Heroin Annie (3 page)

I was sure he was lying; the careful preparations I'd seen suggested that he would have planned his move in detail—maybe down to dropping Carlton a hint or putting something in his champagne.

‘You realise what you've done to the girl don't you?'

He looked away from me. ‘I put a note in with the film telling him she knew nothing about it. That's the truth,'

I snorted. ‘Carlton wouldn't give a fuck. He's grabbed her and he'll break bits off her.'

‘She was supposed to be going away. I thought …'

‘That he'd cool off? You picked the wrong boy. Carlton's crazy, he won't take this. He'll grill Selina till she tells him about you and he'll come after you.'

‘I was planning to get her away somewhere safe when I got through here. I thought she'd be okay at work today.'

‘You must have sent Carlton a sample. You might just have well cut her throat.'

‘Oh God, what can I do?'

I was thinking fast. How to get to Carlton? He'd committed himself by taking the girl and his natural inclination would be to clean up. He wouldn't take his money back and go home. What did we have? I looked at my gun and then at his gun and then at the cameras.

‘How good will those pictures be?'

‘The best.'

‘Get up.' I moved back, took up the carbine and pulled out the magazine while he stood irresolutely brushing dirt off his coveralls. I tucked the .38 away.

‘Do you think you can take me?' I said.

‘Maybe. Someone did recently. It depends on the circumstances.'

‘It always does. I don't think you can, but we haven't got the time to find out. Frankly, you make me sick, but do as I say, don't argue, don't think and we might get her back. What do you say?'

He got up smoothly; he moved well. ‘Yes. I'll do whatever you say.'

‘Get the cameras. Let's move.'

We drove back to the road and switched to my car. On the drive back to Sydney, Short told me that he'd set up the blackmail because he needed capital for his business, and money to cover gambling debts. He said he loved Selina. I didn't respond; he could've told me my name and I'd still want to check.

I hung around in Short's studio, which had a water bed and a lot of tedious albums of photographs, while he worked in his darkroom. He produced blow-ups of the faces of the two couriers and a couple of full length shots. He was right, they were good photographs.

Bill Abrahams is an ex-cop who drinks. He got shot and was invalided out of the force on a pension which keeps him alive and drunk in a room in Glebe. When he's not too drunk he can remember the face of every crim he's ever seen and after twenty-five years as a cop, that's a lot of crims. I bought a dozen cans and carted them and Short up the stairs to Bill's room. I banged on the door.

‘Who is it?' Bill growled; he was capable of not opening the door if he was in the mood.

‘Tooheys', I said.

He opened up and I handed in the beer. ‘They're cold', I said.

Bill took the beer and had a finger in the ring-pull of a can faster than Griffo catching flies.

‘C'mon in, Cliff. Good to see you. Have one?' like all serious drinkers, Bill took a very proprietorial attitude to alcohol. We went in and I introduced Short. We sat around the laminex table by the window and opened cans. Short gulped his down and Bill looked keenly at him as he set him up with another.

‘You're scared of somethin' ', he said.

‘He's scared of Xavier Carlton', I said. ‘He's gone and got himself in a bit deep and we're looking for a way out. How's the memory, Bill?'

He opened his second can. ‘Good as ever. It's all I've got left, sometimes I wish it wasn't so bloody good.'

‘I want you to take a look at these.' I spoke quickly and motioned to Short to pull out the pictures; the danger with Bill is that as the alcohol level rises so does the water mark of his memories, and if they overflow the bank you never get to the point. ‘Anything you know about these blokes, anything.'

Short spread the prints on the table; Bill hauled out his specs and examined the photo of the taller man who was holding the envelope. He stared hard at the image and then shook his head. ‘Don't know him.'

I opened another can; Bill looked at the picture of the man who'd jumped back after dropping the envelope.

‘Mustard Cleary', he said.

I let out a sour, beery breath. ‘And what do you know?'

‘All bad. Stand-over man. Did some banks.'

‘Killer?'

‘Could be. Did your mate here back him down?'

‘Yeah.'

‘He won't like that at all. I wouldn't go near him without a gun, Cliff, even then …' He waved the beer can pessimistically.

‘Where can I find him, Bill?' I got out a ten dollar note and put it under one of the empty cans. Short was looking at the pictures with an expression which was hard to interpret; he didn't look afraid, maybe it was shame.

‘Mustard's a Pom originally', Bill said. ‘There was a pub he used to call his local. Where was it?' He drained his can and pulled another automatically. ‘Ultimo. The Wattletree, know it?'

‘I know it. A bloodhouse.'

‘Certainly, that's Mustard's style. ‘Course this is a few years back, could be a poofter palace now for all I know.'

‘I don't think so.' I thanked Bill and we left him to the rest of the cans and his memories. On the drive to Ultimo Short said that it was a pity we'd left the Ml in his van, and I was inclined to agree. It was near enough to 7pm, Thursday night, when we got to the pub—pension and pay night and the place was swimming along merrily on a tide of beer. The sight of a couple of women at the bar reminded me that I was going to miss my appointment with Cyn. I told Short to buy us drinks and look out for Cleary while I made a phone call.

‘Cyn? I'm sorry, it's unavoidable. I …'

‘It doesn't matter, Cliff.' She sounded weary rather than angry and I took heart.

‘I should be able to to wind it up tonight, or maybe tomorrow. There'll be a good fee.' The door to the public bar swung open and a wave of noise flowed out. I kicked it closed. ‘Cyn…'

‘It doesn't matter', she said again and hung up.

I dialled again and the phone rang and rang. Back in the bar, Short had set up two Scotches, doubles, which was all wrong for comradely drinking in this sort of pub. I put the Scotch down quickly and ordered a middy. I hadn't eaten all day and the whisky on top of the beer hit me and made me incautious. I asked the barman if Mustard Cleary had been in lately.

‘In earlier', he said. ‘In a bloody bad mood, too.'

I forced a laugh. ‘Well, you know Mustard. Wouldn't know where he is now, would you?' The barman looked me over: I'm too thin and my clothes are too cheap to be a policeman, and Short was still wearing his coveralls. He didn't quite know how to place us so he hedged his bet.

‘Marty might know.' He jerked his head at a stocky man who was built like a bull; he had a bristling ginger air-force moustache and was wearing clean, starched and ironed khaki shirt and pants. He looked up when he heard his name, and I negotiated the distance between us carrying my beer and fumbling for my makings. I reached him, pulled the tobacco out and rolled one.

‘Looking for Mustard Cleary', I said. ‘Smoke?' I pushed the makings across and he took them.

‘What for?'

Short had come up behind me. ‘My mate and I have a delivery to make. He said to meet him here, we're a bit late.'

He rolled a thin cigarette. ‘Didn't mention it to me.'

‘Well, it hasn't gone too smoothly. I understand he's a bit mad about it. Anyway, he'll be happy to see us, but I want to get on with it.'

‘What is it?'

I shook my head and ordered three beers. I lit both cigarettes and put the match away in the box, the way a con does. I was wondering how to get him out in the lane when he made up his mind suddenly.

‘I can't tell you where Mustard lives because I don't know you. I can tell you where you might find him though.'

I drank some beer and tried to keep it casual. ‘That'll do, where?'

‘Said he was going fishing, didn't make much sense to me the mood he was in, but that's what he said. Mustard keeps this boat down off the lighters in Blackwattle Bay. Know the place?'

‘I know it. Thanks.'

‘Tell him I'll have a snapper, moody bastard.'

He turned back to his beer and we walked out. I looked into the bar through a window: Marty was lowering the middy I'd bought him and smoking my tobacco; he looked up at the TV set and didn't seem to be thinking of going anywhere. I headed for the car fast and Short followed me.

‘I don't get it', he said. ‘What's going on?'

I gunned the Falcon's engine and swung out into the traffic. ‘What does the harbour mean to you, Short?'

‘Shit, I don't know. Boats, the Opera House, the Bridge.'

‘Me too, but to people like Carlton and Cleary it means a good place to put bodies.'

Short groaned and I turned off Bridge Road up the back way to Glebe, the way the taxi drivers go.

‘You mean she's dead?' he said quietly.

‘Not necessarily.'

‘Then what's the idea?'

I could hear his harsh breathing and feel his agitation; the Rafferty's rules style of the real hard men were becoming clear to him, and he must have seen his own little coup was a panto by comparison. I didn't feel like easing up on him.

‘Ever hear of drowning? The lungs fill up with water and life stops. Happens every day and it's hard to prove that one person drowned another.'

‘Christ', he said. ‘Hurry.'

The way he said it reminded me that he'd been in Vietnam. I turned at the cosmetics factory, cut the engines and the lights and let the car roll down to the back of the blocks of flats near the water. Short was out of the car before me.

‘How do we get down to the water?' he asked.

‘There's usually a right of way.' I pointed to a gap between two blocks of flats. ‘Have a look along there, I'll look up here.' He scooted off and I moved up towards the end of one block. I turned back when I heard a low whistle; he'd found the right of way—an overgrown brick path with a derelict handrail that led down to the water. We stumbled down the path and across a stretch of grass to the half acre or so of lighter platforms linked together like chain mail. An outside light from the flats cut through the gloom but the end of the lighters and their far edges were in darkness. Dark, lumpy shapes stood up here and there, piles of boxes and other debris—cover. Across the water the container terminal was working; the machinery ground and grated and there was an occasional crash as a heavy load touched down hard.

‘We go out to the end', I whispered, ‘and if there's nothing there we work around the sides. Keep under cover and listen for a boat, could be a motor, oars, anything.'

Short nodded and we stepped over the gently lapping edge of the water onto a platform. It was slow, nervy work trying to avoid the collapsed and rotting timbers and keep under cover. About half way out we heard noises off to the left. Getting closer I could see movement; shoulders and heads against the light thrown out from the container dock. There was a boat in the pool of light and Selina Hope was sitting up in it; her hands were tied and there was something across the bottom half of her face. Mustard Cleary was picking up a box a few feet back from the water and the other man was untying a rope that ran from the boat to a cleat on the lighters. Short touched my arm and showed me the iron bar he held ready to hit with or throw. His readiness for action impressed me. I stepped out and moved up close with the .38 held out police style.

‘Police', I yelled. ‘Don't move!'

Cleary dropped his load swearing; he ducked low and rushed the gun. I fired over his head and the sound was cancelled by a metallic crash from the container wharf, but Cleary heard it, and stopped. He bent down to grab something and I came forward quickly and crashed the gun butt down on his neck. He crumpled and I nudged him again on the way down.

When I untangled my knuckles and straightened up I heard heavy breathing and scuffling off to the side and saw that Short had moved to the edge of lighters for a bit of hand-to-hand with the other man. The rope had been untied and the boat had drifted off a little; Selina sat ram-rod straight, watching the action with terror in her eyes. Short's opponent was swinging a bit of timber and Short was giving ground; then he seemed to lose his footing and he was hit on the shoulder. Some more swings, some more backing from Short, then another stumble; the timber swinger jumped forward to go for the head but Short swayed aside and smashed his elbow with the iron bar. The timber hit the platform and Short put the bar to his knee, balls and elbow again, quickly and scientifically. The guy screamed and begged him to stop. I moved in with the gun, feeling a little superfluous.

‘Good', I said, but Short was hauling on the rope.

We got Selina aboard and free and she babbled and held on to Short as if he were the last sane man in a world gone mad. I eased them apart after a while and suggested that we be on our way.

‘What about them?' Short asked. I was covering Cleary and his mate with my gun in a vague sort of way; Cleary was conscious but was more in a lying-down than standing-over mood. I gave Short one of my hard looks and held out my hand.

‘Give me the money.'

He looked pained but he handed the envelope over. I put the envelope down beside the man who was rubbing his genitals thoughtfully. ‘Tell Xavier to forget it', I said. ‘Tell him to go to confession and do the stations of the cross, and forget it. It's over, finished. Got it?'

He nodded and I patted his shoulder. ‘Wait here a while and then you can go home. Unless you'd like another go at him?'

He shook his head. We left them there with their aches and pains and thirty grand and walked across the lighters to the distant shore.