Framingham Legends & Lore

Published by The History Press

Charleston, SC 29403

www.historypress.net

Copyright © 2009 by James L. Parr and Kevin A. Swope

All rights reserved

All images courtesy of the Framingham Historical Society and Museum unless otherwise noted.

Cover design by Natasha Momberger

First published 2009

e-book edition 2013

Manufactured in the United States

ISBN 978.1.62584.263.3

Library of Congress Cataloging-in-Publication Data

Parr, James, 1959-

Framingham legends and lore / James Parr and Kevin A. Swope.

p. cm.

Includes bibliographical references and index.

print edition ISBN 978-1-59629-565-0

1. Framingham (Mass.)--History. 2. Framingham (Mass.)--Biography. I. Swope, Kevin A. II. Title.

F74.F8P37 2008

974.4'4--dc22

2008042659

Notice
: The information in this book is true and complete to the best of our knowledge. It is offered without guarantee on the part of the author or The History Press. The author and The History Press disclaim all liability in connection with the use of this book.

All rights reserved. No part of this book may be reproduced or transmitted in any form whatsoever without prior written permission from the publisher except in the case of brief quotations embodied in critical articles and reviews.

CONTENTS

Preface: Out of the Muck of the Past

Chapter One. Native Americans and English: Frontier Life in Framingham

Chapter Two. Witches, Pirates and Speculators: Framingham Becomes a Town

Chapter Three. Rebels, Rioters and Spies: Framingham in the American Revolution

Chapter Four. Thunder Sent from Heaven

Chapter Five. Merchants and Abolitionists: Framingham in the Nineteenth Century

Chapter Six. Reform and Recreation: Framingham in the Victorian Era

Chapter Seven. Framingham in the Twentieth Century

Afterword

Bibliography

About the Authors

Preface

OUT OF THE MUCK OF THE PAST

In Woody Allen's 1983 comedy
Zelig
, the main character Leonard Zelig possesses an abnormal psychological condition that allows him to transform his unassuming appearance to match the people around him. Zelig uses this unusual ability to enter the inner circle of celebrities and politicians of the 1920s and 1930s and, in mock documentary style, the film chronicles Zelig's presence in some of the most important events of the time. We see Leonard mugging with Presidents Coolidge and Hoover, carousing with Charlie Chaplin, waiting in the on-deck circle while Babe Ruth takes his turn at the plate and waving frantically behind Hitler as he gives a fiery speech.

Framingham could be said to be the Zelig of American towns: never the main character or setting, but popping up again and again in the background of our nation's most historic episodes. Casual students of American history are not likely to learn about Framingham's connection to such events as the Salem witch trials, Boston Massacre, Battle of Bunker Hill, the antislavery movement or World War II. How many daily commuters on Framingham roads passing by the buildings, homes and neighborhoods in town are aware of the roles those sites played in the military, social and industrial history of America?

Only a careful reading of our town's historical narratives would familiarize one with the visits to Framingham by Paul Revere, John Adams, Henry Knox, Henry David Thoreau, Stephen Douglas, Sojourner Truth, Milton Berle, Bob Hope, Helen Keller, Douglas MacArthur and many others. Patriots, abolitionists, reformers, poets, entertainers, soldiers, inventors and politicians have all come to Framingham, leaving behind a tale that still has the power to fascinate, educate and entertain. Many of these stories, like the treasure believed to lie at the bottom of a Framingham pond, have been buried and forgotten about for many years. Having uncovered these treasures, it is our intent to shine them up and share them with new generations of readers.

We would like to extend our thanks to our colleagues at the Framingham Historical Society and Museum, Dana Dauterman Ricciardi, Jane Whiting, Fred Wallace and Annie Murphy; Saunders Robinson and The History Press for expressing their enthusiastic support for a different kind of history of Framingham; the reference staff at the Framingham Public Library; Arthur B. House Jr. and the staff at the National Archives and Records Administration in Washington, D.C., for providing a copy of the court-martial record of Lothrop White; Bacson, Inc. of Framingham; Edward P. Barry for his photography; Carl J. Loftesness for sharing his photos and stories of Camp Framingham; John G. Swope; Cara Lawrence; and Vin Cannato.

I would also like to extend my personal gratitude to my wife, Christine, who heard about the whole width and breadth of the history of Framingham without complaint and was always ready to read drafts and offer criticism when warranted; and finally, to my son Andrew, who showed up halfway through the writing of this book and, by being the most perfect baby ever, enabled his dad to finish it (almost) on time.

Kevin A. Swope

Chapter One

NATIVE AMERICANS AND ENGLISH

Frontier Life in Framingham

T
HE
L
EGEND OF
H
OUSE
R
OCK

A young boy in the 1820s was fascinated by a natural rock formation not far from his father's house on the Worcester Turnpike in the western end of Framingham. There were two enormous slabs of granite about thirty feet long—one twelve feet high and five feet thick, the other seven feet high and four feet thick—leaning one atop the other at a forty-five-degree angle like the attic story of a house. The interior, five and a half feet tall at its peak, was blackened by countless fires over the years. Even then Native Americans from nearby Natick were known to shelter there for days at a time in the early summer while cutting white ash and walnut trees for use in making baskets. House Rock, as it was known, was just the sort of thing to capture the imagination of a young boy, as he thought of all the Indians who must have stayed there in the time before the English came.

The boy grew up to become the Reverend Josiah H. Temple, author of a history of Framingham published in 1887, when he was seventy-two years old. In that eight-hundred-page work, he devotes a dispassionate paragraph to describing his childhood playground of House Rock. In the absolutely authoritative tone that seemingly only a Victorian historian could muster, he scientifically lists the dimensions of the rock, precisely describing its appearance and suggesting its possible use by the Indians. One thing Temple left out of his scholarly account was its role as inspiration to the twenty-five-year-old author of “The Legend of House Rock,” written in 1840. Perhaps this was an act of modesty on his part, since Temple himself wrote the short story.

The Reverend Josiah H. Temple, the author of “The Legend of House Rock.”

Although clearly by the same man, the earlier work was written in a much more romantic voice. In it the narrator describes a band of Indians who came to House Rock every winter and stayed until the warmer weather arrived. Eventually the band had dwindled down to just one member, an old man named Nehoman. One day while out walking, the narrator encountered the solitary Nehoman, who related the tale of his people. Years earlier, Nehoman and his fellow Nipmuc warriors had attacked a band of Pequot, killing their leader. They waited and waited for the Pequot to exact the revenge for which they were known. But it never came, and the years went by peacefully. One winter while staying at House Rock, the men went out hunting and were forced to travel farther and farther away from their wives and children in order to find food. When they finally returned a month later, they were shocked and saddened to discover that a sickness had swept through the little settlement at House Rock, taking all of the children except one. The lone survivor was a young girl of twelve named Omena. A long, sad winter followed, but as the chilly winds faded and spring began to return to the land, the small group became more hopeful. Omena became a symbol of their survival and their future. She was loved and respected by all the tribe members, and her presence gave them courage and comfort. One day while preparing to depart House Rock for their summer home, Nehoman sent Omena down to the brook to pick some water plants. After a long time had gone by and the young girl had not returned, Nehoman rushed down to the brook, where he saw that his worst fears had been realized. There lay Omena, killed by an arrow, a Pequot bow and tomahawk on the ground next to her—left as a sign that the Pequot had finally gotten their revenge. The Nipmuc buried Omena under a stand of birch trees, and that very night they heard her voice whispering to them to “leave the Rock quickly; it must be our shelter no longer.” At that point, the narrator relates, Nehoman looked as though he would cry, but no tears came. The old warrior then stood up and left House Rock for the last time, never to return.

The actual story of what happened to Framingham's Native Americans perhaps lacks the poetry of Temple's story, but it is no less compelling and, in the end, may be just as poignant.

F
RAMINGHAM
'
S
F
IRST
R
ESIDENTS

The first human inhabitants arrived in what we now know as Framingham as early as 10,000 BCE. While archaeological evidence in the form of stone tools confirms their presence, little else can be definitely said about them. We do know that the area continued to be at least a seasonal home for Native Americans until the beginning of the 1600s. The land proved a rich and nurturing environment—its ponds teemed with eel, its streams with shad and alewife, while its hills provided quartz and quartzite deposits for making tools, its plains supplied rich soil to grow corn and its forests offered game to hunt.

We often think of the first European visitors to New England encountering what was essentially an untamed wilderness. This was not really true. While the tribes that populated the Northeast did not build cities like the Aztec, Maya or Inca civilizations of Central and South America, or even the mound-building societies of the American Midwest, they nonetheless left their own indelible imprint upon the land. This was true of the Native Americans who inhabited Framingham as well.