Industrial Magic (39 page)

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Authors: Kelley Armstrong

Tags: #Fiction, #Fantasy, #General

BOOK: Industrial Magic
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"But this latest assault? Truly inspired."

Again, John hesitated, and I saw by his expression that he had no idea what Cassandra was talking about. He coughed to cover his confusion, then pressed on. "Yes, well, it was a team effort. Months of planning. We were pleased with the results, though, and we hope to build on that success for our next effort."

"I'm sure you will."

Cassandra walked to the window and looked out, regrouping and plotting her next move. I left her to it. That fake phone call had tested the limits of my deceptive abilities.

John shot up the sleeves on his coat. "We've let these Cabals go on too long. It was an amusing exercise to watch, but they've forgotten their place in the supernatural world. We should have taken a hand in the Cabals right from the start, demanded tribute, something to remind them who's in charge. Not that I blame you—"

Cassandra looked at John. He lifted his hands and stepped back.

"Not at all. You were misled, like the rest of us. When they said they didn't want vampires joining up, we didn't care. Why should we? Vampires certainly aren't going to punch time cards for spell-casters. We just didn't see where that would lead."

"Where that would lead . . ." Cassandra murmured. "Yes, of course. I'm assuming you're referring to the recent problems we've had with the Cabals."

"Sure. Right."

Cassandra glanced at me, my cue to play the clueless outsider.

"What problems?" I said.

Cassandra waved to John, as if to grant him the floor.

"Well, the, uh, general problems they have with vampires. They know we could rise against them at any time. Too long we've lain dormant, complacent with our place in the world—"

Cassandra strode to the door and disappeared into the hall. John hurried after her.

"Did you hear something?" he asked.

"No, I've heard enough. Paige? Come on."

I followed her from the house.

 

 

Understanding Cassandra

 

"I hope we're leaving because you have an idea," I said as we walked along the street.

"He doesn't know anything."

"How do you know? You barely prodded him."

"What was I supposed to do? Rip out his fingernails? I'm over three hundred years old, Paige. I have an excellent understanding of human and vampire behavior. John knows nothing."

I glanced back toward the row house.

"Don't you dare," Cassandra said. "Really, Paige, you can be such a child. An impetuous child with an overdeveloped sense of her own infallibility. You're lucky that binding spell held John or I would have had to rescue you yet again."

"When have you
ever
rescued me?" I shook my head, realizing I was being deftly led away from my goal. "Forget John, then. What about the other two? We should stop by the Rampart, see if you can pick up their trail—"

"If John doesn't know anything, they don't know anything."

"I'm still not convinced John doesn't know anything."

She muttered something and walked faster, leaving me lagging behind. I took out my cell phone. She glanced over her shoulder.

"I'm not standing here waiting for a cab, Paige. There's a restaurant a few blocks over. We'll phone from there."

"I'm not calling for a cab. I'm phoning Aaron."

"It's three A.M. He will not appreciate—"

"He said to call him when we finished talking to John, whatever the hour, and see whether he's found any other leads."

Cassandra snatched the cell phone from my hand. "He hasn't. Aaron spent the last seventy years in Australia, Paige. He's barely been back for two years. How could he possibly know anything about us? About the vampires here?"

"He knew about John and the Rampart." I peered at her through the darkness. "You really don't want me asking other vampires for information, do you?"

"Don't be ridiculous. I took you to Aaron. I brought you here. I chased down John—"

"I chased down John. You walked right past him."

"John doesn't know anything."

"But you do."

"No," she said, meeting my eyes. "I don't."

I knew then that she was telling the truth. She didn't know anything . . . and that's why she was blocking and snapping at me, because these were her people, she represented them, and she should have known something. Known about the Rampart, known about John's anti-Cabal crusade, known who'd had run-ins with the Cabals. But she didn't. That was the problem.

"Lucas and I can handle this," I said, my tone softening. "You don't need to—"

"Yes, I do need to. You were right. As council delegate I need to help solve this before the situation gets worse for all involved." She handed me my cell phone. "Go ahead. Call Aaron."

I shook my head. "It can wait until morning. Let's go back to the hotel and get some sleep."

***

Of course, I didn't want to sleep. I wanted to plot my next move. I wanted to call Lucas and get his opinion. I wanted to call Aaron and see whether he'd uncovered anything. Most of all, though, I wanted to shake Cassandra until her fangs rattled.

I did none of this. I could hardly track fresh leads at this hour, so there was no reason not to phone Lucas and Aaron in the morning. As for Cassandra, well, let's just say I was having trouble working up a good dose of righteous indignation. For once in my life, I think I understood Cassandra, or some minuscule part of her.

Aaron was right: Cassandra was disconnecting. A modern term for an ancient vampire affliction. When a vampire begins to pull back from the world, it's a sure sign that she's coming to the end of her life. I'd always thought it was intentional. You know you don't have much time left, so you begin to withdraw, make peace with yourself.

I'll admit, if I knew my time was coming, I'd throw myself into the world like never before, and spend every minute with those I loved. Yet it made sense that vampires might be more reflective, might isolate themselves, as they saw the end coming and realized the full cost of their existence. Even if they killed only one person a year, that added up to hundreds of victims over a lifetime. Hundreds who'd died so they could live. As that life draws to an end, they must look back and question their choice.

Seeing Cassandra deny her disconnection, fight to pretend that she's just as much a part of the world as ever, I understood that the process must be as involuntary as any other part of aging. I've said that Cassandra didn't care about anyone but herself, and she'd been that way my entire life. Although I was sure she'd never been the most altruistic person, if she'd always been as self-centered as she was today, she'd never have been granted a seat on the council. Perhaps, as she grew older, she'd begun finding it more difficult to care, as the years and the faces blurred together, her own self and life the only constant. Yet she'd told herself she wasn't affected by it, that she was still as vibrant and vital as ever. Could I really blame her for that? Of course not.

What about my mother? Could I blame her? She must have seen the signs with Cassandra. Why didn't she say anything? When Cassandra's codelegate, Lawrence, had taken off for Europe, sinking into the final stages of his decline, my mother should have insisted on getting a second, younger vampire delegate. If she had, maybe none of this would have happened. We'd have known which vampires were having trouble with the Cabals. Yet my mother had done nothing. Why? Perhaps for the same reason I sat on the hotel bed, staring at the door, knowing I should go out there and confront Cassandra, yet unable to do so.

Fear glued me to that bed. Not fear of Cassandra herself, but fear of offending her. I've never been very good at respecting my elders. Everyone deserves my basic respect, but to earn extra requires more than just having lots of candles on your birthday cake. My mother raised me to be Coven Leader, meaning I grew up knowing that my "elders" would someday be my subordinates. Yet there's a big difference between kowtowing to a seventy-year-old witch and showing respect to a three-hundred-year-old vampire. I couldn't just walk out there and say, "Hey, Cass, I know you don't want to hear this, but you're dying, so get over it."

Something had to be done. It made my gut churn to admit that my mother may have made a mistake, but if she had, I couldn't perpetuate it simply to avoid disrespecting her memory. If Aaron wanted a place on the council, then he should have it. I wouldn't tell Cassandra that now—that would be kicking her when she was down. But we did need to talk.

***

Cassandra stood in the living area, staring out the window. She didn't turn when I walked in. As I watched her, my resolve faltered. This could wait until morning.

"Bathroom's all yours," I said. "You can have the bedroom, too. I'll pull out the sofa."

She shook her head, still not turning. "Take the bedroom. I don't sleep very much anymore."

Another sign of a dying vampire. I watched her stare out the window. She looked . . . not sad, really, but somehow smaller, dimmer; her presence was confined to that corner of the room instead of taking over the whole of it.

"Can we talk, then?" I said.

She nodded, and walked to the couch. I took the chair beside it.

"If you want to speak to John again, I'll help you," she said. "I will warn you, though, that he's likely to send us on a wild-goose chase." She paused. "Not intentionally. He simply puts too much credence in gossip."

"Well, maybe Aaron can help us sift through John's bullshit. Aaron seems to have a good network of contacts."

Cassandra stiffened, almost imperceptibly, then nodded. "Aaron was always very good at that, immersing himself in our world. Helping others. Keeping order. It's what he does best." A small smile. "I remember, we were in London when Peel began recruiting his bobbies, and I told him, 'Aaron, finally, a career for you.' He'd have been horrible at it, of course. If he caught a hungry child stealing a loaf of bread, he wouldn't have arrested him, he'd have helped him steal more. He's a good man. I—" She paused. "So we'll talk to John again, then. Aaron should be able to get an address for us later today."

"I can probably get it tonight. If he owns the Rampart with Brigid and Ronald, then one of them has to have their address in the public record system. I'll also call Lucas, tell him I won't be coming back to Miami just yet, see whether he wants to join us."

***

Finding John's address was even simpler than I'd hoped. It was in the phone book. Just to be sure, though, I hacked into public records and double-checked. It may seem that supernaturals, particularly vampires, would avoid leaving a paper trail and, in most cases, they do. Few supernaturals will list themselves in the local phone books, as John had. Yet when it comes to such highly regulated matters as the issuing of liquor licenses, it's more dangerous to provide false information. Vampires carry valid driver's licenses and file their taxes like everyone else, though the name on their paperwork may or may not be their true birth name, depending on how they prefer to keep their identity current. Some pick a victim in their age range and take over his identity for a while. Others pay supernatural forgers to create fresh documents every decade or so. Like Cassandra, John apparently chose the latter route.

Next I called Lucas. As I'd expected—and hoped—he did want to join us. We discussed whether Cassandra and I should wait for him before visiting John, but he didn't think his presence would help. He'd catch the next flight to New Orleans, and we'd meet up after lunch.

By this point, it was after six, so sleep was out of the question. I fixed a fresh poultice for my stomach and cast a fresh healing spell. It helped. A few hours of sleep might have helped more, but I didn't have time for that. The painkillers might have helped, too, but I'd left them back in Miami, and not by accident. This trip, I needed to be clearheaded.

At seven, we went to a bistro down the road, where I had beignets and café au lait while Cassandra drank black coffee. After breakfast, Cassandra tried calling Aaron, but he wasn't answering his cell, so she left a message. Then we hailed a cab and headed out to interview the vampire again.

 

 

Embracing One's Cultural Heritage

 

We stood on the sidewalk in front of John's house. Cassandra looked up at it and sighed.

"You weren't really expecting a brick bungalow, were you?" I said. "At least it's not as bad as the Rampart." I peered through the wrought-iron fence. "Oh, I didn't see that . . . or that. Is that what I think—oooh." I pulled back. "You may want to wait outside."

Cassandra sighed again, louder, deeper.

Now, I have nothing against Victorian architecture, having grown up in a wonderful little house from that very era, but John's place was everything that gives the style a bad name, plus a good dose of southern Gothic. It looked like the quintessential haunted house, covered in ivy and peeling paint, windows darkened, spires rusting. On closer inspection, the disrepair was only cosmetic—the porch didn't sag, the wood wasn't rotting, even the crumbling walkway was crumbled artfully, the stones still solid enough that you wouldn't trip walking over them. The yard appeared overrun and neglected, yet even a novice gardener would recognize that most of the "weeds" were actually wild-looking perennials.

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