John Adams - SA (49 page)

Beneath the polite English surface lay burning animosity, surmised Abigail, who, like John, felt she was taking part in an elaborate stage play.

*   *   *

UNTIL A SUITABLE HOUSE could be found, the three Adamses were residing in the Bath Hotel in Piccadilly, where, after the quiet of Auteuil, the noise of the streets seemed horrendous. Abigail hated the thought of having to hire servants again and making the necessary domestic arrangements on her own. “I cannot bear to trouble Mr. Adams with anything of a domestic kind, who from morning until evening has sufficient to occupy all his time,” she wrote to her sister Mary. Still, she delighted in being once more where her own language was spoken. A performance of Handel's Messiah at Westminster Abbey was “sublime beyond description,” she wrote to Jefferson. “I most sincerely wished for your presence, as your favorite passion would have received the highest gratification. I should have sometimes fancied myself amongst the higher order of beings.”

Three weeks after Adams's private audience with the King came the Queen's circle, or “drawing room.” This time all three of the family were to attend, as well as Colonel William Stephens Smith of New York, who had been appointed by Congress as secretary of the American legation and was also newly arrived in London. Smith had served with distinction in the Continental Army. At the battle of Long Island he had made the night withdrawal across the East River and later served on Washington's staff. He was a graduate of the college at Princeton and, with his soldierly carriage and dark good looks, made a handsome addition to the group.

Days were consumed in preparation. She must look “elegant but plain as I could possibly appear with decency,” Abigail instructed her dressmaker. The dress she wore was of white silk trimmed with white crepe and lilac ribbon, over an enormous hoop. “A very dress cap with long lace lappets, two white plumes and a blonde lace handkerchief; this is my rigging,” she informed Mary in high spirits. “I should have mentioned two pearl pins in my hair, earrings and necklace of the same kind.” Nabby's attire, too, was in white, only with a petticoat, “the most showy part,” and included a cap with three immense feathers.

Mother and daughter had seldom if ever looked so glorious. “Thus equipped we go in our own carriage,” wrote Abigail.” But I must quit my pen to put myself in order for the ceremony which begins at two o'clock.”

“Congratulate me, my dear sister, it is over,” she commenced the next installment, settling in to describe in detail and with wry humor all that had transpired, and leaving little doubt as to what she thought of such business overall, or whether she was capable of meeting the test, even if it meant four hours on her feet.

Of the English novelists, Abigail was especially fond of Samuel Richardson, whose popular works,
Pamela
and
Clarissa
, were tales told through the device of extended letters. Richardson, “master of the human heart,” had “done more towards embellishing the present age, and teaching them the talent of letter-writing, than any other modern I can name.” That her own outpouring of letters was influenced by Richardson, Abigail would have readily agreed. In Richardson's hands events unfolded in letters written “to the moment,” as things happened. “My letters to you,” she would tell Mary, “are first thoughts, without correction.”

At the palace the Adamses were escorted to a large drawing room, where two hundred selected guests, including foreign diplomats and their wives, were arranged in a large circle. “The King enters the room and goes round to the right, the Queen and princesses to the left,” Abigail began her account for Mary.

Only think of the task the royal family have, to go round to every person and find small talk enough to speak to all of them. Though they very prudently speak in a whisper, so that only the person who stands next can hear what is said.... The Lord in Waiting presents you to the King and the Lady in Waiting does the same to Her Majesty. The King is a personable man, but my dear sister, he has a certain countenance which you and I have often remarked, a red face and white eyebrows.... When he came to me, Lord Onslow
[Arthur Onslow, lord of the royal bedchamber]
said, “Mrs. Adams,” upon which I drew off my right glove and His Majesty saluted my left cheek, then asked me if I had taken a walk today. I could have told His Majesty that I had been all morning preparing to wait upon him, but I replied, “No, Sire.” “Why, don't you love walking?” says he. I answered that I was rather indolent in that respect. He then bowed and passed on. It was more than two hours after this before it came my turn to be presented to the Queen. The circle was so large that the company were four hours standing. The Queen was evidently embarrassed when I was presented to her. I had disagreeable feelings, too. She, however, said, “Mrs. Adams, have you got your house? Pray how do you like the situation of it?” Whilst the Princess Royal
[Charlotte Augusta Matilda, the oldest daughter of George III and Queen Charlotte]
looked compassionate, and asked me if I was much fatigued, and observed that it was a very full drawing room. Her sister who came next, Princess Augusta, after having asked your niece if she was ever in England before, and her answering, “Yes,” inquired me how long ago, and supposed it was when she was very young. And all this is said with much affability and ease and freedom of old acquaintance.

The two princesses were quite pretty, “well shaped,” “heads full of diamonds.” Queen Charlotte, however, was neither pretty nor well shaped, and on the whole, Abigail told Mary, the ladies of the Court were “very plain, ill-shaped, and ugly, but don't tell anybody that I say so.”

All things considered, the royal family was surprisingly affable, but certainly the life they led was not to be envied. Nor should anyone imagine that Abigail remained anything other than herself: “I could not help reflecting with myself during the ceremony, what a fool I do look like to be thus accoutered and stand for four hours together, only to be spoken to by ‘royalty.’ ”

*   *   *

THE SUITABLE HOUSE was found and, their furniture having arrived from France, the family moved to the quiet of Grosvenor Square in the West End. The tree-shaded square with its neat gravel walks covered five acres—exactly the size of the garden at Auteuil—and was framed by elegant town houses belonging to a number of London's most eminent citizens, including Lord Carmarthen.

The house the Adamses rented—what became the first American legation in London—was No. 8, at the northeast corner. The front entrance opened onto a large hall. There was a dining room spacious enough for entertaining on the first floor and another ample room that Adams made his office for public business. Drawing room and library were on the floor above, bedrooms on the third floor. The kitchen was in the English basement, and a stable was to the rear. Once the servants were hired and in place “below stairs,” the staff consisted of Esther Field, now elevated to lady's maid, a butler, a housemaid, a cook, a kitchen maid, two footmen (one of whom was John Briesler), and a coachman. This made a total of eight, as at Auteuil, and again Abigail would have preferred fewer who worked harder. Adams, after several weeks in residence, allowed that after so long in France he was “not so pleased” with English cookery.

But these were quibbles. The house suited perfectly. For Adams the location was ideal. Abigail had a small room of her own with a view of the square, a place to write and be alone with her thoughts, and to Nabby, it was all a decided improvement over Auteuil. “We shall live more as if we were part of the world,” she wrote to John Quincy.

That “world”—London of the 1780s—was a city grown all out of proportion, with nearly a million souls. Though a city still of “smoke and damp,” in Adams's words, it was an appreciably cleaner, healthier, less violent place than it had been earlier in the century. It was both the political capital of Britain and the center of manufacturing, finance, and trade. The Thames, its foul, mud-colored main artery and portal to the world, carried more traffic than any river in Europe. One had only to stand on any London bridge, said a guidebook, to see fleets of ships “carrying away the manufactures of Britain and bringing back the produce of the whole earth,” a spectacle illustrating Adams's chief concern as ambassador, since none was American.

The great dome of St. Paul's Cathedral rose high above what seemed a forest of towers, turrets, and church spires, very unlike the skyline of Paris. A thousand hackneys plied the streets, and innumerable sedan chairs, each propelled by four strong men, usually Irish, who could shout and muscle their way through traffic faster than the hackneys. All was “tumult and hurry,” just as portrayed in English novels. Bond Street shops were thought superior to those of Paris. London coffeehouses, taverns, theaters, and concert halls surpassed anything of the kind elsewhere in the British empire, and for the young and aspiring, London remained the great magnet. Exhilaration of the kind voiced by young James Boswell of Edinburgh upon seeing the city for the first time in 1762 was felt still by thousands who kept coming from the hinterlands. In London was to be found the full tide of human existence, Boswell's hero, Samuel Johnson, had said, declaring famously, “When a man is tired of London, he is tired of life.”

The extravagance of the ruling class was notorious. At such exclusive clubs as Brooks or Boodles on St. James's Street, fortunes were reputedly gambled away at the turn of a card, and, nightly, young men drank themselves into a stupor. This was not quite true, but the stories would never die, and the clothes, carriages, the sheer weight of gold braid on the livery of servants, left little doubt as to how vast was the wealth of the wealthiest. Yet, as the Adamses found, one could hardly go anywhere without encountering such spectacles of poverty and misery as to tear at the heart—people in tatters, hunger and suffering in their faces, as Abigail wrote. And who was to answer for the wretched victims “who are weekly sacrificed upon the gallows in numbers sufficient to astonish a civilized people?” Compounding her sorrow was the realization that every night and in all weather abandoned children by the hundreds slept beneath the bushes and trees of nearby Hyde Park.

The English historian and novelist Tobias Smollett had written of the inevitable distrust felt by every visitor to London, the underlying fear of being taken. For his part, Adams was determined to be neither stingy nor a fool. Approached by the representative of a group known as His Majesty's Royal Bell Ringers, who asked that he share some of his “honorable bounty” and said two guineas were customary, Adams gave the man one guinea and said he would look into what was customary.

James Boswell could still be seen on occasion holding forth at the Globe Tavern on Fleet Street; the novelist Fanny Burney was soon to become a lady in waiting to Queen Charlotte; Richard Brinsley Sheridan was still part owner and manager of the famous Drury Lane Theater. But the giants of London's literary world, authors to whom the Adamses were devoted—Richardson, Sterne, Smollett, Samuel Johnson—were all dead and gone. And so, too, was Hogarth. The reigning artists were the rivals Thomas Gainsborough and Joshua Reynolds and the American Benjamin West, who did elegant portraits and historical scenes, rather than graphic renditions of the dark side of London life.

As much as anything, it was a city of entertainments, and this to Abigail was its saving grace. She joked about seeing a “learned pig, dancing dogs, and a little hare that beats a drum,” amusements fit for children; but she openly enjoyed them and with Nabby went more than once to Sadler's Wells music hall, to delight in the “wonderful feats” of a troupe of tumblers.

The three Adamses went often to the theater, and to Ranelagh Gardens in Chelsea, where, in company with fashionable London society, they strolled garden paths, sipped imperial tea, listened to music, or gazed at paintings within an immense gilded rotunda. Smollett had described Ranelagh as looking like “the enchanted palace of a genie... crowded with the great, the rich, the gay, the happy and the fair.” To Abigail, the “fair” on display were more stunning by far than any to be seen at Court.

Pleased to be in a Protestant country once more, the family attended church regularly, riding to the village of Hackney to hear the celebrated liberal preacher and champion of America, Richard Price, who was to become a valued friend. Once, for no reason other than intellectual curiosity, Adams rode to Windsor to call on the famous English astronomer Sir William Herschel, whose crowning achievement had been the discovery of the planet Uranus. Greeting Adams affably, Herschel was delighted to talk of his work, and Adams returned to Grosvenor Square elated. Nabby recorded that she had never known her father so gratified by a visit of any kind.

But neither the Reverend Price's friendship nor William Herschel's reception was representative. With the exception of tradesmen and a few officials of the government, the British overall were decidedly cool toward the new American minister and his family—perfunctory, but no more. And they did stare as Adams had worried they would, and not in a friendly way. “The English may call the French starers,” wrote Nabby to John Quincy, “but I never saw so little civility and politeness in a stare in France as I have here.” To Jefferson, with whom she had commenced regular correspondence, Abigail described the atmosphere as “not the pleasantest in the world.” In truth, the American minister and his family were being pointedly ignored.

Their “society” was confined almost entirely to other Americans living in London, or to such openly avowed friends of America as Richard Price. A few of the Americans were acquaintances from Boston, like the aspiring young architect Charles Bulfinch. Jefferson's aide, William Short, came on errands from Paris, and the duplicitous Dr. Edward Bancroft showed up, affable as always. Whether Bancroft was serving still as a spy for the British government is not known, though in all likelihood he was.

Friendliest and most helpful were the American painters Benjamin West and John Singleton Copley, who introduced the family to their proteges, young Mather Brown of Boston and John Trumbull of Connecticut, a veteran of the Revolution. A rage for painters and painting had seized the household, Nabby reported excitedly to John Quincy, after Mather Brown set up his easel at Grosvenor Square to do portraits of all three of the Adamses. Her delight was extreme. (The young man was so striking-looking as to be commonly spoken of as “handsome young Brown,” as though that were his name.) Brown's portrait of her was quite “tasty,” she thought. Wearing a wide-brimmed hat with ribbons and feather, she sat with her hands in her lap, looking directly ahead, a lovely, poised, somewhat wistful young woman at the threshold of adulthood. Her father was charmed, it was “her exactly,” he said.