Good Intentions

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Authors: Joy Fielding

Tags: #Romance

BOOK: Good Intentions
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P
RAISE FOR THE POWERFUL NOVELS OF
N
EW
Y
ORK
T
IMES
BESTSELLING AUTHOR
JOY FIELDING

LOST

“Fine-tuned details … [a] compelling tale.”

—Kirkus Reviews

WHISPERS AND LIES

“[A] page-turner … [with] an ending worthy of Hitchcock …. Once again, the bestselling author tests the complex ties that bind friends and family, and keeps readers wondering when those same ties might turn deadly…. Those familiar with Patricia Highsmith’s particular brand of sinister storytelling will recognize the mayhem Fielding so cunningly unleashes.”

—Publishers Weekly

“Fielding delivers another page-turner… a suspense novel with a shocking twist [and] a plot turn so surprising that all previous events are thrown into question. The author keeps the tension high and the pages turning, creating a chillingly paranoid atmosphere.”

—Booklist

“A very satisfying page-turner…. Fielding does a very good job in building her story to a totally unexpected denouement.”

—Sun-Sentinel
(Ft. Lauderdale, FL)

GRAND AVENUE

“It’s hard to sit down and read a few pages of one of [Fielding’s] novels and not want to read the rest. Right now.”

—The Knoxville News-Sentinel
(TN)

“Riveting? You bet. Powerful? 10,000 horsepower. A real page-turner? And then some. Must-read? And how. Clichés, but so true of Joy Fielding’s
Grand Avenue.”

—The Cincinnati Enquirer

“Fielding deals confidently and tenderly with her subjects, and her plots and subplots are engaging. It’s a comfortable, engrossing book for anyone who wants to spend some time with four average, and therefore remarkable, women.”

—Houston Chronicle

“A multi-layered saga of friendship, loss, and loyalty.
Grand Avenue
reminds us of how fear, unfulfilled dreams, and a thirst for power can ravage the closest of relationships.”

—Woman’s Own

“Surprisingly moving…. Don’t forget to keep a family-size box of Kleenex handy in preparation for the tear-jerking finale.”

—Booklist

“Emotionally compelling … hard to put down…. Fielding fully develops her four women characters, each of whom is exquisitely revealed.”

—Library Journal

“With her usual page-turning flair, Fielding [writes a] romantic drama with a thriller twist.”

—Publishers Weekly

THE FIRST TIME

“Every line rings true.”

—The Orlando Sentinel
(FL)

“Dramatic and heartrending … the emotions are almost tangible.”

—Richmond Times-Dispatch

“[An] affecting drama…. Fielding is good at chronicling the messy tangle of family relationships…. A three-tissue finale.”

—Publishers Weekly

“This is rich stuff …. Fielding has again pushed a seemingly fragile heroine to the brink, only to have her fight back, tooth and nail.”

—Booklist

National Acclaim for JOY FIELDING’S Previous Fiction

“Fielding’s specialty is stripping away the contemporary and trendy feminine masks to reveal the outrageous face of female rage…. But like a good mystery writer, she creates sympathy for the character.”

—The Globe and Mail

“If you’re in the mood to bury yourself in a book … pick up Joy Fielding’s latest novel… it’s guaranteed to reduce you to tears, and once they’ve dried, will leave you feeling a little readier to tackle life’s challenges.”

—The Gazette
(Montreal)

“Fielding masterfully manipulates our expectations.”

—The Washington Post

Also by Joy Fielding

Mad River Road
Puppet
Lost
Whispers and Lies
Grand Avenue
The First Time
Missing Pieces
Don’t Cry Now
Tell Me No Secrets
See Jane Run
The Deep End
Life Penalty
The Other Woman
Kiss Mommy Goodbye

For Steve and Adeline

ONE

S
he knew she was in trouble the minute she saw him. “Lynn Schuster?” he asked as she slowly opened the front door.

“Marc Cameron?” she asked in return. They both nodded. Good, Lynn thought, stepping back to let him come inside. We know who we are. “Come in,” she said, guiding him toward her living room.

He carefully observed all the niceties of the first-time visitor: her home was lovely; it was nice of her to agree to see him, especially under the circumstances; he hoped he wasn’t inconveniencing her too much. To which she replied: thank you; no problem; he wasn’t inconveniencing her at all. Could he tell she was lying?

“Would you like a cup of coffee?” she asked, not something she had been planning to offer, but he said no, thank you, and then sat down on the green-and-white-striped chair across from the similarly colored floral-print sofa, and stared at her for several seconds without speaking.

Why was he here? Why had she agreed to see him?

“Is something wrong?” she finally asked, carefully avoiding his eyes, which were blue and serious. Seriously
blue, she mused, feeling her knees go weak. Like a silly schoolgirl, she thought, and sat down on the sofa, wondering if the attraction she was feeling was mutual, or just obvious.

“I’m sorry,” he said, his voice deep, his tone quizzical. “I thought I had it all worked out.”

“All what worked out?” she asked, hoping suddenly that he would leave without telling her. His presence upset her in ways she was unprepared to deal with. Of all the reactions she had been preparing herself for since he had phoned and said he was coming over, she was least prepared for this one—to be physically attracted to this man! It just wouldn’t do, she thought, looking just past him toward the silver-framed photograph of her with her husband and two children, which sat by the front window.

Marc Cameron was tall, as tall as the man in the photograph, and like Gary’s, her husband of fourteen years, his hair was thinning a bit on top. Unlike Gary, however, Marc Cameron’s hair was still quite thick, even long, at the sides, where it curved toward his chin and formed a neatly trimmed, reddish-tinged beard. But while Gary was slender, this man was big, almost bulky. He was totally unlike anyone to whom she had ever felt herself even remotely attracted. This was a temporary aberration, surely, she decided, fidgeting, an unwanted, unwarranted visceral reaction to a set of rather peculiar circumstances.

“This is awkward.”

“Yes, it is.”

Silence. Deep breath. Then another. The first one from him, the next from her.

“You said there were things I should know,” Lynn ventured, silently cursing her innate professionalism.

“I guess that sounded pretty melodramatic.”

Lynn shrugged, as if to say: What can you do? and waited for him to continue, not trusting her own voice.

“This whole thing has hit me pretty hard,” he said finally. “Do you have a drink?”

It was obvious from his pronounced inflection that he wasn’t referring to the coffee she had just offered.

“There’s some beer in the fridge,” she began, about to continue when his voice stopped her.

“Beer is great. If you don’t mind.”

She minded but she said she didn’t, and excused herself to go into the kitchen to get it for him. She hoped by doing so to place some distance between them, to use the few seconds to give her back the objectivity she would require to get herself through this conversation, but he was right behind her.

“Who’s the artist?” he asked, indicating the many bright-colored sketches that were taped to the refrigerator door.

“Both my children like to draw,” Lynn answered, volunteering nothing further.

“You can always separate people who have young children from those who don’t by looking at their refrigerator doors.” Marc Cameron smiled. “I have two boys. Twins. Jake and Teddy. They’re five. They’re very heavy into finger painting at the moment. My fridge is similarly covered.”

“Is this about them?” Lynn asked abruptly, determining to end this visit as quickly as possible.

“What?”

“Why you’re here. What you want to tell me. Does it have anything to do with our children?”

“No.” He took the bottle of beer from her outstretched hand.

“Oh, sorry, did you want a glass? Gary never drank beer from a glass.” She thought she saw him wince at the sound of her husband’s name. “He always preferred it straight from the bottle.”

“Then I’d like a glass.”

Lynn smiled despite her intense desire not to, and reached into the cupboard to get him one of the tall, curved glasses she’d bought Gary one Father’s Day, glasses he hadn’t bothered to take with him when he left.

“You’re not having one?” he asked.

“I don’t like beer.”

“I’m not surprised,” he said. “Neither does Suzette.”

Lynn tried to smile, as she had smiled effortlessly only seconds earlier, but at the sound of his wife’s name, she felt her lips gather together in a series of unattractive wrinkles, as if she had just sucked on a lemon. She was trying to appear sophisticated about all this, but he wasn’t making it easy.

His phone call had caught her off guard. “This is Marc Cameron,” he had announced. “I’d like to come over and talk to you. I think there are some things you should know.”

At first she hadn’t known who he was or what he was talking about, although he obviously assumed she did. His name meant nothing, although she thought it a handsome name.

“I’m sorry,” she began. “I don’t know who …”

“Suzette’s husband,” he explained, and then was silent.

Standing alone in the living room of her small, three-bedroom bungalow, Lynn had tried to visualize the man,
although they had never met. What exactly did he want to tell her? Experience had taught her that information others felt she should know was usually the last thing in the world she wanted to hear.

“I don’t think it would be a very good idea …” she had told him, feeling her throat go dry and the words stick to the roof of her mouth.

“It’s important.”

“I don’t see what …”

“Please,” he had said, adding that it was only a fifteen-minute drive from his apartment in Palm Beach to her home in Delray Beach.

“All right,” she had agreed reluctantly, knowing she was probably making a mistake. “In an hour. I’d like to get my children in bed first.”

“An hour,” he’d repeated. “Oh, and I don’t think I’d say anything to anyone about my visit.”

“Who would I tell?” she’d asked, then heard the line go dead.

She’d promptly called her lawyer at home. “Renee,” she spoke clearly into the receiver, responding with only a hint of impatience to the answering machine, “this is Lynn Schuster, and I’m sorry to bother you at home but I thought this might be important. It’s ten minutes after eight, and I just had a rather interesting phone call. If you’re back in the next hour, give me a call. Otherwise, I’ll speak to you in the morning.” Then she’d folded up the reports she’d been working on, large white sheets of paper spread out across the glass top of her dining-room table like a fine linen tablecloth, except that someone had scribbled all over this one, and stuffed them back into her already well-stuffed leather briefcase. She’d have to get up
at least an hour earlier in the morning to finish them off, but she recognized that there was no point in trying to concentrate on work now. Not when, in another hour, a man who referred to himself as “Suzette’s husband” would be in her home to tell her some things he thought she should know.

What things? she’d wondered then, as she was wondering now. And how else should he refer to himself if not as Suzette’s husband? Wasn’t that precisely who he was? At least until the divorce? Was she still not Gary’s wife, after all? At least until the divorce?

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