Hemlock Bay (12 page)

“Hello,” she called out, smiling at Mrs. Blade, who was working a crossword puzzle behind the counter.

“You look like you won the lottery, Mrs. Frasier. Hey, do you know a five-letter word for a monster assassin?”

“Hmmm. It could be me, you know, but Lily is only four letters. Sorry, Mrs. Blade.” Lily laughed and hauled her packages up the stairs.

“I’ve got it,” Mrs. Blade called out. “The monster assassin is a ‘slayer.’ You know, ‘Buffy the Vampire Slayer.’ ”

“That’s six letters, Mrs. Blade.”

“Well, drat.”

Upstairs in her room, Lily arranged the small Victorian table at just the right angle to the bright sun. She carefully unwrapped all her supplies and arranged them. She knew she was on an adrenaline high, but it didn’t matter. She felt wonderful. Then she stopped cold.

Her Sarah Elliott paintings. She had to go right now to the Eureka Art Museum and make sure the paintings, all eight of them, were still there. How could she have thought only of drawing Remus?

No, she was being ridiculous. She could simply call Mr. Monk, ask him about her paintings. But what if he wasn’t trustworthy—no one else had proved the least trustworthy to date—he could lie to her.

Tennyson or his father could have stolen them last night after they’d left the house. Mr. Monk could have helped them.

No, someone would have notified her if the paintings were gone. Or maybe they would just call Elcott Frasier or Tennyson. No, they were her paintings, but she was sick, wasn’t she? Another suicide attempt. Incapable of dealing with something so stressful.

She was out the door again in three minutes.

The Eureka Art Museum took up
an entire block on West Clayton Street. It was a splendid old Victorian mansion surrounded by scores of ancient, fat oak trees madly dropping their fall leaves in the chilly morning breeze. What with all the budget cuts, the leaves rested undisturbed, a thick red, yellow, and gold blanket spread all around the museum and sidewalks.

Lily paid the taxi driver five dollars including a good tip because the guy had frayed cuffs on his shirt, hoping she had enough cash left for admission. The old gentleman at the entrance told her they didn’t charge anything, but any contributions would be gracefully accepted. “Not gratefully?”

“Maybe both,” he said and gave her a big grin. All she had to give him in return was a grin to match and a request that he tell Mr. Monk that Mrs. Frasier was here.

She’d seen the paintings here only once, during a brief visit, before the special room was built, right after she’d married Tennyson. She’d met Mr. Monk, the curator, who had gorgeous, black eyes and looked intense and hungry, and two young staffers, both with Ph.D.s, who’d just shrugged and said there were no jobs in any of the prestigious museums, so what could you do but move to Eureka? At least, they said, big smiles on their faces, the Sarah Elliott paintings gave the place class and respectability.

It wasn’t a large museum, but nonetheless, they had fashioned an entirely separate room for Sarah Elliott’s eight paintings, and they’d done it well. White walls, perfect lighting, highly polished oak floor, cushion-covered benches in the center of the room to sit on and appreciate.

Lily just stood there for a very long time in the middle of the room, turning slowly to look at each painting. She’d been overwhelmed when her grandmother’s executor had sent them to her where she was waiting for them in the office of the director of the Chicago Art Institute. Finally, she’d actually touched each one, held each one in her hands. Every one of them was special to her, each a painting she’d mentioned to her grandmother that she loved especially, and her grandmother hadn’t forgotten. Her favorite, she discovered, was still
The Swan Song
—a soft, pale wash of colors, just lightly veiling an old man lying in the middle of a very neat bed, his hands folded over his chest. He had little hair left on his head and little flesh as well, stretched so taut you could see the blood vessels beneath it. The look on his face was beatific. He was smiling and singing to a young girl, slight, ethereal, who stood beside the bed, her head cocked to one side. Lily felt gooseflesh rise on her arms. She felt tears start to her eyes.

Dear God, she loved this painting. She knew it belonged in a museum, but she also knew that it was hers—hers—and she decided in that moment that she wanted to see it every day of her life, to be reminded of the endless pulse of life with its sorrowful endings, its joyous beginnings, the joining of the two. This one would stay with her, if she could make that happen. The value of each of the paintings still overwhelmed her.

She wiped her eyes.

“Is it you, Mrs. Frasier? Oh my, we heard that you had been in an accident, that you were in serious condition in the hospital. You’re all right? So soon? You look a bit pale. Would you like to sit down? May I get you a glass of water?”

She turned slowly to see Mr. Monk standing in the doorway of the small Sarah Elliott room, with its elegant painted sign over the oak door. He looked so intense, like a taut bowstring, he seemed ready to hum with it. He was dressed in a lovely charcoal gray wool suit, a white shirt, and a dark blue tie.

“Mr. Monk, it’s good to see you again.” She grinned at him, her tears dried now, and said, “Actually, the rumors of my condition were exaggerated. I’m just fine; you don’t have to do a thing for me.”

“Ah, I’m delighted to hear it. You’re here. Is Dr. Frasier here as well? Is there some problem?”

Lily said, “No, Mr. Monk, there’s no problem. The past months have been difficult, but everything is all right now. Oh, yes, which of these paintings is your favorite?”

“The Decision,”
Mr. Monk said without hesitation.

“I like that one very much as well,” Lily said. “But don’t you find it just the least bit depressing?”

“Depressing? Certainly not. I don’t get depressed, Mrs. Frasier.”

Lily said, “I remember I told my grandmother I loved that one when I’d just lost a lot of money on a point spread between the Giants and Dallas. I was sixteen at the time, and I do remember that I was despondent. She laughed and loaned me ten dollars. I’ve never forgotten that. Oh, yes, I paid her back the next week when a whole bunch of fools bet New Orleans would beat San Francisco by twelve.”

“Are you talking about some sort of sporting events, Mrs. Frasier?”

“Well, yes. Football, actually.” She smiled at him. “I am here to tell you that I will be leaving the area, Mr. Monk, moving back to Washington, D.C. I will be taking the Sarah Elliott paintings with me.”

He looked at her like she was mad. He fanned his hands in front of him, as if to ward her off. “But surely, Mrs. Frasier, you’re pleased with their display, how we’re taking such good care of them; and the restoration work is minor and nothing to concern you—”

She lightly laid her fingers on his forearm. “No, Mr. Monk, it looks to me like you’ve done a splendid job. It’s just that I’m moving, and the paintings go where I go.”

“But Washington, D.C., doesn’t need any more beautiful art! They have so many beautiful things that they’re sinking in it, beautiful things that are stuck in basements, never seen. They don’t need any more!”

“I’m very sorry, Mr. Monk.”

Those gorgeous dark eyes of his glittered. “Very well, Mrs. Frasier, but it’s obvious to me that you haven’t discussed this with Dr. Frasier. I’m sorry but I cannot release any of the paintings to you. He is their administrator.”

“What does that mean? You know very well the paintings are mine.”

“Well, yes, but it’s Dr. Frasier who’s made all the decisions, who’s directed every detail. Also, Mrs. Frasier, it’s common knowledge here that you haven’t been well—”

“Lily, what are you doing out of bed? Why are you here?”

Dillon and Sherlock stood just behind Mr. Monk, and neither of them looked very pleased.

She smiled, saying only, “I’m here to tell Mr. Monk that the paintings go where I go, and in this case, it’s all the way to Washington, D.C. Unfortunately, he says that everyone knows I’m crazy and that Dr. Frasier is the one who controls everything to do with the paintings—and so Mr. Monk won’t release them to me.”

“Now, Mrs. Frasier, I didn’t quite mean that . . .”

Savich lightly tapped him on the shoulder, and when Mr. Monk turned, in utter confusion, he said, “The paintings can’t be released to my sister? Would you care to explain that to us, Mr. Monk? I’m Dillon Savich, Mrs. Frasier’s brother, and this is my wife. Now, what is all this about?”

Mr. Monk looked desperate. He took a step back. “You don’t understand. Mrs. Frasier isn’t mentally competent, that’s what I was told, and thus the paintings are all controlled by Dr. Frasier. Appropriate, naturally, since he is her husband. When we heard that she’d been in an accident, an accident that she herself caused, there were some who thought she was dying and thus Dr. Frasier would inherit the paintings and then they would never leave the museum.”

“I’m not dead, Mr. Monk.”

“I can see that you’re not, Mrs. Frasier, but the fact is that you aren’t as well as you should be to have charge of such expensive and unique paintings.”

Savich said, “I assure you that Mrs. Frasier is mentally competent and is legally entitled to do whatever she wishes to with the paintings. Unless you have some court order to the contrary?”

Mr. Monk looked momentarily flummoxed, then, “A court order! Yes, that’s it, a court order is what’s required.”

“Why?” said Savich.

“Well, a court could decide whether she’s capable of making decisions of this magnitude.”

Sherlock patted his shoulder. “Hmm, nice suit. I’m sorry, Mr. Monk, as this seems to be quite upsetting to you, but she is under no such obligation to you. I suppose you could try to get her declared incompetent, but you would lose, and I’m sure it would create quite a stir in the local papers.”

“Oh, no, I wouldn’t do that. What I mean is that I suppose then that everything is all right, but you understand, I have to call Dr. Frasier. He has been dealing with everything. I haven’t spoken to Mrs. Frasier even once over all the months the paintings have been here.”

Savich pulled out his wallet, showed Mr. Monk his ID, and said, “Why don’t we go to your office and make that phone call?”

Of course Savich had shown Mr. Monk his FBI shield. He swallowed, looked at Lily like he wanted to shoot her, and said, “Yes, of course.”

“Good,” Savich said. “We can also discuss all the details of how they’ll be shipped, the insurance, the crating, all those pesky little details that Dr. Frasier doesn’t have to deal with anymore. By the way, Mr. Monk, I do know what I’m doing since I also own eight Sarah Elliott paintings myself.”

“Would you like to go now, Mr. Savich?”

Savich nodded, then said over his shoulder as he escorted Mr. Monk from that small, perfect room, “Sherlock, you stay here with Lily, make sure she sits down and rests. Mr. Monk and I will finalize matters. Come along, sir.”

“I hope the poor man doesn’t cry,” Lily said. “They built this special room, did a fine job of exhibiting the paintings. I think that Elcott and Charlotte Frasier donated the money to build the room. Wasn’t that kind of them?”

“Yes. You know, Lily, many people have enjoyed the paintings over the past year. Now people in Washington can enjoy them for a while. You need to think about where you want the paintings housed. But we can take our time there, no rush, let people convince you they’re the best.

“Oh, Lily, don’t feel guilty. There are a whole lot of people there who have never seen these particular Sarah Elliott paintings.”

“Truth be told, I’m just mighty relieved that they’re all present and accounted for and I’m not standing here looking at blank walls because someone stole the paintings. That’s why I came, Sherlock. I just realized that since Tennyson married me for the paintings, maybe they were already gone.”

Sherlock patted a cushion and waited until Lily eased carefully down beside her. “We didn’t want to wait either.” She paused to look around. “Such beauty. And it’s in your genes, Lily, both yours and Dillon’s. You’re very lucky. You draw cartoons that give people great pleasure, and Dillon whittles the most exquisite pieces. He whittled Sean, newly born, in the softest rosewood. Whenever I look at that piece, touch it, I feel the most profound gratitude that Dillon is in my life.

“Now, I’m going to get all emotional and that won’t help anything. Did I have a point to make? Oh yes, such different aspects of those splendid talent genes from your grandmother.”

“What about your talent, Sherlock? You play the piano beautifully. You could have been a concert pianist, if it hadn’t been for your sister’s death. I want to listen to you play when we get back to Washington.”

“Yes, I’ll play for you.” Sherlock added, without pause, “You know, Lily, I was very afraid that Tennyson and his father had stolen the paintings as well, and you hadn’t been notified because you’d been too ill to deal with it.”

“I suppose they had other plans. All of this happened very quickly.”

“Yes, they did have time, but don’t you see? If the paintings were suddenly gone, they would have looked so guilty San Quentin would have just opened its doors and ushered them right on in. I suppose they were waiting to sell them off when you were dead and they legally belonged to Tennyson.”

“Dead.” Lily said the word again, then once more, sounding it out. “It isn’t easy to believe that someone wants you dead so they can have what you own. That’s really low.”

“Yes, it is.”

“I feel shock that Tennyson betrayed me, probably his father as well, but I don’t want to wring my hands and cry about it. Nope, what I really want to do is belt Tennyson in the nose, maybe kick him hard in his ribs, too.”

Sherlock hugged her, very lightly. “Good for you. Now, how do you feel, really?”

“Calm, just a bit of pain, nothing debilitating. I believed I loved him, Sherlock, believed I wanted to spend the rest of my life with him. I trusted him, and I trusted him with Beth.”

“I know, Lily. I know.”

Lily got ahold of herself, tried to smile. “Oh yes, I’ve got something amazing to tell you. Remus was dancing in my head this morning, yelling at me so loud that I went out and bought art supplies. Then, strange thing, I get on this empty city bus to go back to The Mermaid’s Tail and this young guy tries to mug me.”