Get in Trouble: Stories (12 page)

Billie feels she ought to say something. “You must have a lot of money,” she contributes. “To live in a hotel.”

“No shit, Sherlock,” Conrad Linthor says. “Sit down. I’ll be back.”

Billie climbs, slowly and carefully, up a laddery stool and lays her poor head down on the dusty, funereal slab. (It’s actually a pastry station, the dust is flour, but Billie is mentally in a bad place.) Paul Zell, Paul Zell. She stares at the tiled wall. Billie’s heart has a crack in it. Her head is made of radiation. The Starbucks espresso she forced down has burnt a thousand pinprick holes in Billie’s wretched stomach.

Conrad Linthor comes back too soon. He says, “This is her.”

There’s a guy with him. Skinny, with serious acne scars. Big shoulders. Funny little paper hat and a stained apron. “Ernesto, Billie,” Conrad says. “Billie, Ernesto.”

“How old did you say?” Ernesto says. He folds his arms, as if Billie is a bad cut of meat Conrad Linthor is trying to pass off as prime rib.

“Sixteen, right?”

Billie confirms.

“She came to the city because of some pervert she met online?”

“In an MMORPG,” Conrad says.

“He isn’t a pervert,” Billie says. “He thought I was my sister. I was pretending to be my sister. She’s in her thirties.”

“What’s your guess?” Conrad asks Ernesto. “Superhero or dentist?”

“One more time,” Billie says. “I’m not here to audition for anything. And do I look like a dentist?”

“You look like trouble,” Ernesto says. “Drink this.” He hands her a glass full of something slimy and green.

“What’s in it?” Billie says.

“Wheatgrass,” Ernesto says. “And other stuff. Secret recipe. Hold your nose and drink it down.”

“Yuck,” Billie says. (I won’t even try to describe the taste of Ernesto’s hangover cure. Except, I will never drink again.) “Yuck, yuck, yuck.”

“Keep holding your nose,” Ernesto advises Billie. To Conrad: “They met online?”

“Yeah,” Billie says. “In FarAway.”

“Yeah, I know that game. Dentist,” Ernesto says. “For sure.”

“Except,” Conrad says, “it gets better. It wasn’t just a game. Inside this game, they were playing a game. They were playing
chess.
”

“Ohhhh,” Ernesto says. Now he’s grinning.

“Superhero,” Conrad says. They high-five each other. “The only question is who.”

“What was the alias again?” Ernesto asks Billie. “The name this dude gave?”

“Paul Zell?” Billie says. “Wait, you think Paul Zell is a superhero? No way. He does tech support for a nonprofit. Something involving endangered species.”

Conrad Linthor and Ernesto exchange another look. “Superhero for sure,” Ernesto says.

Ernesto says, “Or supervillain. All those freaks are into chess. It’s like a disease.”

“No way,” Billie says again.

Conrad Linthor says, “Because there’s no chance Paul Zell would have lied to you about anything. Because the two of you were being completely and totally honest with each other.” Which shuts Billie up.

Conrad Linthor says, “I just can’t get this picture out of my head. This superhero going out and buying a ring. And there you are. This sixteen-year-old girl.” He laughs. He nudges Billie as if to say, I’m not laughing at you. I’m laughing near you.

“And there I was,” Billie says. “Here I am.”

Ernesto has to gasp for air he is laughing so hard.

Billie says, “I guess it’s kind of funny. In a horrible way.”

“So, anyway,” Conrad says. “Since Billie’s into chess, I thought we ought to show her your project. Have they set up the banquet room yet?”

Ernesto stops laughing, holds his right hand out, like he’s stopping traffic. “Hey, man. Maybe later? I’ve got prep. I’m salad station tonight. You know?”

“Ernesto’s an artist,” Conrad says. “I keep telling him he needs to make some appointments, take a portfolio downtown. My dad says people would pay serious bucks for what Ernesto does.”

Billie isn’t really paying attention to this conversation. She’s thinking about Paul Zell. How could you be a superhero, Paul Zell? Can you miss something that big? A secret as big as that? Sure, she thinks. Probably you can miss it by a mile.

“I make things out of butter,” Ernesto says. “It’s no big deal.
Like, sure, someone’s going to pay me a million bucks for something I carved out of butter.”

“It’s a statement,” Conrad Linthor says, “an artistic statement about the world we live in.”

“We live in a world made out of butter,” Ernesto says. “Doesn’t seem like much of a statement to me. You any good at chess?”

“What?” Billie says.

“Chess. You any good?”

“I’m not bad,” Billie says. “You know, it’s just for fun. Paul Zell’s really good.”

“So he wins most of the time?” Ernesto says.

“Yeah,” Billie says. She thinks about it. “Wait, no. I guess I win more.”

“You gonna be a superhero when you grow up? Because those guys are way into chess.”

Conrad Linthor says, “It’s the superhero triangle. Warning signs you might grow up to save the world. Chess is an indicator. Weird coincidences, that’s another one. For example, you’re always in the wrong place at the right time. Bed-wetting. Plus you have an ability of some kind.”

“I don’t have an ability,” Billie says. “Not even one of those really pointless ones like always knowing the right time, or whether it’s going to rain.”

“Your power might develop later on,” Conrad Linthor says.

“It won’t.”

“Well, okay. But it might,” Conrad Linthor says. “It’s why I noticed you in the first place. You stick out. She sticks out, right?”

“I guess,” Ernesto says. He gives her that appraising-a-cut-of-meat look again. Then nods. “Sure. She sticks out. You stick out.”

“I stick out,” Billie says. “I stick out like what?”

“Even Aliss noticed,” Conrad says. “She thought you were here to audition, remember?”

Ernesto says, “Oh, yeah. Because Aliss is such a fine judge of character.”

“Shut up,” Conrad says. “Look, Billie. It’s not a bad thing, okay? Some people, you can just tell. So maybe you’re just some girl. But maybe you can do something that you don’t even know about yet.”

“You sound like my guidance counselor,” Billie says. “Like my sister. Why do people always try to tell you that life gets better? Like life has a bad cold. Like, here I am, and where is my sister right now? She drove my dad up to Peoria yesterday. To St. Francis, because he has pancreatic cancer. And that’s the only reason I’m here, because my dad’s dying, and so nobody is even going to notice that I’m gone. Lucky me, right?”

Ernesto and Conrad Linthor are both staring at her.

“I’m a superhero,” Billie says. “Or a sidekick. Whatever you say. Paul Zell is a superhero, too. Everybody’s a superhero. The world is made of butter. I don’t even know what that means.”

“How’s the hangover?” Conrad Linthor asks her.

“Butter,” Billie says. Not even intentionally. The hangover is gone. Of course she still feels terrible, but that’s not hangover related. That’s Paul Zell related. That’s just everything else.

“Sorry about, you know, uh, your dad.” That’s Ernesto.

Billie shrugs. Grimaces. As if on cue, there is a piercing scream somewhere far away. Then a lot of shouting. Some laughing. Off in the distance, something seems to be happening. “Gotta go,” Ernesto says.

“Ernesto!” It’s a short guy in a tall hat. He says, “Hey, Mr. Linthor. What’s up?”

“Gregor,” Conrad says. “Hope that wasn’t anything serious.”

“Nah, man,” the short guy says. “Just Portland. Sliced off the tip of his pointer finger. Again.”

“See you, Conrad,” Ernesto says. “Nice to meet you, Billie. Stay out of trouble.”

As Ernesto goes off with the short guy, the short guy is saying, “So who’s the girl? She looks like somebody. Somebody’s sidekick?”

Conrad yells after them. “Maybe we’ll see you later, okay?”

He tells Billie, “There’s a thing tonight up on the roof. You ought to come by. Then maybe we can go see Ernesto’s party sculptures.”

“I may not be here,” Billie says. “It’s Paul Zell’s room, not mine. What if he’s checked out?”

“Then your key won’t work,” Conrad Linthor says. “Look, if you’re locked out, just call up to the penthouse later and tell me and I’ll see what I can do. Right now I’ve got to get to class.”

“You’re in school?” Billie says.

“Just taking some classes down at the New School,” Conrad says. “Life drawing. Film studies. I’m working on a novel, but it’s not like that’s a full-time commitment, right?”

Billie is almost sorry to leave the kitchen behind. It’s the first place in New York where she’s been one hundred percent sure she doesn’t have to worry about running into Paul Zell. It isn’t that this is a good thing, it’s just her spider sense isn’t tingling all the time. Not that Billie has anything that’s the equivalent of spider sense. And maybe room 1584 can also be considered a safe haven now. The room key still works. Someone has remade the bed, taken away the towels and sheets in the bathroom. Melinda’s
red sweater and skirt are hanging down over the shower rod. Someone rinsed them out first.

Billie orders room service. Then she decides to set out for Bryant Park. She’ll go watch the chess players, which is what she and Paul Zell were going to do, what they talked about doing online. Maybe you’ll be there, Paul Zell.

She has a map. She doesn’t get lost. She walks the whole way. When she gets to Bryant Park, sure enough, there are some chess games going on. Old men, college kids, maybe even a few superheroes. Pigeons everywhere, underfoot. New Yorkers walking their dogs. A lady yelling at a phone. No Paul Zell. Not that Billie would know Paul Zell if she saw him.

Billie sits on a bench beside a trash can and after a while someone sits down beside her. Not Paul Zell. A superhero. The superhero from the hotel business center.

“We meet again,” the superhero says.

Billie says, “Are you following me?”

“No,” the superhero says. “Maybe. I’m Lightswitch.”

“I’ve heard of you,” Billie says. “You’re famous.”

“Famous is relative,” Lightswitch says. “Sure, I’ve been on
Oprah.
But I’m no Tyrannosaurus Hex.”

“There’s a comic book about you,” Billie says. “Although, uh, she doesn’t look like you. Not really.”

“The artist likes to draw boobs life-sized. Just the boobs.”

They sit for a while in companionable silence. “You play chess?” Billie asks.

“Of course,” Lightswitch says. “Doesn’t everyone? Who’s your favorite chess personage?”

“You mean player? Paul Morphy,” Billie says. “Although Koneru Humpy has the best name ever.”

“Agreed,” Lightswitch says. “So are you in town for the shindig? Shindig. What kind of word is that? Archeological excavation of the shin. Knee surgery. Do you work with someone?”

“Do you mean, am I a sidekick?” Billie says. “No. I’m not a sidekick. I’m Billie Faggart. Hi.”

“Sidekick. There’s another one. Kick in the side. Pain in the neck. Kick in the shin. Ignore me. I get distracted sometimes.” Lightswitch holds out a hand for Billie to shake, and Billie does. She thinks that there will be a baby jolt maybe, like one of those joke buzzers. But there’s nothing. It’s just an ordinary handshake, except Lightswitch’s completely solid hand still looks funny, staticky, like it’s really somewhere else. Billie can’t remember if Lightswitch is from the future or the eighth dimension. Or maybe neither of those is quite right.

Two little kids come up and want Lightswitch’s autograph. They look at Billie as if wondering whether they ought to ask for her autograph, too.

Billie stands up, and Lightswitch says, “Wait. Let me give you my card.”

“Why?” Billie says.

“Just in case,” Lightswitch says. “You might change your mind at some point about the sidekick thing. It isn’t a long-term career, you know, but it’s not a bad thing to do for a while. Mostly it’s fan mail, photo ops, banter practice.”

Billie says, “Um, what happened to your last sidekick?” And then, seeing the look on Lightswitch’s face, wonders if this is not the kind of question you’re supposed to ask a superhero.

“Fell off a building. Kidding. Sold her story to the tabloids. Used the proceeds to go to law school.” Lightswitch kicks at a can. “Bam. Anyway. My card.”

Billie looks, but there’s nobody around to tell her what any of this means. Maybe you’d know, Paul Zell.

Billie says, “Do you know somebody named Paul Zell?”

“Paul Zell? Rings a bell. There’s another one. Ding dong. Paul Zell. But no. I don’t think I do, after all. It’s a business card. Not an executive decision. Just take it, okay?” Lightswitch says. So Billie does.

Billie doesn’t intend to show for Conrad Linthor’s shindig. She walks aimlessly. Gawks at the gawkworthy. Pleasurably ponders a present for her sister, decides discretion is the better part of harmonious family relationships. Caped superheroes swoop and wheel and dip around the Empire State Building. No crime in progress. Show business. Billie walks until she has blisters. Doesn’t think about Paul Zell. Paul Zell, Paul Zell. Doesn’t think about Lightswitch. Pays twelve bucks to see a movie and don’t ask me what movie or if it was any good. I don’t remember. When she comes out of the movie theater, back out onto the street, everything sizzles with light. It’s Fourth of July bright. Apparently New York is afraid of the dark. Billie decides she’ll go to bed early. Get a wake-up call and walk down to Port Authority. Catch her bus. Go home to Keokuk and never think about New York again. Stay off FarAway. Concede the chess game. Burn the business card. But: Paul Zell, Paul Zell.

Meanwhile, back at the hotel, Aliss the nemesis has been lying in wait. Actually, it’s more like standing behind a flower arrangement, but never mind. Aliss pounces. Billie is easy prey.

“Going to your boyfriend’s party?” Aliss hisses. There’s only
one
s
in that particular sentence, but Aliss knows how to make an
s
count.

She links arms with Billie. Pulls her into an elevator.

“What party?” Billie says. “What boyfriend?” Aliss gives her a look. Hits the button marked Roof, then the emergency stop button, like she’s opening cargo doors, one, two. Good-bye, cruel old world. That bomb is going to drop.