Island (30 page)

Read Island Online

Authors: Alistair Macleod

Tags: #Contemporary, #Classics

BOOK: Island
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Perhaps there’ll be no drifting snow
.

There’s always drifting snow
.

We’ll take my car if you’ll drive it. We’ll have to drive straight through
.

John phoned and said he’ll give us his car if we want it or he’ll drive – either his own car or someone else’s
.

He drinks too heavily, especially for long-distance driving, and at this time of year. He’s been drinking ever since this news began
.

He drinks because he cares. It’s just the way he is
.

Not everybody drinks
.

Not everybody cares, and if he gives you his word, he’ll never drink until he gets there. We all know that
.

But so far nothing has happened. Things seem to remain the same.

Through the window and out on the white plane of the snow, the silent, laughing children now appear. They move in their muffled clothes like mummers on the whitest of stages. They dance and gesture noiselessly, flopping their arms in parodies of heavy, happy, earthbound birds. They have been warned by the eldest to be aware of the sleeping neighbours so they cavort only in pantomime, sometimes raising mittened hands to their mouths to suppress their joyous laughter. They dance and prance in the moonlight, tossing snow in one another’s direction, tracing out various shapes and initials, forming lines which snake across the previously unmarked whiteness. All of it in silence, unknown to and unseen and unheard by the neighbouring world. They seem unreal even to me, their father, standing at his darkened window. It is almost as if they have danced out of the world of folklore like happy elves who cavort and mimic and caper through the private hours of this whitened dark, only to vanish with the coming of the morning’s light and leaving only the signs of their activities behind. I am tempted to check the recently vacated beds to confirm what perhaps I think I know.

Then out of the corner of my eye I see him. The golden collie-like dog. He appears almost as if from the wings of the stage or as a figure newly noticed in the lower corner of a winter painting. He sits quietly and watches the playful scene before
him and then, as if responding to a silent invitation, bounds into its midst. The children chase him in frantic circles, falling and rolling as he doubles back and darts and dodges between their legs and through their outstretched arms. He seizes a mitt loosened from its owner’s hand, and tosses it happily in the air and then snatches it back into his jaws an instant before it reaches the ground and seconds before the tumbling bodies fall on the emptiness of its expected destination. He races to the edge of the scene and lies facing them, holding the mitt tantalizingly between his paws, and then as they dash towards him, he leaps forward again, tossing and catching it before him and zigzagging through them as the Sunday football player might return the much sought-after ball. After he has gone through and eluded them all, he looks back over his shoulder and again, like an elated athlete, tosses the mitt high in what seems like an imaginary end zone. Then he seizes it once more and lopes in a wide circle around his pursuers, eventually coming closer and closer to them until once more their stretching hands are able to actually touch his shoulders and back and haunches, although he continues always to wriggle free. He is touched but never captured, which is the nature of the game. Then he is gone. As suddenly as he came. I strain my eyes in the direction of the adjoining street, toward the house where I have often seen him, always within a yard enclosed by woven links of chain. I see the flash of his silhouette, outlined perhaps against the snow or the light cast by the street lamps or the moon. It arcs upward and seems to hang for an instant high above the top of the fence and then it descends on the other side. He lands on his shoulder in a fluff of snow and
with a half roll regains his feet and vanishes within the shadow of his owner’s house.

“What are you looking at?” asks my wife.

“That golden collie-like dog from the other street was just playing with the children in the snow.”

“But he’s always in that fenced-in yard.”

“I guess not always. He jumped the fence just now and went back in. I guess the owners and the rest of us think he’s fenced in but he knows he’s not. He probably comes out every night and leads an exciting life. I hope they don’t see his tracks or they’ll probably begin to chain him.”

“What are the children doing?”

“They look tired now from chasing the dog. They’ll probably soon be back in. I think I’ll go downstairs and wait for them and make myself a cup of coffee.”

“Okay.”

I look once more toward the fenced-in yard but the dog is nowhere to be seen.

I first saw such a dog when I was twelve and he came as a pup of about two months in a crate to the railroad station which was about eight miles from where we lived. Someone must have phoned or dropped in to say: “Your dog’s at the station.”

He had come to Cape Breton in response to a letter and a cheque which my father had sent to Morrisburg, Ontario. We had seen the ads for “cattle collie dogs” in
The Family Herald
, which was the farm newspaper of the time, and we were in need of a good young working dog.

His crate was clean and neat and there was still a supply of dog biscuits with him and a can in the corner to hold water. The
baggage handlers had looked after him well on the trip east, and he appeared in good spirits. He had a white collar and chest and four rather large white paws and a small white blaze on his forehead. The rest of him was a fluffy, golden brown, although his eyebrows and the tips of his ears as well as the end of his tail were darker, tingeing almost to black. When he grew to his full size the blackish shadings became really black, and although he had the long, heavy coat of a collie, it was in certain areas more grey than gold. He was also taller than the average collie and with a deeper chest. He seemed to be at least part German Shepherd.

It was winter when he came and we kept him in the house, where he slept behind the stove in a box lined with an old coat. Our other dogs slept mostly in the stables or outside in the lees of woodpiles or under porches or curled up on the banking of the house. We seemed to care more for him because he was smaller and it was winter and he was somehow like a visitor; and also because more was expected of him and also perhaps because we had paid money for him and thought about his coming for some time – like a “planned” child. Sceptical neighbours and relatives who thought the idea of paying money for a dog was rather exotic or frivolous would ask: “Is that your Ontario dog?” or “Do you think your Ontario dog will be any good?”

He turned out to be no good at all, and no one knew why. Perhaps it was because of the suspected German Shepherd blood. But he could not “get the hang of it.” Although we worked him and trained him as we had other dogs, he seemed always to bring panic instead of order and to make things worse instead of better. He became a “head dog,” which meant that instead of working behind the cattle he lunged at their heads,
impeding them from any forward motion and causing them to turn in endless, meaningless bewildered circles. On the few occasions when he did go behind them, he was “rough,” which meant that instead of being a floating, nipping, suggestive presence, he actually bit them and caused them to gallop, which was another sin. Sometimes in the summer the milk cows suffering from his misunderstood pursuit would jam pell mell into the stable, tossing their wide horns in fear, and with their great sides heaving and perspiring while down their legs and tails the wasted milk ran in rivulets mingling with the blood caused by his slashing wounds. He was, it was said, “worse than nothing.”

Gradually everyone despaired, although he continued to grow grey and golden and was, as everyone agreed, a “beautiful-looking dog.”

He was also tremendously strong, and in the winter months I would hitch him to a sleigh, which he pulled easily and willingly on almost any kind of surface. When he was harnessed I used to put a collar around his neck and attach a light line to it so that I might have some minimum control over him, but it was hardly ever needed. He would pull home the Christmas tree or the bag of flour or the deer which was shot far back in the woods; and when we visited our winter snares he would pull home the gunny sacks which contained the partridges and rabbits which we gathered. He would also pull us, especially on the flat windswept stretches of land beside the sea. There the snow was never really deep and the water that oozed from a series of freshwater springs and ponds contributed to a glaze of ice and crisply crusted snow which the sleigh runners seemed to sing over without ever breaking through. He would begin with an easy
lope and then increase his swiftness until both he and the sleigh seemed to touch the surface at only irregular intervals. He would stretch out then with his ears flattened against his head and his shoulders bunching and contracting in the rhythm of his speed. Behind him on the sleigh we would cling tenaciously to the wooden slats as the particles of ice and snow dislodged by his nails hurtled towards our faces. We would avert our heads and close our eyes and the wind stung so sharply that the difference between freezing and burning could not be known. He would do that until late in the afternoon when it was time to return home and begin our chores.

On the sunny winter Sunday that I am thinking of, I planned to visit my snares. There seemed no other children around that afternoon, and the adults were expecting relatives. I harnessed the dog to the sleigh, opened the door of the house and shouted that I was going to look at my snares. We began to climb the hill behind the house on our way to the woods when we looked back and out toward the sea. The “big ice,” which was what we called the major pack of drift ice, was in solidly against the shore and stretched out beyond the range of vision. It had not been “in” yesterday, although for the past weeks we had seen it moving offshore, sometimes close and sometimes distant, depending on the winds and tides. The coming of the big ice marked the official beginning of the coldest part of winter. It was mostly drift ice from the Arctic and Labrador, although some of it was freshwater ice from the estuary of the St. Lawrence. It drifted down with the dropping temperatures, bringing its own mysterious coldness and stretching for hundreds of miles in craters and pans, sometimes in grotesque
shapes and sometimes in dazzling architectural forms. It was blue and white and sometimes grey and at other times a dazzling emerald green.

The dog and I changed our direction toward the sea, to find what the ice might yield. Our land had always been beside the sea and we had always gone toward it to find newness and the extraordinary; and over the years we, as others along the coast, had found quite a lot, although never the pirate chests of gold that were supposed to abound, or the reasons for the mysterious lights that our elders still spoke of and persisted in seeing. But kegs of rum had washed up, and sometimes bloated horses and various fishing paraphernalia and valuable timber and furniture from foundered ships. The door of my room was apparently the galley door from a ship called the
Judith Franklin
which was wrecked during the early winter in which my great-grandfather was building his house. My grandfather told of how they had heard the cries and seen the lights as the ship neared the rocks, and of how they had run down in the dark and tossed lines to the people while tying themselves to trees on the shore. All were saved, including women clinging to small children. The next day the builders of the new house went down to the shore and salvaged what they could from the wreckage of the vanquished ship. A sort of symbolic marriage of the new and the old: doors and shelving, stairways, hatches, wooden chests and trunks and various glass figurines and lanterns which were miraculously never broken.

People came too. The dead as well as the living. Bodies of men swept overboard and reported lost at sea, and the bodies of men still crouched within the shelter of their boats’ broken
bows. And sometimes in late winter young sealers who had quit their vessels would walk across the ice and come to our doors. They were usually very young – some still in their teens – and had signed on for jobs they could not or no longer wished to handle. They were often disoriented and did not know where they were, only that they had seen land and had decided to walk toward it. They were often frostbitten and with little money and uncertain as to how they might get to Halifax. The dog and I walked toward the ice upon the sea.

Sometimes it was hard to “get on” the ice, which meant that at the point where the pack met the shore there might be open water or irregularities caused by the indentations of the coastline or the workings of the tides and currents, but for us on that day there was no difficulty at all. We were “on” easily and effortlessly and enthusiastic about our new adventure. For the first mile there was nothing but the vastness of the white expanse. We came to a clear stretch where the ice was as smooth and unruffled as that of an indoor arena and I knelt on the sleigh while the dog loped easily along. Gradually the ice changed to an uneven terrain of pressure ridges and hummocks, making it impossible to ride farther; and then suddenly, upon rounding a hummock, I saw the perfect seal. At first I thought it was alive, as did the dog, who stopped so suddenly in his tracks that the sleigh almost collided with his legs. The hackles on the back of his neck rose and he growled in the dangerous way he was beginning to develop. But the seal was dead, yet facing us in a frozen perfection that was difficult to believe. There was a light powder of snow over its darker coat and a delicate rime of frost still formed the outline of its whiskers. Its eyes were wide open
and it stared straight ahead towards the land. Even now in memory it seems more real than reality – as if it were transformed by frozen art into something more arresting than life itself. The way the sudden seal in the museum exhibit freezes your eyes with the touch of truth. Immediately I wanted to take it home.

It was frozen solidly in a base of ice, so I began to look for something that might serve as a pry. I let the dog out of his harness and hung the sleigh and harness on top of the hummock to mark the place and began my search. Some distance away I found a pole about twelve feet long. It is always surprising to find such things on the ice field but they are, often amazingly, there, almost in the same way that you might find a pole floating in the summer ocean. Unpredictable but possible. I took the pole back and began my work. The dog went off on explorations of his own.

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