Flaunt It: Paolo's Playhouse (7 page)

BOOK: Flaunt It: Paolo's Playhouse
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I’d still been timid fourteen days ago. That night, I’d drawn open the heavy curtain, but left the thin sheers closed. My heart had pounded against my ribs as I stripped down to my fancy black satin underwear to the rhythm of a salsa beat. I’d nervously stayed in the shadows that night, but I could have just as well been under a spotlight. It hadn’t mattered. There’d been no sliver of light to betray the movement of a curtain. Nobody saw me.

Day by day, I grew bolder.

Tonight, I step up to the curtains and yank them open without a second thought. Darkness has fallen. The lights are still on behind me. If anyone looks out, will they see more than my silhouette behind the sheers? Can they see the red silk that hugs my body? The heels that make me stand tall and thrust my breasts out?

I can’t see out into the darkness and at this moment, I really don’t care.

The throaty cry of the saxophone sends shivers up my spine and I slowly unknot the sash at my waist. I slide the narrow strip of silk through my fingers as the dress gradually parts. Although I know no one sees me, I imagine someone’s dark eyes staring at me out of the shadows. He’s looking at my cleavage laid bare by the parting red silk. The dress slides open and my nipples prickle as the fabric glides across their sensitive tips.

Can he see them, this imaginary man watching me? Can he see my nipples tighten and poke against the fabric as it catches on their tips? In my mind he can see it all. I spread my arms wide and the dress floats to each side, revealing my pushed-up breasts, my exposed stomach, my barely-there panties, my long bare legs.

I’m still moving my hips to the beat of the music. Still feeding off the heavy bass and the soaring brass. When I roll my shoulders, the open dress falls back. It can’t slide too far down my body because the tight sleeves halt the fall of the fabric. The sensual sway of the melody, like the sway of the dress, feeds the need building inside me.

The need to move. The need to be seen.

I can almost feel his eyes on me, this imaginary voyeur. His hungry gaze lingers on my tight nipples peeking up above the bra, then sweeps down my body, zeroing in on the spot between my legs. Can he tell I’m wet? Are my panties darker between my legs? My hand drifts down and I cup my sex, sliding my palm along the damp silk. I press tightly against my pussy and feel the heat on my hand.

The dress is in the way now. I need to be free. I grab the edge of one sleeve and tug, dragging it down my arm until I finally pull it off. My skin is sweaty and the last sleeve sticks, clinging as if it doesn’t want to let go, as if it wants to keep me bound in the red silk forever

But soon I’m free and I begin to strut around the room to the beat of the music, the dress hanging from my hand, sweeping the floor behind me.

Is he watching? Does he see me? I toss away the dress and tear open the sheers. My reflection stares back at me in the wide expanse of glass, my eyes wide, my bra and panties dark against my pale skin. Is anyone out there?

See me!
I want to scream.
I dare you to see me!

I open the sliding glass door as far as it will go, then step into the opening. A slight breeze brushes against my sweat-slicked skin. The sax is crying through the speakers. I grab onto the door jamb and the edge of the door, arch my back and toss my head as the saxophone hits the high note. My body is crying too. For a touch. For a taste.

I brush my fingers lightly up my arm, across my shoulder, tickling the skin and sending shivers of awareness raining along the surface. I catch the bra strap with my finger and slide it off my shoulder. Then I do the same with the other side. The straps brush against my upper arms like the tips of teasing fingers. I leave the bra in place for a moment while I cup my breasts in my hands and roughly tease my aching nipples with my thumbs and forefingers. Flames of arousal lick my skin and I struggle not to tear the bra off my body. Instead, I focus on the music, match my movements with the sensual rhythm of the blues and continue to move.

The vocals burn into my brain as the music steers my body. Lyrics of longing and loss, of need and sorrow, of searching and wandering. I sway to the music there in the doorway of my tiny balcony, in full view of anyone else craving more than this solitary existence.

Or am I the only one?

I reach behind me slowly and unhook the bra as I imagine that nameless, faceless lover watching my performance. His mouth waters. His palms itch. His cock aches with need. He can’t take his eyes off of me. He thinks I’m doing this show just for him.

Since he’s invisible too, I don’t have to tell him, as the bra slides off my arms and hits the floor, that I’m doing it for myself. It’s the only thing that makes me feel alive. My pussy twitches in expectation. I’ve had enough teasing. Enough yearning.

I step out onto the tiny balcony and lean back against the cool glass. The curtains of all the apartments facing me are still drawn tight. My eyes drift shut and I can feel the fingers stroking my skin. I sway slightly from side to side in time with the music, then sweep my hands up over my stomach and gather my breasts in my palms. They seem to swell beneath the kneading strokes. My nipples are even needier than before and I almost cry out when the fingers pull and pinch them.

My pussy throbs, need pulsing through my body in time with the drum beat that anchors the melody in the background. I drop my head back against the glass, hitting the large plastic clasp that holds my hair up. I reluctantly let go of my breasts, reach up and release my hair. My dark curls swirl around my shoulders. I drop the clip to the floor and open my eyes in time to see it bounce and slide through a space in the narrow, black, wrought iron railing.

As I glance up from where my hair clip disappeared, I notice the light is on now in the apartment directly across the courtyard from mine. I freeze when I think I see the curtain move slightly. But I realize I don’t really care if someone actually is watching. In fact, my heart races and my body becomes even more alive at the thought that someone might be. The curtains don’t move again, if they ever had to begin with.

Flaunt It

 

 

 

Natasha Moore

 

 

 

 

He’ll put her on display, if that’s what it takes to keep her…

 

Paolo’s Playhouse, Book 1

When it comes to sexy and sassy, Piper, the most popular waitress at Ben’s bar, has it all going on. Now that they’re dating, though, Ben wishes she’d dial down the skimpy clothes and flirty attitude, and her habit of dancing around the bar and flashing to her favorite song. Every teasing peek at her body, every laugh at some customer’s lousy joke, is certainly good for business—but it sends his jealousy meter into the red zone.
 

They’re dating, sure, but he’s no muscled, tattooed stud with diamonds in his ears. How can he compete, especially when she refuses to even spend the night at his place?
 

Desperate, Ben books a room at his friend Paolo’s fantasy club, hoping an erotic night in front of a two-way mirror will get her exhibitionist streak out of her system. Praying it won’t prove his greatest fears—that she lives only to show off. And he’s not that special to her at all…

 

Warning: Flirting and pole dancing, hot sex and showing off for an invisible audience. Stop by the playhouse and live out your fantasies!
 

eBooks are
not
transferable.

They cannot be sold, shared or given away as it is an infringement on the copyright of this work.

 

This book is a work of fiction. The names, characters, places, and incidents are products of the writer’s imagination or have been used fictitiously and are not to be construed as real. Any resemblance to persons, living or dead, actual events, locale or organizations is entirely coincidental.

 

Samhain Publishing, Ltd.

577 Mulberry Street, Suite 1520

Macon GA 31201

 

Flaunt It

Copyright © 2011 by Natasha Moore

ISBN: 978-1-60928-388-9

Edited by Sue Ellen Gower

Cover by Scott Carpenter

 

All Rights Are Reserved. No part of this book may be used or reproduced in any manner whatsoever without written permission, except in the case of brief quotations embodied in critical articles and reviews.

 

First
Samhain Publishing, Ltd.
electronic publication: August 2011

www.samhainpublishing.com

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