Gone with the Wind (120 page)

“I reckon you have. Miz Wilkes was upsot about yore wantin' to run aroun' like a fool by yoreself and she sont me over here to drive aroun' with you.”

“Indeed?” cried Scarlett, indignant both at the man's rudeness and Melly's meddling.

His one eye met hers with an impersonal animosity. “Yes. A woman's got no bizness botherin' her men folks when they're tryin' to take keer of her. If you're bound to gad about, I'll drive you. I hates niggers—Yankees too.”

He shifted his wad of tobacco to the other cheek and, without waiting for an invitation, sat down on the top step. “I ain't sayin' I like drivin' women aroun', but Miz Wilkes been good to me, lettin' me sleep in her cellar, and she sont me to drive you.”

“But—” began Scarlett helplessly and then she stopped and looked at him. After a moment she began to smile. She didn't like the looks of this elderly desperado but his presence would simplify matters. With him beside her, she could go to town, drive to the mills, call on customers. No one could doubt her safety with him and his very appearance was enough to keep from giving rise to scandal.

“It's a bargain,” she said. “That is, if my husband agrees.”

After a private conversation with Archie, Frank gave his reluctant approval and sent word to the livery stable to release the horse and buggy. He was hurt and disappointed that motherhood had not changed Scarlett as he had hoped it would but, if she was determined to go back to her damnable mills, then Archie was a godsend.

So began the relationship that at first startled Atlanta.
Archie and Scarlett were a queerly assorted pair, the truculent dirty old man with his wooden peg sticking stiffly out over the dashboard and the pretty, neatly dressed young woman with forehead puckered in an abstracted frown. They could be seen at all hours and at all places in and near Atlanta, seldom speaking to each other, obviously disliking each other, but bound together by mutual need, he of money, she of protection. At least, said the ladies of the town, it's better than riding around so brazenly with that Butler man. They wondered curiously where Rhett was these days, for he had abruptly left town three months before and no one, not even Scarlett, knew where he was.

Archie was a silent man, never speaking unless spoken to and usually answering with grunts. Every morning he came from Melanie's cellar and sat on the front steps of Pitty's house, chewing and spitting until Scarlett came out and Peter brought the buggy from the stable. Uncle Peter feared him only a little less than the devil or the Ku Klux and even Mammy walked silently and timorously around him. He hated negroes and they knew it and feared him. He reinforced his pistol and knife with another pistol, and his fame spread far among the black population. He never once had to draw a pistol or even lay his hand on his belt. The moral effect was sufficient. No negro dared even laugh while Archie was in hearing.

Once Scarlett asked him curiously why he hated negroes and was surprised when he answered, for generally all questions were answered by “I reckon that's my bizness.”

“I hates them, like all mountain folks hates them. We never liked them and we never owned none. It was them niggers that started the war. I hates them for that, too.”

“But you fought in the war.”

“I reckon that's a man's privilege. I hates Yankees too, more'n I hates niggers. Most as much as I hates talkative women.”

It was such outspoken rudeness as this that threw Scarlett into silent furies and made her long to be rid of him. But how could she do without him? In what other way could she obtain such freedom? He was rude and dirty and, occasionally, very odorous but he served his purpose. He drove her to and from the mills and on her round of customers, spitting and staring off into space while she talked and gave orders. If she climbed down from the buggy, he climbed after her and dogged her footsteps. When she was among rough laborers, negroes or Yankee soldiers, he was seldom more than a pace from her elbow.

Soon Atlanta became accustomed to seeing Scarlett and her bodyguard and, from being accustomed, the ladies grew to envy her her freedom of movement. Since the Ku Klux lynching, the ladies had been practically immured, not even going to town to shop unless there were half a dozen in their group. Naturally social minded, they became restless and, putting their pride in their pockets, they began to beg the loan of Archie from Scarlett. And whenever she did not need him, she was gracious enough to spare him for the use of other ladies.

Soon Archie became an Atlanta institution and the ladies competed for his free time. There was seldom a morning when a child or a negro servant did not arrive at breakfast time with a note saying: “If you aren't using Archie this afternoon, do let me have him. I want to drive to the cemetery with flowers.” “I must go to the milliners.” “I should like Archie to drive Aunt Nelly for
an airing.” “I must go calling on Peters Street and Grandpa is not feeling well enough to take me. Could Archie—”

He drove them all, maids, matrons and widows, and toward all he evidenced the same uncompromising contempt. It was obvious that he did not like women, Melanie excepted, any better than he liked negroes and Yankees. Shocked at first by his rudeness, the ladies finally became accustomed to him and, as he was so silent, except for intermittent explosions of tobacco juice, they took him as much for granted as the horses he drove and forgot his very existence. In fact, Mrs. Merriwether related to Mrs. Meade the complete details of her niece's confinement before she even remembered Archie's presence on the front seat of the carriage.

At no other time than this could such a situation have been possible. Before the war, he would not have been permitted even in the ladies' kitchens. They would have handed him food through the back door and sent him about his business. But now they welcomed his reassuring presence. Rude, illiterate, dirty, he was a bulwark between the ladies and the terrors of Reconstruction. He was neither friend nor servant. He was a hired bodyguard, protecting the women while their men worked by day or were absent from home at night.

It seemed to Scarlett that after Archie came to work for her Frank was away at night very frequently. He said the books at the store had to be balanced and business was brisk enough now to give him little time to attend to this in working hours. And there were sick friends with whom he had to sit. Then there was the organization of Democrats who foregathered every Wednesday night to devise ways of regaining the ballot and Frank never
missed a meeting. Scarlett thought this organization did little else except argue the merits of General John B. Gordon over every other general, except General Lee, and refight the war. Certainly she could observe no progress in the direction of the recovery of the ballot. But Frank evidently enjoyed the meetings for he stayed out until all hours on those nights.

Ashley also sat up with the sick and he, too, attended the Democratic meetings and he was usually away on the same nights as Frank. On these nights, Archie escorted Pitty, Scarlett, Wade and little Ella through the back yard to Melanie's house and the two families spent the evenings together. The ladies sewed while Archie lay full length on the parlor sofa snoring, his gray whiskers fluttering at each rumble. No one had invited him to dispose himself on the sofa and as it was the finest piece of furniture in the house, the ladies secretly moaned every time he lay down on it, planting his boot on the pretty upholstery. But none of them had the courage to remonstrate with him. Especially after he remarked that it was lucky he went to sleep easy, for otherwise the sound of women clattering like a flock of guinea hens would certainly drive him crazy.

Scarlett sometimes wondered where Archie had come from and what his life had been before he came to live in Melly's cellar but she asked no questions. There was that about his grim one-eyed face which discouraged curiosity. All she knew was that his voice bespoke the mountains to the north and that he had been in the army and had lost both leg and eye shortly before the surrender. It was words spoken in a fit of anger against Hugh Elsing which brought out the truth of Archie's past.

One morning, the old man had driven her to Hugh's
mill and she had found it idle, the negroes gone and Hugh sitting despondently under a tree. His crew had not made their appearance that morning and he was at a loss as to what to do. Scarlett was in a furious temper and did not scruple to expend it on Hugh, for she had just received an order for a large amount of lumber—a rush order at that. She had used energy and charm and bargaining to get that order and now the mill was quiet.

“Drive me out to the other mill,” she directed Archie. “Yes, I know it'll take a long time and we won't get any dinner but what am I paying you for? I'll have to make Mr. Wilkes stop what he's doing and run me off this lumber. Like as not, his crew won't be working either. Great balls of fire! I never saw such a nincompoop as Hugh Elsing! I'm going to get rid of him just as soon as that Johnnie Gallegher finishes the stores he's building. What do I care if Gallegher was in the Yankee Army? He'll work. I never saw a lazy Irishman yet. And I'm through with free issue darkies. You just can't depend on them. I'm going to get Johnnie Gallegher and lease me some convicts. He'll get work out of them. He'll—”

Archie turned to her, his eye malevolent, and when he spoke there was cold anger in his rusty voice.

“The day you gits convicts is the day I quits you,” he said.

Scarlett was startled. “Good heavens! Why?”

“I knows about convict leasin'. I calls it convict murderin'. Buyin' men like they was mules. Treatin' them worse than mules ever was treated. Beatin' them, starvin' them, killin' them. And who cares? The State don't care. It's got the lease money. The folks that gits the convicts, they don't care. All they want is to feed them cheap and
git all the work they can out of them. Hell, Ma'm. I never thought much of women and I think less of them now.”

“Is it any of your business?”

“I reckon,” said Archie laconically and, after a pause, “I was a convict for nigh on to forty years.”

Scarlett gasped, and, for a moment, shrank back against the cushions. This then was the answer to the riddle of Archie, his unwillingness to tell his last name or the place of his birth or any scrap of his past life, the answer to the difficulty with which he spoke and his cold hatred of the world. Forty years! He must have gone into prison a young man. Forty years! Why—he must have been a life prisoner and lifers were—

“Was it—murder?”

“Yes,” answered Archie briefly, as he flapped the reins. “M' wife.”

Scarlett's eyelids batted rapidly with fright.

The mouth beneath the beard seemed to move, as if he were smiling grimly at her fear. “I ain't goin' to kill you, Ma'm, if that's what's frettin' you. Thar ain't but one reason for killin' a woman.”

“You killed your wife.”

“She was layin' with my brother. He got away. I ain't sorry none that I kilt her. Loose women ought to be kilt. The law ain't got no right to put a man in jail for that but I was sont.”

“But—how did you get out? Did you escape? Were you pardoned?”

“You might call it a pardon.” His thick gray brows writhed together as though the effort of stringing words together was difficult.

“'Long in 'sixty-four when Sherman come through, I
was at Milledgeville jail, like I been for forty years. And the warden he called all us prisoners together and he says the Yankees are a-comin', a-burnin' and a-killin'. Now if thar's one thing I hates worse than a nigger or a woman, it's a Yankee.”

“Why? Had you— Did you ever know any Yankees?”

“No'm. But I'd hearn tell of them. I'd hearn tell they couldn't never mind their own bizness. I hates folks who can't mind their own bizness. What was they doin' in Georgia, freein' our niggers and burnin' our houses and killin' our stock? Well, the warden he said the army needed more soldiers bad, and any of us who'd jine up would be free at the end of the war—if we come out alive. But us lifers—us murderers, the warden he said the army didn't want us. We was to be sont somewheres else to another jail. But I said to the warden I ain't like most lifers. I'm just in for killin' my wife and she needed killin'. And I wants to fight the Yankees. And the warden he saw my side of it and he slipped me out with the other prisoners.”

He paused and grunted.

“Huh. That was right funny. They put me in jail for killin' and they let me out with a gun in my hand and a free pardon to do more killin'. It shore was good to be a free man with a rifle in my hand again. Us men from Milledgeville did good fightin' and killin'—and a lot of us was kilt. I never knowed one who deserted. And when the surrender come, we was free. I lost this here leg and this here eye. But I ain't sorry.”

“Oh,” said Scarlett, weakly.

She tried to remember what she had heard about the releasing of the Milledgeville convicts in that last desperate effort to stem the tide of Sherman's army. Frank
had mentioned it that Christmas of 1864. What had he said? But her memories of that time were too chaotic. Again she felt the wild terror of those days, heard the siege guns, saw the line of wagons dripping blood into the red roads, saw the Home Guard marching off, the little cadets and the children like Phil Meade and the old men like Uncle Henry and Grandpa Merriwether. And the convicts had marched out too, to die in the twilight of the Confederacy, to freeze in the snow and sleet of that last campaign in Tennessee.

For a brief moment she thought what a fool this old man was, to fight for a state which had taken forty years from his life. Georgia had taken his youth and his middle years for a crime that was no crime to him, yet he had freely given a leg and an eye to Georgia. The bitter words Rhett had spoken in the early days of the war came back to her, and she remembered him saying he would never fight for a society that had made him an outcast. But when the emergency had arisen, he had gone off to fight for that same society, even as Archie had done. It seemed to her that all Southern men, high or low, were sentimental fools and cared less for their hides than for words which had no meaning.