Going Clear: Scientology, Hollywood, and the Prison of Belief (60 page)

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Authors: Lawrence Wright

Tags: #Social Science, #Scientology, #Christianity, #Religion, #Sociology of Religion, #History

BOOK: Going Clear: Scientology, Hollywood, and the Prison of Belief
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As adorable as the Amish appear to strangers, such isolated and intellectually deprived religious communities can become self-destructive, especially when they revolve around the whims of a single tyrannical leader.
David Koresh created such a community in the Branch Davidian compound that he established near
Waco and aptly called Ranch Apocalypse. In 1993, I was asked to write about the siege that was then under way. I decided not to, because there were more reporters on the scene than
Branch Davidians; however, I had been unsettled by the sight of the twenty-one children that Koresh sent out of the compound shortly before the fatal inferno. Those children left behind their parents and the only life they had known. They were ripped out of the community of faith, placed in government vans, and ushered through a
curtain of federal agents and reporters onto the stage of an alien world and who knows what future. I thought there must be other children who had experienced similar traumas; what had become of them?

There is a strangely contorted mound in a cemetery in Oakland, California, close by the naval hospital where Hubbard spent his last months in uniform. Under an undistinguished headstone rest four hundred bodies out of the more than nine hundred followers of
Jim Jones who perished in Jonestown in 1978. The caskets had been stacked on top of each other on the side of a bulldozed hillside, then the earth was filled in, grass was planted, and the tragedy of Jonestown was buried in the national memory as one more inexplicable religious calamity. The members of the
Peoples Temple, as Jones called his movement, had been drawn to his Pentecostal healing services, his social activism, and his racial egalitarianism. Charisma and madness were inextricably woven into the fabric of his personality, along with an insatiable sexual appetite that accompanied Jones’s terror of abandonment. In his search for a secure religious community, Jones had repeatedly uprooted his congregation. Finally, in May 1977, the entire movement disappeared, virtually overnight. Without warning, leaving jobs and homes and family members who were not a part of the Peoples Temple, they were spirited away to a jungle encampment in
Guyana, South America, which Jones billed as a socialist paradise. There he began to school them in suicide.

I learned that not everyone had died in Jonestown. Among the survivors were Jones’s three sons:
Stephan, Tim, and Jim Junior. They had been away from the camp playing basketball against the Guyanese national team in the capital city of Georgetown. These haunted young men had never before told their stories. One of the privileges of being a journalist is to be trusted to hear such memories in all their emotional complexity. One night I went to dinner with
Tim Jones and his wife, Lorna. Tim was physically powerful, able to press a hundred pounds with either arm, but he couldn’t fly on an airplane because of his panic attacks. He wanted his wife to come along because he had never given her a full account, and he wanted to be in a public place so he wouldn’t cry. It was Tim who had to return to Jonestown to identify the bodies of everyone he knew, including his parents, his siblings, and his own wife and children, his whole world. He was convinced that, if he had been there, he could have prevented the suicides. He told this story, bawling, pounding the table, as the waiter steered away and the
other diners stared at their plates. Never have I felt so keenly the danger of new religious movements and the damage that is done to people who are lured into such groups, not out of weakness in character but through their desire to do good and live meaningful lives.

SCIENTOLOGY WANTS TO BE
understood as a scientific approach to spiritual enlightenment. It has, really, no grounding in science at all. It would be better understood as a philosophy of human nature; seen in that light, Hubbard’s thought could be compared with that of other moral philosophers, such as Immanuel Kant and Søren Kierkegaard, although no one has ever approached the sweep of Hubbard’s work. His often ingenious and minutely observed categories of behavior have been shadowed by the bogus elements of his personality and the absurdity that is interwoven with his bouts of brilliance, making it difficult for non-Scientologists to know what to make of it. Serious academic study of his writing has also been constrained by the vindictive reputation of the church.

The field of psychotherapy is Scientology’s more respectable cousin, although it cannot honestly claim to be a science, either.
Freud’s legacy is that of a free and open inquiry into the motivations of behavior. He also created postulates—such as the ego, the superego, and the id—that might not endure strict scientific testing, but do offer an approach to understanding the inner workings of the personality. Hubbard’s concept of the reactive and analytical minds attempts to do something similar.
Jung’s exploration of archetypes, based on his psychological explorations, anticipates the evolution of
Dianetics into Scientology—in other words, the drift from therapy to spiritualism.

There is no point in questioning Scientology’s standing as a religion; in the United States, the only opinion that really counts is that of the
IRS; moreover, people do
believe
in the principles of Scientology and live within a community of faith—what else is required to accept it as such? The stories that invite ridicule or disbelief, such as
Xenu and the
Galactic Confederacy, may be fanciful—or pure “space opera,” to use Hubbard’s term—but every religion features bizarre and uncanny elements. Just consider some of the obvious sources of Hubbard’s unique concoction—Buddhism, Hinduism, magic, General Semantics, and shamanism—that also provide esoteric categories to explain the ineffable mysteries of life and consciousness. One can find parallels in
many faiths with the occult beliefs and practices of Scientology. The concept of expelling
body thetans, for instance, is akin to casting out demons in the Christian tradition. But like every new religion, Scientology is handicapped by the frailties of its founder and the absence of venerable traditions that enshrine it in the culture.

To an outsider who has struggled to understand the deep appeal of Scientology to its adherents, despite the flaws and contradictions of the religion that many of them reluctantly admit, perhaps the missing element is art. Older faiths have a body of literature, music, ceremony, and iconography that infuses the doctrinal aspects of the religion with mystery and importance. The sensual experience of being in a great cathedral or mosque may have nothing to do with “belief,” but it does draw people to the religion and rewards them emotionally. Scientology has built many impressive churches, but they are not redolent palaces of art. The aesthetic element in Scientology is Hubbard’s arresting voice as a writer. His authoritative but folksy tone and his impressionistic grasp of human nature have cast a spell over millions of readers. More important, however, is the nature of his project: the self-portrait of the inside of his mind. It is perhaps impossible to reduce his mentality to a psychiatric diagnosis, in part because his own rendering of it is so complex, intricate, and comprehensive that one can only stand back and appreciate the qualities that drove him, hour after hour, year after year, to try to get it all on the page—his insight, his daring, his narcissism, his defiance, his relentlessness, his imagination—these are the traits of an artist. It is one reason that Hubbard identified with the creative community and many of them with him.

Scientology orients itself toward celebrity, and by doing so, the church awards famousness a spiritual value. People who seek fame—especially in the entertainment industry—naturally gravitate to Hollywood, where Scientology is waiting for them, validating their ambition and promising recruits a way in. The church has pursued a marketing strategy that relies heavily on endorsements by celebrities, who actively promote the religion. They speak of the positive role that Scientology has played in their lives. When
David Miscavige awarded
Tom Cruise the
Freedom Medal of Valor in 2004, he praised his effectiveness as a spokesperson, saying, “Across ninety nations, five thousand people hear his word of Scientology every hour.” It is difficult to know how such a figure was derived, but according to Miscavige, “Every minute
of every hour someone reaches for LRH technology, simply because they know Tom Cruise is a Scientologist.” Probably no other member of the church derives as much material benefit from his religion as Cruise does, and consequently none bears a greater moral responsibility for the indignities inflicted on members of the
Sea Org, sometimes directly because of his membership. Excepting
Paul Haggis, no prominent Hollywood Scientologist has spoken out publicly against the widespread allegations of physical abuse, involuntary confinement, and forced servitude within the church’s clergy, although many such figures have quietly walked away.

Since leaving Scientology, Haggis has been in therapy, which he has found helpful. He’s learned how much he blames others for his problems, especially those closest to him. “I really wish I had
found a good therapist when I was twenty-one,” he said. In Scientology, he always felt a subtle pressure to impress his auditor and then write up a glowing success story. Now, he said, “I’m not fooling myself that I’m a better man than I am.”

The same month that Haggis’s resignation from the church had become public,
United Artists, Tom Cruise’s studio, terminated Haggis’s development deal. I asked if the break had anything to do with his resignation. Haggis thought for a moment, then said, “You don’t do something that obvious—it’d be a bad PR move.” He added, “They’d run out of money, so we all knew we were being kicked out.”

Recently, he and
Deborah decided to divorce. They have moved to the same neighborhood in New York, so that they can share custody of their son. Deborah has also left the church. Both say that the decision to end their marriage has nothing to do with their renunciation of Scientology.

On November 9, 2010,
The Next Three Days
premiered at the Ziegfeld Theatre, in Manhattan. Movie stars lined the red carpet as photographers fired away.
Jason Beghe was there, and he told me that he had taken in
Daniel Montalvo, the young man who lost his finger in the church book-publishing plant. Montalvo had recently blown from the Sea Org. He was nineteen years old. “He’s never seen television,” the actor marveled. “He doesn’t even know who Robert Redford is.”
Nazanin Boniadi, who has a small part in the movie, was also there; Haggis had given her the role after learning what had happened to her after the church had engineered her match with Tom Cruise.
“Naz’s story was one of those that made me realize I had been lied to for a long time, that I had to leave and do so loudly,” Haggis later confided.

After the screening, everyone drifted over to the Oak Room of the Plaza Hotel. Haggis was in a corner receiving accolades from his friends when I found him. I asked if he felt that he had finally left Scientology. “I feel much more myself, but there’s a sadness,” he admitted. “If you identify yourself with something for so long, and suddenly you think of yourself as not that thing, it leaves a bit of space.” He went on, “It’s not really the sense of a loss of community. Those people who walked away from me were never really my friends.” He understood how they felt about him, and why. “In Scientology, in the
Ethics Conditions, as you go down from Normal through Doubt, you get to Enemy, and finally, near the bottom, there is Treason. What I did was a treasonous act.”

The film did poorly at the box office. It had the misfortune
of opening to mixed reviews on the same night that the last installment of the
Harry Potter
series premiered. Haggis had to close his office. It looked like another bleak period in his career, but he followed it by writing a screenplay for a video game,
Modern Warfare
3
, which would go on to set a sales record, earning $1 billion
in the first sixteen days after its release.

I once asked Haggis about the future of his relationship with Scientology. “These people have long memories,” he told me. “My bet is that, within two years, you’re going to read something about me in a scandal that looks like it has nothing to do with the church.” He thought for a moment, then said, “I was in a cult for thirty-four years. Everyone else could see it. I don’t know why I couldn’t.”

MARTY RATHBUN DIVIDES
the people who leave Scientology into three camps. There are those who reject the teachings of L. Ron Hubbard entirely, such as Paul Haggis; and those who still believe entirely, but think that the church under David Miscavige has taken Scientology away from the original, true teachings of the founder. There is a third category, which he has been struggling to define, that includes those people who are willing neither to swallow all the dogma nor to throw away the insights they gained from their experience. Hubbard’s life and teachings are still the guideposts of their lives. “It wouldn’t stick
if
there wasn’t a tremendous amount of good it did for them,” Rathbun says. He’s been studying the history of other religions for parallels, and he quotes an old Zen proverb: “When the master points at the Moon, many people never see it at all, they only look at the master.”

Rathbun has been counseling Scientologists who leave the church, and because of that he’s been subject to continual monitoring and harassment from the church. His computers have been hacked and phone records have been stolen. A group of
“Squirrel Busters” moved into his little community of Ingleside on the Bay, near Corpus Christi, in order to spy on him and drive him away through constant harassment. They wore video cameras on their hats and patrolled the neighborhood in a golf cart or occasionally a paddleboat. This lasted for 199 days. That tactic didn’t work, because his neighbors rallied to his support. Many other defectors have been harassed and followed by private investigators.

On a sweltering Fourth of July weekend, 2011, a group of about a hundred “independent” Scientologists gathered at a lake cabin in East Texas. Rathbun and
Mike Rinder had organized it. A few courageous swimmers were leaping off the dock, but rumors of alligators kept most people on the shore. A brief, powerful storm rolled through, driving everyone to shelter.

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