Facing the Tank (31 page)
Authors: Patrick Gale
Notes From An Exhibition
Patrick Gale
When troubled artist Rachel Kelly dies painting obsessively in her attic studio in Penzance, her saintly husband and adult children have more than the usual mess to clear up. She leaves behind an extraordinary and acclaimed body of work – but she also leaves a legacy of secrets and emotional damage it will take months to unravel.
A wondrous, monstrous creature, she exerts a power that outlives her. To her children she is both curse and blessing, though they all in one way or another reap her whirlwind, inheriting her waywardness, her power of loving – and her demons…Only their father’s Quaker gifts of stillness and resilience give them any chance of withstanding her destructive influence and the suspicion that they came a poor second to the creation of her art.
The reader becomes a detective, piecing together the clues of a life – as artist, lover, mother, wife and patient – which takes them from contemporary Penzance to 1960s Toronto to St Ives in the 1970s. What emerges is a story of enduring love, and of a family which weathers tragedy, mental illness and the intolerable strain of living with genius.
Patrick Gale’s latest novel shines with intelligence, humour and tenderness.
A Perfectly Good Man
Patrick Gale
‘Do you need me to pray for you now for a specific reason?’
‘I’m going to die.’
We’re all going to die. Does dying frighten you?’
‘I mean I’m going to kill myself.
When 20–year–old Lenny Barnes, paralysed in a rugby accident, commits suicide in the presence of Barnaby Johnson, the much–loved priest of a West Cornwall parish, the tragedy’s reverberations open up the fault–lines between Barnaby and his nearest and dearest. The personal stories of his wife, children and lover illuminate Barnaby’s ostensibly happy life, and the gulfs of unspoken sadness that separate them all. Across this web of relations scuttles Barnaby’s repellent nemesis – a man as wicked as his prey is virtuous.
Returning us to the rugged Cornish landscape of Notes from an Exhibition, Patrick Gale lays bare the lives and the thoughts of a whole community and asks us: what does it mean to be good?
The Whole Day Through
Patrick Gale
When forty–something Laura Lewis is obliged to abandon a life of stylish independence in Paris to care for her elderly mother in Winchester, it seems all romantic opportunities have gone up in smoke. Then she runs into Ben, the great love of her student days – and, as she only now dares admit, the emotional touchstone against which she has judged every man since. She’s cautious – and he’s married – but they can’t deny that feelings still exist between them.
Are they brave enough to take the second chance at the lasting happiness that fate has offered them? Or will they be defeated by the need to do what seems to be the right thing?
Taking its structure from the events of a single summer’s day, The Whole Day Through is a bittersweet love story, shot through with an understanding of mortality, memory and the difficulty of being good. In it, Patrick Gale writes with scrupulous candour about the tests of love: the regrets and the triumphs, and the melancholy of failing.
The Whole Day Through is vintage Gale, displaying the same combination of wit, tenderness and acute psychological observation as his Richard & Judy bestseller Notes From an Exhibition.
Facts of Life
Patrick Gale
A young composer, Edward Pepper, is exiled from his native Germany by the war, struck down with TB, and left to languish in an isolation hospital. But then he falls in love with his doctor, Sally Banks, and his world is transformed. They set up home in a bizarre dodecahedral folly, The Roundel – a potent place, which grows in significance as it bears witness to their family’s tragedies and joys. The years pass, and Edward watches from this sanctuary as both his grandchildren, Jamie and Alison, fall prey to the charms of Sam, an enigmatic builder, and have to come to terms with some of the tougher facts of life.
Rough Music
Patrick Gale
Julian is enjoying the perfect childhood holiday on a Cornish beach when glamorous American cousins arrive unexpectedly to swell the party. Emotions soon run high and events spiral out of control, with tragic consequences. Though he has been brought up in the forbidding shadow of the prison his father runs, and though his parents are neither as normal nor as happy as he supposes, Julian’s world view is the sunnily selfish, accepting one of boyhood. It is only when he becomes a man – seemingly at ease with love, with his sexuality, with his ghosts – that the traumatic effects of that distant summer rise up to challenge his defiant assertion that he is happy and always has been.
This is a remarkable, wholly recognizable story of the lies which adults tell, and of the little acts of treason which a child can commit, a compassionate portrayal of the merciful tricks of memory and the courage with which we continue to assert our belief in love and happiness.
