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Authors: Toni Morrison

Jazz (9 page)

BOOK: Jazz
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Alice slammed the pressing iron down. “You don’t know what loss is,” she said, and listened as closely to what she was saying as did the woman sitting by her ironing board in a hat in the morning.

         

T
he hat, pushed back on her forehead, gave Violet a scatty look. The calming effect of the tea Alice Manfred had given her did not last long. Afterward she sat in the drugstore sucking malt through a straw wondering who on earth that other Violet was that walked about the City in her skin; peeped out through her eyes and saw other things. Where she saw a lonesome chair left like an orphan in a park strip facing the river that other Violet saw how the ice skim gave the railing’s black poles a weapony glint. Where she, last in line at the car stop, noticed a child’s cold wrist jutting out of a too-short, hand-me-down coat,
that
Violet slammed past a whitewoman into the seat of a trolley four minutes late. And if she turned away from faces looking past her through restaurant windows,
that
Violet heard the clack of the plate glass in mean March wind. She forgot which way to turn the key in the lock;
that
Violet not only knew the knife was in the parrot’s cage and not in the kitchen drawer,
that
Violet remembered what she did not: scraping marble from the parrot’s claws and beak weeks ago. She had been looking for that knife for a month. Couldn’t for the life of her think what she’d done with it. But
that
Violet knew and went right to it. Knew too where the funeral was going on, although it could not have been but one of two places, come to think of it. Still,
that
Violet knew which of the two, and the right time to get there. Just before the closing of the casket, when the people who were going to faint fainted and the women in white dresses were fanning them. And the ushers, young men the same age as the deceased—from the dead girl’s junior high school class, with freshly barbered heads and ghost-white gloves—gathered; first in a tight knot of six and then separated into two lines of three, they moved down the aisle from the back where they had assembled and surrounded the bier. They were the ones
that
Violet had to push aside, elbow her way into. And they did. Step aside, thinking maybe this was some last-minute love desperate to make itself known before it couldn’t see and might forget the sleeping face it treasured. The ushers saw the knife before she did. Before she knew what was going on, the boy ushers’ hard hands—knuckle-tough from marbles and steelies, from snowballs packed to bullet strength, from years of sticks sending hardballs over the hoods of motor cars, into lots with high fences and even into the open windows as well as the closed of people living four floors up, hands that had held the boys’ whole body weight from the iron railings of El bridges—these hands were reaching toward the blade she had not seen for a month at least and was surprised to see now aimed at the girl’s haughty, secret face.

It bounced off, making a little dent under her earlobe, like a fold in the skin that was hardly a disfigurement at all. She could have left it at that: the fold under the earlobe, but
that
Violet, unsatisfied, fought with the hard-handed usher boys and was time enough for them, almost. They had to forget right away that this was a fifty-year-old woman in a fur-collared coat and a hat pulled down so far over her right eye it was a wonder she saw the door to the church not to speak of the right place to aim her knife. They had to abandon the teachings they had had all their lives about the respect due their elders. Lessons learned from the old folks whose milky-light eyes watched everything they did, commented on it, and told each other what it was. Lessons they had learned from the younger old folks (like her) who could be their auntie, their grandmother, their mother, or their mother’s best friend, who not only could tell on them, but could tell them; could stop them cold with a word, with a “Cut that mess out!” shouted from any window, doorway or street curb in a two-block radius. And they would cut it out, or take it downstairs behind the trunks, or off in a neglected park, or better still, in the shadow of the El where no lights lit what these women did not allow, don’t care whose child it was. But they did it nevertheless. Forgot the lessons of a lifetime, and concentrated on the wide, shining blade, because who knew? Maybe she had more than one cutting in mind. Or maybe they could see themselves hangdog at the dinner table trying to explain to these same women or even, Jesus! the men, the fathers and uncles, and grown cousins, friends and neighbors, why they had just stood there like streetlights and let this woman in a fur-collared coat make fools of them and ruin the honorable job they had worn white gloves for. They had to wrestle her to the floor before she let go. And the sound that came from her mouth belonged to something wearing a pelt instead of a coat.

By then the usher boys were joined by frowning men, who carried
that
kicking, growling Violet out while she looked on in amazement. She had not been that strong since Virginia, since she loaded hay and handled the mule wagon like a full-grown man. But twenty years doing hair in the City had softened her arms and melted the shield that once covered her palms and fingers. Like shoes taking away the tough leather her bare feet had grown, the City took away the back and arm power she used to boast of. A power
that
Violet had not lost because she gave the usher boys, and the grown men too, a serious time.

That
Violet should not have let the parrot go. He forgot how to fly and just trembled on the sill, but when she ran home from the funeral, having been literally thrown out by the hard-handed boys and the frowning men, “I love you” was exactly what neither she nor
that
Violet could bear to hear. She tried not to look at him as she paced the rooms, but the parrot saw her and squawked a weak “Love you” through the pane.

Joe, who had been missing since New Year’s Day, did not come home that night or the next for her black-eyed peas. Gistan and Stuck came by to ask for him, to say they couldn’t play cards Friday and to linger with embarrassment in the hall while Violet stared at them. So she knew the parrot was there because she kept going up and down the stairs from her apartment door to the front door to see if Joe was coming down the street. At two in the morning, again at four, she made the trip, peered out into the dark street, solitary except for a pair of police and cats peeing in the snow. The parrot, shivering and barely turning his green and blond head, told her each time, “Love you.”

“Get away,” she told him. “Go on off somewhere!”

The second morning he had. All she saw, down in the cellar well beneath the stoop, was a light yellow feather with a tip of green. And she had never named him. Had called him “my parrot” all these years. “My parrot.” “Love you.” “Love you.” Did the dogs get him? Did some night-walking man snatch him up and take him to a house that did not feature mirrors or keep a supply of ginger cookies for him? Or did he get the message—that she said, “My parrot” and he said, “Love you,” and she had never said it back or even taken the trouble to name him—and manage somehow to fly away on wings that had not soared for six years. Wings grown stiff from disuse and dull in the bulb light of an apartment with no view to speak of.

The malted was gone and although her stomach seemed about to lose its stitching, she ordered another and took it over behind the secondhand magazine rack to one of the little tables that Duggie had placed there against the law that said if he did it, it made the place a restaurant. There she could sit and watch the foam disappear, the scoops of ice cream lose their ridges and turn to soft, glistening balls like soap bars left in a dishpan full of water.

She had meant to bring a package of Dr. Dee’s Nerve and Flesh Builder to stir into the malted milkshake, because the milkshakes alone didn’t seem to be doing any good. The hips she came here with were gone, too, just like the power in her back and arms. Maybe
that
Violet, the one who knew where the butcher knife was and was strong enough to use it, had the hips she had lost. But if
that
Violet was strong and had hips, why was she proud of trying to kill a dead girl, and she was proud. Whenever she thought about
that
Violet, and what
that
Violet saw through her own eyes, she knew there was no shame there, no disgust. That was hers alone, so she hid behind the rack at one of Duggie’s little illegal tables and played with the straw in a chocolate malt. She could have been eighteen herself, just like the girl at the magazine rack, reading
Collier’s
and playing for time in the drugstore. Did Dorcas, when she was alive, like
Collier’s? Liberty Magazine?
Did the blonde ladies with shingled hair capture her? Did the men in golf shoes and V-neck sweaters? How could they if she found herself stuck on a man old enough to be her father? A man who carried not a golf club but a sample case of Cleopatra products. A man whose handkerchiefs were not lightweight cotton poking from his jacket pocket, but red and large and spotted with white dots. Did he ask her to warm with her own body his spot in the bed on cold winter nights before he slid in? Or did he do it for her? He probably let her put her spoon into his pint of cream and scoop off the melty part, and when they sat in the dark of the Lincoln Theater he wouldn’t mind a bit if she stuck her hand down in his box of popcorn and came up with a fistful of it the sonofabitch. And when “Wings Over Jordan” came on he probably turned the volume down so he could hear her when she sang along with the choir, instead of up so as to drown out her rendition of “Lay my body down.” Turned, too, his jaw to the light of the bulb so she could press out between her thumbnails the hair root caught in a pore the dog. And another damn thing. (The malt was soup now, smooth and cold.) The twenty-five-dollar bonus prize of a blue-shaded boudoir lamp or an orchid-colored satinlike ladies’ robe that he won and was due to him for having sold all that merchandise in one month—did he give that to her the heifer? Take her to Indigo on Saturday and sit way back so they could hear the music wide and be in the dark at the same time, at one of those round tables with a slick black top and a tablecloth of pure white on it, drinking rough gin with that sweet red stuff in it so it looked like soda pop, which a girl like her ought to have ordered instead of liquor she could sip from the edge of a glass wider at the mouth than at its base, with a tiny stem like a flower in between while her hand, the one that wasn’t holding the glass shaped like a flower, was under the table drumming out the rhythm on the inside of his thigh, his thigh, his thigh, thigh, thigh, and he bought her underwear with stitching done to look like rosebuds and violets,
VIOLETS
, don’t you know, and she wore it for him thin as it was and too cold for a room that couldn’t count on a radiator to work through the afternoon, while I was where? Sliding on ice trying to get to somebody’s kitchen to do their hair? Huddled in a doorway out of the wind waiting for the trolley? Wherever it was, it was cold and I was cold and nobody had got into the bed sheets early to warm up a spot for me or reached around my shoulders to pull the quilt up under my neck or even my ears because it got that cold sometimes it did and maybe that is why the butcher knife struck the neckline just by the earlobe. That’s why. And that’s why it took so much wrestling to get me down, keep me down and out of that coffin where she was the heifer who took what was mine, what I chose, picked out and determined to have and hold on to, NO!
that
Violet is not somebody walking round town, up and down the streets wearing my skin and using my eyes shit no
that
Violet is me! The me that hauled hay in Virginia and handled a four-mule team in the brace. I have stood in cane fields in the middle of the night when the sound of it rustling hid the slither of the snakes and I stood still waiting for him and not stirring a speck in case he was near and I would miss him, and damn the snakes my man was coming for me and who or what was going to keep me from him? Plenty times, plenty times I have carried the welts given me by a two-tone peckerwood because I was late in the field row the next morning. Plenty times, plenty, I chopped twice the wood that was needed into short logs and kindlin so as to make sure the crackers had enough and wouldn’t go hollering for me when I was bound to meet my Joe Trace don’t care what, and do what you will or may he was my Joe Trace. Mine. I picked him out from all the others wasn’t nobody like Joe he make anybody stand in cane in the middle of the night; make any woman dream about him in the daytime so hard she miss the rut and have to work hard to get the mules back on the track. Any woman, not just me. Maybe that is what she saw. Not the fifty-year-old man toting a sample case, but my Joe Trace, my Virginia Joe Trace who carried a light inside him, whose shoulders were razor sharp and who looked at me with two-color eyes and never saw anybody else. Could she have looked at him and seen that? Under the table at the Indigo was she drumming on a thigh soft as a baby’s but feeling all the while the way it used to be skin so tight it almost split and let the iron muscle through? Did she feel that, know that? That and other things, things I should have known and didn’t? Secret things kept hidden from me or things I didn’t notice? Is that why he let her scoop the melty part from around the edges of his pint of ice cream, stick her hand down in his salt-and-butter popcorn. What did she see, young girl like that, barely out of high school, with unbraided hair, lip rouge for the first time and high-heeled shoes? And also what did he? A young me with high-yellow skin instead of black? A young me with long wavy hair instead of short? Or a not me at all. A me he was loving in Virginia because that girl Dorcas wasn’t around there anywhere. Was that it? Who was it? Who was he thinking of when he ran in the dark to meet me in the cane field? Somebody golden, like my own golden boy, who I never ever saw but who tore up my girlhood as surely as if we’d been the best of lovers? Help me God help me if that was it, because I knew him and loved him better than anybody except True Belle who is the one made me crazy about him in the first place. Is that what happened? Standing in the cane, he was trying to catch a girl he was yet to see, but his heart knew all about, and me, holding on to him but wishing he was the golden boy I never saw either. Which means from the very beginning I was a substitute and so was he.

BOOK: Jazz
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