Authors: Cynthia Leitich Smith
This is a work of fiction. Names, characters, places, and incidents are either products of the author’s imagination or, if real, are used fictitiously.
Copyright © 2009 by Cynthia Leitich Smith
Cover photograph copyright © 2009 by David McLain/Getty Images
All rights reserved. No part of this book may be reproduced, transmitted, or stored in an information retrieval system in any form or by any means, graphic, electronic, or mechanical, including photocopying, taping, and recording, without prior written permission from the publisher.
First electronic edition 2010
The Library of Congress has cataloged the hardcover edition as follows:
Smith, Cynthia Leitich.
Eternal / Cynthia Leitich Smith. — 1st ed.
Summary: When Miranda’s guardian angel, Zachary, recklessly saves her from falling into an open grave and dying, the result is that she turns into a vampire and he is left to try to reinstate his reputation by finally doing the right thing.
ISBN 978-0-7636-3573-2 (hardcover)
[1. Vampires — Fiction. 2. Guardian angels — Fiction. 3. Angels — Fiction.]
[Fic] — dc22 2008027658
ISBN 978-0-7636-4773-5 (paperback)
ISBN 978-0-7636-5153-4 (electronic)
99 Dover Street
Somerville, Massachusetts 02144
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I MAY BE HEAVEN-SENT
, but I’m not perfect.
I watch my girl slip the oversize Dallas Cowboys T-shirt over her pink bikini panties and turn in for the night.
That sounds perverted, I know. But I’ve always watched her dress, undress, shower, and bathe.
Then there was that one blessed weekend last August when the air conditioner broke. She spent a full day in bed buck naked, reading Tolkien under the ceiling fan.
It’s not like I
look. Not usually.
What’s more, it’s my job to keep an eye on her 24/7.
I’m Miranda’s guardian angel (GA for short). A newbie created after the first atomic blast in 1945.
Miranda is my second assignment and my reason for being. Not that she has clue one. She can’t even see me. Nobody can unless I choose to show myself. That’s a no-no. We GAs have our limits. Sure, we help out when we can, but not in any way that’s clearly detectable . . . or at least traceable (I’m known to push the limits now and then).
Night after night, I watch her sleep. She’s restless. Always restless. I’m forever rearranging the sheets so her legs don’t get tangled. Otherwise, she’ll wake up.
She doesn’t get enough rest as it is. She worries about little mistakes. Or what she frets are mistakes. What other people think of her. What will happen next.
All humans do. I wish they could glimpse infinity. It would make glitches like a C in algebra or a nitpicking parent or being ignored by The Guy feel a whole lot less fatal.
I would love to talk to Miranda. To tell her that.
She woke up crying twice last year around the time of her parents’ divorce. I don’t know what she dreams about. I’ve heard that older angels can tap into the mind. Sounds tempting, right? But I wouldn’t do that. Or at least I can’t.
I’m already so here. Miranda deserves her own mental space.
This is her physical space, though. My fave place on terra firma.
Since she’s sound asleep, I risk assuming solid form on a denim beanbag chair, taking it in. Four cream-colored walls, two windows, eight-foot ceilings, outdated gold shag. A twin bed, desk set, tall cedar dresser, and hope chest. The blanket her grandma knitted. The stuffed toy penguin from SeaWorld. The poster of the earth that reads:
HOME, SWEET HOME
Here, I can see the little girl she was. The woman she’s turning into.
Miranda began wearing bras like the one hanging off the back of her desk chair in fifth grade. She gave up on the third of her fuzzy pink diaries that same year.
One wall is covered by a bookcase. She reads paperbacks mostly. Lots of series titles. One shelf is jammed full of acting and theater books. The library stack on the desk waits to be returned. The college information packet beside it is from the University of North Texas. The cell phone next to her PC hasn’t worked since it went through the wash last weekend.
Beside it rest copies of
A Tale of Two Cities
Romeo and Juliet.
Dickens is assigned reading, but Shakespeare is Miranda’s ticket to her dream. Today’s date is circled in red on the Narnia calendar. Spring-play auditions are this afternoon. My girl is so shy. I’m surprised she signed up.
Mr. Nesbit is taking a drink of water from the bottle attached to his cage. He’s good company, for a gerbil.
I dissolve again so I don’t have to wiggle up from the beanbag. It’s time to check on Miranda. To breathe in her lemongrass body wash. To study her heart-shaped face. It’s something I do almost as often as humans blink.
This time is different. Horrific. I recoil, looking for another explanation. But the ladybug nightlight is still on. The nearly full moon hasn’t been eclipsed.
A smoky gray film swirls around Miranda. It clings to her. It twists into long-fingered hands, caressing her cheeks, pawing at her slim neck and shoulders. It lengthens into a translucent sheet, covering her body, sliding up over her head.
It’s wrong. It has to be. But I’ve seen it before.
My girl is sleeping in the shadow of Death.
EITHER MY HOUSE IS HAUNTED
or my beanbag is possessed. Or maybe they’re the same thing, haunting and possession. I’ll have to ask my best friend, Lucy. She’ll know. Whichever it may be, I swear the denim lump changes shape as I sleep. This morning it’s definitely mushier in the middle than it was last night.
“Miranda!” Mom calls. “You’re going to be late for school.”
As if I don’t know that. I grab my black mesh backpack and try to sneak through the foyer and living-dining room, past the kitchen, calling, “Bye!” only to be intercepted by Mom in front of the pantry.
She’s wrapped in a thick white robe, her dark hair twisted in a knot. By now, she’s usually dressed and ready to sell cosmetics. “You’re not eating breakfast?”
I can smell the turkey bacon and burnt toast. I remind myself that Mom tries.
“I don’t want you stuffing your face with cookies at school,” Mom goes on. “You know how chocolate —”
“My skin is fine.” Not flawless, but I’m by no means the “before shot” in the acne commercial. I make a show of checking my watch. “I have to pick up Lucy and —”
“This came yesterday.” Mom holds up a postcard, cutting me off. “From your father.”
I suppress a sigh, unable to resist taking a look.
Greetings from Alaska!
He’s on a luxury cruise. It’s news to me, but that’s no surprise. He quickly became an every-other-holiday dad, not an every-other-holiday-and-every-other-weekend dad. Because of his job. Because he has to travel. Because he’s starting over in his new life.
“He didn’t write this,” I say before realizing I should’ve kept my mouth shut.
Mom puts her hands on her hips. “It’s a woman’s handwriting.”
She’s right. The letters are big and loopy
(Wish you were here),
nothing like Dad’s businesslike, slanted scribble. Mom must’ve stewed over the postcard all night.
They’re divorced, my parents. It’s been final for a while. He’s allowed, I guess, to go out with someone else. Still, this is new for us. I always assumed Mom would start dating first, that she’d need the attention. Apparently this morning she needs me.
For the first time, I realize we’re the same height now, my mother and me. To cheer her up, I share news that I’d intended to keep a secret. “I’m auditioning for the school play today:
Romeo and Juliet.
” As her expression predictably transforms from pinched to rapturous, I open the door to the garage. “It’s not a big deal.”
“That’s . . . It’s wonderful!” She clasps her hands together. “You see, I knew you didn’t need a shrink!”
It takes me a moment to process that. “You were going to send me to a shrink?” Dad mentioned it once during their separation, but more in an in-case-you-need-someone-to-talk-to kind of way. Not like I was some kind of loser/freak.