Hillerman, Tony - [Leaphorn & Chee 04] (5 page)

Boxholder told him. Then, as they always did, they arranged the time and telephone number for Colton's report.

Colton used up three hours. He walked. He dropped the letter he had written to Webster Investigations into a mailbox. It contained his check for $1,087.50 and a note suggesting that Webster run personal ads in West Coast newspapers asking Linda Betty Shaw/Fry/Maddox to contact him. He walked some more. He sat on the bench at a bus stop. The bus stop was near a school crossing and he studied the homeward-bound students. They seemed to be junior-high age and younger, and most of them walked in little clusters and bunches, talking. Once a single kid came along, all by herself. Colton guessed the single was somebody who had just moved to the neighborhood. If you did that, you couldn't make friends, because everybody already had them. When he was eight they had lived in San Diego in this one apartment almost a year and he had made a friend there. And then when he was fourteen and had been in Taylorville long enough, he had made a friend or two. But that was different. In reform school nobody knew anybody at first and everybody was looking for connections. Taylorville had been a pretty good place, all in all, and he'd been glad enough to go back for his second stretch. They kept the gays off of you in Taylorville. Not like in Folsom, where he'd done his armed robbery time.

Finally it was late enough. He called the University of New Mexico Hospital and asked for Mrs. Myers on the terminal ward. As always, her voice was placid. "I'm afraid it's all over," she said. "He's been in a coma all day and his heart finally quit."

"Well, you just have to be philosophical about it."

"That's right," Mrs. Myers said. "But it's always a blow."

"Well," Colton said. He found himself searching for something else to say—a way to extend the conversation. But there was no reason for that. He was finished with Mrs. Myers. This would be the last of more than two months of intermittent conversations, all carefully planned, all carefully executed. First he had learned the name of the nurse who ran the middle shift on the cancer ward. He had got that from hospital information by pretending he wanted to send her a thank-you card. And then, on his first call to learn the patient's condition, he had said, "By the way, are you Mrs. Myers? He's told me how kind you've been to him. I want to thank you for that." That had set the tone. Colton rarely talked to anyone, but he knew how to do it well. He watched television, and he listened carefully to conversations in airports and restaurants and the waiting lines for movies—the places where people talked to each other. Once in a while he practiced, with cabdrivers or the call girls he took to motels twice a month. But he rarely talked to the same person more than once or twice, except for Boxholder. After all this time, he found himself imagining how Mrs. Myers looked and what she was like—just as he wondered about Boxholder. He had been tempted to go to the ward some evening and take a look at her. But that involved a risk. Colton did not take risks. "Well," he said again. "Thank you very much," and he hung up.

C
olton left the trailer
just as the ten o'clock news was beginning on Channel 7. He was wearing charcoal slacks, a black pullover, and his crepe-soled shoes. He preferred going bareheaded, but tonight he pulled a navy-blue stocking cap over his straw-colored hair. He took with him a canvas flight bag in which he had put a folding shovel, a green blanket, a white cotton coat with the legend
strong-thorne mortuary
printed on the back, and a New Mexico automobile license plate. He had driven past the Albuquerque airport after telephoning and had collected the plate from a car left in the low-rate parking lot where long-term travelers parked their cars. Then he'd replaced the plate he would use with one switched from another car. If the theft was reported, the police would have the wrong number.

He drove back to the airport now, left his pickup in the upper lot, and rented a Chevrolet station wagon from Hertz, using a driver's license and credit card that identified him as Charles Minton, with a Dallas post office box address. Then he took Interstate 25 south and turned the wagon westward at the Rio Bravo exit. He drove slowly, counting the tenths of miles on the odometer. Near the river, he turned off the pavement onto a narrow dirt road. He got out of the wagon there, taped down the switch to keep the courtesy light off when the door was opened, and replaced the Hertz license with the stolen plate. It was after 11:00
p.m.
now, a cloudless night lit by a partial moon. The dirt road crossed a cattle guard, curved across a culvert, and branched. Colton angled left. The road became two tire tracks winding through the cottonwood of the Rio Grande's silted flood plain. The tracks crossed an irrigation drain on a rattling plank bridge and dropped abruptly downward. A hundred jolting yards beyond the drain levee, Colton stopped. His headlights illuminated the stripped body of an old Ford sedan, rusty and riddled with bullet holes. Beyond it was the ruins of another car, also the target of years of hunters. Trash was everywhere—a rotting mattress, the corpse of a refrigerator, cans, bottles, boxes, papers, rags, tattered roofing paper, brush. Colton flicked off headlights and engine and rolled down the windows on both sides of the car. He sat without moving for perhaps ten minutes. He heard the ticking of the cooling engine, and the occasional sound of diesels moving on the interstate far up the valley. It was a windless night and he heard nothing else. Satisfied, he removed the shovel from the bag and climbed out of the wagon.

He pulled the mattress aside and dug where it had been, piling the earth carefully. Even in the dark, it was easy going in the loamy soil. He wanted a hole about six feet long and at least four feet deep.

C
olton reached
the University of New Mexico parking lot a little before 2
a.m.
He had scouted it before, but two weeks had passed. If anything had changed, Colton wanted to know it early. He replaced his windbreaker with the mortuary coat. The woman at the desk didn't look up and the hall to the elevators was empty. The second-floor hall was also deserted. So far, fine. But down the hall Colton could see a paper sign taped to the door of the morphology laboratory. It read:
morphology laboratory moved to state laboratory building
. He stared at the sign, dismayed. He moved quickly around the corner. The wide door that opened into the morgue was still shielded with a sheet of plywood to protect it from the bumps of metal body carts. He tried the knob. Locked. He had expected it to be locked. Would they have moved the morgue along with the autopsy laboratory? Even if they did, the hospital would need a place to hold bodies overnight. From his trouser cuff he extracted a thin steel blade which he had stitched into place. It proved as quick as a key. He swung the door shut behind him and found the switch in the darkness. Three body carts were lined against the wall. All were empty. Beyond them the stainless-steel door of the walk-in refrigerator stood closed. Colton swung it open. Two carts were parked inside, each bearing a sheet-shrouded figure, Colton read the tag on the nearest one. It identified the victim as Randy A. Johnson, 23 years old, Roswell, New Mexico. Dead on arrival. Head and neck injuries. Motorcycle accident. Colton checked the next tag. It said:
emerson charley. autopsy. hold for crtc
. "
crtc
" would mean Cancer Research and Treatment Center, Colton folded back the sheet. He had seen the face before only at a distance. It was gaunt now, drawn with the effects of a lingering death. But he recognized it. This time nothing would go wrong. He replaced the sheet.

In the hall, he stood a moment, listening. A faint thumping came from the hospital laundry. All else was quiet. Colton glanced at his watch. Five after three. He decided not to wait. The odds, he decided, wouldn't improve.

It was fourteen after three when he parked the station wagon beside the loading dock. The dock door stood partly open, as he had left it, and he could still hear a thumping from the laundry. He left the station wagon's tailgate open. It was thirty-five steps from the doorway of the dock to the morgue door. He picked the lock again and slipped in.

There were two red plastic sacks of clothing on the floor beside the carts. He put the nearest one under the sheet beside the corpse and wheeled the cart out of the refrigerator. At the door of the morgue he paused again, listening. Thirty-five steps, and then perhaps sixty seconds on the dock while he lifted the body into the station wagon. The hall was absolutely silent. The cart rolled down it, trailing the slight sound of rubber tires on tile. On the dock, Colton pushed the cart out of sight of the doorway. He extracted the clothing sack and tossed it into the back of the wagon.

"Come on, friend," he said, and he tucked the sheet around the body and lifted it in his arms. It was stiff with rigor mortis. Surprisingly light. "Here we go now," Colton said. He slid the body into the station wagon and covered it with the green blanket.

The period of high risk was almost over now. He closed the tailgate, rolled the body cart back into the hallway. The station wagon's engine started instantly. As he did the left turn out of the service drive, he glanced in the rear-view mirror. The dock was deserted. No one had seen him. It had gone perfectly. Absolutely no tracks had been left.

Colton tuned in a country western station on his way back to the grave. He felt happier than he had for months. Happy for the first time since he had called Boxholder and told him of the failure. The memory was vivid. Two hours sitting in the airport, waiting for the time to call the El Paso number. Dreading it. He had never failed before. From the very first—torching the nightclub in Denver seven years before—he had always reported only success. Not just success but perfection. The job done. No witnesses. No evidence. No tracks. Perfection. And always Boxholder's voice, warm and friendly, congratulating him. This time there had been no congratulations. First there had been only silence, and then Boxholder's voice was cold.

"Give me the number you're calling from. Wait right there. I'll call the client and call you back. Be there."

"Tell him I won't accept the fee," Colton had said. "Tell him I'll finish the job."

"You just wait," Boxholder said.

Colton had waited. It was more than four hours before the telephone rang.

"Your man was checking into the hospital," Boxholder said. "He's in now. We're to just keep an eye on things and when he dies, you get rid of the body. Get it right away and get rid of it."

"My God," Colton said. "I baby-sit this guy until he dies?"

"Not long," Boxholder said. "He's got a kind of cancer that works fast."

"Then why…" Colton let the question trail off.

"Maybe it doesn't work fast enough," Boxholder said. "Do you care?"

"No," Colton said. "I guess not."

But it seemed curious then, and it seemed curious now, this business of getting rid of the body. Curious, but well done. The grave filled. The rotting mattress pulled across it and the trash scattered over the mattress. No one would ever find the body of Emerson Charley. Reporting time was noon tomorrow. Colton anticipated it happily. Boxholder would be pleased.

J
im chee had rolled
the two-hundred-dollar check from Ben Vines and the five one-hundred-dollar bills from the envelope Mrs. Vines had handed him into a tight cylinder. It was not much larger than a cigaret. Each night he dropped the tube into one of the boots beside his bed. Each morning, after he'd said his brief prayer of greeting to the dawning day, he shook the tube out of the boot and considered what to do with it. And each morning he finally stuck the tube back into his shirt pocket, thereby signaling that the matter remained undecided. On the fourth morning, Chee noticed that the edge of the check was frayed. He unrolled the tube, put check and cash side by side on his table, and stared at them.

Two hundred dollars was too much to be offered for the little trouble he'd been involved in. Worse, why would Mrs. Vines offer him three thousand dollars to recover a box she had stolen herself? For those as inconceivably rich as the Vineses the money would be relatively meaningless. But his uncle had warned him against that kind of thinking.

"Don't think a man don't care about one goat because he's got a thousand of 'em," Hosteen Nakai would say. "He's got a thousand because he cares more about goats than he cares about his relatives." In other words, don't expect the rich to be generous.

And what would his uncle advise him to do about this particular money? Chee grinned, thinking about it. There'd be no advice—not directly. There'd be a hundred questions: Which one was lying? What motivated the large payments? Why did the Checkerboard Navajos think Vines was a witch? Or did they? How was the Charley outfit mixed into this affair? And when Chee could offer no answers, Hosteen Nakai would smile at him and remind him of what he had told Chee a long time ago. He'd told Chee he had to understand white people.

Chee used his two forefingers to tap the stack of currency into a neat pile. Mrs. Vines had lied to him, at least a little. He picked up the check and looked at B. J. Vines' bold signature. Vines' story had been almost purely lies. Chee folded the check and slid it into the credit card pocket of his billfold. He put the currency in the cash compartment. He would talk to Tomas Charley and see what he could learn.

Talking to Tomas Charley meant finding him. Becenti had remembered only that he lived somewhere beyond the eastern limits of the Checkerboard—somewhere near Mount Taylor. Chee made telephone calls. Shortly before noon he learned that Charley was employed by Kerrmac Nuclear Fuels. A quick call to the Kerrmac personnel office at Grants revealed that Charley was the driver of an ore loader, that he had the day off, that he had no telephone, the rural route address from the Grants post office matched the one the hospital had provided—a mailbox on the road between Grants and San Mateo village.

It was probably no more than thirty miles from Crown-point as the raven flew, but for something with wheels it was around ninety. Chee told Officer Benny Yazzie, who was holding down the office, that he wouldn't be back until evening.

While he drove, Chee worked at memorizing the Night Chant. He switched on the tape recorder and ran the cassette forward to the place where the singer awakens the spirit of Talking God in the sacred mask. On Interstate 40, he drove in the slow lane, listening carefully. Truckers, wise to the ways of this stretch of highway, roared past him, safe in the knowledge that tribal police had no jurisdiction here. Passenger cars slowed to the legal fifty-five, eyeing him nervously. Chee ignored them all. He concentrated on the voice of his uncle, strong and sure, singing the words that Changing Woman had taught at the very creation of his people.

The recorder was on the seat beside him. Chee silenced Hosteen Nakai's voice with a touch of the off button, concentrated a moment, then repeated the five statements, trying to reproduce cadence and notes as well as meaning. By the time he reached the Grants interchange, he was confident he had the entire sequence of mask songs fixed in his mind.

Even among a people who placed high value on memory and who honed it in their children almost from birth, Chee's talent was unusually strong. It had caused his family to think of him from a very early age as one who might become a singer. The Slow Talking Dinee had produced more famous singers than any of the other more than sixty Navajo clans. And the family of his mother had produced far more than its share. His uncle, the brother of his mother, was among the most prominent of these. He was Hosteen Frank Sam Nakai, who performed the Night Chant and the Enemy Way and key parts of several other curing ceremonials, and who sometimes taught ceremonialism at the Navajo Community College at Rough Rock. It was Hosteen Nakai who had chosen Jimmy Chee's "war name," which was Long Thinker. Thus his uncle was one of the very few who knew his real and secret identity. His uncle had named him, but when he had asked his uncle to teach him to be a singer, his uncle had at first refused.

"There is a first step which must be taken," Hosteen Nakai had said. "Nothing important can happen before that." As a first step, Jimmy Chee must study the white man and the way of the white man. When he came to understand this white man's world which surrounded the People, he must make a decision. Would he follow the white man's way or would he be a Navajo?

His uncle had driven his truck into Gallup and parked it on Railroad Avenue, where they could see the bars and watch the Navajos and the Zunis going in and out of them. Jimmy Chee remembered it very well. He remembered the woman who came out of the Turquoise Tavern and the man in the black reservation hat who followed her. They had walked unsteadily, both drunk. The woman had lost her balance and sat heavily on the dirty sidewalk, and the man had bent to help her. His hat had fallen and rolled into the gutter. Hosteen Nakai's fierce eyes had watched all this.

"They cannot decide," he said. "The way Changing Woman taught us is too hard for them, and they have lost its beauty. But they do not know the white man's way. You have to decide. It is easy, now, to be a white man. You have gone to school and there are scholarships to go more, and jobs if you learn what the white man puts his value in."

Jimmy Chee had said that he had already decided. He wanted to walk in beauty as a Navajo.

"You can't decide until you understand the white man. They have much that we don't have. To be a Navajo is to have no money," Hosteen Nakai had said. "When you are older we will talk again. If you still wish it, I will begin teaching you something. But you must study the white man's way."

Chee had studied. After Shiprock High School, he had enrolled at the University of New Mexico. He'd studied anthropology, sociology, and American literature in class. Every waking moment he studied the way white men behaved. All four subjects fascinated him. When he came home during semester breaks to his mother's place in the Chuska Mountains, Hosteen Nakai taught him the wisdom of the Dinee. Finally his uncle began teaching him the ritual songs that brought the People back from their sicknesses to walk in beauty. And Chee's memory always served him well.

On the road that leads from Grants into the back side of Ambrosia Lakes uranium fields, Chee returned the recorder to its case and concentrated on finding the home of Tomas Charley. He found it some thirty feet west of the narrow asphalt pavement. It was a two-room adobe to which someone had connected a wooden frame lean-to with a roof of red composition shingles. A 1962 Chevrolet Impala squatted on cinderblock supports in the front yard, all four of its wheels missing. Chee pulled his patrol car to a stop beside it and sat waiting. If someone was home, willing to receive a visitor, he would appear at the door. If he didn't after a polite interval of waiting, Chee would knock.

The front door opened and Chee could see someone looking at him through the screen. A child. Chee waited. No one else appeared. Chee climbed out of the carryall.

"
Ya-tah
," he said. "Hello."

"Hello," the child said. It was a boy, about ten or twelve.

"I'm looking for Tomas Charley," Chee said.

"He went to get my mother," the boy said.

"Where's that?"

"They won't be there," the boy said. "She's a weaver. My uncle was taking her to the rug auction."

"At Crownpoint?" Chee asked. *

"Yeah," the boy said. "She's going to sell a bunch of rugs."

Chee laughed. "I'm not very lucky today," he said. "That's where I came from and now I'll have to drive right back."

"You going to see my uncle there?"

"If I can find him," Chee said. "What's he driving?"

"A 1975 Ford pickup," the boy said. "An F-150. Blue. If you see him, tell him maybe somebody wants to buy our old Chevy. Tell him a man came by right after he left, looking for him," the boy said.

"Sure," Chee said. "Anything else?"

"Maybe the man will see him there at the rug auction," the boy said. "He's a blond guy, wearing a yellow jacket. He was going to look for him there."

"Okay," Chee said. He looked at the car with more interest now. The exposed brake drums were brown with rust and the upholstery in the back seat hung down in dusty festoons. Tomas Charley's nephew was overly optimistic. No one was going to drive all the way to Crownpoint to arrange to buy that junker.