for the first time. Waleran flinched and turned away, as if his face had been slapped. For a moment Jack could read the other man's mind, and he realized that Waleran had seen the pity in his eyes.

And for Waleran, the pity of his enemies was the worst humiliation of all.

IV

Philip stood at the West Gate of the ancient Christian city of Canterbury, wearing the full, gorgeously-colored regalia of an English bishop, and carrying a jeweled crozier worth a king's ransom. It was pouring with rain.

He was sixty-six years of age, and the rain chilled his old bones. This was the last time he would venture so far from home. But he would not have missed this day for all the world. In a way, today's ceremony would crown his life's work.

It was three and a half years after the historic murder of Archbishop Thomas. In that short span of time the mystical cult of Thomas Becket had swept the world. Philip had had no idea of what he was starting when he led that small candlelit procession through the streets of Canterbury. The pope had made Thomas a saint with almost indecent speed. There was even a new order of monk-knights in the Holy Land called the Knights of Saint Thomas of Acre. King Henry had not been able to fight such a powerful popular movement. It was far too strong for any one individual to withstand.

For Philip, the importance of the whole phenomenon lay in what it demonstrated about the power of the State. The death of Thomas had shown that, in a conflict between the Church and the Crown, the monarch could always prevail by the use of brute force. But the cult of Saint Thomas proved that such a victory would always be a hollow one. The power of a king was not absolute, after all: it could be restrained by the will of the people. This change had taken place within Philip's lifetime. He had not merely witnessed it, he had helped to bring it about. And today's ceremony would commemorate that.

A stocky man with a large head was walking toward the city out of the mist of rain. He wore no boots or hat. At some distance behind him followed a large group of people on horseback.

The man was King Henry.

The crowd was as quiet as a funeral while the rain-drenched king walked through the mud to the city gate.

Philip stepped into the road, according to the prearranged plan, and walked in front of the barefoot king, leading the way to the cathedral. Henry followed with head bowed, his normally jaunty gait rigidly controlled, his posture a picture of penitence. Awestruck townspeople gazed on in silence as the king of England humbled himself before their eyes. The king's entourage followed at a distance.

Philip led him slowly through the cathedral gate. The mighty doors of the splendid church were open wide. They went in, a solemn procession of two people that was the culmination of the political crisis of the century. The nave was packed. The crowd parted to let them through. People spoke in whispers, stunned by the sight of the proudest king in Christendom, soaking wet, walking into church like a beggar.

They went slowly along the nave and down the steps into the crypt. There, beside the new tomb of the martyr, the monks of Canterbury were waiting, along with the greatest and most powerful bishops and abbots of the realm.

The king knelt on the floor.

His courtiers came into the crypt behind him. In front of everyone, Henry of England, second of that name, confessed his sins, and said he had been the unwitting cause of the murder of Saint Thomas.

When he had confessed he took off his cloak. Beneath it he wore a green tunic and a hair shirt. He knelt down again, bending his back.

The bishop of London flexed a cane.

The king was to be whipped.

He would get five strokes from each priest and three from each monk present. The strokes would be symbolic, of course: since there were eighty monks present a real beating from each of them would have killed him.

The bishop of London touched the king's back five times lightly with the cane. Then he turned and handed the cane to Philip, bishop of Kingsbridge.

Philip stepped forward to whip the king. He was glad he had lived to see this. After today, he thought, the world will never be quite the same.

I owe special thanks to

Jean Gimpel, Geoffrey Hindley,

Warren Hollister, and

Margaret Wade Labarge

for giving me the benefit

of their encyclopedic knowledge

of the Middle Ages.

I also thank Ian and Marjory Chapman

for patience, encouragement,

and inspiration.

World Without End

Dutton

DUTTON
Published by Penguin Group (USA) Inc.
375 Hudson Street, New York, New York 10014, U.S.A.

Penguin Group (Canada), 90 Eglinton Avenue East, Suite 700, Toronto, Ontario M4P 2Y3, Canada (a division of Pearson Penguin Canada Inc.); Penguin Books Ltd, 80 Strand, London WC2R 0RL, England; Penguin Ireland, 25 St Stephen's Green, Dublin 2, Ireland (a division of Penguin Books Ltd); Penguin Group (Australia), 250 Camberwell Road, Camberwell, Victoria 3124, Australia (a division of Pearson Australia Group Pty Ltd); Penguin Books India Pvt Ltd, 11 Community Centre, Panchsheel Park, New Delhi–110 017, India; Penguin Group (NZ), 67 Apollo Drive, Rosedale, North Shore 0632, New Zealand (a division of Pearson New Zealand Ltd.); Penguin Books (South Africa) (Pty) Ltd, 24 Sturdee Avenue, Rosebank, Johannesburg 2196, South Africa

Penguin Books Ltd, Registered Offices: 80 Strand, London WC2R 0RL, England

Published by Dutton, a member of Penguin Group (USA) Inc.

Copyright © 2007 by Ken Follett
All rights reserved

LIBRARY OF CONGRESS CATALOGING
-
IN
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PUBLICATION DATA
Follett, Ken.
World without end / Ken Follett.
p. cm.
ISBN: 978-1-1012-1198-4
1. Black Death—England—Fiction. 2. Great Britain—History—14th century—Fiction. I. Title.
PR6056.O45W67 2007
823'.914—dc22    2007026639

PUBLISHER
'
S NOTE

This book is a work of fiction. Names, characters, places, and incidents either are the product of the author's imagination or are used fictitiously, and any resemblance to actual persons, living or dead, business establishments, events, or locales is entirely coincidental.

Without limiting the rights under copyright reserved above, no part of this publication may be reproduced, stored in or introduced into a retrieval system, or transmitted, in any form, or by any means (electronic, mechanical, photocopying, recording, or otherwise), without the prior written permission of both the copyright owner and the above publisher of this book.

The scanning, uploading, and distribution of this book via the Internet or via any other means without the permission of the publisher is illegal and punishable by law. Please purchase only authorized electronic editions, and do not participate in or encourage electronic piracy of copyrighted materials. Your support of the author's rights is appreciated.

For Barbara

PART I
November 1, 1327
 

1

G
wenda was eight years old, but she was not afraid of the dark.

When she opened her eyes she could see nothing, but that was not what scared her. She knew where she was.

She was at Kingsbridge Priory, in the long stone building they called the hospital, lying on the floor in a bed of straw. Her mother lay next to her, and Gwenda could tell, by the warm milky smell, that Ma was feeding the new baby, who did not yet have a name. Beside Ma was Pa, and next to him Gwenda's older brother, Philemon, who was twelve.

The hospital was crowded, and though she could not see the other families lying along the floor, squashed together like sheep in a pen, she could smell the rank odor of their warm bodies. When dawn broke it would be All Hallows, a Sunday this year and therefore an especially holy day. By the same token the night before was All Hallows Eve, a dangerous time when evil spirits roamed freely. Hundreds of people had come to Kingsbridge from the surrounding villages, as Gwenda's family had, to spend Halloween in the sanctified precincts of the priory, and to attend the All Hallows service at daybreak.

Gwenda was wary of evil spirits, like every sensible person; but she was more scared of what she had to do during the service.

She stared into the gloom, trying not to think about what frightened her. She knew that the wall opposite her had an arched window. There was no glass—only the most important buildings had glass windows—but a linen blind kept out the cold autumn air. However, she could not even see a faint patch of gray where the window should be. She was glad. She did not want the morning to come.

She could see nothing, but there was plenty to listen to. The straw that covered the floor whispered constantly as people stirred and shifted in their sleep. A child cried out, as if woken by a dream, and was quickly silenced by a murmured endearment. Now and again someone spoke, uttering the half-formed words of sleep talk. Somewhere there was the sound of two people doing the thing parents did but never spoke of, the thing Gwenda called grunting because she had no other word for it.

Too soon, there was a light. At the eastern end of the long room, behind the altar, a monk came through the door carrying a single candle. He put the candle down on the altar, lit a taper from it, and went around touching the flame to the wall lamps, his long shadow reaching up the wall each time like a reflection, his taper meeting the shadow taper at the wick of the lamp.

The strengthening light illuminated rows of humped figures on the floor, wrapped in their drab cloaks or huddled up to their neighbors for warmth. Sick people occupied the cots near the altar, where they could get the maximum benefit from the holiness of the place. At the opposite end, a staircase led to the upper floor, where there were rooms for aristocratic visitors: the earl of Shiring was there now with some of his family.

The monk leaned over Gwenda to light the lamp above her head. He caught her eye and smiled. She studied his face in the shifting light of the flame and recognized him as Brother Godwyn. He was young and handsome, and last night he had spoken kindly to Philemon.

Beside Gwenda was another family from her village: Samuel, a prosperous peasant with a large landholding, and his wife and two sons, the youngest of whom, Wulfric, was an annoying six-year-old who thought that throwing acorns at girls then running away was the funniest thing in the world.

Gwenda's family was not prosperous. Her father had no land at all, and hired himself out as a laborer to anyone who would pay him. There was always work in the summer, but after the harvest was gathered in and the weather began to turn cold, the family often went hungry.

That was why Gwenda had to steal.

She imagined being caught: a strong hand grabbing her arm, holding her in an unbreakable grip while she wriggled helplessly; a deep, cruel voice saying, “Well, well, a little thief”; the pain and humiliation of a whipping; and then, worst of all, the agony and loss as her hand was chopped off.

Her father had suffered this punishment. At the end of his left arm was a hideous wrinkled stump. He managed well with one hand—he could use a shovel, saddle a horse, and even make a net to catch birds—but all the same he was always the last laborer to be hired in the spring, and the first to be laid off in the autumn. He could never leave the village and seek work elsewhere, because the amputation marked him as a thief, so that people would refuse to hire him. When traveling, he tied a stuffed glove to the stump, to avoid being shunned by every stranger he met; but that did not fool people for long.

Gwenda had not witnessed Pa's punishment—it had happened before she was born—but she had often imagined it, and now she could not help thinking about the same thing happening to her. In her mind she saw the blade of the axe coming down on her wrist, slicing through her skin and her bones, and severing her hand from her arm, so that it could never be reattached; and she had to clamp her teeth together to keep from screaming out loud.

People were standing up, stretching and yawning and rubbing their faces. Gwenda got up and shook out her clothes. All her garments had previously belonged to her older brother. She wore a woolen shift that came down to her knees and a tunic over it, gathered at the waist with a belt made of hemp cord. Her shoes had once been laced, but the eyelets were torn and the laces gone, and she tied them to her feet with plaited straw. When she had tucked her hair into a cap made of squirrel tails, she had finished dressing.

She caught her father's eye, and he pointed surreptitiously to a family across the way, a couple in middle age with two sons a little older than Gwenda. The man was short and slight, with a curly red beard. He was buckling on a sword, which meant he was a man-at-arms or a knight: ordinary people were not allowed to wear swords. His wife was a thin woman with a brisk manner and a grumpy face. As Gwenda scrutinized them, Brother Godwyn nodded respectfully and said: “Good morning, Sir Gerald, Lady Maud.”

Gwenda saw what had attracted her father's notice. Sir Gerald had a purse attached to his belt by a leather thong. The purse bulged. It looked as if it contained several hundred of the small, thin silver pennies, halfpennies, and farthings that were the English currency—as much money as Pa could earn in a year if he had been able to find employment. It would be more than enough to feed the family until the spring plowing. The purse might even contain a few foreign gold coins, florins from Florence or ducats from Venice.

Gwenda had a small knife in a wooden sheath hanging from a cord around her neck. The sharp blade would quickly cut the thong and cause the fat purse to fall into her small hand—unless Sir Gerald felt something strange and grabbed her before she could do the deed…

Godwyn raised his voice over the rumble of talk. “For the love of Christ, who teaches us charity, breakfast will be provided after the All Hallows service,” he said. “Meanwhile, there is pure drinking water in the courtyard fountain. Please remember to use the latrines outside—no pissing indoors!”

The monks and nuns were strict about cleanliness. Last night, Godwyn had caught a six-year-old boy peeing in a corner, and had expelled the whole family. Unless they had a penny for a tavern, they would have had to spend the cold October night shivering on the stone floor of the cathedral's north porch. There was also a ban on animals. Gwenda's three-legged dog, Hop, had been banished. She wondered where he had spent the night.

When all the lamps were lit, Godwyn opened the big wooden door to the outside. The night air bit sharply at Gwenda's ears and the tip of her nose. The overnight guests pulled their coats around them and began to shuffle out. When Sir Gerald and his family moved off, Pa and Ma fell into line behind them, and Gwenda and Philemon followed suit.

Philemon had done the stealing until now, but yesterday he had almost been caught, at Kingsbridge Market. He had palmed a small jar of expensive oil from the booth of an Italian merchant, then he had dropped the jar, so that everyone saw it. Mercifully, it had not broken when it hit the ground. He had been forced to pretend that he had accidentally knocked it off the stall.

Until recently Philemon had been small and unobtrusive, like Gwenda, but in the last year he had grown several inches, developed a deep voice, and become awkward and clumsy, as if he could not get used to his new, larger body. Last night, after the incident with the jar of oil, Pa had announced that Philemon was now too big for serious thieving, and henceforth it was Gwenda's job.

That was why she had lain awake for so much of the night.

Philemon's name was really Holger. When he was ten years old, he had decided he was going to be a monk, so he told everyone he had changed his name to Philemon, which sounded more religious. Surprisingly, most people had gone along with his wish, though Ma and Pa still called him Holger.

They passed through the door and saw two lines of shivering nuns holding burning torches to light the pathway from the hospital to the great west door of Kingsbridge Cathedral. Shadows flickered at the edges of the torchlight, as if the imps and hobgoblins of the night were cavorting just out of sight, kept at a distance only by the sanctity of the nuns.

Gwenda half expected to see Hop waiting outside, but he was not there. Perhaps he had found somewhere warm to sleep. As they walked to the church, Pa made sure they stayed close to Sir Gerald. From behind, someone tugged painfully at Gwenda's hair. She squealed, thinking it was a goblin; but when she turned she saw Wulfric, her six-year-old neighbor. He darted out of her reach, laughing. Then his father growled: “Behave!” and smacked his head, and the little boy began to cry.

The vast church was a shapeless mass towering above the huddled crowd. Only the lowest parts were distinct, arches and mullions picked out in orange and red by the uncertain torchlight. The procession slowed as it approached the cathedral entrance, and Gwenda could see a group of townspeople coming from the opposite direction. There were hundreds of them, Gwenda thought, maybe thousands, although she was not sure how many people made a thousand, for she could not count that high.

The crowd inched through the vestibule. The restless light of the torches fell on the sculpted figures around the walls, making them dance madly. At the lowest level were demons and monsters. Gwenda stared uneasily at dragons and griffins, a bear with a man's head, a dog with two bodies and one muzzle. Some of the demons struggled with humans: a devil put a noose around a man's neck, a foxlike monster dragged a woman by her hair, an eagle with hands speared a naked man. Above these scenes the saints stood in a row under sheltering canopies; over them the apostles sat on thrones; then, in the arch over the main door, St. Peter with his key and St. Paul with a scroll looked adoringly upward at Jesus Christ.

Gwenda knew that Jesus was telling her not to sin, or she would be tortured by demons; but humans frightened her more than demons. If she failed to steal Sir Gerald's purse, she would be whipped by her father. Worse, there would be nothing for the family to eat but soup made with acorns. She and Philemon would be hungry for weeks on end. Ma's breasts would dry up, and the new baby would die, as the last two had. Pa would disappear for days, and come back with nothing for the pot but a scrawny heron or a couple of squirrels. Being hungry was worse than being whipped—it hurt longer.

She had been taught to pilfer at a young age: an apple from a stall, a new-laid egg from under a neighbor's hen, a knife dropped carelessly on a tavern table by a drunk. But stealing money was different. If she were caught robbing Sir Gerald, it would be no use bursting into tears and hoping to be treated as a naughty child, as she had once after thieving a pair of dainty leather shoes from a softhearted nun. Cutting the strings of a knight's purse was no childish peccadillo, it was a real grown-up crime, and she would be treated accordingly.

She tried not to think about it. She was small and nimble and quick, and she would take the purse stealthily, like a ghost—provided she could keep from trembling.

The wide church was already thronged with people. In the side aisles, hooded monks held torches that cast a restless red glow. The marching pillars of the nave reached up into darkness. Gwenda stayed close to Sir Gerald as the crowd pushed forward toward the altar. The red-bearded knight and his thin wife did not notice her. Their two boys paid no more attention to her than to the stone walls of the cathedral. Gwenda's family fell back and she lost sight of them.

The nave filled up quickly. Gwenda had never seen so many people in one place: it was busier than the cathedral green on market day. People greeted one another cheerfully, feeling safe from evil spirits in this holy place, and the sound of all their conversations mounted to a roar.

Then the bell tolled, and they fell silent.

Sir Gerald was standing by a family from the town. They all wore cloaks of fine cloth, so they were probably rich wool dealers. Next to the knight stood a girl about ten years old. Gwenda stood behind Sir Gerald and the girl. She tried to make herself inconspicuous but, to her dismay, the girl looked at her and smiled reassuringly, as if to tell her not to be frightened.

Around the edges of the crowd the monks extinguished their torches, one by one, until the great church was in utter darkness.

Gwenda wondered if the rich girl would remember her later. She had not merely glanced at Gwenda then ignored her, as most people did. She had noticed her, had thought about her, had anticipated that she might be scared, and had given her a friendly smile. But there were hundreds of children in the cathedral. She could not have got a very clear impression of Gwenda's features in the dim light…could she? Gwenda tried to put the worry out of her mind.

BOOK: Epic Historial Collection
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