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Authors: Truman Capote

Tags: #Mystery, #Non-Fiction, #Classics, #Biography, #History

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BOOK: In Cold Blood
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“Skeeter was a
horse
.” A beautiful horse, a strawberry stallion he had raised from a foal. How that Skeeter could take a fence! “You use a horse too hard,” his father had cautioned him. “One
day you’ll ride the life out of Skeeter.” And he had; while Skeeter was streaking down a road with his master astride him, his heart failed, and he stumbled and was dead. Now, a year later, Kenyon still mourned him, even though his father, taking pity on him, had promised him the pick of next spring’s foals.

“Kenyon?” Nancy said. “Do you think Tracy will be able to talk? By Thanksgiving?” Tracy, not yet a year old, was her nephew, the son of Eveanna, the sister to whom she felt particularly close. (Beverly was Kenyon’s favorite.) “It would thrill me to pieces to hear him say ‘Aunt Nancy.’ Or ‘Uncle Kenyon.’ Wouldn’t you like to hear him say that? I mean, don’t you
love
being an uncle? Kenyon? Good grief, why can’t you
ever
answer me?”

“Because you’re silly,” he said, tossing her the head of a flower, a wilted dahlia, which she jammed into her hair.

Mr. Helm picked up his spade. Crows cawed, sundown was near, but his home was not; the lane of Chinese elms had turned into a tunnel of darkening green, and he lived at the end of it, half a mile away. “Evening,” he said, and started his journey. But once he looked back. “And that,” he was to testify the next day, “was the last I seen them. Nancy leading old Babe off to the barn. Like I said, nothing out of the ordinary.”

THE BLACK CHEVROLET WAS again parked, this time in front of a Catholic hospital on the outskirts of Emporia. Under continued needling (“That’s your trouble. You think there’s only one right way—Dick’s way”), Dick had surrendered. While Perry waited in the car, he had gone into the hospital to try and buy a pair of black stockings from a nun. This rather unorthodox method of obtaining them had been Perry’s inspiration; nuns, he had argued, were certain to have a supply.
The notion presented one drawback, of course: nuns, and anything pertaining to them, were bad luck, and Perry was most respectful of his superstitions. (Some others were the number 15, red hair, white flowers, priests crossing a road, snakes appearing in a dream.) Still, it couldn’t be helped. The compulsively superstitious person is also very often a serious believer in fate; that was the case with Perry. He was here, and embarked on the present errand, not because he wished to be but because fate had arranged the matter; he could
prove
it—though he had no intention of doing so, or least within Dick’s hearing, for the proof would involve his confessing the true and secret motive behind his return to Kansas, a piece of parole violation he had decided upon for a reason quite unrelated to Dick’s “score” or Dick’s summoning letter. The reason was that several weeks earlier he had learned that on Thursday, November 12, another of his former cellmates was being released from Kansas State Penitentiary at Lansing, and “more than anything in the world,” he desired a reunion with this man, his “real and only friend,” the “brilliant” Willie-Jay.

During the first of his three years in prison, Perry had observed Willie-Jay from a distance, with interest but with apprehension; if one wished to be thought a tough specimen, intimacy with Willie-Jay seemed unwise. He was the chaplain’s clerk, a slender Irishman with prematurely gray hair and gray, melancholy eyes. His tenor voice was the glory of the prison’s choir. Even Perry, though he was contemptuous of any exhibition of piety, felt “upset” when he heard Willie-Jay sing “The Lord’s Prayer”; the hymn’s grave language sung in so credulous a spirit moved him, made him wonder a little at the justice of his contempt. Eventually, prodded by a slightly alerted religious curiosity, he approached Willie-Jay, and the chaplain’s clerk, at once responsive, thought he divined in the cripple-legged body builder with the misty gaze and the prim, smoky voice “a poet, something rare and savable.” An ambition to “bring this boy to God” engulfed him. His hopes of succeeding accelerated when one day Perry produced a pastel drawing he had made—a large, in no way technically naïve portrait of Jesus. Lansing’s Protestant chaplain, the Reverend James Post, so valued it that he hung it in his office,
where it hangs still: a slick and pretty Saviour, with Willie-Jay’s full lips and grieving eyes. The picture was the climax of Perry’s never very earnest spiritual quest, and, ironically, the termination of it; he adjudged his Jesus “a piece of hypocrisy,” an attempt to “fool and betray” Willie-Jay, for he was as unconvinced of God as ever. Yet should he admit this and risk forfeiting the one friend who had ever “truly understood” him? (Hod, Joe, Jesse, travelers straying through a world where last names were seldom exchanged, these had been his “buddies”—never anyone like Willie-Jay, who was in Perry’s opinion, “way above average intellectually, perceptive as a
well-
trained psychologist.” How was it possible that so gifted a man had wound up in Lansing? That was what amazed Perry. The answer, which he knew but rejected as “an evasion of the deeper, the human question,” was plain to simpler minds: the chaplain’s clerk, then thirty-eight, was a thief, a small-scale robber who over a period of twenty years had served sentences in five different states.) Perry decided to speak out: he was sorry, but it was not for him—heaven, hell, saints, divine mercy—and if Willie-Jay’s affection was founded on the prospect of Perry’s some day joining him at the foot of the Cross, then he was deceived and their friendship false, a counterfeit, like the portrait.

As usual, Willie-Jay understood; disheartened but not disenchanted, he had persisted in courting Perry’s soul until the day of its possessor’s parole and departure, on the eve of which he wrote Perry a farewell letter, whose last paragraph ran: “You are a man of extreme passion, a hungry man not quite sure where his appetite lies, a deeply frustrated man striving to project his individuality against a backdrop of rigid conformity. You exist in a half-world suspended between two superstructures, one self-expression and the other self-destruction. You are strong, but there is a flaw in your strength, and unless you learn to control it the flaw will prove stronger than your strength and defeat you. The flaw?
Explosive emotional reaction out of all proportion to the occasion
. Why? Why this unreasonable anger at the sight of others who are happy or content, this growing contempt for people and the desire to hurt them? All right, you think they’re fools,
you despise them because their morals, their happiness is the source of
your
frustration and resentment. But these are dreadful enemies you carry within yourself—in time destructive as bullets. Mercifully, a bullet kills its victim. This other bacteria, permitted to age, does not kill a man but leaves in its wake the hulk of a creature torn and twisted; there is still fire within his being but it is kept alive by casting upon it faggots of scorn and hate. He may successfully accumulate, but he does not accumulate success, for he is his own enemy and is kept from truly enjoying his achievements.”

Perry, flattered to be the subject of this sermon, had let Dick read it, and Dick, who took a dim view of Willie-Jay, had called the letter “just more of Billy Grahamcracker’s hooey,” adding, “ ‘Faggots of scorn!’
He’s
the faggot.” Of course, Perry had expected this reaction, and secretly he welcomed it, for his friendship with Dick, whom he had scarcely known until his final few months in Lansing, was an outgrowth of, and counterbalance to, the intensity of his admiration for the chaplain’s clerk. Perhaps Dick
was
“shallow,” or even, as Willie-Jay claimed, “a vicious blusterer.” All the same, Dick was full of fun, and he was shrewd, a realist, he “cut through things,” there were no clouds in his head or straw in his hair. Moreover, unlike Willie-Jay, he was not critical of Perry’s exotic aspirations; he was willing to listen, catch fire, share with him those visions of “guaranteed treasure” lurking in Mexican seas, Brazilian jungles.

After Perry’s parole, four months elapsed, months of rattling around in a fifth-hand, hundred-dollar Ford, rolling from Reno to Las Vegas, from Bellingham, Washington, to Buhl, Idaho, and it was in Buhl, where he had found temporary work as a truck driver, that Dick’s letter reached him: “Friend P., Came out in August, and after you left I Met Someone, you do not know him, but he put me on to Something we could bring off Beautiful. A cinch, the Perfect score …” Until then Perry had not imagined that he would ever see Dick again.
Or
Willie-Jay. But they had both been much in his thoughts, and especially the latter, who in memory had grown ten feet tall, a gray-haired wise man haunting the hallways of his mind. “You pursue the negative,” Willie-Jay
had informed him once, in one of his lectures. “You want not to give a damn, to exist without responsibility, without faith or friends or warmth.”

In the solitary, comfortless course of his recent driftings, Perry had over and over again reviewed this indictment, and had decided it was unjust. He
did
give a damn—but who had ever given a damn about him? His father? Yes, up to a point. A girl or two—but that was “a long story.” No one else except Willie-Jay himself. And only Willie-Jay had ever recognized his worth, his potentialities, had acknowledged that he was not just an undersized, overmuscled half-breed, had seen him, for all the moralizing, as he saw himself—“exceptional,” “rare,” “artistic.” In Willie-Jay his vanity had found support, his sensibility shelter, and the four-month exile from this high-carat appreciation had made it more alluring than any dream of buried gold. So when he received Dick’s invitation, and realized that the date Dick proposed for his coming to Kansas more or less coincided with the time of Willie-Jay’s release, he knew what he must do. He drove to Las Vegas, sold his junk-heap car, packed his collection of maps, old letters, manuscripts, and books, and bought a ticket for a Greyhound bus. The journey’s aftermath was up to fate; if things didn’t “work out with Willie-Jay,” then he might “consider Dick’s proposition.” As it turned out, the choice was between Dick and nothing, for when Perry’s bus reached Kansas City, on the evening of November 12, Willie-Jay, whom he’d been unable to advise of his coming, had already left town—left, in fact, only five hours earlier, from the same terminal at which Perry arrived. That much he had learned by telephoning the Reverend Mr. Post, who further discouraged him by declining to reveal his former clerk’s exact destination. “He’s headed East,” the chaplain said. “To fine opportunities. A decent job, and a home with some good people who are willing to help him.” And Perry, hanging up, had felt “dizzy with anger and disappointment.”

But what, he wondered when the anguish subsided, had he really expected from a reunion with Willie-Jay? Freedom had separated them; as free men, they had nothing in common, were opposites, who could never have formed a “team”—certainly not
one capable of embarking on the skin-diving south-of-the-border adventures he and Dick had plotted. Nevertheless, if he had not missed Willie-Jay, if they could have been together for even an hour, Perry was quite convinced—just “knew”—that he would not now be loitering outside a hospital waiting for Dick to emerge with a pair of black stockings.

Dick returned empty-handed. “No go,” he announced, with a furtive casualness that made Perry suspicious.

“Are you sure? Sure you even asked?”

“Sure I did.”

“I don’t believe you. I think you went in there, hung around a couple of minutes, and came out.”

“O.K., sugar—whatever you say.” Dick started the car. After they had traveled in silence awhile, Dick patted Perry on the knee. “Aw, come on,” he said. “It was a puky idea. What the hell would they have thought? Me barging in there like it was a goddam five-’n’-dime …”

Perry said, “Maybe it’s just as well. Nuns are a bad-luck bunch.”

THE GARDEN CITY REPRESENTATIVE of New York Life Insurance smiled as he watched Mr. Clutter uncap a Parker pen and open a checkbook. He was reminded of a local jest: “Know what they say about you, Herb? Say, ‘Since haircuts went to a dollar-fifty, Herb writes the barber a check.’ ”

“That’s correct,” replied Mr. Clutter. Like royalty, he was famous for never carrying cash. “That’s the way I do business. When those tax fellows come poking around, canceled checks are your best friend.”

With the check written but not yet signed, he swiveled back in his desk chair and seemed to ponder. The agent, a stocky, somewhat bald, rather informal man named Bob Johnson, hoped
his client wasn’t having last-minute doubts. Herb was hardheaded, a slow man to make a deal; Johnson had worked over a year to clinch this sale. But, no, his customer was merely experiencing what Johnson called the Solemn Moment—a phenomenon familiar to insurance salesmen. The mood of a man insuring his life is not unlike that of a man signing his will; thoughts of mortality must occur.

“Yes, yes,” said Mr. Clutter, as though conversing with himself. “I’ve plenty to be grateful for—wonderful things in my life.” Framed documents commemorating milestones in his career gleamed against the walnut walls of his office: a college diploma, a map of River Valley Farm, agricultural awards, an ornate certificate bearing the signatures of Dwight D. Eisenhower and John Foster Dulles, which cited his services to the Federal Farm Credit Board. “The kids. We’ve been lucky there. Shouldn’t say it, but I’m real proud of them. Take Kenyon. Right now he kind of leans toward being an engineer, or a scientist, but you can’t tell me my boy’s not a born rancher. God willing, he’ll run this place some day. You ever met Eveanna’s husband? Don Jarchow? Veterinarian. I can’t tell you how much I think of that boy. Vere, too. Vere English—the boy my girl Beverly had the good sense to settle on. If anything ever happened to me, I’m sure I could trust those fellows to take responsibility; Bonnie by herself—Bonnie wouldn’t be able to carry on an operation like this …”

Johnson, a veteran at listening to ruminations of this sort, knew it was time to intervene. “Why, Herb,” he said. “You’re a
young
man. Forty-eight. And from the looks of you, from what the medical report tells us, we’re likely to have you around a couple of weeks more.”

BOOK: In Cold Blood
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