Hillerman, Tony - [Leaphorn & Chee 04] (7 page)

"And Vines gave your grandfather a mole fetish?"

"A little later," Charley said. "They didn't have a Way for a while because the Navajo Police and the
bia
cops were arresting everybody and searching people for peyote buttons, and Gordo Sena was after everybody in the church. But then they had a Way at a secret place, and Vines gave these mole fetishes to my grandfather and to the other men who Lord Peyote had saved." Charley paused. "That was before Vines got to be a witch," he explained.

"How'd that happen?" Chee asked.

"First my grandfather got sick," Charley said. "They had a sing for him, but it didn't help very long. He went into the hospital. In and out a lot. Finally he died and Vines buried him up at his ranch. He was just building that big house then. The church sort of died out then for years. Then my father got it going again. After that, Vines came around. He tried to get my father to give him the medicine bundle, the box for Lord Peyote, the mole totem, all of the sacred things. My father wouldn't give them up. After that Vines didn't come to the Peyote Way again."

That seemed to be the end of the story. Charley slumped against the wall, looking across the crowded auditorium toward the stage. The Texan had just sold a small yellow
yei
rug to number 18 for forty-five dollars and was describing a black-and-gray diamond design from Two Gray Hills as "worth three hundred dollars in any trading post on the reservation."

"Then what?" Chee prodded.

Charley didn't say anything for a moment. "Then we started hearing things."

"Like what?"

"Hearing Vines was a witch."

There was another pause. The Navajo half of Charley seemed to be ascendant, Chee thought. Navajos did not like to talk about witches.

"Tell you what," Chee said. "You don't want that old box of Vines' with the rocks in it. You let me know where to look, and we'll get it back to the owner. If anybody asks how we found it, it was an anonymous telephone call."

"It's out in the malpais," Charley said. "It was locked. I took it to a place out there where I go and pried it open. It was heavy, so I just left it there." He explained to Chee how to find it. "I got to go now," he said. "I've got to work tomorrow."

"Did the man see you about buying that old Chevy?"

Charley looked surprised. "No," he said. "Somebody want to buy that?"

"That's what your nephew said. He said to tell you a man came looking for you, and he wanted to buy that old car, and he was going to look for you here."

"Must be crazy," Charley said. And he walked away.

And I must be crazy, too, Chee thought as he watched Charley move down the aisle toward the table where an association clerk was paying off rug weavers for their sales. Rocks in a keepsake box. B. J. Vines as mystic prophet. B. J. Vines as witch. A body lost out of a hospital morgue. And Chee wasting his time in an affair that made no sense at all.

He wasted more time watching the auction, moving among the spectators idly at first and then looking for Mary Landon. She was interested in him, of that he was sure. He was equally sure that it was nothing very personal. The interest was more generic than individual. Another Navajo male, adequately scrubbed and trimmed, would have been just as interesting to the blue-eyed woman. Fair enough. At the moment, he was particularly interested in whites, and white women. The Navajo women he knew—his mother, her two sisters, who were his "little mothers," the Navajo girls he'd been involved with—did nothing to explain Rosemary Vines. And he'd never really known the white girls. Their curiosity had put him off. But Mary Landon he would study. Unfortunately, Mary Landon was nowhere to be seen.

He walked into the parking lot, savoring the cold fresh air after the stuffy heat inside. Tomas Charley was standing beside his truck, talking to a white man in a yellow windbreaker. The white man was blond. The buyer of worthless rusty Chevrolets had found his man. Chee stared at him, curious. The white man seemed to feel the eyes on him. He stared back. The same man, Chee realized, had been watching him and Charley in their long conversation against the wall. Mary Landon was still invisible.

He found her, finally, in the cafeteria kitchen helping a half-dozen other women with cleanup operations.

"The message is delivered," Chee said. "Thanks."

It was the third time he had spoken to her, and Chee had a theory about third meetings between people. The third time you were no longer strangers.

"It must have been a long message," Mary said. "I think you found something to talk about besides someone wanting to buy a car." The words were skeptical, but after she said them she smiled.

Chee found himself trying to think of something to ask her, of a reason to be in this kitchen talking to her. His mind was blank. "How about having a cup of coffee?" he heard himself saying. "The coffee shop will be open late."

The first time she had looked at him she had been inspecting a Tribal Police sergeant. Now she was looking at a man asking her out for coffee. It was a different sort of inspection. "I have to finish with these pots," she said.

"I'll do it for you," Chee said.

Chee washed dishes each evening in his mobile home—a plate, cup, knife, and fork left over from breakfast, a second plate, a cup, and cutlery from dinner, and the frying pan used to cook both meals. But never since his university days had he washed dishes socially.

"You look like you enjoy that," Mary said. "Maybe you missed your calling."

Chee tried to think of something witty. He couldn't.

In the booth at the Crownpoint Cafe, Chee learned a little about Mary Landon, and she learned a little about him. She had come to Laguna the previous year to replace a teacher hurt in an automobile accident. Then she had landed the Crownpoint job. She was from a little place not far from Milwaukee. She had attended the University of Wisconsin. She liked canoeing and hiking, and the outdoors in general. She didn't like pretentious people. She liked teaching Navajo children, but wasn't sure what to do about their conditioning against competitiveness. She hoped to learn Navajo, but it was hard to pronounce and so far she could speak only a few phrases. She spoke them, and Chee pretended to understand, and Mary Landon was not fooled by the pretense but appreciated it and rewarded him with a genuinely friendly look. Chee asked her about her parents, and learned her father ran a sporting goods store. He decided not to ask her about her hostility to police. This wasn't the time for that, and the attitude was common enough.

Mary Landon learned Chee was one of the Slow Talking Dinee, the clan of his mother, and was "born to" the Bitter Water Dinee, the clan of his father. She learned that Chee's father was dead, that his maternal uncle was a noted
yataalii
, and she had been around Navajo country long enough to know about the role of these shamans in the ceremonial life of the People. She learned a good deal more about his family, ranging from his two older sisters through a galaxy of cousins, uncles, and aunts, one of whom represented the Greasy Water district on the Tribal Council.

"She's my mother's sister, which makes her my 'little mother,' " Chee said. "A real tiger."

"You're not playing the game," Mary Landon said. "I told you about me. You're just telling me about your family."

The statement surprised Chee. One defined himself by his family. How else? And then it occurred to him that white people didn't. They identified themselves by what they had done as individuals. He added sugar to his coffee, thinking about it.

"That's the way we play the game. If I was introducing you to Navajos, I wouldn't say, 'This is Mary Landon, who teaches at Crownpoint,' and so forth. I'd say, 'This woman is a member of…'—your mother's family, and your father's family—and I'd tell about your uncles and aunts, so everyone would know just exactly where you fit in with the people around you."

"'This woman'?" Mary Landon asked. "You wouldn't tell them my name?"

"That would be rude. Now more people have English names, but among traditional Navajos it's very impolite to say someone's name in their presence. Names are just reference words, when the person's not there."

Mary Landon looked incredulous. "I think that's…" She stopped.

"Silly?" Chee asked. "You have to understand the system. Our real names are secret. We call them war names. Somebody very close to you in the family names you when you're little. Something that fits your personality, if possible. Not more than a half-dozen people are ever going to know it. It's used for ceremonial purposes: if a girl is having her
kinaalda
—her puberty ceremony—or if you're having a sing done for you. Then, as you grow, people give you nicknames to refer to you. Like 'Cry Baby,' and 'Hard Runner,' or maybe 'Long Hands' or 'Ugly.'" Chee laughed. "I've got an uncle on my father's side everybody calls 'Liar.'"

"How about Jim Chee? Isn't that your real name?"

"Along came the trading posts," Chee said. "Along came the white man. He had to have a name to write down when one of us pawned our jewelry to him, or got credit for groceries. The traders started formalizing the nicknames, and before long we had to have names on birth certificates, so you got family names, like mine. I've had nicknames, too. Two or three. And I'm sure you do, too." .

"Me?" Mary Landon looked surprised.

"How long you been at Crownpoint? Three months? Sure. The people have a name for you by now."

"Like what?"

"Something that fits. Maybe 'Pretty Teacher.' Or 'Stubborn Girl.'" Chee shrugged. "'Blue Eyes.' 'Blond Woman.' 'Fast Talker.' Do you want me to find out for you?"

"Sure," she said. Then, "No, wait. Maybe just forget it. How about you? What do they call you?"

"Here? I don't know. When I was at Rough Rock they used to call me…" He paused, and then said the word carefully in Navajo. "It means 'One Who Studies to Be a Singer.'"

"Oh," Mary Landon said. "Are you?"

"I was," Chee said. "I guess I still am, in a way. It depends."

"On what?"

"I applied for admission to the
fbi
. More or less to see how I'd do. Took the tests. Got interviewed by the screening panel at Albuquerque. Last week I got a letter telling me I'd been accepted. I'm supposed to report to the academy in Virginia. December tenth."

She looked at him curiously. "So you're going to be an
fbi
agent."

"I don't know," Chee said.

"You haven't decided?"

"What's the rush? We work on Navajo time." Even as he said it, the flippancy sounded false. December 10 wasn't Navajo time. It was four weeks away. A specific, ironclad, unbendable deadline.

"But you can't be both a Navajo medicine man and an
fbi
agent?"

"Not really," Chee said. He wanted to change the subject, wanted not to talk about it. As a matter of fact, you couldn't be both a Navajo and an
fbi
agent. You couldn't be a Navajo away from the People. "By the way," he said, "thanks for helping with Tomas Charley. I learned what I needed to know. If he told me the truth, that is."

Mary Landon studied him. Chee remembered, belatedly, what he had told her about why he wanted to find Charley.

"Do people lie a lot in your business?"

The question sounded innocent. And if it was, the answer was yes, a lot of people lie to a policeman. But Chee sensed the barb. And the answer was different.

"I'm sorry about that," he said. "I did tell his nephew I'd pass on the message about the car. But I also wanted to see him about police business."

"And you couldn't tell me that." It was more a statement than a question, and the proper answer, of course, was "No, I couldn't." But Chee sensed the hostility again (or perhaps it could now better be described as a mixture of caution and suspicion), and he was not in the mood to give the proper answer.

"I could tell you, but only if you don't mind complicated accounts of things that don't amount to much," Chee said. "Do you want to hear about it?"

She did. Chee told her about Vines, and Mrs. Vines, and the stolen keepsake box, and Sheriff Gordo Sena, and about the People of Darkness and the disappearing body, and finally about where Tomas Charley had left the box.

"And when you look at it all with a detached view," Chee said, "you see a Navajo cop simply exercising his curiosity. A crime of no particular importance. A total lack of jurisdiction."

"But it is curious," she said. "What do you think happened to Mr. Charley's father? And what are you going to do next?"

"I don't know about the body. Probably lost by the bureaucracy somehow and nobody cared enough to find it. As for me, next I'll go out in the malpais when I have some time and get the box and take a look at those rocks, and then I'll get the box back to Vines. He says he doesn't want his box back. But he must want those medals."

"What will you tell Vines?"

"I won't. I'll call the sheriffs office at Grants and tell them I got an anonymous tip on where the box had been left, and went out and found it, and for them to tell the Vineses to come and get it if they want it back."

Mary Landon raised her eyebrows and sipped her coffee.

"Okay," Chee said. "It's a lie. But how else does Vines get his box back without Charley getting in jail?"

"I can't think of a way," she said. "Something else puzzles me. How did Charley know he could trust you?"

Chee shrugged. "Because I look trustworthy?" he asked.

She laughed. "As a matter of fact, you don't," she said. "Could I go along when you go hunting the box?"

"Sure," Chee said. "We'll go tomorrow."

The apartments the Crownpoint school district provided for its teachers were a quarter mile beyond the school. The school was dark now, and the parking lot empty except for a single pickup truck. The pickup was a blue Ford 150. Charley's. Chee slowed his carryall, staring at it.

"Not here," Mary Landon said. "It's those apartments up ahead."

"I know," Chee said. "I'll get you home in just a minute."

He pulled into the parking lot, beside the pickup. "This is Charley's truck," he said. "Why would he leave it?"