Read Heroin Annie Online

Authors: Peter Corris

Tags: #Fiction, #FIC022000, #General, #Mystery & Detective, #Large Print Books, #Large Type Books, #FIC050000

Heroin Annie (23 page)

BOOK: Heroin Annie
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Then there was a noise outside, and Dennis moved, and I had to talk to him sharply. Matthews was still breathing heavily, still looking at the belt. I wasn't working for him anymore, I was working for myself.

‘I've got Jacobs outside', I said. ‘He'll talk, I'll make him.' I lifted my voice and called Jacobs in. Nothing happened. Mrs Matthews laughed.

Out on the street there was no sign of Jacobs or the Fairlane. I drove wearily towards Jacobs' establishment and was passed by a fire engine on the way. When I got there a couple of firemen were running about and a few neighbours were huddled, disappointed. The fire wouldn't even make the morning news. Mrs Wetherell, in her dressing gown, was part of the huddle. I went up to her.

‘Just a little one', she said. ‘Back of the flat. Office and that.'

I worried about it for a few days and then let it go; they'd had a disturbing amount of aggravation and I felt pretty sure that Jacobs and Mrs Matthews would dissolve their partnership. What the hell business was it of mine, anyway? Then the death certificates came, same cause of death with minor variations, same doctor signing. I put them away in the file and wondered why my mother had never so much as given me a clip over the ear.

Man's best friend

I was walking along Vincent Street in Balmain, down near the soapworks, minding someone else's business, when a brick hit me, then another brick hit me, then another and I lost count; it felt as if a brick wall had moved out of line and wrapped itself around Cliff Hardy.

When I woke up Terry Kenneally was sitting beside my bed. My first thoughts were that my sheets had got very white and my windows very clean and that I'd finally got Terry to stay the night; and then I realised that I wasn't at home, I was in hospital. I've been in hospital before; the first thing to do is to check that you've still got all your bits and pieces and that they haven't mixed you up with the guy who had gangrene. I moved and wriggled and blinked; everything seemed to work.

‘Don't move', Terry said. ‘They say you're not to move.'

‘They say that to break your spirit', I said. I grabbed at her brown left arm and the movement sent an arrow of pain through my head. I groaned.

‘They're right, I won't move. How did you get here, love?'

Terry showed her nice white teeth. ‘Someone found Dad's cheque in your pocket and phoned him. I came, he sends his regards.'

‘I'm glad you came and not him, waking up to his face would be a shock. I wonder how your mum stood it.'

‘Shut up.' She was holding my hand now, and it didn't hurt a bit.

‘Did they find anything else? I mean my wallet …'

‘All that', she said. ‘And your bloody gun; there's a policeman outside who wants to talk to you. I made them let me in first but I can't stay, I have to get back to work.' She leaned forward to kiss me and then pulled back.

‘Possible fracture, they said.' She backed away and blew the kiss. ‘Be back tonight, Cliff.'

She went out, the door stayed closed for ten seconds and then fourteen stone of plain-clothes copper walked in. His name was Detective-Sergeant Moles and, although he didn't have much of a bedside manner, I told him all I could. I told him that I was a licenced private investigator, fidelity bonded and all, and that I was working for Pat Kenneally who is a greyhound trainer. I didn't tell him that I was trying to find out who was doping Pat's dogs. I had a bit of trouble remembering what I'd been doing in Vincent Street, but it came: I'd been going to see the Frenchman. Moles nodded at that, he knew the Frenchman. Pierre Cressy knew all there was to know about racing greyhounds in New South Wales, he'd know who stood to win if Pat's dogs lost.

‘Did you see the Frenchy?' Moles asked.

I had to think about it. ‘No, I was on my way when the wall fell on me. What's your interest?' Moles scratched his ear and fidgeted, the way cops do when you ask them something. They figure ten of their questions to one of yours is about the right ratio. ‘Bloke who found you saw your weapon, and called in. The boys who answered the call poked around a bit and asked a few questions. Seems people saw a man hanging around that spot before you came along.'

‘What about the poking?'

‘The wall didn't fall, Hardy, it was pushed. Someone tried to hurt you. Any ideas?'

I said ‘No', and lay there with my possibly broken skull, thinking about it. Moles had talent, he read my mind.

‘The Frenchy's okay', he said. ‘That all you've got to say?'

I said it was and he shrugged and left. I didn't tell him that I was in love with Pat's daughter or that I was afraid of greyhounds; I didn't think he'd be interested.

Doctors and nurses came and went and the time passed slowly. They told me I didn't have a fractured skull, just a lot of bruises and abrasions. I was grateful to them. Terry came back in the evening and we did some more hand-holding.

‘Dad's worried about what happened', she said. ‘He's thinking of calling in the police.'

‘He can forget about half his income if he does', I said. ‘You know what the greyhound people are like Terry, any whisper of trouble at Pat's place and they'll pull their dogs out. Most of 'em anyway.'

‘I know, but if someone's trying to kill you …'

I squeezed the upper part of her arm where she has a long, hard muscle under the smooth skin. ‘I'll be careful', I said. ‘I'm used to it. Tell Pat to give me a few more days.'

‘All right.' She kissed me the way you kiss invalids, as if they're made of feathers. Terry is tall and brown, as befits a professional tennis player. She has a terrific serve and aced me three times the day we met. She was overseas a lot reaching the finals of tournaments; we packed a lot into the time she was in Sydney, but I came a distant third in her life after her father and tennis.

They let me leave the hospital the next morning and I went home and read books and drank a bit and slept. Pat phoned, and I convinced him that I was fit to go on with the enquiry; Terry phoned, and I convinced her that I was fit to see her the following night. In the morning I took off some of the bandages and admired the deep blue bruises on my arms and chest. I'd been keen enough on the job in the first place on account of Terry, and now it had got very, very personal.

It was hot when I got to Vincent Street and a sweet, sickly coconut smell was coming up from the water, as if the bay were full of copra. I parked and walked up to the Frenchman's place; the crumpled wall had been tidied back on to the empty lot behind it, and soon the grass and weeds would be creeping up to the bricks and covering them like a winding sheet.

The Frenchman's house is a tumble-down weatherboard on rotting stumps; developers and trendies eye it greedily, but Cressy has some kind of protected lease and will die there. I walked up the overgrown path, brushing branches aside and wincing as the movement hurt my head. A tattered brown paper blind moved in the window of the front room; I reached through the hole in the wire screen and knocked on the door. It opened and Cressy stood there in slippers, pyjama pants and a buttonless cardigan. Pendulous breasted, toothless and with long, whispy white hair, he looked like a witch. But the thing in his hand wasn't a broomstick, it was a shotgun. He poked it through the hole so that it almost touched my chest.

‘Go 'way', he said.

I backed off a step. ‘Take it easy. I just want to talk to you. My name …'

‘I know you. Go 'way or I shoot you.'

I looked at the gun; the barrel was acned with rust, it was green around the trigger guard and the stock was dusty; but that didn't mean it couldn't kill me.

‘Why?'

‘Don't talk.' He lifted the gun a fraction. ‘Just go.'

I was in no condition for side-stepping, ducking or for grabbing shotguns through wire screens. I went.

I was swearing, and my head was hurting as I drove back towards Glebe; if I'd had a dog I would have kicked it. I was driving fast down Cummins Street towards the turn up to Victoria Road, and when I touched the brake there was nothing there. My stomach dropped out as I pumped uselessly and started to flail through the gears and grab the handbrake, which has never had much grip. I fought the steering and felt the wheels lift as I wrestled the Falcon left at the bottom of the hill. The road was clear, the tyres screamed and I got round. I ran the car into the gutter, closed my eyes and shook; the tin fence at the bottom of the hill had been rushing towards me and what you mostly meet on the right around the corner are trucks—heavy ones. I felt as if I was walking on stilts when I got out to examine the car: there was no brake fluid in the cylinder. It's not a good way to kill someone; what if the victim thumps the brake a few times in the first hundred yards? But it
is
a good way to scare a man, like pushing a wall over on him. The more I thought about it the angrier I got.

I flagged down a cab and went back to Vincent Street. There was a lane running down behind the Frenchman's place, and I went down that and climbed over his decaying fence. The yard was a tangle of pumpkin vines, weeds and many, many strata of animal, vegetable and mineral rubbish. I crept past a rusting shed and almost whistled when I saw the back of the house: there were about twenty broken window panes on the glassed-in verandah, some smashed completely, others starred and cracked around neat holes.

I got my gun out and sneaked up to the side of the verandah; the Frenchman was sitting in a patch of sun at a small table with a flagon of red wine and a racing guide on it. A breeze through the bullet holes was stirring the paper and he moved his glass to hold it down. I couldn't see the shotgun. I wrenched the door open and went in; the Frenchman barely moved before I had the .38 in his ear.

‘Sit down, Frenchy', I said. ‘I think I'll have a glass with you. Where's the popgun?'

He jerked his head at the door leading into the house and I went through into the kitchen, if you call a stove and sink a kitchen. The shotgun was leaning against a wall and I broke it open and took out the shell. I rinsed a dirty glass in rusty water. Back on the verandah the Frenchman was marking the guide with a pencil stub. He ignored me. I poured out some of the red and took a drink; it was old, not good old, stale old. It tasted as if it had been filtered through old tea leaves. I poured my glass into his.

‘Who did the shooting?' I said.

He shrugged and made a mark with the pencil.

‘Don't come over all Gallic on me, Pierre. I've had a wall drop on me, a shotgun pointed at me and my brakes taken out, and it all has to do with you.'

He looked up; his eyes were gummy and hair from his nostrils had tangled up with a moustache as wild as his backyard. ‘I don't know what you're talking about. The shotgun? I protect myself, that's all.' He put some of the red down his throat as if he liked it.

‘Protection? From me?'

He shrugged again. ‘He shoots my house all to hell and tells me don't talk to you. So I don't. Now you have the gun, so I must talk to you.'

I put the gun away and sat on a bench under the window, then I realised what a good target that made me and I moved across the room.

‘Who told you not to talk to me?'

‘On the telephone, how do I know? Bullets everywhere, then the phone. Don't talk to Hardy. Hardy is tall and skinny with bandages. So.' He opened his hands expressively, they shook and he put them back on the table.

He was scared but he drank some more wine and got less scared. I offered him fifty bucks and cab fare to Central Station and he accepted. He said he could go to Gosford for a few days, and I said that sounded like a good idea. After I'd given him the money he got out a bottle of wine with a respectable label on it and we drank that. He gave me names of people who'd profit if Pat's dogs lost. The names didn't mean anything to me. I asked him if these men would dope dogs, and he smiled and said something in French. It might have been ‘Do bears live in the forest?' but French was never my strong point at Maroubra High.

I spent the early part of the afternoon getting my car towed to a garage and persuading a reluctant mechanic to give it priority. Then I went home and rested; the red wine buzzed in my head as a background to the throbbing pain, but after a sleep and a shower I felt better. I collected the car and drove to Rozelle to confer with Pat and pick up Terry who was visiting there. Pat's street is narrow and jam-packed with houses, but the blocks are deep, and Pat keeps his dogs out the back. He once showed me the kennels and the matresses they sunbathe on and the walking machine they use when it's too hot or wet for the roads; it was like a country club except that the members were thin and fit. I didn't like them much and they didn't like me; without their muzzles I liked them even less.

Terry was out the front chatting to the neighbours when I pulled up. They'd known her since she started knocking a ball against the factory wall opposite, and even though they saw her on television now their attitude to her hadn't changed nor hers to them—it was that sort of street. Terry and I went inside to talk to Pat, who was drinking tea in the kitchen.

Pat is a widower of five years standing but his house-keeping is as good as the Frenchman's was bad. Terry made coffee in the well-ordered kitchen; Pat tried to talk about my injuries but I wouldn't let him.

‘The Frenchy gave me these names.' I said. ‘What d'you reckon?' I read him the names and he chewed them over one by one. He sipped tea and smoked a rolled cigarette: Pat is small, brown and nuggety, his wife was six inches taller than he and gave her build and looks to Terry. Pat must have contributed warmth and charm because he has plenty of both. He was loyal to the game he was in too; he ruled out all the men I named as non-starters in the doping stakes. Two he knew personally, one was decrepit he said, and another was too stupid.

‘It's none of them, mate', Pat said. ‘Could be some new bloke the Frenchy doesn't know about.'

‘Yeah, I'll have to check that angle. Takes time though; this'll be costing you, Pat.'

BOOK: Heroin Annie
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