Ironweed (16 page)

          Of course Helen is putting on airs with this thought, being just like her mother, washing out the washcloth with the cold water, all there is, and only after washing the cloth twice would she dare to use it on her face. And then she would (yes, she would, can you imagine? can you remember?) dab herself all over with the Madame Pompadour body powder, and touch her ears with the Violet de Paris perfume, and give her hair sixty strokes that way, sixty strokes this way, and say to her image in the mirror that pretty is as pretty does. Arthur loved her pretty.

          Helen saw a man who looked a little bit like Arthur, going bald the way he always was, when she was leaving Saint Anthony’s Church after mass. It wasn’t Arthur, because Arthur was dead, and good enough for him. When she was nineteen, in 1906, Helen went to work in Arthur’s piano store, selling only sheet music at first, and then later demonstrating how elegant the tone of Arthur’s pianos could be when properly played.

          Look at her sitting there at the Chickering upright, playing “Won’t You Come Over to My House?” for that fashionable couple with no musical taste. Look at her there at the Steinway grand, playing a Bach suite for the handsome woman who knows her music. Look how both parties are buying pianos, thanks to magical Helen.

          But then, one day when she is twenty-seven and her life is over, when she knows at last that she will never marry, and probably never go further with her music than the boundaries of the piano store, Helen thinks of Schubert, who never rose to be anything more than a children’s music teacher, poor and sick, getting only fifteen or twenty cents for his songs, and dead at thirty-one; and on this awful day Helen sits down at Arthur’s grand piano and plays “Who Is Silvia?” and then plays all she can remember of the flight of the raven from
Die Win terreise
.

          The Schubert blossom,

          Born to bloom unseen,

          Like Helen.

          Did Arthur do that?

          Well, he kept her a prisoner of his love on Tuesdays and Thursdays, when he closed early, and on Friday nights too, when he told his wife he was rehearsing with the Mendelssohn Club. There is Helen now, in that small room on High Street, behind the drawn curtains, sitting naked in bed while Arthur stands up and puts on his dressing gown, expostulating no longer on sex but now on the
Missa Solemnis
, or was it Schubert’s lieder, or maybe the glorious Ninth, which Berlioz said was like the first rays of the rising sun in May?

          It was really all three, and much, much more, and Helen listened adoringly to the wondrous Arthur as his semen flowed out of her, and she aspired exquisitely to embrace all the music ever played, or sung, or imagined.

          In her nakedness on that continuing Tuesday and Thursday and unchanging Friday, Helen now sees the spoiled seed of a woman’s barren dream: a seed that germinates and grows into a shapeless, windblown weed blossom of no value to anything, even its own species, for it produces no seed of its own; a mutation that grows only into the lovely day like all other wild things, and then withers, and perishes, and falls, and vanishes.

          The Helen blossom.

          One never knows the potential within the human breast.

          One would never expect Arthur to abandon Helen for a younger woman, a tone-deaf secretary, a musical illiterate with a big bottom.

          Stay on as long as you like, my love, Arthur told Helen; for there has never been a saleswoman as good as you.

          Alas, poor Helen, loved for the wrong talent by angelic Arthur, to whom it was given to hurt Helen: who educated her body and soul and then sent them off to hell.

          Helen walked from Saint Anthony’s Church to South Pearl Street and headed north in search of a restaurant. She envisioned herself sitting at one of the small tables in the Primrose Tea Room on State Street, where they served petite watercress sandwiches, with crusts cut off, tea in Nippon cups and saucers, and tiny sugar cubes in a silver bowl with ever-so-delicate silver tongs.

          But she settled for the Waldorf Cafeteria, where coffee was a nickel and buttered toast a dime. Discreetly, she took one of the dollar bills out of her brassiere and held it in her left fist inside her coat pocket. She let go of it only long enough to carry the coffee and toast to a table, and then she clutched it anew, a dollar with a fifteen-cent hole in it now. Eleven-eighty-five all she had left. She sweetened and creamed her coffee and sipped at it. She ate half a piece of toast and a bite of another and left the rest. She drank all the coffee, but food did not want to go down.

          She paid her check and walked back out onto North Pearl, clutching her change, wondering about Francis and what she should do now. The air had a bite to it, in spite of the warming sun, driving her mind indoors. And so she walked toward the Pruyn Library, a haven. She sat at a table, shivering and hugging herself, warming slowly but deeply chilled. She dozed willfully, in flight to the sun coast where the white birds fly, and a white-haired librarian shook her awake and said: “Madam, the rules do not allow sleeping in here,” and she placed a back issue of
Life
magazine in front of Helen, and from the next table picked up the morning
Times-Union
on a stick and gave it to her, adding: “But you may stay as long as you like, my dear, if you choose to read.” The woman smiled at Helen through her pince-nez and Helen returned the smile. There are nice people in the world and sometimes you meet them. Sometimes.

          Helen looked at
Life
and found a picture of a two block-long line of men and women in dark overcoats and hats, their hands in their pockets against the cold of a St. Louis day, waiting to pick up their relief checks. She saw a photo of Millie Smalls, a smiling Negro laundress who earned fifteen dollars a week and had just won $150,000 on her Irish Sweepstakes ticket.

          Helen closed the magazine and looked at the newspaper. Fair and warmer, the weatherman said. He’s a liar. Maybe up to fifty today, but yesterday it was thirty-two. Freezing. Helen shivered and thought of getting a room. Dewey leads Lehman in Crosley poll. Dr. Benjamin Ross of Albany’s Dudley Observatory says Martians can’t attack earth, and adds: “It is difficult to imagine a rocketship or space ship reaching earth. Earth is a very small target and in all probability a Martian space ship would miss it altogether.” Albany’s Mayor Thacher denies false registration of 5,000 voters in 1936. Woman takes poison after son is killed trying to hop freight train.

          Helen turned the page and found Martin Daugherty’s story about Billy Phelan and the kidnapping. She read it and began to cry, not absorbing any of it, but knowing the family was taking Francis away from her. If Francis and Helen still had a house together, he would never leave her. Never. But they hadn’t had a house since early 1930. Francis was working as a fixit man in the South End then, wearing a full beard so nobody’d know it was him, and calling himself Bill Benson. Then the fixit shop went out of business and Francis started drinking again. After a few months of no job, no chance of one, he left Helen alone. “I ain’t no good to you or anybody else,” he said to her during his crying jag just before he went away. “Never amounted to nothin’ and never will.”

          How insightful, Francis. How absolutely prophetic of you to see that you would come to nothing, even in Helen’s eyes. Francis is somewhere now, alone, and even Helen doesn’t love him anymore. Doesn’t. For everything about love is dead now, wasted by weariness. Helen doesn’t love Francis romantically, for that faded years ago, a rose that bloomed just once and then died forever. And she doesn’t love Francis as a companion, for he is always screaming at her and leaving her alone to be fingered by other men. And she certainly doesn’t love him as a love thing, because he can’t love that way anymore. He tried so hard for so long, harder and longer than you could ever imagine, Finny, but all it did was hurt Helen to see it. It didn’t hurt Helen physically because that part of her is so big now, and so old, that nothing can ever hurt her there anymore.

          Even when Francis was strong he could never reach all the way up, because she was deeper. She used to need something exceptionally big, bigger than Francis. She had that thought the first time, when she began playing with men after Arthur, who was so big, but she never got what she needed. Well, perhaps once. Who was that? Helen can’t remember the face that went with the once. She can’t remember anything now but how that night, that once, something in her was touched: a deep center no one had touched before, or has touched since. That was when she thought: This is why some girls become professionals, because it is so good, and there would always be somebody else, somebody new, to help you along.

          But a girl like Helen could never really do a thing like that, couldn’t just open herself to any man who came by with the price of another day. Does anyone think Helen was ever that kind of a girl?

          Ode to Joy, please.

                   
Freude, schöner Götterfunken
,

                   
Tochter aus Elysium!

          Helen’s stomach rumbled and she left the library to breathe deeply of the therapeutic morning air. As she walked down Clinton Avenue and then headed south on Broadway, a vague nausea rose in her and she stopped between two parked cars to hold on to a phone pole, ready to vomit. But the nausea passed and she walked on, past the railroad station, until the musical instruments in the window of the Modern Music Shop caught her attention. She let her eyes play over the banjos and ukuleles, the snare drum and the trombone, the trumpet and violin. Phonograph records stood on shelves, above the instruments: Benny Goodman, the Dorsey Brothers, Bing Crosby, John McCormack singing Schubert, Beethoven’s “Appassionata.”

          She went into the store and looked at, and touched, the instruments. She looked at the rack of new song sheets: “The Flat Foot Floogie.”

“My Heart Belongs to Daddy.”

“You Must Have Been a Beautiful Baby.” She walked to the counter and asked the young man with the slick brown hair: “Do you have Beethoven’s Ninth Symphony?” She paused. “And might I see that Schubert album in your window?”

          “We do, and you may,” said the man, and he found them and handed them to her and pointed her to the booth where she could listen to the music in private.

          She played the Schubert first, John McCormack inquiring: Who is Silvia? What is she? That all our swains commend her?… Is she as kind as she is fair? And then, though she absolutely loved McCormack, adored Schubert, she put them both aside for the fourth movement of the
Choral
Symphony.

                   
Joy, thou spark from flame immortal
,

                   
Daughter of Elysium!

          The words tumbled at Helen in the German and she converted them to her own joyful tongue.

                   
He that’s won a noble woman
,

                   
Let him join our jubilee!

          Oh the rapture she felt. She grew dizzy at the sounds: the oboes, the bassoons, the voices, the grand march of the fugal theme. Scherzo. Molto vivace.

          Helen swooned.

          A young woman customer saw her fall and was at her side almost instantly. Helen came to with her head in the young woman’s lap, the young clerk fanning her with a green record jacket. Beethoven, once green, green as a glade. The needle scratched in the record’s end groove. The music had stopped, but not in Helen’s brain, It rang out still, the first rays of the rising sun in May.

          “How you feeling, ma’am,” the clerk asked.

          Helen smiled, hearing flutes and violas.

          “I think I’m all right. Will you help me up?”

          “Rest a minute,” the girl said. “Get your bearings first. Would you like a doctor?”

          “No, no thank you. I know what it is. I’ll be all right in a minute or two.”

          But she knew now that she would have to get the room and get it immediately. She did not want to collapse crossing the street. She needed a place of her own, warm and dry, and with her belongings near her. The clerk and the young woman customer helped her to her feet and stood by as she settled herself again on the bench of the listening booth. When the young people were reassured that Helen was fully alert and probably not going to collapse again, they left her. And that’s when she slipped the record of the fourth movement inside her coat, under her blouse, and let it rest on the slope of her tumor her doctor said was benign. But how could anything so big be benign? She pulled her coat around her as tightly as she could without cracking the record, said her thank yous to both her benefactors, and walked slowly out of the store.

          Her bag was at Palombo’s Hotel and she headed for there: all the way past Madison Avenue. Would she make it to the hotel without a collapse? Well, she did. She was exhausted but she found crippled old Donovan in his rickety rocker, and his spittoon at his feet, on the landing between the first and second floors, all there was of a lobby in this establishment. She said she wanted to redeem her bag and rent a room, the same room she and Francis always took whenever it was empty. And it was empty.

          Six dollars to redeem the bag, old Donovan told her, and a dollar and a half for one night, or two-fifty for two nights running. Just one, Helen said, but then she thought: What if I don’t die tonight? I will need it tomorrow too. And so she took the bargain rate, which left her with three dollars and thirty-five cents.

          Old Donovan gave her the key to the second-floor room and went to the cellar for her suitcase.

          “Ain’t seen ya much.” Donovan said when he brought the bag to her room.

          “We’ve been busy.” Helen said. “Francis got a job.”

          “A job? Ya don’t say.”